A Long Way from Home, A novel

Posted in Books, Media Archive, Novels, Oceania, Passing on 2018-03-05 01:46Z by Steven

A Long Way from Home, A novel

Knopf
2018-02-27
336 pages
6-1/4 x 9-1/4
Hardcover ISBN: 9780525520177
eBook ISBN: 9780525520184

Peter Carey

The two-time Booker Prize-winning author now gives us a wildly exuberant, wily new novel that circumnavigates 1954 Australia, revealing as much about the country/continent as it does about three audacious individuals who take part in the infamous 10,000-mile race, the Redex Trial.

Irene Bobs loves fast driving. Her husband is the best car salesman in southeastern Australia. Together they enter the Redex Trial, a brutal race around the ancient continent, over roads no car will ever quite survive. With them is their lanky, fair-haired navigator, Willie Bachhuber, a quiz show champion and failed schoolteacher who calls the turns and creeks crossings on a map that will remove them, without warning, from the white Australia they all know so well. This is a thrilling high-speed story that starts in one way, and then takes you someplace else. It is often funny, more so as the world gets stranger, and always a page-turner even as you learn a history these characters never knew themselves.

Set in the 1950s, this is a world every American will recognize: black, white, who we are, how we got here, and what we did to each other along the way.

A Long Way from Home is Peter Carey’s late-style masterpiece.

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“You can’t be a white Australian writer and spend your whole life ignoring the greatest, most important aspect of our history, and that is that we – I – have been the beneficiaries of a genocide.”

Posted in Excerpts/Quotes on 2018-02-12 02:07Z by Steven

A Long Way from Home, Peter Carey’s 14th novel, uses the story of a light-skinned Indigenous Australian who has been brought up white to address the country’s brutal history of racism. It seems strange at first that Carey – surely Australia’s greatest living novelist, even if he hasn’t dwelled there for decades – has taken so long to get around to the subject. In a recent interview in the Australian, he said that he’d always felt that it was not the place of a white writer to tell this tale. Then something changed: “You can’t be a white Australian writer and spend your whole life ignoring the greatest, most important aspect of our history, and that is that we – I – have been the beneficiaries of a genocide.”

Alex Preston, “A Long Way from Home review – Peter Carey’s best novel in decades,” The Guardian, January 15, 2018. https://www.theguardian.com/books/2018/jan/15/a-long-way-from-home-peter-carey-review.

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A Long Way from Home review – Peter Carey’s best novel in decades

Posted in Articles, Book/Video Reviews, Media Archive, Oceania, Passing on 2018-01-25 04:32Z by Steven

A Long Way from Home review – Peter Carey’s best novel in decades

The Guardian
2018-01-15

Alex Preston

The acclaimed writer’s 14th novel is a nuanced story of racial identity set in postwar Australia

Writers are by nature chameleons, with each new character a new disguise to take on, a fresh skin to inhabit. It shouldn’t surprise, then, that racial passing has such a rich literary history. Nella Larsen’s 1929 novel, Passing, is a near-forgotten classic, telling of two mixed-race women, Clare and Irene, who identify as white and black respectively. More recently, we’ve had Philip Roth’s The Human Stain, in which the African American Coleman Silk attempts to pass for a Jewish academic. Then there’s Francis Spufford’s Golden Hill, whose concluding revelation about one of the characters’ racial identities does what all good end-of-book twists ought to, shedding new light on the entire novel.

A Long Way from Home, Peter Carey’s 14th novel, uses the story of a light-skinned Indigenous Australian who has been brought up white to address the country’s brutal history of racism. It seems strange at first that Carey – surely Australia’s greatest living novelist, even if he hasn’t dwelled there for decades – has taken so long to get around to the subject. In a recent interview in the Australian, he said that he’d always felt that it was not the place of a white writer to tell this tale. Then something changed: “You can’t be a white Australian writer and spend your whole life ignoring the greatest, most important aspect of our history, and that is that we – I – have been the beneficiaries of a genocide.”…

Read the entire review here.

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