The Dismissal of the “Mulatto”…

Posted in Excerpts/Quotes, Identity Development/Psychology on 2009-11-18 19:15Z by Steven

The dismissal of the “mulatto” through his emasculation is historically grounded: “so frequently did nineteenth century writers depict octoroons as delicate beauties that the word itself began to conjure up images of passive femininity. Although by definition an octoroon was either a male or a female with one-eighth Black blood, Black men in novels were rarely described as such.” There is, of course, an immense bibliography of work (primary and secondary) concerning the “tragic mulatto” as a typically female protagonist, who is unable to find her place in society because of her biracial heritage. This displacement has sexual implications, explains Cynthia Nakashima: “[b]ecause of the structure of power and domination in the American gender system… weakness and vulnerability can be very exciting and attractive when applied to females.” Although the mulatta narratives are intended to evoke sympathy, they often culled readerly desire instead.

Dunning, Stefanie. “Demystifying the Tragic Mulatta: The Biracial Woman as Spectacle.Stanford Black Arts Quarterly 2.3 (Summer/Spring 1997). 12-14.

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New People: Miscegenation and Mulattoes in the United States

Posted in Books, History, Media Archive, Monographs, Social Science, United States on 2009-11-02 01:51Z by Steven

New People: Miscegenation and Mulattoes in the United States

Louisiana State University Press
1980
240 pages
6 x 9
Paper ISBN-13: 978-0-8071-2035-4

Joel Williamson, Lineberger Professor in the Humanities
University of North Carolina, Chapel Hill

New People is an insightful historical analysis of the miscegenation of American whites and blacks from colonial times to the present, of the “new people” produced by these interracial relationships, and of the myriad ways in which miscegenation has affected our national culture. Because the majority of American blacks are in fact of mixed ancestry, and because mulattoes and pure blacks ultimately combined their cultural heritages, what begins in the colonial period as mulatto history and culture ends in the twentieth century as black history and culture. Thus, understanding the history of the mulatto becomes one way of understanding something of the experience of the African American.

Williamson traces the fragile lines of color and caste that have separated mulattoes, blacks, and whites throughout history and speculates on the effect that the increasing ambiguity of those lines will have on the future of American society.

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