Review: Vic Mensa, ‘The Autobiography’

Posted in Articles, Arts, Audio, Autobiography, Book/Video Reviews, Media Archive, United States on 2017-07-28 15:41Z by Steven

Review: Vic Mensa, ‘The Autobiography’

First Listen: Hear Upcoming Albums in Their Entirety
NPR Music
National Public Radio
2017-07-20

Rodney Carmichael, Hip-Hop Reporter


Vic Mensa’s new album, The Autobiography, is out July 28.
Courtesy of the artist

When history ranks 2017 among hip-hop’s wonder years — and from the sounds of the previous six months it certainly qualifies — Vic Mensa’s long-awaited full-length debut will be a big part of the reason why. The Chi-town native has created a work in The Autobiography that’s equal parts confessional and confrontational, gut-wrenching and uplifting. Steeped in a personal story arc that envelopes Mensa’s hometown, it echoes with the pain of a generation.


Courtesy of the artist

It only makes sense that the LP is executive produced by No I.D., who’s already responsible for another of the year’s more revelatory LPs in Jay-Z’s 4:44

Read the entire review here.

Tags: , , , , , , , , , , ,

First Listen: Alabama Shakes, ‘Sound & Color’

Posted in Articles, Arts, Audio, Media Archive, United States on 2015-04-16 17:10Z by Steven

First Listen: Alabama Shakes, ‘Sound & Color’

First Listen
National Public Radio
2015-04-12

Ann Powers, NPR Music Critic


The Alabama Shakes’ new album, Sound & Color, comes out April 21.
Brantley Gutierrez/Courtesy of the artist

In the six years I’ve lived in the region, I’ve developed a mantra: Southern freaks are the best freaks. For me, the word “freak” can be both positive and downright spiritual. It describes serious individualists who are tolerant of others whose own paths may diverge from their own; people whose ways of thinking connect to form an antidote to the deep conventionality that often surrounds them. Southern freaks, like the four young musicians in Alabama Shakes, face multiple challenges: not only the love of tradition (and defensive attitude about it) that their neighbors nurture, but also the prejudices of those who live elsewhere and expect Southerners to be somehow limited by their native surroundings. Southern freaks are the best freaks because they have the resilience to flourish in a home that can feel foreign, while also recognizing that legacies can’t be simply processed. They must be lived, confronted and altered from within.

Brittany Howard expresses this more fancifully in “Gemini,” the first song the band recorded for its boundary-leaping second album, Sound & Color. “On a planet not so far away, we were born together,” she sings, maybe to her lost sister, a lover or a best friend, in a voice that contains shadows of Richmond, Virginia‘s son, D’Angelo. Howard’s imagined pair washes up in Athens, Alabama, “suckled on the honey of the Tennessee,” whose wet banks are both adorned with the flower whose name she’s playing with and rife with the snakes she mentions in the next verse. The dream Howard spins in “Gemini” could have come from the pen of South Carolina native Dorothy Allison. The thick, expansive bed of druggy funk the band creates to convey it recalls the deepest experiments of Denton, Texas, native Sly Stone. The resonance the band achieves with the help of producer Blake Mills turns the track into serious funk: something George Clinton, born in North Carolina and now living in Tallahassee, would enjoy…

Read the article here. Listen to the story here.

Tags: , , , , , , ,