“My aim is to locate myself in this discussion as a biracial Black man who has both been the victim of racism and has in some instances “passed” for white because of my light skin.”

Posted in Excerpts/Quotes on 2016-05-18 21:19Z by Steven

“Along with my personal identity struggles, the historical legacy of racism in the United States for communities of color informs my experiences. My current work responds to the police killings of unarmed Black men, women, and children across America. While this is a constant attack on the Black community, the increased international media attention, public awareness, and public movements are new phenomena. The recent killings of Trayvon Martin and Eric Garner to Tamir Rice and Michael Brown, illustrate that Black victims can range in age from 12 to 50 years old. This raises the question of the value of Black bodies in contemporary America, which is linked to a long history of violence against its Black population through slavery, Jim Crow, and mass incarceration. My aim is to locate myself in this discussion as a biracial Black man who has both been the victim of racism and has in some instances “passed” for white because of my light skin. I see this as the cost of a legacy of racism that is particularly troublesome to me and this conversation must continue.” —Michael Dixon

Tasha Mathew, “Michael Dixon: A Discussion About Race, Representation, and Biracial Identity,” Or Does It Explode, March 14, 2016.
http://www.ordoesitexplode.com/#!Michael-Dixon-A-Discussion-About-Race-Representation-and-Biracial-Identity/pidwk/56e5a6850cf26296007f90ad.

Tags: , , , , , ,

Michael Dixon: A Discussion About Race, Representation, and Biracial Identity

Posted in Articles, Arts, Identity Development/Psychology, Interviews, Media Archive, United States on 2016-05-18 20:59Z by Steven

Michael Dixon: A Discussion About Race, Representation, and Biracial Identity

Or Does It Explode
2016-03-14

Tasha Mathew

Michael Dixon is a California-born artist who teaches as an associate professor at Albion College and was recently awarded studio space in New York through the Sharpe-Walentas Studio Program. His paintings direct us toward controversy, self-reflection, and an appreciation for the value of these experiences.

Dixon explores the personal experiences of biracial blacks, including an immersive investigation into his own experiences. As such, concepts of social psychology condense within each portrait – concepts such as social identity theory and self-categorization theory – allowing us to explore our identification with one particular group over another.

His most recent projects include Shared Histories/Turkey: an investigations into Turkish, biracial blacks and The More Things Change, The More Things Stay The Same: a reflection upon the recent killings of unarmed black men…

Read the entire interview here.

Tags: , , ,