The National Geographic Twins and the Falsehood of Our Post-Racial Future

Posted in Articles, Literary/Artistic Criticism, Media Archive on 2019-10-27 16:59Z by Steven

The National Geographic Twins and the Falsehood of Our Post-Racial FutureThe National Geographic Twins and the Falsehood of Our Post-Racial Future

The New Yorker
2018-03-14

Doreen St. Félix, Staff Writer


National Geographic has made a rare, and refreshing, admission of past racism. But its most recent cover story undermines this corrective. Photograph Courtesy National Geographic

On Monday, National Geographic opened its April issue with a sombre letter from the editor, Susan Goldberg, presented with the even more sombre headline “For Decades, Our Coverage was Racist. To Rise Above Our Past, We Must Acknowledge It.” “The Race Issue,” which marks the fiftieth anniversary of the assassination of Dr. Martin Luther King, Jr., inaugurates the magazine’s yearlong “Diversity in America” series. In the letter, Goldberg—who is the first woman and the first Jewish person in the top post since the magazine’s founding, in 1888—informs her readers that John Edwin Mason, a historian of photography and of the African continent, having studied the magazine’s archive, found that, through failures of omission, overwrought inclusions, a melodramatic tone, and other editorial choices, National Geographic had mismanaged its reportage on nonwhite cultures. As Goldberg summarized, “until the 1970s National Geographic all but ignored people of color who lived in the United States . . . . Meanwhile it pictured ‘natives’ elsewhere as exotics, famously and frequently unclothed, happy hunters, noble savages—every type of cliché.”

The magazine’s admission is rare, and vindicates readers who, like me, have always had a visceral reaction to National Geographic’s covers and ethos. A recent project at the Times was similarly refreshing—offering obituaries for the indefatigable journalist Ida B. Wells, the writer Sylvia Plath, and thirteen other women who hadn’t been memorialized in the paper at the time of their deaths. The Times, which calls its project “Overlooked,” uses oddly passive language in presenting its past missteps: its archives offer “a stark lesson in how society valued various achievements and achievers,” the copy reads. Mason uses more pointed language: “National Geographic comes into existence at the height of colonialism . . . . and National Geographic was reflecting that view of the world.”…

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National Geographic Replaces Racist Fictions With Post-racial Fantasies

Posted in Articles, Communications/Media Studies, Media Archive, United Kingdom, United States on 2018-03-24 19:49Z by Steven

National Geographic Replaces Racist Fictions With Post-racial Fantasies

New York Magazine
2018-03-16

Lauren Michele Jackson


Photo: Courtesy of National Geographic. Photograph by Robin Hammond

In her honest but odd memoir that it seems, thankfully, few besides me have read, National Geographic emerges as a crucial touchstone to Rachel Dolezal’s supposed racial awakening. Isolated regionally and culturally by Christian-fundamentalist parents, copies of the magazine were one of the few tokens from 1980s and ’90s American culture allowed to Dolezal in a home that forbade television and processed food. And while her older brother scrounged pages for photos of topless women, NatGeo begat Rachel’s earliest racial fantasies. Coating herself in mud from head to feet, she “would pretend to be a dark-skinned princess in the Sahara Desert or one of the Bantu women living in the Congo,” images conjured exclusively by the monthly magazine. “I would stay in this fantasy world as long as I possibly could,” Dolezal writes. “It was never long enough.”

Over the last century, National Geographic has used the guise of ethnographic research to stoke the racial imaginations of curious white people. Investigating peoples and cultures like flora, splaying their images upon glossy pages with unchecked fascination, the magazine does not have a great track record when it comes to stories about people of color. And yet, these are the stories NatGeo is most famous for, training generation after generation to gawk at peoples other than themselves through telephoto lenses. Founded in 1888 to document the interests of affluent explorers, the name alone evokes a colonial impulse — the National Geographic Society started as a private club dedicated to worldly, exotic travel. The publication has long been an unrepentant descendant of those beginnings — until now, allegedly…

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