Mixed Race Studies

Creole Crossings: Domestic Fiction and the Reform of Colonial Slavery

Cornell University Press
2005
254 pages, 6 x 9
ISBN: 978-0-8014-4384-8 

Carolyn Vellenga Berman
Department of Humanities
The New School, New York

The character of the Creole woman—the descendant of settlers or slaves brought up on the colonial frontier—is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom’s Cabin, and Indiana, as well as in the antislavery discourse of the period. “Creole” in its etymological sense means “brought up domestically,” and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life.

Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century’s writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the “domestic fiction” of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.

Suspect Relations: Sex, Race, and Resistance in Colonial North Carolina

Cornell University Press
2001
288 pages
6 1/8 x 9 1/4, 2 maps, 13 halftones, 1 line drawing
Paper ISBN: 978-0-8014-8679-1
Cloth ISBN: 978-0-8014-3822-6 

Kirsten Fischer, Associate Professor of History
University of Minnesota

Over the course of the eighteenth century, race came to seem as corporeal as sex. Kirsten Fischer has mined unpublished court records and travel literature from colonial North Carolina to reveal how early notions of racial difference were shaped by illicit sexual relationships and the sanctions imposed on those who conducted them. Fischer shows how the personal–and yet often very public–sexual lives of Native American, African American, and European American women and men contributed to the new racial order in this developing slave society.

Liaisons between European men and native women, among white and black servants, and between servants and masters, as well as sexual slander among whites and acts of sexualized violence against slaves, were debated, denied, and recorded in the courtrooms of colonial North Carolina. Indentured servants, slaves, Cherokee and Catawba women, and other members of less privileged groups sometimes resisted colonial norms, making sexual choices that irritated neighbors, juries, and magistrates and resulted in legal penalties and other acts of retribution. The sexual practices of ordinary people vividly bring to light the little-known but significant ways in which notions of racial difference were alternately contested and affirmed before the American Revolution.

Fischer makes an innovative contribution to the history of race, class, and gender in early America by uncovering a detailed record of illicit sexual exchanges in colonial North Carolina and showing how acts of resistance to sexual rules complicated ideas about inherent racial difference.

Table of Contents

List of Illustrations
Acknowledgments
Introduction: Changing Conceptions of Race
1. Disorderly Women and the Struggle for Authority
2. Cross-Cultural Sex in Native North Carolina
3. The Sexual Regulation of Servant Women and Subcultures of Resistance
4. White Reputations “Blacken’d & Made Loose”
5. Sexualized Violence and the Embodiment of Race
Epilogue: Dangerous Liaisons
Notes
Index

The slaves imported from Africa by no means represented “pure Negro races.”  Of the original tribal stocks, many had admixture of Caucasoid genes from crosses with Mediterranean peoples.   During the slave trade more white genes were added.  The Portuguese who settled on the Guinea Coast had relations with the natives.  The slave traders themselves were known frequently to have had promiscuous intercourse with their female merchandise.

Spencer, Rainier. “New Racial Identities, Old Arguments: Continuing Biological Reification”, In Mixed Messages: Multiracial Identities in the “Color-Blind” Era, edited by David L. Brunsma, 89.  Boulder, Colorado: Lynne Rienner Publishers, 2006.  Originally published in Myrdal G., R. Sterner, and A. M. Rose.  1944.  An American Dilema.  New York: Harper and Row, 123.

Conversation with Rev. Dr. Frederick J. Streets

The Gilder Lehrman Center for the Study of Slavery, Resistance & Abolition
Yale University
1990-02-02

Frederick J. Streets, University Chaplain and Senior Pastor
Church of Christ, Yale University

A conversation with Rev. Dr. Frederick J. Streets, University Chaplain and Senior Pastor of the Church of Christ, Yale University.

Dr. Streets spoke about race in America. He discussed the resistance to thinking about shared history that black and white Americans might feel. He suggested several reasons for the resistance…

…On mixed racial heritage:

(Dr. Streets is an African American of mixed heritage.)

I grew up identifying with African Americans by color while learning the Polish traditions of my maternal grandmother.

I think that acknowledging one’s mixed heritage is a rebuttal to two ideas about race. One is the linking of mixed heritage to slavery. The second is the idea of racial purity.

African Americans reject their white heritage as the story of slavery. White Americans believe that their heritage carries no genes of color. The great divide between black and white Americans is mythical and destructive.

Neither groups wants to acknowledge their mixed ancestry because a mixed racial heritage furthers the destruction of separate racial identity. As blacks begin to examine their roots, they find a confusion of identity…

Read the entire article here.

Genealogy as Social Memory: Making the Public Personal

The 7th Annual Committee on Historical Studies, Sociology Department and International Labor Working Class History Journal Joint Conference
History Matters: Spaces of Violences, Spaces of Memory
New School for Social Research
2004-04-23 through 2004-04-24

Karla Hackstaff, Associate Professor of Sociology
Northern Arizona University

“Race, like nature and sex, is replete with all the rituals of guilt and innocence in the stories of nation, family, and species. Race, like nature, is about roots, pollution, and origins. An inherently dubious notion, race, like sex, is about the purity of lineage; the legitimacy of passage; and the drama of inheritance of bodies, property, and stories”
(Haraway 1995, p. 213).

In May 2002, the Thomas Jefferson Foundation which runs Monticello and is comprised of the descendants of Thomas and Martha Jefferson voted to deny membership and associated burial rights to the descendants of Sally Hemings—a slave who appears to have had children by Thomas Jefferson (San Francisco Chronicle, May 12, 2002, p. D4).  This decision was somewhat surprising because in 1998 genetic tests appeared to confirm what Hemings’ relatives had claimed through oral history for years—that at least one, if not all, of Sally Hemings’ children had descended from Thomas Jefferson. Still, the white descendants concluded that the historical and scientific evidence was “insufficient.”…

…First, within sociology there is a large and growing literature on the formation of racial/ethnic identities, relations, and the accompanying constructions of inequalities (e.g. Azoulay 1997; Brah and Coombes 2000; Collins 2000; DaCosta 2000; Haraway 1995; Nagel 1994; Omi and Winant 1994; Pedraza and Rumbaut 1996; Song 2001; Waters 1990; Worchel 1999). Given that race, ethnicity, and nationality organize many genealogical associations, clearly, race and ethnicity are constructed in the process of doing genealogy. Although ‘race’ as a biological construction has been widely rejected, it is no less real for being a social construction. As many scholars have shown, racialethnic constructions must be sustained, and are neither invariant nor universal.  Ethnoracial identities are sustained through various practices, policies, and institutions—including families.  Because interracial relations have been taboo, we still assume and to a large degree produce families that appear monoracial (DaCosta 2000). Intermarriage has grown substantially in recent decades—there were ten times as many couples categorized as interracial in 1990 as had been the case in 1960; still, in 1990 interracial marriages were just three percent of all marriages in the United Stated (DaCosta 2000, p. 9-10). By 2000, six percent of marriage households were interracial (Simmons and O’Connell 2003).  The practices of adoption agencies and sperm banks often, if not always, produce monoracial families as well. In short, ethnoracial identities continue to be crucial to family constructions…

Read the entire paper here.

Ellen Craft: A New American Opera

8th Annual New York City International Fringe Festival
2004-08-13 through 2004-08-29

Lyrics by Sherry Boone
Music: Sean Jeremy Palmer
Book: Sherry Boone and Sean Jeremy Palmer

Ellen Craft: A New American Opera is based on true events of a half -white, half-black womans harrowing escape from slavery disguised as a white man. Ellen‘s fiery story of revenge, love, forgiveness and redemption was recognized as Best Ensemble Performance at the 2004 New York International Fringe Festival. Ellen Craft will be performed on both the Music Theatre and Operatic Stages of the world.

Running a Thousand Miles for Freedom or The Escape of William and Ellen Craft from Slavery

Louisiana State University Press
Originally Published: 1860
Published by LSU Press: 1999
120 pages
Trim: 6 x 9
Illustrations: 5 halftones
ISBN-13: 978-0-8071-2320-1 Paper

William Craft

With a Foreword and Biographical Essay by

Richard J. M. Blackett,  Andrew Jackson Professor of History
Vanderbilt University

Husband and wife William and Ellen Craft’s [her mother was a slave and her father was her mother’s owner.] break from slavery in 1848 was perhaps the most extraordinary in American history. Numerous newspaper reports in the United States and abroad told of how the two—fair-skinned Ellen disguised as a white slave master and William posing as her servant—negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston. No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple’s own version, published in 1860, a remarkable authorial accomplishment only twelve years beyond illiteracy. Now their stirring first-person narrative and Richard Blackett’s excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

Ellen Craft

Summary by Monique Pierce of Documenting The South:

Published in 1860, shortly before the start of the Civil War, Running a Thousand Miles for Freedom is the narrative of William and Ellen Craft‘s escape from slavery. Both were born and grew up in Georgia, and they lived in Macon prior to their escape. In December 1848 they devised a plan in which Ellen Craft, who was very light- skinned, would dress as a man and pretend to be a rheumatic seeking better treatment in Philadelphia. William was to accompany her and act as her slave. Relying exclusively on means of public transportation, including trains and steamers, they made their way to Savannah, then to Charleston, Wilmington, North Carolina, Washington, D.C., Baltimore, and Philadelphia, where they arrived on Christmas Day. They then relocated to Boston and sailed for England after the Fugitive Slave Law enabled slave hunters to pursue them even in free states. At the time this work was published, they were living in England with their sons. The narrative includes many anecdotes about slavery and freedom for Blacks and discusses how they were treated in both the South and the North.

Read the entire book in HTML format here.  You may also obtain it here.

‘No Such Thing as a Mulatto Slave’: Legal Pluralism, Racial Descent and the Nuances of Slave Women’s Sexual Vulnerability in the Legal Odyssey of Steyntje van de Kaap, c.1815-1822

Fiona Vernal
Department of History
University of Connecticut

Slavery & Abolition
Volume 29, Issue 1
January 2008
pages 23 – 47
DOI: 10.1080/01440390701841034

In 1815, a contentious case came before the Court of Justice in the Cape Colony. Steyntje Van de Kaap, a creole slave, claimed manumission for herself and four children based on her status as a concubine. Harkening back to the Dutch period at the Cape, her suit resurrected a little-known 1772 statute, which, upon the death of slave owners, granted freedom to their concubines and any children from such unions. So indicative was the case of sexual relations at the Cape that one contemporary observer declared that the outcome could threaten one-third of the local slave property, while a Privy Councilor in England who heard the case on appeal, predicted grave consequences if the case should set a precedent. The protracted suit became enmeshed in the nineteenth-century struggle between slaveholders, abolitionists and colonial administrators at the Cape, and in Great Britain. On the eve of amelioration in British colonies like the Cape, Steyntje’s case demonstrated how white paternity and the status of concubine became legal grounds for freedom. This article explores how one woman’s sexual relations with her masters transcended the boundaries of her personal life to challenge the local system of matrilineal descent, to complicate the issue of consent in slave-master sexual relations, and to invoke the worst fears of slaveholders as they confronted a new imperial legal regime interested in reforming slavery.

The Hairstons: An American Family in Black and White (review)

Henry Wiencek. The Hairstons: An American Family in Black and White. New York: St. Martin’s Press, 1999. Xx + 361pp. $24.95 (cloth), ISBN 978-0-312-19277-8.

H-Net Reviews: in the Humanities & Social Sciences
April 1999

Catherine Clinton

HISTORIES OF RECONCILIATION

It was with joy and fear that I finished Henry Wiencek’s breathtaking saga, The Hairstons: An American Family in Black and White. Joy, in that I was introduced to such a compelling cast of characters, set within riveting contexts, drawn with insight and erudition, illuminated by vivid, narrative that pulls the reader toward the important reckoning slavery continues to create for us all. Fear, in that the resonance of this story, the compelling quality of the author’s prose, the superior level of his research, both with oral histories and archival digging, may set too high a standard for future work.

But we must all swallow our fears, and let Wiencek’s remarkable confrontation with slavery wash over us. The author allows us to make a journey along with him, by letting us know how he innocuously began his investigation of a North Carolina plantation, and then spent seven years tracking down the remarkable Hairston family from its colonial roots to the present. On the brink of the Civil War the white Hairstons owned forty-five plantations in four states, with combined slave holdings of over ten thousand slaves: Samuel Hairston of Oak Hill, Virginia had land and slaves worth nearly five million dollars–reputedly the largest slaveowner in the South. But Wiencek also began his quest by attending an African American family reunion of Hairstons, with nearly a thousand in attendance from all over the country. His curiosities, his hesitancy, his reverence all interlace his analysis. He joined up on the amazing trek toward their African-American past, guided by the voices of blacks forced to keep counter-accounts, unabashedly determined to restore some balance to whitewashed tales of a plantation past dripping in nostalgia…

Over the past twenty years, numerous scholars have been able to demonstrate the way in which shadow families and white male sexual coercion could and did shape conficts within southern culture, in particular I am thinking of Carol Bleser and Drew Faust on James Henry Hammond, Kent Leslie, Jean Yellin, Adele Logan Alexander, Deborah White, Jacqueline Jones, Mary Frances Berry and Darlene Clark Hine, among others, on African American women’s responses, and Nell Painter, Peter Bardaglio, Elizabeth Fox-Genovese, and this reviewer, among others, on white women’s responses.  Although much of this scholarship has become conventional wisdom within southern women’s history, it has been resisted mightily by many scholars working on slavery and on the nineteenth century more generally. The fact that rape, coercion and concubinage were institutionalized within ante-bellum southern slavery remains a contested issue.

The passionate opinions exchanged in late 1998 over DNA testing of descendants of Thomas Jefferson’s female slave, Sally Hemings, has created more than a tempest in a teapo–more like a hurricane, gale winds creating havoc and bluster among historians of early America.

So much of the evidence” concerning interracial heritage, short of DNA testing, remains dificult to dig up. Much of this evidence remains within the realm of oral histories passed down in families–most often black families. It is stumbled upon by modern historians, in the majority white scholars, who have limited access to African American family lore. I am reminded of the white southern scholar who confided to me that when he went to interview a black family in the 1980s he was surprised to see a large portrait of Nathan Bedford Forrest, founder of the Ku Klux Klan, hanging in their home–but was informed Forrest was an ancestor!

The issues surrounding mixed race legacies are topics that I believe academically trained scholars continue to stumble over and continue to stumble around. So it should be no surprise that the most compelling books dealing with this constellation of concerns have been produced by those outside the academy: Shirlee Taylor Haizlip’s The Sweeter the Juice: A Family Memoir in Black and White and Edward Ball’s National Book Award-winning Slaves in the Family…

…The way in which black and white Hairstons are able to confront or deny their mixed heritage becomes a running theme of the book as well. Does Peter W. Hairston, the white patriarch with whom the author began his quest, really want to know the truths about his family, especially his grandfather? How are Ever Lee Hairston, an outspoken black woman, and Lucy D. Hairston, a white southern lady of the old school, able to make their peace?…

Read the entire review here.

The Hairstons: An American Family in Black and White

St. Martin’s Press an imprint of Macmillan
February 1999
ISBN: 978-0-312-25393-6
ISBN10: 0-312-25393-1
6-1/8 x 9-1/4 inches
400 pages, Plus 16-page b&w photo insert

Henry Wiencek

Winner of the National Book Critics Circle Award

The Hairstons is the extraordinary story of the largest family in America, the Hairston clan. With several thousand black and white members, the Hairstons share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family.

The black family’s story is most exceptional. It is the account of the rise of a remarkable people—the children, grandchildren, and great-grandchildren of slaves—who took their rightful place in mainstream America.

In contrast, it has been the fate of the white family—once one of the wealthiest in America—to endure the decline and fall of the Old South, and to become an apparent metaphor for that demise. But the family’s fall from grace is only part of the tale. Beneath the surface lay a hidden history—the history of slavery’s curse and how that curse plagued slaveholders for generations.

For the past seven years, journalist Wiencek has listened raptly to the tales of hundreds of Hairston relatives, including the aging scions of both the white and black clans. He has crisscrossed the old plantation country in Virginia, North Carolina, and Mississippi to seek out the descendants of slaves. Visiting family reunions, interviewing family members, and exploring old plantations, Wiencek combs the far-reaching branches of the Hairston family tree to gather anecdotes from members about their ancestors and piece together a family history that involves the experiences of both plantation owners and their slaves. He expertly weaves the Hairstons’ stories from all sides of historical events like slave emancipation, Reconstruction, school segregation, and lynching.

Paradoxically, Wiencek demonstrates that these families found that the way to come to terms with the past was to embrace it, and this lyrical work, a parable of redemption, may in the end serve as a vital contribution to our nation’s attempt to undo the twisted historical legacy of the past.