“Des couleurs primitives”: Miscegenation and French Painting of Algeria

Posted in Africa, Articles, History, Literary/Artistic Criticism, Media Archive on 2010-04-15 04:09Z by Steven

Des couleurs primitives”: Miscegenation and French Painting of Algeria

Visual Resources
Volume 24, Issue 3 (2008)
pages 273 – 298
DOI: 10.1080/01973760802284638

Peter Benson Miller, Art Historian
Rome Art Program

The Romantic concept of “local color” refers to a site of painterly experimentation, the application of pigment in the chromatic construction of a picture. The term also identifies a detail authenticating an exotic subject considered typical of a particular region. This article zeroes in on the convergence of these two aspects of local color, interrogating the dialogue between subject and technique in the representation of North Africans. In their paintings from the late 1840s depicting “primitive” racial types from the Maghrib, Eugène Delacroix (1798-1863) and Théodore Chassériau (1819-1856) shifted to a color system that emphasized contrasts of distinct zones of color derived from an ethnological spectrum over smooth transitions and harmonies between hues. Unpacking the coordinates, including the trope of the mixed-blood, and the unstable classificatory schemas of physical anthropology suggests that these painters’ unconventional colorism and formal daring indexed the pervasive anxiety that miscegenation would lead to racial chaos. 

…Initially, though, the apparent prevalence of mixed races in Algeria did not inspire concern. In an influential text published in 1826, the American consul general in Algiers, William Shaler (1778–1833), while ambivalent about miscegenation, praised the hybrid ancestry of the ‘‘Moors’’: ‘‘an amalgamation of the ancient Mauritanians, various invaders, the emigrants from Spain, and the Turks,’’ which created a vigorous blend. Proof of the positive effect of such interbreeding, according to Shaler, was the fact ‘‘that there are few people who surpass them in beauty of configuration; their features are remarkably expressive, and their complexions are hardly darker than those of the inhabitants of the South of Spain.’’ While specialists would later question Shaler’s claims, and continue to debate the viability of mixed races, the impulse to discern origins, filiation and racial identity—whether mixed or pure—through skin color and physiognomy would remain a constant…

Read the entire article here.

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