“When I discovered that I’m black”: How racism is so cruel, that it makes it difficult for black people to recognize themselves as such

Posted in Articles, Autobiography, Brazil, Caribbean/Latin America, Media Archive on 2016-03-08 00:52Z by Steven

“When I discovered that I’m black”: How racism is so cruel, that it makes it difficult for black people to recognize themselves as such

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-03-04

Jônatas Cordeiro da Silva

Originally “When I discovered that I’m black: “I’ll tell my story, because I also have one.”” from Hey Fala, January 11, 2016.

Today I feel the necessity of telling you how I discovered myself (and I’m still discovering) as black, which I will cover in a brief discussion of miscegenation.

When I see some cases, such as for example, (futebol star) Neymar who says that he’s not preto (black) or Caio (You Tuber Jout Jout’s boyfriend) who declares himself pardo (brown). I remember how difficult it was for me to recognize myself as black. I always knew that I wasn’t white, not only by the color of my skin, hair, and features, but also because of the places that neither I nor my ancestors occupied, however there is a big difference between not being branco (white) and being black.

It’s important to point out that in some way miscegenation in Brazil was historically simple, also one of the factors for miscegenation was the rape of black women enslaved by their colonizers, indigenous women were also violated. Black people were blamed for the backwardness of the Brazilian nation, there was a eugenicist plan, which envisaged that through the “mistura de raças” (melting pot or mixture of the races) the extinction of black people by 2012, so then Brazil would be a developed nation…

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A call for end of the “Globeleza Mulata”: A Manifesto

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Communications/Media Studies, History, Media Archive, Slavery, Women on 2016-02-13 03:34Z by Steven

A call for end of the “Globeleza Mulata”: A Manifesto

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-02-08

Stephanie Ribeiro and Djamila Ribeiro

Originally, “A Mulata Globeleza: Um Manifesto” from Agora é que são elas (2016-01-29).

The Globeleza Mulata is not a natural cultural event, but a performance that invades the imaginary and the Brazilian televisions during Carnival. A spectacular created by art director Hans Donner to be the symbol of the popular party, which exhibited for 13 years his companion Valéria Valenssa in the super-expositional function of “mulata”. We’re talking about a character that appeared in the nineties and still strictly follows the same script: it is always a black woman that dances the samba as a passista (Carnaval dancer), naked with her body painted with glitter, to the sound of the vignette displayed throughout the daily programming of Rede Globo (TV).

To start the debate on this character, we need to identify the problem contained in the term “mulata”. Besides being a word naturalized by Brazilian society, it is a captive presence in the vocabulary of the hosts, journalists and reporters from the Globo broadcasting. The word of is of Spanish origin comes from “mula” or “mulo” (the masculine and feminine of ‘mule’): that that is a hybrid originating from a cross between species. Mules are animals born crossing donkeys with mares or horses with donkeys. In another sense, they are the result of the mating of the animal considered noble (equus caballus) with the animal deemed second class (donkey). Therefore, it is a derogatory word indicating mestiçagem (racial mixture or crossbreeding), impurity; an improper mixing that should not exist.

Employed since the colonial period, the term was used to designate lighter skinned blacks, fruits of the rape of slaves by masters. Such a nomenclature has sexist and racist nature and was transferred to the Globeleza character, naturalized. The adjective “mulata” is a sad memory of the 354 years (1534-1888) of escravidão negra (black slavery) in Brazil…

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“I am a woman. I’m from the periphery. But I still have an advantage: I’m white” – The recognition of white privilege and racism

Posted in Articles, Autobiography, Brazil, Caribbean/Latin America, Media Archive on 2015-11-06 02:43Z by Steven

“I am a woman. I’m from the periphery. But I still have an advantage: I’m white” – The recognition of white privilege and racism

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2015-11-05
Source: Geledés Instituto da Mulher Negra, “Sou mulher. Suburbana. Mas ainda tô na vantagem: sou branca

Camila Castanho Miranda

I am a woman. I’m from the periphery. But I still have an advantage: I’m white.

Yesterday I heard something that captivated me to write about a topic that always touches me, but I never feel able to write about it: racism. Obviously I never suffered racism. I’m white. So I decided to write from the point of view that fits me best, that of the oppressor.

The first thing I need to say is that assuming the place of the oppressor is not being a bad person or something like that. It’s simply understanding my historical position in society. The second important thing here is that, depending on the circumstance and deepening of my family tree, I cannot be white. But it’s not what my skin and my hair say to society. So when talking about racism, I’m white indeed. I could be beige, if you will. It doesn’t matter, I’m not black. I was never oppressed because of my image.

I don’t know you, but it took me a lot to me to realize that racism existed. It’s hard to notice the little racism of everyday life when you don’t suffer from it…

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Becoming a black woman: an identity in process

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Identity Development/Psychology, Media Archive, Social Science on 2014-03-26 15:36Z by Steven

Becoming a black woman: an identity in process

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2013-07-31

Fernanda Souza

“(…) We are born preta (black), mulata, parda, brown, roxinha (a little purple) among others, but becoming negra (black) (1) is an achievement.” (Lélia Gonzalez)

“How (does one) to form an identity around color and non self-acceptance of blackness by the majority whose future was projected in the dream of branqueamento (whitening)?” (Munanga, p. 137, 2004)

My entire life I saw myself as a parda (brown), morena, mulata, mestiça (mixed race), but never, under any circumstances, negra (black). Although having blacks uncles and cousins, besides my late grandmother being black, I didn’t not recognize as such because of not thinking my parents were black, because I believed in the idea that blacks were only those people who had darker skin and my father and my mother could be seen, even by themselves, as mestiços and not as negros. That’s where we have one of the great subtleties while one of the biggest problems for racial consciousness in the country: the mestiço. The mestiço, as an intermediate category between white and black, is a result of the long process of mestiçagem (racial mixture) that marks Brazil. Mestiço here should be understood primarily as someone who is the child of a interracial couple (in this case, I refer to the union between a black man/ white woman and white man/black woman) and can also, to facilitate understanding of the text, be understood as someone who, even though not being the son/daughter of an interracial couple but of black parents, having lighter skin and had/has difficulty in defining themselves as black. Again I reiterate: this extension of the concept of “mestiço” is only to help in the understanding of the text and not to have to use the term “non-white” because it encompasses other ethnic groups, such as indigenous and neither “pardos (browns)”, because I find it politically innocuous for a text that will discuss mainly mestiçagem and the difficulty of asserting a racial-ethnic identity.

Miscegenation constitutes the cornerstone of the myth of racial democracy, whose central idea is that we are mestiços, the result of interbreeding between the three races – white, Indian and Black – which occurred through a contact and a harmonious coexistence between the three – forgetting that this process started from the rape of black women enslaved by plantation masters and there is nothing harmonious about it – and, in this sense, here there doesn’t exist so much discrimination and racial prejudice and people recognize themselves first as Brazilian than from a racial-ethnic identity of the oppressed, because as the myth of racial democracy dissolves, it mitigates and obscures the tensions, conflicts and racial prejudices present in Brazil, as Kabengele Munanga (2004) pointed out…

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