Mixed Race Studies

Brazil’s New Problem With Blackness

Foreign Policy
2017-04-05

Cleuci de Oliveira
Brasília, Brazil

As the proudly mixed-race country grapples with its legacy of slavery, affirmative-action race tribunals are measuring skull shape and nose width to determine who counts as disadvantaged.

PELOTAS, Brazil – Late last year Fernando received news he had dreaded for months: he and 23 of his classmates had been kicked out of college. The expulsion became national news in Brazil. Fernando and his classmates may not have been publicly named (“Fernando,” in fact, is a pseudonym), but they were roundly vilified as a group. The headline run by weekly magazine CartaCapital — “White Students Expelled from University for Defrauding Affirmative Action System” — makes it clear why.

But the headline clashes with how Fernando sees himself. He identifies as pardo, or brown: a mixed-race person with black ancestry. His family has struggled with discrimination ever since his white grandfather married his black grandmother, he told me. “My grandfather was accused of soiling the family blood,” he said, and was subsequently cut out of an inheritance. So when he applied to a prestigious medical program at the Federal University of Pelotas, in the southern tip of Brazil, he took advantage of recent legislation that set aside places for black, brown, and indigenous students across the country’s public institutions.

While affirmative action policies were introduced to U.S. universities in the 1970s, Brazil didn’t begin experimenting with the concept until 2001, in part because affirmative action collided head-on with a defining feature of Brazilian identity. For much of the twentieth century, intellectual and political leaders promoted the idea that Brazil was a “racial democracy,” whose history favorably contrasted with the state-enforced segregation and violence of Jim Crow America and apartheid South Africa. “Racial democracy,” a term popularized by anthropologists in the 1940s, has long been a source of pride among Brazilians…

Read the entire article here.

Diversity doesn’t make racism magically disappear

The Guardian
2017-04-01

Daniel José Camacho
Duke Divinity School

‘Consider Brazil. There, white people are a minority – but are still dominant.’ Photograph: Brazil Photos/LightRocket via Getty Images

Some hope that changing demographics make us destined to be post-racial. It isn’t so simple

We can’t screw our way beyond racism. Many think mixed-race babies and browner demographics will automatically usher in a post-racial world. They interpret the projections of a “majority-minority” shift in our nation – now set to take place in 2044 – as a sign of guaranteed progress. Changing faces in the US are seen as anti-racist destiny. But don’t overestimate the power of this post-racial cocktail.

Jordan Peele’s brilliant film Get Out reminds me of the importance of questioning overly optimistic narratives of racial progress. Made by someone who has been open about being biracial and married to a white women, this film creatively uses the genre of horror to depict the persistence of racism through a story about an interracial couple. In many ways, it can be seen as a strident critique of a liberal brand of racism that has blossomed in the post-Obama era…

…If more mixed people guarantee greater tolerance, then Brazil – and most of Latin America – should be a racial paradise. Although a great degree of ‘mestizaje’ or racial mixing has taken place since the time of conquest, Indigenous and Afro-descendent people in Latin America remain disproportionately poor, discriminated against, and locked out from opportunity.

Sociologist Eduardo Bonilla-Silva, in his book Racism without Racists, has speculated whether the racial order in the US might eventually resemble that of Latin American and Caribbean nations. In this case, white supremacy and racial stratification will continue to operate in the US even as it becomes a “majority-minority” nation…

Read the entire article here.

The forgotten history of Chinese immigrants in this Mexican border town

Fusion
2016-10-13

Nidhi Prakash

Erendira Mancias/FUSION

MEXICALI, Mexico—Mexicali has all the obvious signs of being a border town: roads pointing the way to the United States, car after car lined up at crossing points from early morning through the blistering hot day and well into the night—currency exchange places dog-earing every corner.

But there’s something about this place that sets it apart in the borderlands. You might notice it first in the Chinese restaurants dotting the streets, in the elaborate pagoda that sits at the border with Calexico, or in the doorways downtown with subtle, sometimes faded, Chinese lettering.

This dusty northern Mexican city of around 690,000 was largely developed by an often-overlooked community of Chinese immigrants, whose roots here trace back to the late 1800s. Tens of thousands of immigrants, mostly from Canton (now Guangzhou), arrived to the area between the mid–1800s and the 1940s, crossing by ship from southern China, often first to San Francisco, sometimes to other Mexican cities like Ensenada and Guadalajara, before choosing Mexicali. Many stayed for generations after and helped build this city into what’s become.

The Chinese-Mexican community here remains very much a part of Mexicali—especially downtown, a historic center of the city’s rich history. There’s a stretch of several blocks called La Chinesca which, after decades of semi-abandonment and disrepair, is seeing the beginnings of a revival as newer generations reconnect, and for some, discover for the first time, their lasting impact on Mexicali culture…

…Junior Chen, 36, is a quiet, business-like man at first, who talks animatedly when we get to the subject of his plans for downtown Mexicali, where he was born and raised. He said he’s been working on projects to try to reactivate the city center since he was 16 years old. But starting a historical tour of La Chinesca, and thinking more about his Chinese heritage (his great-grandfather came to Mexico from Canton some time in the mid–1800s) has been more recent for him.

“I have some Chinese roots, I’m mestizaje [mixed]. I’m always sincere with people who know me. To be honest I never had an interest in Chinese culture before. I never wanted to get involved in the Chinese Association. But my mother always wanted to be connected to the community, to have Chinese friends,” he told me. “But what I’m trying to say is that for me I started to get involved with all this and it changed me.”…

Read the entire article here.

Latin American Policy Series (3): Racism and Responses to Racism in Latin America

the bulletin: A Willy Brandt School Blog
2017-03-07

Arivaldo Santos de Souza

This article is a continuation of the Latin American Public Policy Series and briefly introducing the topic “Racism and Responses to Racism in Latin America”, building upon Tanya Hernández´s thoughts, whose book: “Racial Subordination in Latin America – The Role of the State, Customary Law, and the New Civil Rights Response” (Cambridge Press, 2012) which I just translated into Portuguese. This analysis seeks to intrigue Latin Americans to think more deeply about the way people of African descent in their respective countries were (and still are) mistreated based on the arguments presented by Tanya Hernandez.

Approximately 150 million people of African descent, members of one of the largest African Diasporas over time, live in Latin America. Even though, we people of African descent make up around 1/3 of total population in Latin American, members of the African diaspora make up more than 40 percent of the poor in Latin America and have been marginalized as undesirable to society since the abolition of slavery across the Americas.

The idea that “racism does not exist” is hegemonic in Latin America, despite the increasing number of black social movements across the region. The “myth of racial democracy”, which supports that the racial mixture (mestizaje in Castellano and mestiçagem in Portuguese) in a population is a symptom of racial harmony and absence of inequalities based in race is still influential even among scholars and well-educated citizens…

Read the entire article here.

Mestizos Come Home! Making and Claiming Mexican American Identity

University of Oklahoma Press
2017
336 pages
Illustrations: 8 color illus.
6″ x 9″
Hardcover ISBN: 9780806157191

Robert Con Davis-Undiano, Neustadt Professor and Presidential Professor of English
University of Oklahoma

Uruguayan writer Eduardo Galeano has described U.S. and Latin American culture as continually hobbled by amnesia—unable, or unwilling, to remember the influence of mestizos and indigenous populations. In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. At once native and new to the American Southwest, Mexican Americans have “come home” in a profound sense: they have reasserted their right to claim that land and U.S. culture as their own.

Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity.

A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historical cultural homecoming.

William Ellis: The Former Slave Who Became a Mexican Millionaire

Houston Matters
Houston, Texas
2017-03-29

Guillermo Eliseo was a wealthy Mexican banker and broker who lived in New York City in the early 20th Century.

But, Eliseo had a secret. He was actually born into slavery on a cotton plantation in southern Texas, and his real name was William Ellis.

Maggie Martin talks with historian and author Karl Jacoby, who wrote a book about Ellis. It’s called The Strange Career of William Ellis: the Texas Slave Who Became a Mexican Millionaire.

Jacoby talks about why Ellis made the move to Mexico, the ways his secret life cut him off from his family and the lessons from his life.

Listen to the interview here (00:09:05).

México’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women

State University of New York Press
February 2017
350 pages
Hardcover ISBN13: 978-1-4384-6357-5

B. Christine Arce, Assistant Professor of Latin American Literature and Culture
University of Miami, Miami, Florida

2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.

México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: The Paradox of Invisibility
• Part I: Entre Adelitas y Cucarachas: The Soldadera as Trope in the Mexican Revolution
  • 1. Soldaderas and the Making of Revolutionary Spaces
  • 2. The Many Faces of the Soldadera and the Adelita Complex
  • 3. Beyond the “Custom of Her Sex and Country”
• Part II: The Blacks in the Closet
  • 4. Black Magic and the Inquisition: The Legend of La Mulata de Córdoba and the Case of Antonia de Soto
  • 5. “Dios pinta como quiere”: Blackness and Redress in Mexican Golden Age Film
  • 6. The Music of the Afro-Mexican Universe and the Dialectics of Son
• Conclusion: To Be Expressed Otherwise
• Notes
• Bibliography
• Index

What Corn Island taught me about black identity

Girl Unfurled
2016-12-08

Georgina Lawton

“You’re not black here. The locals won’t call you black”.

These were some of the first words uttered to me by a (white, European, male) island inhabitant when I arrived on Big Corn Island.

“You’s a white gyal,” another friend who was born and raised on the island his whole life, told me on the bleach-white sands, one blisteringly hot day.

I remember looking at all the other people, similar in shade to me and I felt… un poco confuso (a little confused).

Why could I not be black here?!…

Read the entire article here.

Malcolm Gladwell Wants to Make the World Safe for Mediocrity

Conversations with Tyler
Mercatus Center at George Mason University
2017-03-15

Tyler Cowen, Host and Professor of Economics
George Mason University, Fairfax, Virginia

Credit: Caren Louise Photographs

Journalist, author, and podcaster Malcolm Gladwell joins Tyler for a conversation on Joyce Gladwell, Caribbean identity, satire as a weapon, Daniel Ellsberg and Edward Snowden, Harvard’s under-theorized endowment, why early childhood intervention is overrated, long-distance running, and Malcolm’s happy risk-averse career going from one “fur-lined rat hole to the next.”

Listen to the interview (01:32:11) here. Read the transcript here.

The Poetry of Derek Walcott 1948-2013

Farrar, Straus and Giroux
2014-01-21
640 pages
Hardcover ISBN: 9780374125615

Derek Walcott (1930-2017)

Selected by Glyn Maxwell

A collection spanning the whole of Derek Walcott’s celebrated, inimitable, essential career

“He gives us more than himself or ‘a world’; he gives us a sense of infinity embodied in the language.” Alongside Joseph Brodsky’s words of praise one might mention the more concrete honors that the renowned poet Derek Walcott has received: a MacArthur Foundation Fellowship; the Queen’s Gold Medal for Poetry; the Nobel Prize in Literature.

The Poetry of Derek Walcott 1948–2013 draws from every stage of the poet’s storied career. Here are examples of his very earliest work, like “In My Eighteenth Year,” published when the poet himself was still a teenager; his first widely celebrated verse, like “A Far Cry from Africa,” which speaks of violence, of loyalties divided in one’s very blood; his mature work, like “The Schooner Flight” from The Star-Apple Kingdom; and his late masterpieces, like the tender “Sixty Years After,” from the 2010 collection White Egrets.

Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one’s own memory. This collection, selected by Walcott’s friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.