The Slum [O Cortiço]

Posted in Books, Brazil, Caribbean/Latin America, Media Archive, Novels on 2013-03-19 21:30Z by Steven

The Slum [O Cortiço]

Oxford University Press
March 2000 (First published in 1890)
240 pages
Paperback ISBN 13: 9780195121872; ISBN 10: 0195121872

Aluísio Azevedo

Edited and Translated by David H. Rosenthal

Features an informative introduction by translator David H. Rosenthal

First published in 1890, and undoubtedly Azevedo’s masterpiece, The Slum is one of the most widely read and critically acclaimed novels ever written about Brazil. Indeed, its great popularity, realistic descriptions, archetypal situations, detailed local coloring, and overall race-consciousness may well evoke Huckleberry Finn as the novel’s North American equivalent. Yet Azevedo also exhibits the naturalism of Zola and the ironic distance of Balzac; while tragic, beautiful, and imaginative as a work of fiction, The Slum is universally regarded as one of the best, or truest, portraits of Brazilian society ever rendered.

This is a vivid and complex tale of passion and greed, a story with many different strands touching on the different economic tiers of society. Mainly, however, The Slum thrives on two intersecting story lines. In one narrative, a penny-pinching immigrant landlord strives to become a rich investor and then discards his black lover for a wealthy white woman. In the other, we witness the innocent yet dangerous love affair between a strong, pragmatic, “gentle giant” sort of immigrant and a vivacious mulatto woman who both live in a tenement owned by said landlord. The two immigrant heroes are originally Portuguese, and thus personify two alternate outsider responses to Brazil. As translator David H. Rosenthal points out in his useful Introduction: one is the capitalist drawn to new markets, quick prestige, and untapped resources; the other, the prudent European drawn moth-like to “the light and sexual heat of the tropics.”

A deftly told, deeply moving, and hardscrabble novel that features several stirring passages about life in the streets, the melting-pot realities of the modern city, and the oft-unstable mind of the crowd, The Slum will captivate anyone who might appreciate a more poetic, less political take on the nineteenth-century naturalism of Crane or Dreiser.

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(Miscege)nación en O Cortiço

Posted in Articles, Brazil, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2013-03-19 20:47Z by Steven

(Miscege)nación en O Cortiço

Trans: Revue de Littérature Générale et Comparée
Issue 5 (2008)
10 pages (24 paragraphs)

Brian L. Price, Assistant Professor of Spanish
Wake Forest University

Written a year after the proclamation of Brazilian independence, O Cortiço by Aluisio Azevedo depicts the demographic composition of the country with a naturalistic sense of detail and examines the possible dangers of miscegenation in the new republic. Influenced by racist European theories, Azevedo and his contemporaries feared that the mixing of races would eventually result in diluting the European ancestries which had to be the base of the new society. In the novel, the cortiço—a kind of small proletarian town which abounded in the 19th century—works as a laboratory where the different racial elements converge, entangle and destroy each other. The present essay examines the historical context during which that novel was written and its critical eye focuses on the two main love affairs. In both, a European man marries (has a love relationship with) a woman of inferior race and pays a high moral price for that. In both, the man loses the purity which the author expects from the new nation. Eventually contrary to what Azevedo expected, mixed-race Brazil triumphs over the European colony and turns into a cortiço.

Read the entire article (in Spanish) in HTML or PDF format.

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