“Blaxicans of LA” challenges racial binaries and unpacks the complexities of intersectional identity

Posted in Articles, Arts, Campus Life, Latino Studies, Media Archive, United States on 2017-04-07 00:55Z by Steven

“Blaxicans of LA” challenges racial binaries and unpacks the complexities of intersectional identity

The Occidental Weekly
Los Angeles, California
2017-04-04

Mallory Leeper


Photograph by Walter Thompson-Hernández

Walter Thompson-Hernández, multimedia journalist and current doctoral student at UCLA, visited Occidental College Monday, March 27 to discuss his research, which aims to bridge the gap between academia and photography and popular culture. Thompson-Hernandez’s lecture explored the historical framework of brown and black relations including anti-black sentiments within the Latinx community. Thompson-Hernández sought to highlight the experiences of Angelenos facing issues of racial classification and assumed singular ethnic identity.

The Latino/a & Latin American Studies department at Occidental College and the Institute for the Study of Los Angeles (ISLA) co-sponsored the Blaxicans of LA lecture in Fowler 202. As a part of their spring speaker series, Professor Raul Villa, department chair, explained that the event is a part of an educational and promotional campaign to bring awareness about the stdy of Latinxs across the hemisphere to Occidental. According to Villa, Latinx representation is an important component in a global education.

Three years ago, Thompson-Hernández started the Instagram page Blaxicans of LA to address the complexity of intersectional experiences — especially those of “Blaxican,” a combination of African and Mexican heritage…

Read the entire article here.

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How I Got Over: ‘One Drop of Love’ Performance and Conversation

Posted in Arts, Census/Demographics, History, Live Events, Media Archive, Social Justice, United States on 2017-04-06 02:09Z by Steven

How I Got Over: ‘One Drop of Love’ Performance and Conversation

The Greene Space
44 Charlton Street (corner of Varick Street), New York, New York
Thursday, 2017-04-06, 19:00 EDT (Local Time)


One Drop of Love (Photo by David Scarcliff)

Join us for a special presentation of “One Drop of Love,” a multimedia solo performance that explores the intersections of race, class and gender in search of truth, justice and love.

Written and performed by Fanshen Cox DiGiovanni, the interactive show parallels the history of changing demographics in the U.S. with DiGiovanni’s own family history, traveling from the 1700s to the present.

The ultimate goal of the performance is to encourage the discussion of race and racism openly and critically, and to commit to making the world more liberated for all.

WNYC editor Rebecca Carroll hosts a post-performance conversation with DiGiovanni as part of The Greene Space’s ongoing How I Got Over series.

For more information, click here.

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Black Like Malcolm: Rewriting of Black Like Me (1961) in Soul Sister (1969)

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, United States on 2017-04-06 02:01Z by Steven

Black Like Malcolm: Rewriting of Black Like Me (1961) in Soul Sister (1969)

Criticism
Volume 58, Number 1, Winter 2016
pages 35-58

Martha J. Cutter, Professor of English and Africana Studies
University of Connecticut

Many students and scholars of American literature and history have heard of, if not read, John Howard Griffin’s Black Like Me (1961), the autobiographical account of a white reporter who takes medication to darken his skin and pass for black in the Jim Crow South in the late 1950s in order to investigate racial prejudice. When first published, Black Like Me was lauded as a powerful text about racial injustice and employed as a standard part of some high school curricula; the work also eventually was translated into fourteen languages, hit the best-seller list in England and France, and became a multimillion-copy best seller in the United States. Black Like Me has since fallen into critical disfavor and is rarely taught in high schools, yet some of my students still know the title and can recount the plot, and contemporary African American artists such as Glenn Ligon nevertheless make overt reference to it. Very few students and scholars are familiar with Grace Halsell’s underexamined and now out-of-print memoir Soul Sister (1969), a sort of sequel to Griffin’s more famous text, in which a white female reporter undergoes the same sort of transformation to pass for black. Yet Halsell’s text does more than parallel Griffin’s process of racial transformation—it also rewrites it. Griffin has been critiqued by (among others) literary critics such as Gayle Wald for portraying himself as the white protagonist of his own civil rights drama; according to Wald, Griffin’s book “largely fails to represent black people acting as social and political agents.” Through examination of the historical context in which both texts were written—the emergence of the Civil Rights and Black Power Movements—this essay demonstrates that Halsell attempts to revise Black Like Me’s focus on a portrait of black powerlessness, pathos, and lack of voice; she also uses her narrative to articulate a plural construct of black subjectivity that cannot be contained by her own experience of blackness, by her own racial passing.

Of course, eight years separate the publication of these texts, watershed years in which black political movements became both more prominent and more radicalized, especially after the assassination of Malcolm X in 1965 and Martin Luther King Jr. in 1968. Perhaps it is no surprise, then, that Halsell (writing in 1969) inserts a political context of social activism, civil rights, and ultimately black power. Yet both reporters mobilize political context (or a lack of political context) to further certain narrative goals that in the end result in divergent approaches to the concept of black political struggle, as well as the function and meaning of white racial passing. Griffin evacuates political context to focus on a portrait of black misery; in so doing, he forwards a static, monolithic conception of black identity as one of unchanging abjection. Halsell, on the other hand, fills her text with political debate and contradictory black political positions; she thus presents a multivalent representation of black political engagement while also probing racial formation itself. Each text therefore seeks to use the genre of the white-passing narrative to motivate readers toward social change, but this change is grounded in different subject positions articulated for the reader. Griffin’s narrative attempts to move his readers to action by portraying a picture of black victimization and misery, whereas Halsell’s endeavors to revolutionize her readers by depicting her own transition into black militancy. And while Griffin’s narrative invokes a mode of social activism present from the earliest days of the Abolition Movement—pity and supplication—Halsell portrays a mode of political activism in which the oppressed seize power and become agents of social change.

Most importantly, Halsell also portrays a white failure—ultimately—to speak for African Americans or even fully comprehend their struggle; at key junctures, her text instead turns back onto itself as an exploration of white racial privilege and power. Wald has noted that racial passing, in addition to signifying a manner of being seen “according to the technologies of vision…

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Japan Reborn: Mixed-Race Children, Eugenic Nationalism, and the Politics of Sex after World War II

Posted in Asian Diaspora, Dissertations, History, Media Archive, United States on 2017-04-06 01:29Z by Steven

Japan Reborn: Mixed-Race Children, Eugenic Nationalism, and the Politics of Sex after World War II

Columbia University
2015
DOI: 10.7916/D83F4NS4

Kristin A. Roebuck, ‎Mellon Postdoctoral Fellow in History
Cornell University, Ithaca, New York

In April 1952, Japan emerged from Allied occupation free, peaceful, and democratic.

Japan’s presses marked the occasion by declaring a state of crisis: the “konketsuji [mixed-blood children] crisis.” By all accounts, Allied soldiers had sired and abandoned two hundred thousand “mixed-blood” orphans in Japan. However, Chapter One reveals this to be a fabricated crisis or “moral panic.” Surveys found only a few thousand konketsuji nationwide, very few of them orphans. Yet these discoveries did little to change the tenor of “crisis.” Opposition politicians deployed wrath and fear over “blood mixing” to discredit the dominant Liberal Party and its alliance with the United States. They were abetted by an array of postwar activists who used the “crisis” to reconstruct Japanese nationalism, laid low by defeat and occupation, on a new basis: the “pure” race rather than the failed state.

Chapter Two explores how the panic over “blood mixing” inevitably embroiled not just children but women as well. Japanese women were subject to intense pressures to eschew sex and family formation with Western men, and to abort “mixed” fetuses on eugenic grounds rather than bear them to term. 1948 marked the beginning of the end of criminal prosecution of abortion in Japan. The law that inaugurated this shift, the Eugenic Protection Law (EPL), is generally viewed as an advancement in women’s rights, despite the fact that the EPL envisioned and promoted the use of abortion as a means of managing the “quality and quantity” of Japan’s population.

Scholarship on the links between eugenics and the decriminalization of abortion in Japan is vast, but scholars have yet to probe deeply into how eugenic abortion was applied to control—or forestall—“race mixing” after the war. Although it was politically impossible for the government to impose abortions outright on women who might be pregnant with the children of Japan’s conquerors, such women were nonetheless targeted for eugenic intervention. For these women, abortion was not an option granted in a liberal democracy concerned with women’s rights. Abortion was an imperative imposed by a diverse array of governmental and non-governmental actors united behind an ideology of “pure blood.”

Chapter Three explains how postwar scientific presses framed konketsuji born in the wake of World War II as an unprecedented presence. Geneticists, physical anthropologists, clinicians, and other researchers from the late 1940s through the 1970s deployed a “system of silences” to erase Japan’s prewar konketsuji community from view. They thereby not only constructed the Japanese as a racial community bounded by “pure blood,” but denied that the racialized nation ever had or ever could assimilate foreign elements. Scientific spokesmen effected the discursive purification of Japan despite resistance from “mixed-blood” adults who organized to contest the rising tide of racial nationalism. In the process, these scientists severely undercut the “mixed” community’s advocacy of a civically rather than biologically constituted nation.

Chapter Four contrasts the decline of race science and eugenics in the West with their efflorescence in postwar Japan, where conditions of occupation heightened the relevance of racial eugenics as a prescription for national unity and strength. It is well known that Anglophone genetics and physical anthropology were led at the mid-century by immigrants and minorities, prominently including Theodosius Dobzhansky and Ashley Montagu. Yet without comparative analysis, it is difficult to weigh the significance of this fact, or of the fact that minorities did not lead the Japanese sciences. Japanese geneticists and anthropologists who identified as having “pure Japanese blood” never questioned that biopolitical category or the costs it imposed on those it excluded.

I argue that who practiced science counts for much more than is allowed by objectivist narratives of self-correcting scientific “progress.” My project explains for the first time why racial nationalism and an ethos of ethnic cleansing triumphed in Japan at the very moment these forces receded in other contexts.

Embargoed until 2017-06-30.

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Beyond Black and White: The Identity Construction and Political Attitudes of Biracial Americans

Posted in Census/Demographics, Live Events, Media Archive, Politics/Public Policy, United States on 2017-04-05 20:19Z by Steven

Beyond Black and White: The Identity Construction and Political Attitudes of Biracial Americans

University of Hawaiʻi, Hilo
200 W. Kāwili Street
Hilo, Hawaiʻi 96720-4091
Student Services Center Room W-201
Friday, 2017-04-07, 17:00–19:00 HAST (Local Time)

Lauren D. Davenport, Assistant Professor of Political Science
Stanford University, Stanford, California

Free presentation on the broader social and political implications of the increasingly racially mixed American landscape, featuring guest lecturer Dr. Lauren Davenport, Professor of Political Science at Stanford University.

In what has been called “the greatest change in the measurement of race in the history of the United States” (Farley 2002: 33), Americans were allowed, for the first time, to self-identify with more than one race in the 2000 U.S. census. Since then, the U.S. multiple-race population has skyrocketed by 106%—more than 17 times the rate of growth of the single-race population. Individuals of mixed-race comprise the fastest-growing youth group in the nation, and an estimated 20 percent of Americans will identify with multiple racial groups by 2050. When it comes to multiple-race labeling, Hawaii is leading the charge: it is the state with the largest percentage of the population identifying as multiracial, by far.

In this presentation, Dr. Davenport draws upon a wealth of sources to address the following questions:

  • How do mixed-race Americans see themselves, socially, culturally, and politically?
  • What factors determine how someone of mixed-race parentage decides to racially self-identify?
  • What are the repercussions of these identities for the broader American political structure?
  • How do people of mixed-race approach racial policies, such as affirmative action, and social policies, such as same-sex marriage?
  • What do the increasing number of multiracial identifiers mean for the allocation of resources and benefits intended for minority populations?

For more information and to make reservations, click here.

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Student group IC Mixed discusses mixed-race experiences

Posted in Articles, Campus Life, Media Archive, United States on 2017-04-05 19:38Z by Steven

Student group IC Mixed discusses mixed-race experiences

The Ithacan
2017-04-04

Ashae Forsythe, Staff Writer


Sophomores Walt Martzen and Rianna Larkin listen intently to another IC Mixed member Feb. 22 in Friends Hall as they share personal stories of their multiracial backgrounds. Maxine Hansford/The Ithacan

In IC Mixed, if there’s one thing the students have in common, it’s that they can’t easily check one box for a race or ethnicity.

“When you can’t be put into a box, it causes inner turmoil for multiracial people themselves: ‘Where do I belong? I’m not this, I’m not that,’” said junior Luke Watkins, event coordinator for IC Mixed.

The new student organization creates spaces for people of mixed heritage to express their thoughts freely. Launched in February, IC Mixed aims to strengthen the sense of community among people who identify as mixed or multiracial through discussions, events and other programs…

Read the entire article here.

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Free People of Color in Slaveholding North Carolina: The Andersons of Granville County

Posted in Articles, History, Media Archive, Slavery, United States on 2017-04-03 02:27Z by Steven

Free People of Color in Slaveholding North Carolina: The Andersons of Granville County

Renegade South: Histories of Unconventional Southerners
2017-04-01

Vikki Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos


Map courtesy of Kianga Lucas.

Late last year, I was contacted by Raymont Hawkins-Jones, a descendant of a family I’d written about many years earlier: the Andersons of Granville County, North Carolina. The Andersons were one of the many fascinating free families of color that I’ve studied over the years, and I enjoyed learning more about their history from Raymont. Back in pre-internet 1992, pretty much everything I knew about my subjects was what I’d learned from records held at the North Carolina State Archives. Today, social media has enabled me to meet many of their descendants and to access additional records posted on the internet. The same digital revolution that stimulated me to create this blog also allows me to revisit my early topics of research and bring their stories up to date! (1)

The Andersons and the families with whom they intermarried belonged to a community of people defined by society as non-white, but who rarely appeared as slaves in North Carolina’s state and court records. As I’ve noted in earlier Renegade South essays about the mixed heritage communities of Gloucester County, Virginia, and the “Winton Triangle” of North Carolina, the lives of free people of color reveal far more complicated histories of racial identity and race relations than the broad images of “white freedom” and “black slavery” would suggest.

In fact, families such as the Andersons are central to understanding historical events that preceded and followed the institution of slavery, including colonization, the American Revolution, the Civil War and Reconstruction, the postwar rise of the Ku Klux Klan, and the New South era of white supremacy.

The very existence of free people of color, especially those in the South, threatened the growing institution of slavery. Southern whites especially feared their influence on slaves as the United States moved toward a Civil War generated by national conflicts over slavery. Determined to prevent free people of color from exercising full rights of citizenship and mobility, lawmakers increasingly policed their behavior through oppressive laws and customs…

Read the entire article here.

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Colin Kaepernick Saw This Coming

Posted in Articles, Media Archive, Social Justice, United States on 2017-04-03 02:09Z by Steven

Colin Kaepernick Saw This Coming

Complex
2017-03-30

Dria Roland


Image via USA Today Sports

In pop culture years, 2012 was ages ago. But try to remember. That was the year quarterback Alex Smith suffered a concussion in the first half of the Niners game against the Rams in Week 10, and a backup QB named Colin Kaepernick had to fill in. The game ended in a tie, the NFL’s first in four years. The next week Kaepernick started, and led the team to victory. And even after Smith was declared healthy, Kaepernick continued to start—and to win. A “quarterback controversy” brewed, but coach Harbaugh went with the guy “with the hot hand,” as they say.

With that, a star was born. A second-year, backup QB led the Niners all the way to Super Bowl XLVII, and even though the Ravens came out on top, all people could talk about was Kap. His spread in the ESPN Body Issue made women swoon all around the nation. He signed endorsement deals with Jaguar, Nike, Beats, and Electronic Arts. Feature stories were written about his tattoos, his pet tortoise named Sammy, his being a biracial kid adopted by white parents…

Read the entire article here.

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Black and Proud. Even if Strangers Can’t Tell.

Posted in Articles, Family/Parenting, Identity Development/Psychology, Media Archive, United States on 2017-04-02 16:20Z by Steven

Black and Proud. Even if Strangers Can’t Tell.

The New York Times
2017-04-01

Rebecca Carroll, Editor of Special Projects
WNYC, New York, New York


Rachel Levit

My 11-year-old is understated, but not shy. He likes to bake, loves video games, is loyal to his friends and, biased as I may be, is a pretty good-looking kid. He gets mad sometimes, though, that people don’t immediately register him as black. “You’re so lucky,” he said to me a few months ago. “People look at you and know that you are black.”

Being black in America has historically been determined by whether or not you look black to nonblack people. This keeps racism operational. Brown and black skin in this country can invite a broad and freewheeling range of bad behavior — from job discrimination to a child being shot dead in the street. For my son, though, being black in America is about more than his skin color. It’s about power, confidence, culture and belonging.

You inherit race, though. You don’t steal it. We’re reminded of this once again by Rachel Dolezal, the white woman who made national headlines in 2015 for claiming a black identity because she felt like it. She released a memoir last week…

…My son is not the only light-skinned, mixed or biracial person I know who identifies primarily as black. Increasingly, I have observed my adult peers and colleagues who fall into this category not merely identifying as black, but routinely pulling out the receipts to prove their blackness.

Some of this may have to do with what the brilliant Jordan Peele, who is also biracial and black, tapped into for the plot of his genre-redefining box office hit, “Get Out” — that it’s cool to be black right now, that we are trending…

Read the entire article here.

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Diversity doesn’t make racism magically disappear

Posted in Articles, Brazil, Caribbean/Latin America, Census/Demographics, Media Archive, Social Science, United States on 2017-04-02 15:52Z by Steven

Diversity doesn’t make racism magically disappear

The Guardian
2017-04-01

Daniel José Camacho
Duke Divinity School


‘Consider Brazil. There, white people are a minority – but are still dominant.’ Photograph: Brazil Photos/LightRocket via Getty Images

Some hope that changing demographics make us destined to be post-racial. It isn’t so simple

We can’t screw our way beyond racism. Many think mixed-race babies and browner demographics will automatically usher in a post-racial world. They interpret the projections of a “majority-minority” shift in our nation – now set to take place in 2044 – as a sign of guaranteed progress. Changing faces in the US are seen as anti-racist destiny. But don’t overestimate the power of this post-racial cocktail.

Jordan Peele’s brilliant film Get Out reminds me of the importance of questioning overly optimistic narratives of racial progress. Made by someone who has been open about being biracial and married to a white women, this film creatively uses the genre of horror to depict the persistence of racism through a story about an interracial couple. In many ways, it can be seen as a strident critique of a liberal brand of racism that has blossomed in the post-Obama era…

…If more mixed people guarantee greater tolerance, then Brazil – and most of Latin America – should be a racial paradise. Although a great degree of ‘mestizaje’ or racial mixing has taken place since the time of conquest, Indigenous and Afro-descendent people in Latin America remain disproportionately poor, discriminated against, and locked out from opportunity.

Sociologist Eduardo Bonilla-Silva, in his book Racism without Racists, has speculated whether the racial order in the US might eventually resemble that of Latin American and Caribbean nations. In this case, white supremacy and racial stratification will continue to operate in the US even as it becomes a “majority-minority” nation…

Read the entire article here.

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