Mixed Race Studies

White Like Her: My Family’s Story of Race and Racial Passing

Skyhorse Publishing
2017-10-03
304 pages
Hardcover ISBN-13: 978-1510724129

Gail Lukasik, Ph.D.

Kenyatta D. Berry (foreword)

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption.

In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage.

With a foreword written by Kenyatta Berry, host of PBS’s Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.

We Were Eight Years in Power: An American Tragedy

One World (An imprint of PenguinRandomHouse)
2017-10-03
400 pages
6-1/8 x 9-1/4
Hardcover ISBN: ISBN 9780399590566
Paperback ISBN: 9780525624516
Ebook ISBN: 9780399590580

Ta-Nehisi Coates

In these “urgently relevant essays,”* the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump.

“We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.”

But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president.

We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

Emancipation Day: A Novel

Doubleday Canada
2013-07-30
336 pages
6.3 x 0.9 x 9 inches
Paperback ISBN-13: 978-0385677660

Wayne Grady

How far would a son go to belong? And how far would a father go to protect him?

With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It’s World War II, and while stationed in St. John’s, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian’s family’s wishes–there’s something about Jack that they just don’t like–and as the war draws to a close, the couple travels to Windsor to meet Jack’s family.

But when Vivian meets Jack’s mother and brother, everything she thought she knew about her husband gets called into question. They don’t live in the dream home Jack depicted, they all look different from one another–different from anyone Vivian has ever seen–and after weeks of waiting to meet Jack’s father, he never materializes.

Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John’s, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.

Provenance: A Novel

Creative Cache
2015-09-16
334 pages
5.2 x 0.8 x 8 inches
ISBN-13: 978-0991614325

Donna Drew Sawyer

• Winner of the 2017 Maryland Writers’ Association Annual Book Award for Historical Fiction
• Selected for the 2017 “Go On Girl Book Club” reading list
• Finalist for 2016 “Phillis Wheatley Award for First Fiction.”

Southern civility turns savage when Hank Whitaker’s dying words reveal the unimaginable. No one—not his socialite wife, Maggie, or young son, Lance—ever suspected the successful businessman, husband, and father they knew and loved was a black man passing for white. In 1931, in the segregated South, marriage between whites and blacks is illegal. Maggie is now a criminal facing jail. When Lance receives death threats to atone for his father’s betrayal, the family flees the U.S. for the racial freedom of Paris.

Still grieving Hank’s death and fearful of their uncertain future as Europe marches toward war, Lance and Maggie mourn the lives they loved but lost. As they struggle to create new lives and identities for themselves, they find a surprising community of artists and American expats that are on the same journey and show them a different way to live and to love. Provenance is a sweeping historical saga about love, betrayal, tragedy, triumph, passion, privilege and the universal desire for acceptance—regardless of who you are or where you’re from.

Jane Crow: The Life of Pauli Murray

Oxford University Press
2017-05-01
512 Pages
31 illustrations
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780190656454

Rosalind Rosenberg, Professor Emerita of History
Barnard College, Columbia University, New York, New York

• Definitive biography of a key figure in the civil rights and women’s movements.
• Sensitive exploration of a black person identified at birth as female who believed she was male, before the term “transgender” existed.
• Murray’s legal work was influential in key Supreme Court cases.
• New Yale residential college to be named for Murray in 2017.

Throughout her prodigious life, activist and lawyer Pauli Murray systematically fought against all arbitrary distinctions in society, channeling her outrage at the discrimination she faced to make America a more democratic country. In this definitive biography, Rosalind Rosenberg offers a poignant portrait of a figure who played pivotal roles in both the modern civil rights and women’s movements.

A mixed-race orphan, Murray grew up in segregated North Carolina before escaping to New York, where she attended Hunter College and became a labor activist in the 1930s. When she applied to graduate school at the University of North Carolina, where her white great-great-grandfather had been a trustee, she was rejected because of her race. She went on to graduate first in her class at Howard Law School, only to be rejected for graduate study again at Harvard University this time on account of her sex. Undaunted, Murray forged a singular career in the law. In the 1950s, her legal scholarship helped Thurgood Marshall challenge segregation head-on in the landmark Brown v. Board of Education case.

When appointed by Eleanor Roosevelt to the President’s Commission on the Status of Women in 1962, she advanced the idea of Jane Crow, arguing that the same reasons used to condemn race discrimination could be used to battle gender discrimination. In 1965, she became the first African American to earn a JSD from Yale Law School and the following year persuaded Betty Friedan to found an NAACP for women, which became NOW. In the early 1970s, Murray provided Ruth Bader Ginsburg with the argument Ginsburg used to persuade the Supreme Court that the Fourteenth Amendment to the Constitution protects not only blacks but also women—and potentially other minority groups—from discrimination. By that time, Murray was a tenured history professor at Brandeis, a position she left to become the first black woman ordained a priest by the Episcopal Church in 1976.

Murray accomplished all this while struggling with issues of identity. She believed from childhood she was male and tried unsuccessfully to persuade doctors to give her testosterone. While she would today be identified as transgender, during her lifetime no social movement existed to support this identity. She ultimately used her private feelings of being “in-between” to publicly contend that identities are not fixed, an idea that has powered campaigns for equal rights in the United States for the past half-century.

Table of Contents

• Abbreviations
• A Note on Pronouns and Other Word Choices
• Introduction
• Part I: Coming of Age, 1910-1937
  • Chapter 1 – A Southern Childhood
  • Chapter 2 – Escape to New York
• Part II: Confronting Jim Crow, 1938-1941
  • Chapter 3 – “Members of Your Race Are Not Admitted”
  • Chapter 4 – Bus Trouble
  • Chapter 5 – A Death Sentence Leads to Law School
• Part III: Naming Jane Crow, 1941-1946
  • Chapter 6 – “I Would Gladly Change My Sex”
  • Chapter 7 – California Promise
• Part IV: Surviving the Cold War, 1946-1961
  • Chapter 8 – “Apostles of Fear”
  • Chapter 9 – A Person In Between
  • Chapter 10 – “What Is Africa to Me?”
• Part V: A Chance to Lead, 1961-1967
  • Chapter 11 – Making Sex Suspect
  • Chapter 12 – Invisible Woman
  • Chapter 13 – Toward an NAACP for Women
• Part VI: To Teach, To Preach, 1967-1977
  • Chapter 14 – Professor Murray
  • Chapter 15 – Triumph and Loss
  • Chapter 16 – The Reverend Dr. Murray
• Epilogue
• Notes
• Bibliography
• Index

The Anglo Indians: A 500-year History

Niyogi Books
2014
228 pages
275 black and white photographs
Size: 232 x 150mm
70 gsm book printing paper
Flexiback ISBN: 978-93-81523-76-6

S. Muthiah and Harry MacLure

The Book reveals that small though it be, the Anglo Indians are a community with a great heritage. It is a story of disappointments and of hopes, of uncertainty being a part of their lives from the day they were born. It is also the story of a people who found happiness and satisfaction in the various niches they were fitted into.

Mixed Race Cinemas Multiracial Dynamics in America and France

Bloomsbury
2017-09-07
216 pages
10 bw illus
6″ x 9″
Hardback ISBN: 9781501312458
EPUB eBook ISBN: 9781501312489
PDF eBook ISBN: 9781501312465

Zélie Asava, Lecturer and Programme Director of Video and Film
Dundalk Institute of Technology, Louth, Ireland

Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to ‘tragic mulatto‘ tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and ‘post-race’ visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.

Contents

• Introduction
  • 1. Race and Ideology
  • 2. Mixed-Race Cinema Histories
  • 3. Interrogating Terminology
  • 4. Methodology and Frameworks
  • 5. Mixed-Race Spaces in French and American Cinema
  • 6. Franco-American Narratives and Beur Cinema
  • 7. Summary of Chapters
• Chapter One: the Mixed Question
  • 1. Language, Representation and Casting
  • 2. The Historical Mulatta Screen Stereotype in America
  • 3. The Historical Mulatta Screen Stereotype in France
• Chapter Two: Hollywood’s ‘Passing‘ Narratives
  • 1. ‘Passing’ Representations as Ideological Construct
  • 2. The Dichotomies of Post-War Mixed-Race Women Onscreen
  • 3. Gender, ‘Passing’ and Love
• Chapter Three: The Limits of the Classic Hollywood ‘Tragic Mulatta’
  • 1. Imitation of Life (1934): Interrogating Mixed Identities
  • 2. Casting and Representation
  • 3. Shadows and the Interracial Family
  • 4. Imitation of Life, 1959: Gender, Difference and Voiced Rebellion
  • 5. Performative Identities: Sara Jane, Dandridge and Monroe
• Chapter Four: Cultural Shifts: New Waves in Racial Representation
  • 1. Representing ‘Mixed-Race France’
  • 2. Reimagining the Nation: Mixed Families
  • 3. Questioning Mixed Masculinity: Les Trois frères
  • 4. Melodrama, Motherhood and Masks: Métisse
  • 5. Racial-Sexual Mythology and the Interracial Family
• Chapter Five: Transnational Families in Drôle de Félix
  • 1. A Search for Identity on the Road
  • 2. Citizenship, Violence and Scopophilia
  • 3. Trauma and Redemption
  • 4. Destabilising the Primary Authority of the Father
  • 5. Reuniting Transnational Families
• Conclusion
  • 1. ‘Post-Race’ Politics in America and France
  • 2. Enduring Stereotypes
  • 3. Mixed-Race Sci-Fi
  • 4. Mixed Representational Potentials
• Bibliography
• Index

The Fateful Triangle: Race, Ethnicity, Nation

Harvard University Press
September 2017
256 pages
4-3/8 x 7-1/8 inches
Hardcover ISBN: 9780674976528

Stuart Hall (1932–2014), Professor of Sociology
Open University

Edited by:

Kobena Mercer, Professor of History of Art and African American Studies
Yale University

Foreword by:

Henry Louis Gates, Jr., Alphonse Fletcher University Professor; Director of the W. E. B. Du Bois Research Institute at the Hutchins Center for African and African American Research
Harvard University

In The Fateful Triangle—drawn from lectures delivered at Harvard University in 1994—one of the founding figures of cultural studies reflects on the divisive, often deadly consequences of our contemporary politics of identification. As he untangles the power relations that permeate categories of race, ethnicity, and nationhood, Stuart Hall shows how old hierarchies of human identity in Western culture were forcefully broken apart when oppressed groups introduced new meanings to the representation of difference.

From the Renaissance to the Enlightenment, the concept of race stressed distinctions of color as fixed and unchangeable. But for Hall, twentieth-century redefinitions of blackness reveal how identities and attitudes can be transformed through the medium of language itself. Like the “badge of color” W. E. B. Du Bois evoked in the anticolonial era, “black” became a sign of solidarity for Caribbean and South Asian migrants who fought discrimination in 1980s Britain. Hall sees such manifestations of “new ethnicities” as grounds for optimism in the face of worldwide fundamentalisms that respond with fear to social change.

Migration was at the heart of Hall’s diagnosis of the global predicaments taking shape around him. Explaining more than two decades ago why migrants are the target of new nationalisms, Hall’s prescient vision helps us to understand today’s crisis of liberal democracy. As he challenges us to find sustainable ways of living with difference, Hall gives us the concept of diaspora as a metaphor with which to enact fresh possibilities for redefining nation, race, and identity in the twenty-first century.

Table of Contents

• Foreword by Henry Louis Gates, Jr.
• Introduction by Kobena Mercer
• 1. Race—The Sliding Signifier
• 2. Ethnicity and Difference in Global Times
• 3. Nations and Diasporas
• Notes
• Bibliography
• Editor’s Acknowledgments
• Index

Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art

University of Illinois Press
September 2017
248 pages
6 x 9 in.
8 color photographs, 34 black & white photographs

Phoebe Wolfskill, Assistant Professor
Department of African American and African Diaspora Studies
Indiana University, Bloomington

The painter’s struggle at the crossroads of artistic expression and social progress

An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley’s approach to constructing a New Negro–a dignified figure both accomplished and worthy of respect–reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley’s art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley’s oeuvre, Wolfskill reveals the artist’s complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley’s oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation…

Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton

McGill-Queen’s University Press
July 2016
352 pages
6 x 9
ISBN: 9780773547223

Edited by:

Mary Chapman, Professor of English
University of British Columbia, Vancouver, British Columbia, Canada

Newly discovered works by one of the earliest Asian North American writers.

When her 1912 story collection, Mrs. Spring Fragrance, was rescued from obscurity in the 1990s, scholars were quick to celebrate Sui Sin Far as a pioneering chronicler of Asian American Chinatowns. Newly discovered works, however, reveal that Edith Eaton (1865-1914) published on a wide variety of subjects—and under numerous pseudonyms—in Canada and Jamaica for a decade before she began writing Chinatown fiction signed “Sui Sin Far” for US magazines. Born in England to a Chinese mother and a British father, and raised in Montreal, Edith Eaton is a complex transnational writer whose expanded oeuvre demands reconsideration.

Becoming Sui Sin Far collects and contextualizes seventy of Eaton’s early works, most of which have not been republished since they first appeared in turn-of-the-century periodicals. These works of fiction and journalism, in diverse styles and from a variety of perspectives, document Eaton’s early career as a short story writer, “stunt-girl” journalist, ethnographer, political commentator, and travel writer. Showcasing her playful humour, savage wit, and deep sympathy, the texts included in this volume assert a significant place for Eaton in North American literary history. Mary Chapman’s introduction provides an insightful and readable overview of Eaton’s transnational career. The volume also includes an expanded bibliography that lists over two hundred and sixty works attributed to Eaton, a detailed biographical timeline, and a newly discovered interview with Eaton from the year in which she first adopted the orientalist pseudonym for which she is best known.

Becoming Sui Sin Far significantly expands our understanding of the themes and topics that defined Eaton’s oeuvre and will interest scholars and students of Canadian, American, Asian North American, and ethnic literatures and history.