Scholarly perspectives on the mixed race experience.
The first Africans to arrive in North America did not arrive as slaves and almost certainly did not conceive of themselves as “negros.” The word, appropriated from the Latin word for “black” was a descriptive device divorced from any cultural or historical context for these people. Over time, that descriptive device would become a social designation constructed in opposition to and structurally inferior to “whiteness.” The first Africans to arrive in Virginia may not have arrived as slaves, but legislation would ensure that black freedom would exist only as a misshapen simulacrum of white freedom. Where whiteness signified privilege, blackness had to signify subordination, a dynamic which was eventually codified in racial slavery. For those without claim to “whiteness,” there was no recourse to white domination and so within this racialized caste system, “half-blackness” or “half-whiteness” were as problematic concepts as “partial-oppression” or “half-supremacy.”
“As a daughter of a black mother and a white father, we have here in Brazil this kind of negotiation about identity. When I say “I’m black,” people try to negotiate this telling me: “No, you’re not black, you are mestiço, you are mulata.” And they think they’re doing me a favor not calling me a black woman.” —Ana Maria Gonçalves
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THE CREATION OF The Intercept, and then the Intercept Brasil, was motivated by a core purpose: to provide crucial journalism and commentary that, for whatever reasons, is not being adequately provided to the public. We are especially thrilled to announce the arrival of Ana Maria Gonçalves as our new columnist because her work so powerfully advances that objective.
By virtue of “Um Defeito de Cor” (A Color Defect), her 952-page 2006 novel about the life of an African woman enslaved and brought to Brazil who buys her freedom and sets out in search of her lost son, Gonçalves has become an important voice in global debates on race and culture. The book, which spans eight decades, powerfully connects modern Brazil with its long history of slavery, and — like the main character herself — confronts some of the most difficult, entrenched, and complex interactions between politics, race, culture, and power. The book is now being made into a Roots-like miniseries, to be broadcast next year…
…The role of race in Brazil is fascinating and relevant both in the ways it is unique to Brazil and the ways it is universal. Brazil was the last country in the Western world to abolish slavery (1888), and — just as in the U.S. — that historic sin continues to shape institutions and identities in ways society would rather not acknowledge…