Still Processing: Being Biracial

Posted in Articles, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, United States on 2017-10-07 21:32Z by Steven

Still Processing: Being Biracial

Still Processing
The New York Times
2017-10-05

Wesley Morris and Jenna Wortham


Rashida Jones as Santamonica, the sister of Tracee Ellis Ross’s character on ABC’s “Black-ish.”
Credit Kelsey McNeal/Getty Images

For months, the two of us have been trying to figure out a way to have a conversation about the experience of being biracial. This week we just go for it. First, we talk about the cultural and historical suspicion America still has of black-white interracial romantic relationships. It gives us an excuse to revisit the reason “Get Out” has been one of the year’s major movies: It articulates the previously inarticulable about race. Then we consider the offspring of interracial coupling — whether the possibility of occupying two identities (or more) is a choice, a luxury or a delusion; and what fears, doubts or envy nonbiracial black Americans might feel about biracial black Americans. We drop in on Spike Lee’sSchool Daze” and the sitcom “Black-ish.” We consider our feelings about Rashida Jones, Drake and Vin Diesel. We unpack the writings of Zadie Smith and Barack Obama. And we kind of have to ask: Aren’t we all a little bit mixed?

Read the entire article here.

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Tracee Ellis Ross: ‘That Hurt Like the Bejesus’

Posted in Articles, Arts, Media Archive, United States, Women on 2015-01-25 20:23Z by Steven

Tracee Ellis Ross: ‘That Hurt Like the Bejesus’

The New York Times
2015-01-22


Tracee Ellis Ross Credit Pej Behdarvand for The New York Times

The actress talks with Jenna Wortham about defining her own sense of beauty and humor.

It’s awards-show season. Do you like going to the shows? I didn’t actually go to the Golden Globes, but I do love awards-show season. It means lots of pretty dresses — and it’s even more fun when you are nominated.

The show you’re on, “black-ish,” has gotten a fair amount of critical praise. Do you know if the show has been picked up for a second season? No. Having been in the business for a while, I never like to look forward. You kind of enjoy what’s happening while it’s happening and leave the rest up to God, the angels, the trees, the stars — whatever you want to call it.

I love how women have responded to you in particular, especially the way you wear your hair out in this gorgeous storm cloud. A storm cloud? Is that what you said?

I may have said that, yes. That’s lovely. Women are asked to put forward, to a certain extent, a mask. And for black women, that has taken on greater significance, because the standard of beauty has not necessarily had the space for different definitions of beauty. I’m trying to find my own version of what makes me feel beautiful. On “black-ish,” there’s a lot that has to be done working around my hair, in terms of scheduling…

Read the entire interview here.

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Where Is My Family on TV?

Posted in Articles, Census/Demographics, Communications/Media Studies, Media Archive, Social Science, United States on 2014-02-11 04:33Z by Steven

Where Is My Family on TV?

The New York Times
2014-02-08

Jenna Wortham, Technology Reporter

One of my earliest memories is of sitting in an idling car with my mom and sister outside a convenience store in Virginia. Dad’s inside, buying cigarettes and scratch-off lottery tickets. Suddenly, a wild-eyed man appears at the driver-side window, yelling about white women and black men and how they don’t belong together. My mother goes feral, blocking his access to us. My father runs out, furious and swearing, before driving us away. I don’t remember what happened next, just a confusing and searing shame about the ugliness that the sight of my family could provoke.

I hadn’t thought about that in years. But it bubbled up last spring in response to the vitriolic reactions to a Cheerios commercial showing a family that echoed my own: black dad, white mom, mocha-skinned little girl with soft curly hair. The commercial was uploaded to YouTube, where it provoked such foul, overtly racist reactions that General Mills, the maker of Cheerios, decided to delete all of the comments. The memory bubbled up once again last weekend when the same family appeared in a second Cheerios commercial, just as mild and sweet-tempered, shown during the Super Bowl. That one, too, drew online criticism, if not as intense.

Sticks and stones, the saying goes, especially on the Internet. But the outpouring of disgust about an innocuous 30-second marketing spot may signal something deeper at work, a denial of the reality that the face of our nation is changing, and fast.

According to a 2012 Census Bureau report, mixed-race Americans, while still a small minority, are one of the fastest-growing demographic groups in the country, driven by immigration and an uptick in intermarriage. Yet while there are some very public examples of seemingly stable mixed-race families — the de Blasios of New York or even Kim, Kanye and sweet baby Nori come to mind — they are remarkably absent from our screens. (Our biracial president does get his share of screen time, of course.)…

Read the entire opinion piece here.

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