Scholarly perspectives on the mixed race experience.
…These emerging beliefs provided the legal community with a framework within which to justify increasingly rigid separation between blacks and whites and increasingly stringent definitions of blackness. One clear example may be found in Judge Thomas M. Norwood‘s remarks in 1907, entitled “Address on the Negro,” in which he reflected upon his experiences dealing with black defendants over the years. After detailing the inferiority of the black race, Norwood explained to his audience that miscegenation was a horrible threat to the nation. Even though the law forbade interracial sex, having legal prohibitions on the books was not sufficient to curb the evil: “illicit miscegenation thrives and the proof stalks abroad in breeches and petticoats along our streets and highways.” This proof was the mixed-race issue of such unions.
Norwood’s beliefs about black inferiority did not permit him to blame “pure” blacks for the increases in racial mixing. He placed the blame squarely on white men, who made and enforced the laws against miscegenation and prevented black men from crossing the color line, while simultaneously “wallow[ing] with dusky Diana with impunity.” This practice by white men, in Norwood’s view, was particularly damaging to white women. Women married to men who engaged in interracial sex would bear the shame of knowing that their children had black half siblings. Their white daughters would flinch at having to acknowledge a black child’s salute of them as sisters.
While Norwood saw “full-blooded Negroes” as childlike, easily led, humble, and nonthreatening, he believed that mulattoes, due to the admixture of whiteness, were a genuine threat both in their prominence and in their attitudes. He argued that all prominent black persons in the United States had white or Native American ancestry to thank for their abilities and that all were hostile to whites. His solution to this problem, which would have been unconstitutional even under the prevailing racist standards, was to “Draw a dead line between the races. Tell the Negro, when he crosses it the penalty is death. Tell the white man, when he crosses it the penitentiary is there.” …
“That fascinates me that there was a black person [Samuel Codes Watson] who had white privilege and was cognizant of his ethnicity,” he said. “When you really think about it, he kinda wasn’t a black person when he was there. That’s such a juxtaposition for me.” —Tylonn J. Sawyer
Comments Off on “That fascinates me that there was a black person who had white privilege and was cognizant of his ethnicity,” he said. “When you really think about it, he kinda wasn’t a black person when he was there. That’s such a juxtaposition for me.”
Straight from her grandmother’s garden. That knack for telling stories that pull at your heartstrings.
“I’m one of those people who had a storytelling grandma,” says Miles. “We’d be in the garden or snapping peas on the porch and my grandma would be telling stories, about life in Mississippi, about how the family lost their farm to a white man, about how they came up North on a train. Those stories riveted me and they shaped me.
“If my grandmother had had my life, she would have won three MacArthur Fellowships,” Miles says of her grandmother, the late Alice King.
But it was Miles, 45, who was granted a prestigious MacArthur Fellowship in 2011, and it was that award that gave her the shot of confidence she needed to up her game and write her first novel, which will be released next month.
Friends and coworkers at the University of Michigan are hosting a book launch party for “the Cherokee Rose” (John F. Blair, $26.95) Tuesday…
…Not that she doesn’t greatly appreciate the fellowship that annually doles out a ton of money to selected people in a variety of areas so that they can pursue their areas of interest, unencumbered by money woes.
Without it, she doubts she would have completed “the Cherokee Rose,” a novel that uses three modern day women to take readers on a haunting, sometimes horrific, but redemptive journey to a little-known past on a Southern plantation where Native-American and African-American lives were intertwined. In the process, the women make unexpected connections to one another and others…