Mixed Race Studies

Politics beyond Black and White: Biracial Identity and Attitudes in America

Cambridge University Press
2018-03-29
251 pages
Online ISBN: 978-1108694605
Hardcover ISBN: 978-1108425988
Paperback ISBN: 978-1108444330
DOI: 10.1017/9781108694605

Lauren D. Davenport, Assistant Professor of Political Science
Stanford University, California

The US is transforming into a multiracial society: today one-in-six new marriages are interracial and the multiple-race population is the fastest-growing youth group in the country. In Politics Beyond Black and White, Lauren D. Davenport examines the ascendance of multiracial identities and their implications for American society and the political landscape. Amassing unprecedented evidence, this book systematically investigates how race is constructed and how it influences political behavior. Professor Davenport shows that biracials’ identities are the product of family, interpersonal interactions, environment, and, most compellingly, gender stereotypes and social class. These identities, in turn, shape attitudes across a range of political issues, from affirmative action to same-sex marriage, and multiracial identifiers are shown to be culturally and politically progressive. But the book also reveals lingering prejudices against race-mixing, and that intermarriage and identification are highly correlated with economic prosperity. Overall findings suggest that multiracialism is poised to dismantle some racial boundaries, while reinforcing others.

The Curious Tale of the Lady Caraboo

Corgi Childrens
2015-07-02
288 Pages
129mm x 198mm x 18mm
202g
Paperback ISBN: 9780552557634
eBook ISBN: 9781448197583

Catherine Johnson

Shortlisted for the YA Book Prize 2016, this is a very curious tale indeed . . .

Out of the blue arrives an exotic young woman from a foreign land. Fearless and strong, ‘Princess’ Caraboo rises above the suspicions of the wealthy family who take her in.

But who is the real Caraboo?

In a world where it seems everyone is playing a role, could she be an ordinary girl with a tragic past? Is she a confidence trickster? Or is she the princess everyone wants her to be?

This the tale of the ultimate historical hustle, steeped in delectable romance. Whoever Caraboo turns out to be, she will steal your heart . . .

The Work of Recognition: Caribbean Colombia and the Postemancipation Struggle for Citizenship

University of North Carolina Press
August 2014
344 pages
6.125 x 9.25
6 halftones, 1 map, 4 tables, notes, bibl., index
Paperback ISBN: 978-1-4696-1786-2
eBook ISBN: 978-1-4696-1787-9

Jason McGraw, Associate Professor of History
Indiana University, Bloomington

2015 Michael Jiménez Prize, Colombia Section, Latin American Studies Association

This book tells the compelling story of postemancipation Colombia, from the liberation of the slaves in the 1850s through the country’s first general labor strikes in the 1910s. As Jason McGraw demonstrates, ending slavery fostered a new sense of citizenship, one shaped both by a model of universal rights and by the particular freedom struggles of African-descended people. Colombia’s Caribbean coast was at the center of these transformations, in which women and men of color, the region’s majority population, increasingly asserted the freedom to control their working conditions, fight in civil wars, and express their religious beliefs.

The history of Afro-Colombians as principal social actors after emancipation, McGraw argues, opens up a new view on the practice and meaning of citizenship. Crucial to this conception of citizenship was the right of recognition. Indeed, attempts to deny the role of people of color in the republic occurred at key turning points exactly because they demanded public recognition as citizens. In connecting Afro-Colombians to national development, The Work of Recognition also places the story within the broader contexts of Latin American popular politics, culture, and the African diaspora.

Secrets We Kept: Three Women of Trinidad

W. W. Norton & Company
February 2018
352 pages
5.9 × 8.6 in
Hardcover ISBN: 978-0-393-60926-4

Krystal A. Sital

An eloquent new Caribbean literary voice reveals the hidden trauma and fierce resilience of one Trinidadian family.

There, in a lush landscape of fire-petaled immortelle trees and vast plantations of coffee and cocoa, where the three hills along the southern coast act as guardians against hurricanes, Krystal A. Sital grew up idolizing her grandfather, a wealthy Hindu landowner. Years later, to escape crime and economic stagnation on the island, the family resettled in New Jersey, where Krystal’s mother works as a nanny, and the warmth of Trinidad seems a pretty yet distant memory. But when her grandfather lapses into a coma after a fall at home, the women he has terrorized for decades begin to speak, and a brutal past comes to light.

In the lyrical patois of her mother and grandmother, Krystal learns the long-held secrets of their family’s past, and what it took for her foremothers to survive and find strength in themselves. The relief of sharing their stories draws the three women closer, the music of their voices and care for one another easing the pain of memory.

Violence, a rigid ethnic and racial caste system, and a tolerance of domestic abuse—the harsh legacies of plantation slavery—permeate the history of Trinidad. On the island’s plantations, in its growing cities, and in the family’s new home in America, Secrets We Kept tells a story of ambition and cruelty, endurance and love, and most of all, the bonds among women and between generations that help them find peace with the past.

The Anti-Black City: Police Terror and Black Urban Life in Brazil

University of Minnesota Press
2018-02-13
320 pages
9 b&w photos
5 1/2 x 8 1/2
Paper ISBN: 978-1-5179-0156-1
Cloth ISBN: 978-1-5179-0155-4

Jaime Amparo Alves, Assistant Professor of Sociology and Anthropology
College of Staten Island of the City University of New York
also: Associate Researcher
Centro de Estudios Afrodiaspóricos of Universidad Icesi/Colombia

An important new ethnographic study of São Paulo’s favelas reveals the widespread use of race-based police repression in Brazil

While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity.

The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities.

The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”

Table of Contents

• Introduction: On Our Own Terms
• 1. Macabre Spatialities
• 2. “Police, Get off My Back!”
• 3. The Favela-Prison Pipeline
• 4. Sticking Up!
• 5. Bringing Back the Dead
• Conclusion: Blackpolis
• Acknowledgments
• Notes
• Index

Beyond Ethnicity: New Politics of Race in Hawaii

University of Hawai’i Press
March 2018
288 pages
1 b&w illustration
Cloth ISBN: 9780824869885

Edited by:

Camilla Fojas, Associate Professor in the Departments of Media Studies and American Studies
University of Virginia

Rudy P. Guevarra, Associate Professor of Asian Pacific American Studies
Arizona State University

Nitasha Tamar Sharma, Associate Professor of Asian American Studies and African American Studies
Northwestern University, Evanston, Illinois

Written by scholars of various disciplines, the essays in this volume dig beneath the veneer of Hawai‘i’s myth as a melting pot paradise to uncover historical and complicated cross-racial dynamics. Race is not the primary paradigm through which Hawai‘i is understood. Instead, ethnic difference is celebrated as a sign of multicultural globalism that designates Hawai‘i as the crossroads of the Pacific. Racial inequality is disruptive to the tourist image of the islands. It ruptures the image of tolerance, diversity, and happiness upon which tourism, business, and so many other vested transnational interests in the islands are based. The contributors of this interdisciplinary volume reconsider Hawai‘i as a model of ethnic and multiracial harmony through the lens of race in their analysis of historical events, group relations and individual experiences, and humor, for instance. Beyond Ethnicity examines the dynamics between race, ethnicity, and indigeneity to challenge the primacy of ethnicity and cultural practices for examining difference in the islands while recognizing the significant role of settler colonialism in the islands. This original and thought-provoking volume reveals what a racial analysis illuminates about the current political configuration of the islands and in so doing, challenges how we conceptualize race on the continent.

Recognizing the ways that Native Hawaiians or Kānaka Maoli are impacted by shifting, violent, and hierarchical colonial structures that include racial inequalities, the editors and contributors explore questions of personhood and citizenship through language, land, labor, and embodiment. By admitting to these tensions and ambivalences, the editors set the pace and tempo of powerfully argued essays that engage with the various ways that Kānaka Maoli and the influx of differentially racialized settlers continue to shift the social, political, and cultural terrains of the Hawaiian Islands over time.

The Escape; Or, A Leap for Freedom

University of Tennessee Press
2001-03-21
112 pages
ISBN-13: 978-1572331051
(Originally published in 1858)

William Wells Brown (1814-1884)

Edited by:

John Ernest, Judge Hugh M. Morris Professor of English
University of New Hampshire

A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.

The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.

John Ernest’s introductory essay balances the play’s historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom’s Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.

A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest’s keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.

Neo-Passing: Performing Identity after Jim Crow

University of Illinois Press
March 2018
296 pages
6 x 9 in.
11 black & white photographs
Cloth ISBN: 978-0-252-04158-7
Paper ISBN: 978-0-252-08323-5
Ebook ISBN: 978-0-252-05024-4

Edited by:

Mollie Godfrey, Assistant Professor of English
James Madison University, Harrisonburg, Virginia

Vershawn Ashanti Young, Associate Professor of Drama and Speech Communication
University of Waterloo, Waterloo, Ontario, Canada

Crossing old boundaries to create new identities

African Americans once passed as whites to escape the pains of racism. Today’s neo-passing has pushed the old idea of passing in extraordinary new directions. A white author uses an Asian pen name; heterosexuals live “out” as gay; and, irony of ironies, whites try to pass as black.

Mollie Godfrey and Vershawn Ashanti Young present essays that explore practices, performances, and texts of neo-passing in our supposedly postracial moment. The authors move from the postracial imagery of Angry Black White Boy and the issues of sexual orientation and race in ZZ Packer’s short fiction to the politics of Dave Chappelle’s skits as a black President George W. Bush. Together, the works reveal that the questions raised by neo-passing—questions about performing and contesting identity in relation to social norms—remain as relevant today as in the past.

Gale Wald offers a foreword and Michele Elam an afterword.

Contributors: Derek Adams, Christopher M. Brown, Martha J. Cutter, Marcia Alesan Dawkins, Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning, Loran Marsan, Lara Narcisi, Eden Osucha, and Deborah Elizabeth Whaley

The Poet X

HarperTeen
2018-03-06
368 pages
Hardcover ISBN: 9780062662804
E-book ISBN: 9780062662828

Elizabeth Acevedo

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing #ownvoices novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

A Long Way from Home, A novel

Knopf
2018-02-27
336 pages
6-1/4 x 9-1/4
Hardcover ISBN: 9780525520177
eBook ISBN: 9780525520184

Peter Carey

The two-time Booker Prize-winning author now gives us a wildly exuberant, wily new novel that circumnavigates 1954 Australia, revealing as much about the country/continent as it does about three audacious individuals who take part in the infamous 10,000-mile race, the Redex Trial.

Irene Bobs loves fast driving. Her husband is the best car salesman in southeastern Australia. Together they enter the Redex Trial, a brutal race around the ancient continent, over roads no car will ever quite survive. With them is their lanky, fair-haired navigator, Willie Bachhuber, a quiz show champion and failed schoolteacher who calls the turns and creeks crossings on a map that will remove them, without warning, from the white Australia they all know so well. This is a thrilling high-speed story that starts in one way, and then takes you someplace else. It is often funny, more so as the world gets stranger, and always a page-turner even as you learn a history these characters never knew themselves.

Set in the 1950s, this is a world every American will recognize: black, white, who we are, how we got here, and what we did to each other along the way.

A Long Way from Home is Peter Carey’s late-style masterpiece.