Africans in Medieval & Renaissance Art: Duke Alessandro de’ Medici

Posted in Articles, Arts, Biography, Europe, Media Archive on 2016-07-02 19:18Z by Steven

Africans in Medieval & Renaissance Art: Duke Alessandro de’ Medici

Victoria and Albert Museum
London, England, United Kingdom


Portrait of Duke Alessandro de’ Medici, after Jacopo da Pontormo, Florence, Italy, about 1550. Museum no. CAI.171. Ionides Bequest

Both of the objects highlighted here feature Alessandro de’ Medici (1511-37), the first Duke of Florence. It is thought that Alessandro’s mother was a Moorish slave.

The Medici, an Italian family of merchants, bankers, rulers, patrons and collectors, dominated the political and cultural life of Florence from the 15th century to the mid 18th century. They were expelled from Florence in 1494-1512 and 1527-30. In 1530, after a long and bitter siege, the army of the Holy Roman Emperor Charles V conquered the city and backed the installment of Alessandro de’ Medici as the first Duke of Florence. Alessandro’s reign ended in 1537, when he was assassinated by his cousin and rival Lorenzino de’ Medici. As he had no children with his wife (Margaret of Austria, illegitimate daughter of the emperor Charles V), and his illegitimate son Giulio was only four years old, Alessandro was succeeded by a member of another branch of the Medici family, Cosimo I.

Officially, Alessandro was the illegitimate son of Lorenzo de’ Medici, Duke of Urbino (1492-1519), but it was rumoured that Lorenzo’s cousin Giulio (later Pope Clement VII), had fathered him. Alessandro’s mother, Simonetta, was allegedly a Moorish slave who had worked in the household of Lorenzo and his parents during their exile in Rome

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St Martin de Porres

Posted in Articles, Arts, Caribbean/Latin America, History, Media Archive, Religion on 2014-11-04 19:19Z by Steven

St Martin de Porres

Victoria and Albert Museum: The world’s greatest museum of art and design
London, United Kingdom
2014-11-03

William Newton, Assistant Curator

Today on Sanctus Ignotum we have a case study in race relations, and our first South American saint. Born in Lima, Peru in 1579, the illegitimate son of a Spanish knight and a liberated black slave, Martin was initially apprenticed to a barber-surgeon. He initially joined the Dominican Order as a lay-helper, though his dedication to the poor and hallowed nature meant that he was soon invited to join the order as a full-time lay-brother.

He frequently experienced bouts of religious ecstasy, having spent nights in prayer. He kept himself very busy as monastic gardener and barber (two related skills), and as a counselor (some barbers may also believe this is a native skill), as well as attending to the sick and the poor. It was said that most of his cures came from a simple glass of water (presumably not part his barber’s training). Being of mixed race parentage himself, he was not as discerning as some of his colleagues in offering spiritual and physical comfort. The other Brothers did, however, dub him the ‘Father of Charity’ although he, being humble and saintly, preferred to call himself ‘Mulatto Dog’. Martin’s commitment to everyone’s wellbeing, no matter their colour or creed, does not appear to have been complemented by a reforming attitude to social conditions. Once, when his monastery encountered financial difficulties, he suggested that they sell him into slavery in order to make ends meet. Happily, they declined to do so…

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