Mixed Race Studies

The Land Baron’s Sun: The Story of Lý Loc and His Seven Wives

University of Louisiana at Lafayette Press
2014
108 pages
Paperback ISBN: 9781935754350

Genaro Kỳ Lý Smith, Professor of Creative Writing
Louisiana Tech University

The Land Baron’s Sun chronicles through poetry the life of Lý Loc, the son of an affluent Vietnamese landowner who was thought to own the sun by his children, wives, servants, and tenant farmers because it had always shone favorably upon him. Lý Loc lived just as prosperous a life, one in which he rose to the rank of major commander for the South Vietnamese Army and was attended to by seven wives who bore him twenty-seven children. On April 20, 1975, the day Saigon fell, fate took a cruel turn for Lý Loc, as the sun, a symbol of the divine love, refused to shine. His capture by the Việt Cộng and incarceration in a reeducation camp marked only the beginning of the sun recouping all that it had bestowed upon Lý Loc and his family. Smith’s poems delve into Lý Loc’s childhood and adult life, his years spent in the reeducation camp, and his wives’ and children’s fate—both in Vietnam and, for those who were fortunate enough to escape, in America. The poems expose the beauty and freedom of the human spirit and the lushness that was once Vietnam; likewise, they show the undeniable oppression of a country divided on itself and the struggle its people went through to survive.

Dispatch from the Floor of the Model Minority Factory

The Offing
2015-09-08

Lawrence-Minh Bùi Davis, Founder
The Asian American Literary Review

for Mimi

Hard work is a glue, and he worked longer hours than anybody I’d ever known, from doors opening to doors closing, 7 a.m. to 11 p.m. every summer day the Center was open, six and sometimes seven days a week, year after year after year. I liked him immediately. I used to call him the best boss I’d ever had. He was, for a long time. Frequently I’d close with him, and we’d sit around on top of those little kid-sized desks like two off-duty cops, exhausted and a little punchy, drinking cheap canned coffees he’d brought back from Taiwan for the staff. For reasons I wouldn’t figure out until much later, I saw in him someone I needed badly to be a good boss, a good person, someone I could be friends with, someone who could see a friend in me. I guess he saw a friend in me because I was always there, because he prized hard work over all else, because he prized my PhD-in-progress, and maybe too because he was lonely, even with his wife working beside him all those long hours. The immigrant work ethic fundamentally renders you lonely, even in the midst of fellow immigrants.

The work was private education, primarily prep classes for the Scholastic Aptitude Test, commonly known as the SAT, still the standard ticket for high school students of every race and region and class to gain access to American college education. The business was called Straight A Learning Center — owned and operated by Danny and his wife Ellen, who’d emigrated together from Taiwan in the early ‘90s. Straight A first opened its doors in 1998; I joined the Center in 2007, teaching a few classes that first summer, going full-time the next few summers, eventually going part-time bordering on full-time year-round.

Straight A came to offer a real future for me, money, security, and possibility of growth, as well as the opportunity to help young people from Asian American communities throughout Maryland’s Montgomery County and nearby northern Virginia. The Center promised a new kind of educational culture, and perhaps most importantly to me, because I’m Asian American myself, a way to support and give back to my communities.

But it all went wrong…

Read the entire article here.

With role in ‘The King and I,’ a mixed-race actress tries to finds her way

The Star Tribune
2017-02-23

Rebecca Ritzel, Theater critic

Matthew Murphy Manna Nichols and Kavin Panmeechao in Rodgers & Hammerstein’s The King and I.

Manna Nichols was still a student at Oklahoma City University when she was cast by a major American theater in a major musical- theater role.

That was four years ago, at Washington’s Arena Stage, and Nichols was playing Eliza Doolittle opposite the great Canadian actor Benedict Campbell, son of former Guthrie Theatre artistic director Douglas Campbell.

As a mixed-race actor of Chinese, Caucasian and American Indian descent, Nichols was thrilled to land a role that would typically go to a white woman. For better or worse, she’s since become a go-to actor for Asian-specific roles. In 2013, she played Kim in a touring “Miss Saigon” that drew protests at Ordway Center, and last summer she took on the part of Liat in the Guthrie staging of Rodgers and Hammerstein’s “South Pacific.”

Next week, Nichols returns to the Twin Cities in another canonical Asian role: She’s Tuptim, the King of Siam’s reluctant junior wife in the Lincoln Center touring production of “The King and I.” Rodgers and Hammerstein’s 1951 musical about a spunky 19th-century English teacher who disrupts the Siamese court opens Tuesday at the Orpheum in Minneapolis.

Nichols talked about what she has faced when it comes to race and casting, why she tried out for this show, which won a 2015 Tony for best revival, and what was special about the Guthrie’s “South Pacific.”…

Read the entire interview here.

Definitive Hapa Japan Books To Launch In LA

Kaya Press
Los Angeles, California
2017-02-15

Kaya Press is thrilled to announce the official publication of Hapa Japan: History Vol. 1 and Hapa Japan: History Vol. 2 edited by Duncan Ryūken Williams.

Described by Ruth Ozeki as “essential reading for all citizens of our transcultural, transnational, boundless, borderless, beautifully mixed-up world,” these volumes bring together scholarship on the rich historical and contemporary experiences and representations of global Hapa Japanese…

Read the entire press release here.

Hapa Japan: History (Volume 2)

Kaya Press
2017-02-28
400 pages
Paperback ISBN: 9781885030542

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI fathers and ostracism from Japanese society. Bringing together studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2) tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo public school to “Blasian” youth at the AmerAsian School close to a US military base in Okinawa, the Hapa experience is multiple, and its cultural representations accordingly are equally diverse. This anthology is the first publication to attempt to map this wide range of Hapa representations in film, art and society.

Hapa Japan: History (Volume 1)

Kaya Press
2017-02-28
500 pages
Paperback ISBN: 9781885030535

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The history and experiences of mixed-race Japan have long remained almost invisible in a country that believes in its own myths of homogeneity, despite a history that extends backwards to the 8th-century emperor Kammu Tenno (who was part Korean) through to Japan’s first female physician (part German) during the 19th century, and forward to the present day, when 1 of every 30 Japanese babies are born to families with one non-Japanese parent. Hapa Japan: History (Volume 1) is the first substantial collection of essays to survey the history of global mixed-race identities of persons of Japanese descent. Edited by Duncan Ryuken Williams, the founder of the Hapa Japan Database Project, this groundbreaking work unsettles binary and simplistic notions of race by making visible the complex lives of individuals often written out of history.

The fourth Critical Mixed Race Studies Conference celebrates the 50th anniversary of Loving v. Virginia

Critical Mixed Race Studies Association
2016-12-08

Laura Kina
Telephone: 773-325-4048; E-Mail: cmrsmixedrace@gmail.com

LOS ANGELES, CA – The fourth Critical Mixed Race Studies Conference, “Explorations in Trans (gender, gressions, migrations, racial) Fifty Years After Loving v. Virginia,” will bring together academics, activists, and artists from across the US and abroad to explore the latest developments in critical mixed race studies. The Conference will be held at The University of Southern California from February 24-26, 2017 at the USC Ronald Tutor Campus Center, 3607 Trousdale Parkway, Los Angeles, CA 90089 and is hosted by the Shinso Ito Center for Japanese Religions and Culture.

The conference will include over 50 panels, roundtables, and caucus sessions organized by the Critical Mixed Race Studies Association as well as feature film screenings and live performances organized by the non-profit Mixed Roots Stories. The conference is pleased to run concurrently with the Hapa Japan Festival February 22- 26, 2017.

The year 2017 marks the 50th anniversary of the 1967 Supreme Court decision in Loving v. Virginia, which declared interracial marriage legal. With a focus on the root word “Trans” this conference explores interracial encounters such as transpacific Asian migration, transnational migration from Latin America, transracial adoption, transracial/ethnic identity, the intersections of trans (gendered) and mixed race identity, and mixed race transgressions of race, citizenship, and nation…

Read the entire press release here. View the program guide here.

Hapa Japan Fest 2017

University of Southern California
Los Angeles, California
2017-02-22 through 2017-02-26

The Hapa Japan Festival celebrates mixed-race and mixed roots Japanese people and culture. Come join us at the Japanese American National Museum and the USC campus for film screenings documenting the story of mixed race Japanese people, rich conversations with Hapa cultural icons, jam sessions, and a gastoronomic experience to remember. Please also join us as we hear from lead thinkers of Hapa Japan (and critical mixed race) scholarship at the 3-day Critical Mixed Race Studies (CMRS) Conference which will be held in conjunction with the festival. This year’s conference explores issues in trans (gender, gressions, migrations, racial). For a full background on festival and conference participants, see our bios sections.

For more information, click here.

‘To be black doesn’t have to mean anything more than what I already am’

The Philadelphia Inquirer
2016-02-06

Sofiya Ballin, Staff Writer

Sonia Galiber, Director of Operations at Urban Creators Michael Bryant

For Black History Month, we’re exploring history and identity through the lens of joy. Black joy is the ability to love and celebrate black people and culture, despite the world dictating otherwise. Black joy is liberation.

Sonia Galiber, 25, Director of Operations
Philly Urban Creators, Philadelphia, Pennsylvania

My high school was pretty segregated. As a biracial kid, I didn’t know what to do. I wasn’t black enough or Asian enough. That’s when I developed an inferiority complex.

Throughout all of this, I’m also dealing with needing to be Japanese enough. My mother’s family didn’t approve of my parents’ marriage. My grandparents got to know my dad, but there are some extended family members that I’m just meeting.

It was a motivating force for me. I went to Japanese school every Saturday from third grade to high school. That was an identity I was chasing in the same way that I was chasing blackness…

Read the entire article here.

Reel Representation: Amma Asante’s films adeptly portray multiracial identity

The Daily Bruin
Los Angeles, California
2017-02-09

Olivia Mazzucato

Diversity in film and television came into the spotlight in 2016 with #OscarsSoWhite. A USC study in 2016 found only about a quarter of speaking characters belonged to non-white racial/ethnic groups. In “Reel Representation,” columnist Olivia Mazzucato discusses different issues of race and representation in media as they relate to new movies and TV shows.

The closest I’ve ever felt to seeing myself on screen is when I watched the film “Belle.”

“Belle” tells the story of Dido Elizabeth Belle, the daughter of an enslaved African woman and a white British officer. She’s brought to England and raised by her uncle, an earl and the Lord Chief Justice, and finds herself facing a choice between two men – a poor vicar’s son, whom she loves, and a naive aristocrat with a bigoted family. Throughout the film, she tries to reconcile her identities, both as an heiress in the British upper class and as a black woman struggling to find her place in a shifting society.

I may not be able to relate directly to Dido’s life, but her struggles with identity are all too familiar to me.

As someone who is biracial – half Italian-American and half Japanese-American – it’s difficult to process my identity, particularly when it comes to seeing myself represented in media. I don’t look like the white female characters I see, nor the few Asian characters that occasionally grace the screen. On some level, I feel like I’ll never truly be represented because my identity is so specific…

Read the entire article here.