Scholarly perspectives on the mixed race experience.
One might imagine, that the children of such connections, would fare better, in the hands of their masters, than other slaves. The rule is quite the other way; and a very little reflection will satisfy the reader that such is the case. A man who will enslave his own blood, may not be safely relied on for magnanimity. Men do not love those who remind them of their sins—unless they have a mind to repent—and the mulatto child’s face is a standing accusation against him who is master and father to the child. What is still worse, perhaps, such a child is a constant offense to the wife. She hates its very presence, and when a slaveholding woman hates, she wants not means to give that hate telling effect. Women—white women, I mean—are idols at the south, not wives, for the slave women are preferred in many instances; and if these idols but nod, or lift a finger, woe to the poor victim: kicks, cuffs and stripes are sure to follow. Masters are frequently compelled to sell this class of their slaves, out of deference to the feelings of their white wives; and shocking and scandalous as it may seem for a man to sell his own blood to the traffickers in human flesh, it is often an act of humanity toward the slave-child to be thus removed from his merciless tormentors.
“As a daughter of a black mother and a white father, we have here in Brazil this kind of negotiation about identity. When I say “I’m black,” people try to negotiate this telling me: “No, you’re not black, you are mestiço, you are mulata.” And they think they’re doing me a favor not calling me a black woman.” —Ana Maria Gonçalves
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THE CREATION OF The Intercept, and then the Intercept Brasil, was motivated by a core purpose: to provide crucial journalism and commentary that, for whatever reasons, is not being adequately provided to the public. We are especially thrilled to announce the arrival of Ana Maria Gonçalves as our new columnist because her work so powerfully advances that objective.
By virtue of “Um Defeito de Cor” (A Color Defect), her 952-page 2006 novel about the life of an African woman enslaved and brought to Brazil who buys her freedom and sets out in search of her lost son, Gonçalves has become an important voice in global debates on race and culture. The book, which spans eight decades, powerfully connects modern Brazil with its long history of slavery, and — like the main character herself — confronts some of the most difficult, entrenched, and complex interactions between politics, race, culture, and power. The book is now being made into a Roots-like miniseries, to be broadcast next year…
…The role of race in Brazil is fascinating and relevant both in the ways it is unique to Brazil and the ways it is universal. Brazil was the last country in the Western world to abolish slavery (1888), and — just as in the U.S. — that historic sin continues to shape institutions and identities in ways society would rather not acknowledge…