Mixed Race Studies

TEDx USF with Elizabeth Hordge-Freeman

TEDx USF
University of South Florida
Tampa, Florida
2016-02-08

From November 2015, Assistant Professor of Sociology Elizabeth Hordge-Freeman discusses her new book, The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families.

Is Obama a black man?

The Independent: You Buy the Truth, We Pay the Price
Kololo, Kampala, Uganda
2016-02-08

Andrew M. Mwenda, Founder and Owner

How he has accepted the categorisation imposed upon him by a racial system that subjugated black people

US President Barak Obama calls himself a black man. Indeed, America and the rest of the world refer to him as a black man. Yet we all know he is actually a person of mixed ancestry. His father was a black man from Kenya, his mother a white woman from Kansas. If Obama had been born in Uganda, he would be called a “mucotera”, in apartheid South Africa, a “colored”, in Brazil, a “mulatto” and in mainstream English, a “half caste”. This teaches us that racial categories are not biological but social constructions.

Some would think Obama sees himself as a black person because of our patrilineal cultures where a child takes after their father’s identity. That is not the case in America. Even if Obama’s mother had been black and his father white, he would have been seen and treated by American society as a black man. This would also lead him to see himself as a black man. The categorisation of anyone with black blood, whatever the percentage, as a black person is a very American thing rooted in that nation’s slave history and the politics around it.

Slavery in America was based on race. To justify keeping a certain group of people in perpetual bondage, white supremacists developed ideologies that dehumanised black people. Blacks were referred to as sub human, or as animals in the category of monkeys and chimpanzees. This justified white people owning black people as private property – just the way one owns a horse, a cow or goat. Interracial sexual liaisons threatened to upset this social order because they showed that black people were as human as white people and therefore capable of loving and siring children with whites…

Read the entire article here.

Identifying as Mixed Race vs Identifying as Black: I Choose Both

Mixed Race Feminist Blog
2016-02-10

Nicola Codner
Leeds, Yorkshire, United Kingdom

I recently watched an interview with the UK rapper, writer and academic Akala. I usually really enjoy hearing him speak and generally find him to be quite faultless in his views on racial issues. For those who don’t know of Akala he is of mixed race and identifies as both mixed and black. In the interview I am referencing he covers many topics including veganism, internalized racism and Obama’s presidency. He also briefly mentions his thoughts on people with some black heritage who identify solely as mixed race. I’d long been wondering about where he stood in terms of his thoughts on mixed race issues. Please note that for the purposes of this article when I mention ‘mixed race’ I am referring to people with both black and white heritage…

…I have to admit I was actually quite upset about Akala’s comments in the interview on those who choose to identify as mixed race. He gave the usual spiel that is frequently heard in the US, about how many of those who describe themselves as mixed are problematic and are disassociating themselves from blackness. It’s quite common, particularly in the US, for people to view identifying as mixed race when you have black heritage, as anti-black and evidence of self-loathing/ internalized racism. I was shocked in some ways to hear Akala endorsing such simplistic views given that he obviously has such a good intellect…

Read the entire article here.

A call for end of the “Globeleza Mulata”: A Manifesto

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-02-08

Stephanie Ribeiro and Djamila Ribeiro

Originally, “A Mulata Globeleza: Um Manifesto” from Agora é que são elas (2016-01-29).

The Globeleza Mulata is not a natural cultural event, but a performance that invades the imaginary and the Brazilian televisions during Carnival. A spectacular created by art director Hans Donner to be the symbol of the popular party, which exhibited for 13 years his companion Valéria Valenssa in the super-expositional function of “mulata”. We’re talking about a character that appeared in the nineties and still strictly follows the same script: it is always a black woman that dances the samba as a passista (Carnaval dancer), naked with her body painted with glitter, to the sound of the vignette displayed throughout the daily programming of Rede Globo (TV).

To start the debate on this character, we need to identify the problem contained in the term “mulata”. Besides being a word naturalized by Brazilian society, it is a captive presence in the vocabulary of the hosts, journalists and reporters from the Globo broadcasting. The word of is of Spanish origin comes from “mula” or “mulo” (the masculine and feminine of ‘mule’): that that is a hybrid originating from a cross between species. Mules are animals born crossing donkeys with mares or horses with donkeys. In another sense, they are the result of the mating of the animal considered noble (equus caballus) with the animal deemed second class (donkey). Therefore, it is a derogatory word indicating mestiçagem (racial mixture or crossbreeding), impurity; an improper mixing that should not exist.

Employed since the colonial period, the term was used to designate lighter skinned blacks, fruits of the rape of slaves by masters. Such a nomenclature has sexist and racist nature and was transferred to the Globeleza character, naturalized. The adjective “mulata” is a sad memory of the 354 years (1534-1888) of escravidão negra (black slavery) in Brazil…

Read the entire article here.

The Brazilian carnival queen deemed ‘too black’ – video

The Guardian
2016-02-09

Barney Lankester-Owen, Bruce Douglas, Charlie Phillips and Juliet Riddell

Nayara Justino thought her dreams had come true when she was selected as the Globeleza carnival queen in 2013 after a public vote on one of Brazil’s biggest TV shows. But some regarded her complexion to be too dark to be an acceptable queen. Nayara and her family wonder what this says about racial roles in modern Brazil

The Latino Flight to Whiteness

The American Prospect
2016-02-11

William Darity Jr., Samuel DuBois Cook Professor of Public Policy; Professor in the Sanford School of Public Policy; Professor of African and African American Studies; Professor of Economics
Duke University, Durham, North Carolina

This is a contribution to Prospect Debate: The Illusion of a Minority-Majority America.

Based upon trends in racial self-classification, one has to be skeptical about the emergence of “majority-minority” America.

Will the United States have a majority of people of color by the year 2050, as both researchers and the popular press commonly assert? Richard Alba urges skepticism because, he argues, U.S. Census policy overestimates the presence of nonwhites in the American population. As Alba observes, in mixed-race marriages where one parent is white and the other nonwhite, the Census uses a default rule of counting all the children as nonwhite, even though that is not necessarily how the children see themselves…

Read the entire article here.

I Heart Obama

University Press of New England
2016-02-09
256 pages
5 1/2 x 8 1/2″
Hardcover ISBN: 978-1-61168-536-7
Ebook IBSN: 978-1-61168-967-9

Erin Aubry Kaplan

A personal and cultural exploration of Barack Obama as black president, black icon, and black folk hero

In his nearly two terms as president, Barack Obama has solidified his status as something black people haven’t had for fifty years: a folk hero. The 1960s delivered Malcolm X and Martin Luther King, forever twinned as larger-than-life outsiders and truth tellers who took on racism and died in the process. Obama is different: Not an outsider but president, head of the most powerful state in the world; a centrist Democrat, not the face of a movement. Yet he is every bit a folk hero, doing battle with the beast of a system created to keep people like him on the margins. He is unique among presidents and entirely unique among black people, who never expected to have a president so soon.

In I Heart Obama, journalist Erin Aubry Kaplan offers an unapologetic appreciation of our highest-ranking “First” and what he means to black Americans. In the process, she explores the critiques of those in the black community who charge that he has not done enough, been present enough, been black enough to motivate real change in America. Racial antipathy cloaked as political antipathy has been the major conflict in Obama’s presidency. His impossible task as an individual and as a president is nothing less than this: to reform the entire racist culture of the country he leads. Black people know he can’t do it, but will support his effort anyway, as they have supported the efforts of many others. Obama’s is a noble and singular story we will tell for generations. I Heart Obama looks at the story so far.

Contents

• Introduction
• Obama the Folk Hero: What He Means to Us
• Obama Represents
• Obama Leads
• Who Is This Guy?
• Is Obama Bad for Us?
• Epilogue: I Heart Obama
• Bibliography

What Matters to Me & Why – Allyson Hobbs

Stanford University
Common Room
Center for Inter-Religious Community Learning and Experiences (CIRCLE) at Old Union, 3rd Floor
Stanford, California
Wednesday, 2016-02-17, 12:00 PST (Local Time)

Allyson Hobbs

Sponsored by: Office for Religious Life

The purpose of What Matters to Me and Why is to encourage reflection within the Stanford community on matters of personal values, beliefs, and motivations in order to better understand the lives and inspirations of those who shape the University.

Allyson Hobbs, Assistant Professor of History

Allyson Hobbs is an Assistant Professor in the History Department at Stanford. She graduated magna cum laude from Harvard University and she received a Ph.D. with distinction from the University of Chicago. She has received fellowships from the Ford Foundation, the Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford.

Allyson’s first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press in 2014, examines the phenomenon of racial passing in the United States from the late eighteenth century to the present. A Chosen Exile won two prizes from the Organization of American Historians: the Frederick Jackson Turner Prize for best first book in American history and the Lawrence Levine Prize for best book in American cultural history.

A Chosen Exile has been reviewed in the New York Times Book Review, the San Francisco Chronicle, Harper’s, the Los Angeles Review of Books, and the Boston Globe. The book was selected as a New York Times Book Review Editor’s Choice, a “Best Book of 2014” by the San Francisco Chronicle, and a “Book of the Week” by the Times Higher Education in London. The Root named A Chosen Exile as one of the “Best 15 Nonfiction Books by Black Authors in 2014.”

Allyson teaches courses on American identity, African American history, African American women’s history, and twentieth century American history and culture. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize, the Graves Award in the Humanities, and the St. Clair Drake Teaching Award.

Allyson is a contributing writer to the New Yorker.com and her work has also been featured on cnn.com, slate.com, and in the New York Times, Los Angeles Times, The Chronicle of Higher Education, The National Review, and the Christian Science Monitor.

For more information, click here.

How “Mestizaje” in Puerto Rico Makes Room for Racism to Flourish

La Respuesta: A magazine to (Re)Imagine the Boricua Diaspora
2016-02-08

Dorothy Bell Ferrer

“Three Puerto Rican Girls”

“Somos de tres razas! La blanca, la india, y la negra!” is a cliched response you can almost always count on hearing anytime you bring up race or racism in Puerto Rico or Puerto Rican Diaspora communities. It’s cute, easy to remember, and also a lie.

Ironically the European root, which is most often mistaken as the backbone of Puerto Rican culture, is mentioned first. The indigenous, Taíno root, which is often recognized strategically (yes, strategically) in front of blackness is named second. Oh, and the third? African or Black! Last but not least, right? I’d like to think so, but I know better.

The blending of these three races or roots in Puerto Rico are what we refer to as “mestizaje”, or mixture (1). This “mestizaje” is what causes Puerto Ricans to believe that we all are racially mixed the exact same way therefore there can be no “true” difference. While mestizaje is a part of Puerto Rican society and even exists in the heritage of many Puerto Ricans, the way in which mestizaje is recognized in Puerto Rico makes room for racism and white supremacy to flourish because it gives us a false historical analysis on race…

Read the entire article here.

On ‘Jackson Five Nostrils,’ Creole vs. ‘Negro’ and Beefing Over Beyoncé’s ‘Formation’

ColorLines
2016-02-08

Yaba Blay, Dan Blue Endowed Chair & Visiting Assistant Professor of Political Science
North Carolina Central University, Durham, North Carolina

As you know, the video for Beyoncé Knowles’ “Formation” does the most, from invoking police violence, to flashing back to Hurricane Katrina, to celebrating Blue Ivy’s adorable afro. Here, Yaba Blay, a dark-skinned, New Orleans-bred scholar who researches skin color and identity politics, gets into a topic we’ve been avoiding: the message Beyoncé is sending about complexion and worth.

I was born and raised in New Awlins and never miss the opportunity to remind folks of that. So when Beyoncé’s video for “Formation” dropped on Saturday, I, like the majority of my homegirls, was hype.

I wasn’t excited because I’m a certified Beyoncé stan, because the video is visually stunning, or because this seemed to be the Blackest iteration of Beyoncé yet. I was hype because she seemed to be reppin’ New Awlins hard, and not in a tepid “I heart N.O.” kind of way, but more in line with our playfully defiant brand of Blackness. That she unleashed the video during Mardi Gras weekend? It just couldn’t get any better!

Until it got worse…

…I cheer Bey on as she sings, “I like my Negro nose with Jackson Five nostrils.” But I cringe when I hear her chant, “You mix that Negro with that Creole make a Texas bamma” about her Alabama-born dad and her mom from Louisiana. This is the same reason I cringed at the L’Oreal ad that identified Beyonce as African-American, Native American and French and why I don’t appreciate her largely unknown song “Creole.”

Having grown up black-Black (read: dark-skinned) in colorstruck New Awlins, hearing someone, particularly a woman, make a distinction between Creole and “Negro” is deeply triggering. This isn’t just for me but for many New Orleanians.

For generations, Creoles—people descended from a cultural/racial mixture of African, French, Spanish and/or Native American people—have distinguished themselves racially from “regular Negroes.” In New Orleans, phenotype—namely “pretty color and good hair”—translates to (relative) power…

Read the entire article here.