Mixed Race Studies

Interracialism: Biracials Learning About African-American Culture (BLAAC) with Dr. Zebulon Vance Miletsky

State University of New York, Stony Brook
Frank Melville Jr. Memorial Library
Central Reading Room
100 Nicolls Road
Stony Brook, New York 11794
2020-02-19, 16:00-17:15 EST (Local Time)

Zebulon Vance Miletsky, Ph.D., Assistant Professor of Africana Studies and History

A discussion of interracialism and interracial marriage, and the phenomenon of “anti blackness”—identity and mixed race in the 21st century, and the possible stakes for those who identify as multiracial and biracial—in these politically divided times.

For more information, click here.

Multiracial Identities and Monoracism: Examining the Influence of Oppression

Journal of College Student Development
Volume 61, Number 1, January-February 2020
pages 18-33
DOI: 10.1353/csd.2020.0001

Marc P. Johnston-Guerrero, Associate Professor of Higher Education and Student Affairs
Ohio State University

Vu T. Tran, Assistant Director of Residence Education
Michigan State University

Lisa Combs, Program Coordinator for School Diversity and Multicultural Affairs
Loyola University Chicago

We explored how notions of oppression manifest in the identities of 16 multiracial college students. We were guided by two research questions: (a) How does racial oppression affect multiracial students’ identities? and (b) Is that racial oppression tied to traditional manifestations of racism, monoracism, or both? Findings demonstrate that racial oppression is influential, yet there are difficulties in identifying racial oppression that targets multiracial people. This study highlights the need for more education on monoracism as a unique and connected form of oppression and on racial asymmetries within multiraciality.

Read or purchase the article here.

Keepin’ It Real: Essays on Race in Contemporary America

University of Chicago Press
2019-10-25
140 pages
6 x 0.7 x 9 inches
Paperback ISBN: 9781789380507

Elwood David Watson, Professor of History, African American Studies, and Gender Studies
East Tennessee State University, Johnson City, Tennessee

The past decade has been one of the most racially turbulent periods in the modern era, as the complicated breakthrough of the Obama presidency gave way to the racially charged campaigning and eventual governing of Donald Trump. Keepin’ It Real presents a wide-ranging group of essays that take on key aspects of the current landscape surrounding racial issues in America, including the place of the Obamas, the rise of the alt-right and White nationalism, Donald Trump, Colin Kaepernick and the backlash against his protests, Black Lives Matter, sexual politics in the black community, and much more.

America’s racial problems aren’t going away any time soon. Keepin’ It Real will serve as a marker of the arguments we’re having right now, and an argument for the changes we need to make to become the better nation we’ve long imagined ourselves to be.

This NC man was one of the most important Civil War leaders, but he was erased from history for 100 years

ABC11 (WTVD-TV)
Raleigh/Durham, North Carolina
2020-02-10

Cameron Clinard, Senior Digital Producer

Meet the most important Civil War leader you’ve never heard of

WILMINGTON, N.C. (WTVD) — One of the most important African American leaders of the late 1800s was born in North Carolina, but his accomplishments and influence vanished from history for 100 years.

Abraham Galloway was a spy, an insurgent, a statesman, a fierce advocate of the working class and a warrior against oppression and tyranny.

“When he did speaking tours in the North, he didn’t introduce Frederick Douglass as the main speaker of the night. Frederick Douglass introduced him as the main speaker of the night,” historian Dr. David Cecelski said.

Yet today, Frederick Douglass is a household name and central figure of study in American history, while Abraham Galloway is hardly known.

When Galloway died in 1870, approximately 6,000 people attended his funeral. Newspapers at the time reported that it was the largest funeral in North Carolina history.

“Everybody knew who Abraham Galloway was at that point,” Cecelski said…

Read the entire story here.

Why Some Black Puerto Ricans Choose ‘White’ on the Census

The New York Times
2020-02-09

Natasha S. Alford

A bomba dance class at the Corporación Piñones Se Integra community center in Loíza, P.R. Erika P. Rodriguez for The New York Times

The island has a long history of encouraging residents to identify as white, but there are growing efforts to raise awareness about racism.

LOÍZA, P.R. — A dozen dancers wearing bright, colorful ankle-length skirts gathered around five wooden drums. Their shoulders and hips pulsed with the percussion, an upbeat, African-inspired rhythm.

Loíza, a township founded by formerly enslaved Africans, is one of the many places in Puerto Rico where African-inspired traditions like the bomba dance workshop at the Corporación Piñones se Integra community center thrive.

But that doesn’t mean all of the people who live there would necessarily call themselves black.

More than three-quarters of Puerto Ricans identified as white on the last census, even though much of the population on the island has roots in Africa. That number is down from 80 percent 20 years ago, but activists and demographers say it is still inaccurate and they are working to get more Puerto Ricans of African descent to identify as black on the next census in an effort to draw attention to the island’s racial disparities…

Read the entire article here.

The importance of learning to style my multiracial son’s hair

The Washington Post
2020-02-05

Nevin Martell

Nevin Martell and his son, Zephyr. (Indira Martell)

When I look at my son, Zephyr, I see a blend of his mother and me. His golden caramel skin is made with her browned butter and my heavy cream and white sugar. Both of us lent him elements for his face — her smile, my eyes. When he makes jokes, I hear echoes of myself, but when he laughs, it reminds me of my wife. He got her speed and my endurance.

Despite my paternal desire to see a piece of me in every part of him, soon after his birth I became convinced that somehow my genes played no role in the creation of his hair. He got that solely from his mother, whose tightly coiled curls require patient care and attention. All her diligent work pays off. From buns to braids to an Afro — whatever style she chooses elicits compliments. I have a head of straight strands, requiring little maintenance and styled in a fashion my barber calls a disconnected cut, which is appropriate given how little thought I give it.

As it began to grow into its curl pattern, Zephyr’s hair became less and less like my own. Though I tried, I never seemed to be able to dress or style it in the way he preferred. So, for the first few years of his life, it became solely his mother’s purview. Whenever it needed to be done, I would throw up my hands like a sitcom father from another era and exasperatedly declare to my wife, “You take care of it, because I can’t do it!”

“You’re perfectly capable,” she would always admonish me as she deftly coaxed his curls into place. “It’s not rocket science.”…

Read the entire article here.

Ahamefule J. Oluo: Susan

The Clarice Smith Performing Arts Center
University of Maryland
8270 Alumni Drive
College Park, Maryland 20742-1625
2020-02-07 and 2020-02-08, 20:00 EST (Local Time)

After moving audiences at The Clarice in 2017, trumpeter, composer and comedian Ahamefule J. Oluo returns with “Susan,” a memoir delivered through wry comedic monologue and live, grand-scale big-band and jazz.

When Susan Hawley was a sophomore in college, she fell in love with a doctoral student from Nigeria. They got married, had two children, and just as their dream life seemed like it was coalescing, her husband went back to Nigeria to visit his family and never contacted her again—leaving her a Midwestern white lady with two African babies. They were desperately poor; Susan began gaining weight rapidly, soon reaching 400 pounds. These were the cards she was dealt. Ahamefule J. Oluo’s theatrical work, Susan, tells his mother’s story as a means to tell the story of millions of women. It is a tangible crystallization of how race, class and size affect people all over the world every day. Despite all that darkness, Susan will be funny. It’s a collection of wry, black, but humane monologues, interspersed with live, grand-scale orchestral music.

This vulnerable theatrical work about his childhood tells the story of how his Midwestern mother was left to raise two bi-racial babies after the sudden departure of her husband. There’s obvious chemistry between Oluo’s singular voice and the grand creation of the music; at times, when the story is too painful for him, the ensemble carries the show. “Susan” is a category-defying reflection on how race, class, and appearance impact everyone—and how we play the hand that we’re dealt.

In 2002, after being selected as Town Hall Seattle’s first-ever artist-in-residence, Oluo realized he wanted to do something different. After years of performing and recording with prominent musicians like John Zorn, Hey Marseilles, Wayne Horvitz and Macklemore, Oluo knew he had his own story to tell—and the diverse set of skills to do it. During his time in residency, he began experimenting with blending big-band, jazz, standup and memoir to formulate a new musical and theatrical identity.

For more information, click here.

Overlooked No More: Homer Plessy, Who Sat on a Train and Stood Up for Civil Rights

The New York Times
2020-01-31

Glenn Rifkin

A mural in New Orleans shows what Homer Plessy, right, might have looked like. On the left is P.B.S. Pinchback, the first black man to serve as a governor in the United States, in Louisiana. Pinchback is often mistaken for Plessy. Mural by Ian Wilkinson; Photo by Jane Morse Rifkin

He boarded a whites-only train car in New Orleans with the hope of getting the attention of the Supreme Court. But it would be a long time before he got justice.

Since 1851, many remarkable black men and women did not receive obituaries in The New York Times. This month, with Overlooked, we’re adding their stories to our archives.

When Homer Plessy boarded the East Louisiana Railway’s No. 8 train in New Orleans on June 7, 1892, he knew his journey to Covington, La., would be brief.

He also knew it could have historic implications.

Plessy was a racially mixed shoemaker who had agreed to take part in an act of civil disobedience orchestrated by a New Orleans civil rights organization.

On that hot, sticky afternoon he walked into the Press Street Depot, purchased a first-class ticket and took a seat in the whites-only car…

Read the entire article here.

Mahomes’ performance leaves no doubt: Black NFL QB’s have arrived

NBC News
2020-02-04

Curtis Bunn

Patrick Mahomes, 24, of the Kansas City Chiefs became the youngest quarterback to be named Super Bowl MVP. Mike Blake / Reuters

“Mahomes’ performance was uplifting and annihilates the narrative that African American quarterbacks are somehow less capable.”

Doug Williams did it first. Russell Wilson came next. And Patrick Mahomes is now the third African American quarterback to win a Super Bowl, and his explosive performance on Sunday confirmed, if anyone still questioned, that the era of the black NFL QB is upon us.

With the world watching, Mahomes brought the Kansas City Chiefs back from a 10-point deficit in the final minutes, catapulting the franchise to its first Super Bowl win in 50 years, 31-20, over the shell-shocked San Francisco 49ers.

For the first time in a week, there was an athletic performance impressive enough to distract sports fans from the tragic death of NBA legend Kobe Bryant.

“Mahomes’ performance was uplifting and annihilates the narrative that African American quarterbacks are somehow less capable,” said Clint Crawford, an engineer, after getting a haircut at his favorite barbershop in Los Angeles Monday. “He executed when it counted most and demonstrated the kind of toughness and fiery resolve we came to expect from athletes like Tom Brady and Kobe Bryant.”…

Read the entire article here.

Patrick Mahomes ushers in Era of the Black Quarterback

The Year of the Black Quarterback
The Undefeated
2020-02-02

Jason Reid

With dramatic Super Bowl win, the Chiefs star punctuates spectacular year

MIAMI GARDENS, Fla. – The Year of the Black Quarterback has evolved into the Era of the Black Quarterback, because Patrick Mahomes and his contemporaries are just that good.

On sports’ biggest stage here Sunday night, Mahomes emphatically punctuated the NFL’s 100th season – the one in which African American passers shined brighter than at any time previously in NFL history – leading the Kansas City Chiefs to a 31-20 victory over the San Francisco 49ers in Super Bowl LIV at Hard Rock Stadium. In only his third season and second as a starter, Mahomes added the Super Bowl most valuable player award to the long list of accomplishments in his nascent career. And for a fitting capper to it all, here’s his biggest feat to date: At only 24, Mahomes is the youngest player ever to have both a Super Bowl title and a league MVP award, having been selected the 2018 winner by the Associated Press.

Any scout, coach or player-personnel official worth their salt will tell you there’s no doubt as to who is currently the game’s top player. Mahomes is the face of the NFL and is expected to shatter the mark for the game’s biggest contract soon. Not only does Mahomes, the seventh black signal-caller to direct a team to the Super Bowl and third to win the championship, throw the game’s best deep ball and possess second-to-none improvisational skills, he’s also smart as a whip, tough and a leader beyond his years.

Any scout, coach or player-personnel official worth their salt will tell you there’s no doubt as to who is currently the game’s top player. Mahomes is the face of the NFL and is expected to shatter the mark for the game’s biggest contract soon. Not only does Mahomes, the seventh black signal-caller to direct a team to the Super Bowl and third to win the championship, throw the game’s best deep ball and possess second-to-none improvisational skills, he’s also smart as a whip, tough and a leader beyond his years.

“The best thing about it is you’re showing kids that no matter where you grow up, what race you are, that you can achieve your dream,” Mahomes said during the lead-up to the Super Bowl. “For me, being a black quarterback — having a black dad and a white mom — it just shows that it doesn’t matter where you come from.”…

Read the entire article here.