“I definitely want to reach people who not only are of mixed ethnicity but who also identify as Black.”

Posted in Excerpts/Quotes on 2018-05-14 20:40Z by Steven

“We always hear people say there are no Black people in Vancouver, but there are. I identify as a Black woman. I know there was a larger Black community in Vancouver many years ago, but people have been displaced. I definitely want to reach people who not only are of mixed ethnicity but who also identify as Black.

“I’m writing this for the community that I wish were here now. So whether you are Black, of mixed race or can identify with the trauma parts of the book, I think there are different layers in the work where you can see something different every time. That’s what I like with the hybrid form, of poetry and prose.” —Chelene Knight

Ryan B. Patrick, “Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up,” CBC Books, March 6, 2018. http://www.cbc.ca/books/why-chelene-knight-wrote-letters-to-the-current-occupants-of-the-houses-she-lived-in-growing-up-1.4533897.

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Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up

Posted in Articles, Autobiography, Canada, Interviews on 2018-05-10 19:41Z by Steven

Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up

CBC Books
Canadian Broadcasting Corporation
2018-03-06

Ryan B. Patrick, Associate Producer


Chelene Knight is an author based in Vancouver. (Chelene Knight/BookThug)

Chelene Knight is a Vancouver-based writer and editor. Of Black and East Indian heritage, Knight’s Dear Current Occupant mixes poetry and prose to tell a story about home and belonging, set in the 1980s and 1990s of Vancouver’s Downtown Eastside.

The book plays with genre by way of a series of letters addressed to the current occupants now living in the 20 different houses she moved in and out of with her mother and brother. Knight tells CBC Books how she wrote Dear Current Occupant.

A bus ride beginning

“The first draft was originally all poetry, but my publisher suggested I rewrite it as creative nonfiction. I tried to write this book in generic memoir form. I sat down wanting to write about some of my childhood experiences. But it couldn’t come out. I thought maybe it’s not the right time.

“Then I was on the bus one snowy day and I passed by one of the houses that I lived in as a child and something sparked in me. I got off the bus and I stood in front of this house. I had a notebook with me and I started scribbling. The memories were coming back to me — flooding in — and it was this visceral thing where I needed to be in that place and then be transported back to those times.”…

…Writing for others

“We always hear people say there are no Black people in Vancouver, but there are. I identify as a Black woman. I know there was a larger Black community in Vancouver many years ago, but people have been displaced. I definitely want to reach people who not only are of mixed ethnicity but who also identify as Black.

“I’m writing this for the community that I wish were here now. So whether you are Black, of mixed race or can identify with the trauma parts of the book, I think there are different layers in the work where you can see something different every time. That’s what I like with the hybrid form, of poetry and prose.”

Read the entire article here.

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Donna Bailey Nurse: Addressing mixed race in literature

Posted in Articles, Canada, Literary/Artistic Criticism, Media Archive on 2012-03-01 16:32Z by Steven

Donna Bailey Nurse: Addressing mixed race in literature

CBC Books
2012-02-28

Donna Bailey Nurse

Throughout February and March, literary journalist, teacher and author Donna Bailey Nurse will be blogging for CBC Books about black Canadian writers and their important works. In her third post, she explores the complex subject of mixed race and how different authors address have addressed it.

I read a lot about race, and I write a lot about race. I also talk a lot about race—too much—as most of my friends, white and black, will tell you. But I can’t help it. The topic rivets me; I’m especially fascinated by contemporary issues of race; by how race plays out in our modern, everyday lives.

However, the historical angle preoccupies me as well: the eras of civil rights and of Jim Crow and slavery. In fact, I am just heading out to buy a copy of Rosemary Sadlier’s biography of Harriet Tubman. Tubman, an escaped slave, led more than 300 African American slaves to freedom. I’ve been thinking about her since I was a child. I still can’t figure out how she found the courage.

Every time I read about slavery I learn something new. Lately I’ve been obsessing over information in a book by Randall Keenan. Most of us know that during slavery many white masters—often married men—fathered children with their female slaves. As a rule, the disparity of power between masters and slaves defines their sexual encounters as rape. But Keenan explains how, on occasion, affectionate, enduring relationships developed. Some white men would send the children from these unions north to be educated; and some left wills that provided for the welfare of their black families. Naturally, their white wives were enraged and humiliated. They often contested these wills and in time legislation was enacted that made it illegal for a white man to leave property to his black mistress. However, just think: There was a historical moment when a handful of white masters were prepared to publicly acknowledge their black children—a fleeting opportunity for redemption…

Read the entire article here.

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