Mixed Race Studies

The Intercept Brasil Welcomes Ana Maria Gonçalves As A Columnist On Race, Politics, And Culture

The Intercept
2016-12-02

Glenn Greenwald, Co-founding Editor

THE CREATION OF The Intercept, and then the Intercept Brasil, was motivated by a core purpose: to provide crucial journalism and commentary that, for whatever reasons, is not being adequately provided to the public. We are especially thrilled to announce the arrival of Ana Maria Gonçalves as our new columnist because her work so powerfully advances that objective.

By virtue of “Um Defeito de Cor” (A Color Defect), her 952-page 2006 novel about the life of an African woman enslaved and brought to Brazil who buys her freedom and sets out in search of her lost son, Gonçalves has become an important voice in global debates on race and culture. The book, which spans eight decades, powerfully connects modern Brazil with its long history of slavery, and — like the main character herself — confronts some of the most difficult, entrenched, and complex interactions between politics, race, culture, and power. The book is now being made into a Roots-like miniseries, to be broadcast next year…

…The role of race in Brazil is fascinating and relevant both in the ways it is unique to Brazil and the ways it is universal. Brazil was the last country in the Western world to abolish slavery (1888), and — just as in the U.S. — that historic sin continues to shape institutions and identities in ways society would rather not acknowledge…

Read the entire article here.

Look: Co-Parenting Mixed-Race Kids Requires More Than Racial Tolerance

Black Entertainment Television (BET)
2016-12-15

Ashley Simpo

What happens when fetishizing Black bodies results in having to raise one? An interview with Nick Harris.

It’s far from unique to see an interracial couple these days. The millennial generation is the most racially mixed to date and the U.S. Census predicts that, by the year 2044, there won’t even be a white majority. But within the larger construct of interracial love are several smaller, equally vital conversations — one of which is interracial co-parenting. What happens when an interracial couple has a child and then splits up? What issues arise?

These are questions single father Nick Harris had to come to terms with recently in a text exchange between himself and his daughter’s white mother. Nick posted a text conversation with his ex concerning his daughter’s hairstyle, which was the pretty common style of cornrows done by the child’s aunt, and the screen shots went viral. When his daughter’s mother saw a picture of the braids, she berated Harris, saying the style looked “too Black.” Harris defended his choice by reminding her that their daughter is, in fact, half Black. The exchanged escalated and went on for three pages. Once the internet caught wind of the epic text battle, the outrage sparked a heated reaction…

Read the entire interview here.

While Trump Won York County, Pa., Republican Cal Weary Backed Clinton

Morning Edition
National Public Radio
2016-12-15

Steve Inskeep catches up with Cal Weary, an ex-art teacher from York, who spoke about race and politics as part of the York Project in 2008. Weary, an African-American, is a registered Republican.

Download the story (00:05:34) here.

Krazy: George Herriman, a Life in Black and White

HarperCollins
2016-12-06
560 pages
Trimsize: 6 in (w) x 9 in (h) x 1.679 in (d)
Hardcover ISBN: 9780061732997
E-book ISBN: 9780062098054

Michael Tisserand

In the tradition of Schulz and Peanuts, an epic and revelatory biography of Krazy Kat creator George Herriman that explores the turbulent time and place from which he emerged—and the deep secret he explored through his art.

The creator of the greatest comic strip in history finally gets his due—in an eye-opening biography that lays bare the truth about his art, his heritage, and his life on America’s color line. A native of nineteenth-century New Orleans, George Herriman came of age as an illustrator, journalist, and cartoonist in the boomtown of Los Angeles and the wild metropolis of New York. Appearing in the biggest newspapers of the early twentieth century—including those owned by William Randolph Hearst—Herriman’s Krazy Kat cartoons quickly propelled him to fame. Although fitfully popular with readers of the period, his work has been widely credited with elevating cartoons from daily amusements to anarchic art.

Herriman used his work to explore the human condition, creating a modernist fantasia that was inspired by the landscapes he discovered in his travels—from chaotic urban life to the Beckett-like desert vistas of the Southwest. Yet underlying his own life—and often emerging from the contours of his very public art—was a very private secret: known as “the Greek” for his swarthy complexion and curly hair, Herriman was actually African American, born to a prominent Creole family that hid its racial identity in the dangerous days of Reconstruction.

Drawing on exhaustive original research into Herriman’s family history, interviews with surviving friends and family, and deep analysis of the artist’s work and surviving written records, Michael Tisserand brings this little-understood figure to vivid life, paying homage to a visionary artist who helped shape modern culture.

When Labels Don’t Matter: George Herriman and Krazy Kat

The Beat
2016-12-14

Heidi MacDonald, Editor-In-Chief

We’ve been writing a bit about Michael Tisserand’s comprehensive new biography of George Herriman, Krazy: A Life in Black and White, but last night I got to hear him talk about it at one of the stops on his mini tour. Tisserand presented a slideshow on the book for the first time, and it will be presented again on Thursday at Princeton’s Labyrinth Books with Patrick “Mutts” McDonnell along for the ride – an event I highly recommend if you are into Herriman, Krazy Kat or comic strip history. Or really, just history…

…Tissarand has done a ton of research on the book, but the key element is defining Herriman’s own heritage as a Creole man from New Orleans whose family moved to Los Angeles when he was only 10 so that they could pass for white in a world of Jim Crow laws and blatant racism. Tisserand suggests that Krazy Kat’s gender fluid subtext was his own commentary on race, and in the talk he quoted several strips that allude to Krazy’s never pinned down gender and color swapping – “inferiority complexion” Krazy says in one strip…

Read the entire article here.

The people running the media are the problem

Nieman Lab
2016-12-13

Matt Waite, Founder, Drone Journalism Lab; Professor of Journalism
University of Nebraska

This month, I spent a week surrounded by bright, well-meaning journalism and tech thinkers. Session after session, day after day, conversations kept coming back to these questions: How do we restore trust in media? How do we reach Middle America? What do we do about fake news?

Here’s my prediction for 2017. It’s the safest prediction I could make beyond the sun coming up in the morning. It’s aimed right at the people who run news organizations.

You won’t fix this. Any of this. Not in 2017. Not soon…

Read the entire article here.

Why the Nazis studied American race laws for inspiration

Aeon
2016-12-13

James Q. Whitman, Ford Foundation Professor of Comparative and Foreign Law
Yale Law School

Edited by Marina Benjamin

‘At the bus station in Durham, North Carolina.’ May 1940. Photo by Jack Delano/FSA/Library of Congress.

James Q Whitman is the Ford Foundation professor of comparative and foreign law at Yale Law School. His subjects are comparative law, criminal law, and legal history. His latest book is Hitler’s American Model (2017).

On 5 June 1934, about a year and half after Adolf Hitler became Chancellor of the Reich, the leading lawyers of Nazi Germany gathered at a meeting to plan what would become the Nuremberg Laws, the centrepiece anti-Jewish legislation of the Nazi race regime. The meeting was an important one, and a stenographer was present to take down a verbatim transcript, to be preserved by the ever-diligent Nazi bureaucracy as a record of a crucial moment in the creation of the new race regime.

That transcript reveals a startling fact: the meeting involved lengthy discussions of the law of the United States of America. At its very opening, the Minister of Justice presented a memorandum on US race law and, as the meeting progressed, the participants turned to the US example repeatedly. They debated whether they should bring Jim Crow segregation to the Third Reich. They engaged in detailed discussion of the statutes from the 30 US states that criminalised racially mixed marriages. They reviewed how the various US states determined who counted as a ‘Negro’ or a ‘Mongol’, and weighed whether they should adopt US techniques in their own approach to determining who counted as a Jew. Throughout the meeting the most ardent supporters of the US model were the most radical Nazis in the room…

Read the entire article here.

A Second Look: “A Year of Dreams” by Sarah A. Chavez

The Fourth River
2014-11-12

Kylie Walnoha, Assistant Poetry Editor

“From Waking to Dreaming”
–by Kylie Walnoha, The Fourth River Staff

The rarity of being on the end of publishing that involves making decisions for the journal has been a unique as well as a fun journey. I have enjoyed getting to see and experience what goes into putting an issue of The Fourth River together. Though I have read quite a bit of poetry in the last three months, I still come across poetry that I find to be especially engaging, different, and fresh. One such poem was “A Year of Dreams” by Sarah A. Chavez in issue 10 of The Fourth River. Though this poem definitely fits into The Fourth River’s spectrum, the poem’s unique and fresh approach to the idea of place was something that stuck out to me, and stayed with me even days after I had first read it…

Read the entire article here.

Pharmacogenomics, human genetic diversity and the incorporation and rejection of color/race in Brazil

BioSocieties
March 2015, Volume 10, Issue 1
pages 48–69
DOI: 10.1057/biosoc.2014.21

Ricardo Ventura Santos
Escola Nacional de Saúde Pública/ FIOCRUZ & Museu Nacional/UFRJ, Rio de Janeiro, Brazil

Gláucia Oliveira da Silva
Universidade Federal Fluminense, Niterói, Brazil

Sahra Gibbon, Post-Doctoral Research Fellow
University College, London, United Kingdom

Public funding for research on the action of drugs in countries like the United States requires that racial classification of research subjects should be considered when defining the composition of the samples as well as in data analysis, sometimes resulting in interpretations that Whites and Blacks differ in their pharmacogenetic profiles. In Brazil, pharmacogenomic results have led to very different interpretations when compared with those obtained in the United States. This is explained as deriving from the genomic heterogeneity of the Brazilian population. This article argues that in the evolving field of pharmacogenomics research in Brazil there is simultaneously both an incorporation and rejection of the US informed race-genes paradigm. We suggest that this must be understood in relation to continuities with national and transnational history of genetic research in Brazil, a differently situated politics of Brazilian public health and the ongoing valorization of miscegenation or race mixture by Brazilian geneticists as a resource for transnational genetic research. Our data derive from anthropological investigation conducted in INCA (Brazilian National Cancer Institute), in Rio de Janeiro, with a focus on the drug warfarin. The criticism of Brazilian scientists regarding the uses of racial categorization includes a revision of mathematical algorithms for drug dosage widely used in clinical procedures around the world. Our analysis reveals how the incorporation of ideas of racial purity and admixture, as it relates to the efficacy of drugs, touches on issues related to the possibility of application of pharmaceutical technologies on a global scale.

Read the entire article in HTML or PDF.

My President Was Black

The Atlantic
January/February 2017

Ta-Nehisi Coates, National Correspondent

Ian Allen

A history of the first African American White House—and of what came next

“They’re a rotten crowd,” I shouted across the lawn. “You’re worth the whole damn bunch put together.”
— F. Scott Fitzgerald, The Great Gatsby

I. “Love Will Make You Do Wrong”

In the waning days of President Barack Obama’s administration, he and his wife, Michelle, hosted a farewell party, the full import of which no one could then grasp. It was late October, Friday the 21st, and the president had spent many of the previous weeks, as he would spend the two subsequent weeks, campaigning for the Democratic presidential nominee, Hillary Clinton. Things were looking up. Polls in the crucial states of Virginia and Pennsylvania showed Clinton with solid advantages. The formidable GOP strongholds of Georgia and Texas were said to be under threat. The moment seemed to buoy Obama. He had been light on his feet in these last few weeks, cracking jokes at the expense of Republican opponents and laughing off hecklers. At a rally in Orlando on October 28, he greeted a student who would be introducing him by dancing toward her and then noting that the song playing over the loudspeakers—the Gap Band’s “Outstanding”—was older than she was. “This is classic!” he said. Then he flashed the smile that had launched America’s first black presidency, and started dancing again. Three months still remained before Inauguration Day, but staffers had already begun to count down the days. They did this with a mix of pride and longing—like college seniors in early May. They had no sense of the world they were graduating into. None of us did…

…This would not happen again, and everyone knew it. It was not just that there might never be another African American president of the United States. It was the feeling that this particular black family, the Obamas, represented the best of black people, the ultimate credit to the race, incomparable in elegance and bearing. “There are no more,” the comedian Sinbad joked back in 2010. “There are no black men raised in Kansas and Hawaii. That’s the last one. Y’all better treat this one right. The next one gonna be from Cleveland. He gonna wear a perm. Then you gonna see what it’s really like.” Throughout their residency, the Obamas had refrained from showing America “what it’s really like,” and had instead followed the first lady’s motto, “When they go low, we go high.” This was the ideal—black and graceful under fire—saluted that evening. The president was lionized as “our crown jewel.” The first lady was praised as the woman “who put the O in Obama.”

Barack Obama’s victories in 2008 and 2012 were dismissed by some of his critics as merely symbolic for African Americans. But there is nothing “mere” about symbols. The power embedded in the word nigger is also symbolic. Burning crosses do not literally raise the black poverty rate, and the Confederate flag does not directly expand the wealth gap…

Read the entire article here.