‘Barry’ or How Barack Obama Learned to Stop Worrying and Love His Blackness

Posted in Articles, Barack Obama, Biography, Book/Video Reviews, Media Archive, United States on 2016-12-27 01:11Z by Steven

‘Barry’ or How Barack Obama Learned to Stop Worrying and Love His Blackness

The Daily Beast
2016-12-20

Marlow Stern, Senior Entertainment Editor


Netflix

The new Netflix film ‘Barry’ explores young Obama’s days at Columbia University, torn between the world of his rich white girlfriend and the African-American community.

There’s a scene in Dreams From My Father, the memoir of Barack Obama, that illuminates how the future president struggled to feel at home in white America. Obama, 22, has paid a visit to the family estate of his white girlfriend, Genevieve Cook, 25. It’s a beautiful autumn day in Norfolk, Connecticut, and, after traipsing about the foliage-strewn woods, he finds himself in the family library. There, he observes an assemblage of photographs depicting his lover’s grandfather, a wealthy man of great import, posing with presidents, foreign dignitaries, and titans of industry.

“Standing in that room, I realized that our two worlds, my friend’s and mine, were as distant from each other as Kenya is from Germany,” wrote Obama. “And I knew that if we stayed together I’d eventually live in hers. After all, I’d been doing it most of my life. Between the two of us, I was the one who knew how to live as an outsider.”

That push-pull between these two sides of Obama, white and black, is explored in the new film Barry, now streaming on Netflix. Directed by Vikram Gandhi, it dramatizes the years Obama (played by Devon Terrell) spent at Columbia University in 1981 New York City

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Review: In New Biopic ‘Barry,’ The Real Obama Remains Hidden

Posted in Articles, Barack Obama, Biography, Book/Video Reviews, Media Archive, United States on 2016-12-22 02:24Z by Steven

Review: In New Biopic ‘Barry,’ The Real Obama Remains Hidden

Newsweek
2016-12-16

Tom Shone

While President Barack Obama decides on his future—a return to his roots as a community organizer? A de facto leader for the Trump resistance? More writing?—pop culture has stepped in to give him the Mount Rushmore treatment. First we had Southside With You, a sweet, inoffensive Sundance hit about his and Michelle Obama’s first date. Now we have Barry, Vikram Gandhi’s film for Netflix about Obama’s year as a transfer student at Columbia University, a period in which the future president read a lot of books, smoked a ton of cigarettes and eventually decided to become a community organizer. This is Obama: The Awakening.

Taking the lead is Australian actor Devon Terrell, who is more strapping than his subject but gets just the right mixture of Vulcan self-possession and self-doubt, giving him a slight stammer as ideas struggle for expression through multiple thought-menus. Casting a non-American actor was a smart move. The film records not just Obama’s first encounter with New York—the Big Apple of Ronald Reagan’s first term, with its beatboxes, graffiti and break-dancers—but with a kind of urban black experience he hadn’t experienced in Hawaii. Passing between worlds, he belongs wholly to neither…

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How ‘Barry’ Gets Obama Right—And Wrong

Posted in Articles, Barack Obama, Biography, Book/Video Reviews, Media Archive, United States on 2016-12-21 19:48Z by Steven

How ‘Barry’ Gets Obama Right—And Wrong

Newsweek
2016-12-21

Matthew Cooper, Political Editor


President Barack Obama during a White House news conference in Washington, December 16. A new Netflix production, “Barry,” charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity.
JONATHAN ERNST/REUTERS

There’s less than a month left of Barack Obama’s presidency, but the 55-year-old remains enigmatic. His remarkable ascent—as the son of a mixed-race marriage, the child of a single mother in Hawaii—to the Oval Office is as great a Log Cabin tale as that of any of his 43 predecessors. Maybe it’s because of his swift rise or his outlier/insider duality that he remains, even in his last days in office, the object of so much dispute.

The president has already penned two deservedly acclaimed memoirs and more are planned. And he’s been the subject of two biopics, this summer’s charming Southside with You, about his first date with Michelle (nee Robinson), and now Barry, a Netflix production that charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity…

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‘Barry’ director on race, identity and why the young Obama matters

Posted in Articles, Arts, Barack Obama, Biography, Media Archive on 2016-12-20 20:00Z by Steven

‘Barry’ director on race, identity and why the young Obama matters

Mashtable
2016-12-20

Proma Khosla

Vikram Gandhi didn’t direct the Netflix biopic Barry because he cared about Barack Obama. He made it because he cared about a kid named Barry.

Gandhi set out to discover who Barack was before he was Barack, back in 1981. The film follows a portion of Obama’s life then as a student at Columbia University, and how it shaped who he would grow up to be.

“I don’t know who Barack Obama is,” Gandhi told Mashable in a phone interview. “I didn’t study that. I studied who Barry was. I related with Barry. The things that he’s struggling with are things that people around me have struggled with, I’ve struggled with, and I think that I still struggle with. Barack Obama’s the president; I have no idea what that’s like, but I know what it’s like to be a confused kid, a 20-year-old kid in New York City trying to figure out where you belong.”

The 1981 iteration of Barack Obama held particular resonance for Gandhi, who studied at Columbia some 17 years later. He remembered the classes, the bars, the diners — he even lived next door to the building that once housed a future president. The film is an intersection of two identity crises: What it means to grow up and what it means to be mixed race in America…

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