‘Whatever Happened to Interracial Love?’: Fiction by an Author Who Died Young

Posted in Articles, Book/Video Reviews, Media Archive, United States on 2016-12-12 21:21Z by Steven

‘Whatever Happened to Interracial Love?’: Fiction by an Author Who Died Young

Book Review
The New York Times
2016-12-09

Morgan Jerkins

WHATEVER HAPPENED TO INTERRACIAL LOVE?
Stories
By Kathleen Collins
175 pp. Ecco/HarperCollins Publishers. Paper, $15.99.


Kathleen Collins
Credit Douglas Collins

Kathleen Collins’s short story collection, “Whatever Happened to Interracial Love?” opens with a monologue. An unnamed director is giving instructions to someone — a stagehand? a cinematographer? — on how to light a room in which two lovers are suffering the demise of their relationship. The last line is this: “Leave her in the shadow while she looks for the feelings that lit up the room.” This three-page section, titled “Exteriors,” can hardly be considered a story; it is more like a voyeuristic passage through which the reader can oscillate between being emotionally invested in and distant from matters of love. Collins toys with human beings as shadows, who fade in and out of one another’s lives, and she carefully depicts how abandonment and attachment can be two sides of the same experience…

Read the entire review here.

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How Kathleen Collins’s Daughter Kept Her Late Mother’s Career Alive

Posted in Articles, Autobiography, Biography, Media Archive, United States, Women on 2016-12-12 19:10Z by Steven

How Kathleen Collins’s Daughter Kept Her Late Mother’s Career Alive

Vogue
2016-09-05

Nina Lorez Collins


Nina Collins in a Karen Walker dress.
Photographed by Ryan Pfluger, Vogue, September 2016

A struggling filmmaker whose life was cut short by illness, Kathleen Collins has a soaring career since her daughter reopened her archive.

Ten years ago, in the middle of an ugly divorce, the most banal of realizations came upon me: In order to find a path out of the mess I’d made, I needed to wrestle with the history that had shaped me. My mother, the late African-American writer, filmmaker, and activist Kathleen Collins, died of breast cancer in 1988 at age 46, when I was still a teenager, leaving me to care for my younger brother. Our parents had split when we were toddlers, and we had been raised by a single, black artist mother, vibrant yet frequently depressed, and unwavering in her commitment to her work. She had kept her illness a secret until two weeks before she died.

In those first few weeks after we buried her, I filled an old steamer trunk with every scrap of paper I could find among my mother’s things: copies of her many plays, short stories, screenplays, journals, letters; and VHS tapes of her two films, The Cruz Brothers and Miss Malloy and Losing Ground, neither of which had been released theatrically. Along with her work and personal correspondence, there were photographs of her ancestors dating back to 1700s New Jersey farmland, snapshots of her singing with Freedom Riders in Albany, Georgia, in 1962, and a handful of high-quality artistic images of her taken by my father when they were still in love. Over the next two decades, that heavy trunk moved with me everywhere I lived. It was a coffee table in my first studio, spent some time at the foot of my bed in my 20s, and eventually, when I had a house, was relegated to my basement. I often wanted to look inside, and a few times I made tentative forays, but the sight of my mother’s familiar scrawl on the pages made me feel shaky. It was simply, for a very long time, too sad for me to hear her voice again…

…Eighteen years later, on a still midsummer day, I turned to the trunk in earnest. I was upstate, in the home I’d made for myself and my four children in the wake of my divorce. Surrounded by optimistic colors, I lifted the handle in hope of understanding so many things. Reaching inside, I pulled out yellowed reams of paper, some handwritten, others typed. There were short stories I never knew existed, about growing up black bourgeoise in Jersey City; others that fictionalized the intense civil rights work she did with SNCC in her 20s (she worked on voter registration and speechwriting). I found accounts of her difficult relationships with men, from my white father to the playwrights, actors, and writers who followed. I discovered plays and screenplays about the loss of her own mother—my grandmother died when my mother was five months old—and her stern father. After years of being afraid to delve in, I now couldn’t stop reading. The stories were like a portal to her inner life, the themes and characters both strange and familiar, in that way that everything about our parents somehow already exists within us…

Read the entire article here.

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Kathleen Collins’s ‘Whatever Happened to Interracial Love?’

Posted in Articles, Book/Video Reviews, Media Archive, United States on 2016-12-12 17:11Z by Steven

Kathleen Collins’s ‘Whatever Happened to Interracial Love?’

Books of The Times
The New York Times
2016-11-29

Dwight Garner

Kathleen Collins, Elizabeth Alexander (fore.), Whatever Happened to Interracial Love? (New York: Ecco, 2016)

When the filmmaker, playwright and fiction writer Kathleen Collins died of breast cancer in 1988, at 46, she left behind a wide body of work that’s only beginning to see the light of day.

She was among the first black women to direct a feature-length film. That movie, “Losing Ground” (1982), parsed black intellectual life in New York City; it was about a female philosophy professor and her wayward husband, a painter. It never had a theatrical release. Just last year its premiere was held at Lincoln Center, where it played to sold-out crowds.

She was a feverish artist, working on many fronts. In an essay in the September issue of Vogue, her daughter, Nina Lorez Collins, recalls, “When I think back, the dominant sounds of my childhood are of my mother’s IBM Selectric II clattering away behind her bedroom door; film swishing through the Steenbeck editing machine that sat in our dining room; and, occasionally, Tina Turner blaring from the stereo while she danced like a madwoman in the living room.”…

This collection’s title story gives us Ms. Collins in full flower. It is about two roommates in an Upper West Side apartment. It’s 1963 or, as Ms. Collins declares, “the year of racial, religious, and ethnic mildew.”

One roommate is a white community organizer in Harlem, fresh out of Sarah Lawrence and dating a black poet. The other is a young black woman who was jailed during civil rights protests in Georgia; she’s in love with a white Freedom Rider.

When the young black woman went South, she shed some of her proper bourgeois upbringing and began to feel the shaggy earth beneath her feet. Her father is apoplectic. What’s happened to his perfect strait-laced daughter?…

Read the entire review here.

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Whatever Happened to Interracial Love?

Posted in Books, Media Archive, Novels, United States on 2016-12-07 02:08Z by Steven

Whatever Happened to Interracial Love?

Ecco (an imprint of HarperCollins)
2016-12-06
192 pages
5.313 in (w) x 8 in (h) x 0.432 in (d)
Paperback ISBN: 9780062484154
E-book ISBN: 9780062484161

Kathleen Collins (1942-1988)

Foreword by: Elizabeth Alexander

Named one of Publishers Weekly’s Best Books of the Year, and named one of the most anticipated books of the fall by the Huffington Post, New York, The Boston Globe, Lit Hub, The Millions, and Nylon.com.

Now available in Ecco’s Art of the Story series: a never-before-published collection of stories from a brilliant yet little known African American artist and filmmaker—a contemporary of revered writers including Toni Cade Bambara, Laurie Colwin, Ann Beattie, Amy Hempel, and Grace Paley—whose prescient work has recently resurfaced to wide acclaim.

Humorous, poignant, perceptive, and full of grace, Kathleen Collins’s stories masterfully blend the quotidian and the profound in a personal, intimate way, exploring deep, far-reaching issues—race, gender, family, and sexuality—that shape the ordinary moments in our lives.

In “The Uncle,” a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In “Only Once,” a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.

Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.

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