Mixed Race Studies

The Psychosis of Whiteness: The Celluloid Hallucinations of Amazing Grace and Belle

Journal of Black Studies
Published online before print 2016-03-21
DOI: 10.1177/0021934716638802

Kehinde Andrews, Associate Professor in Sociology
Birmingham City University, Birmingham, United Kingdom

Critical Whiteness studies has emerged as an academic discipline that has produced a lot of work and garnered attention in the last two decades. Central to this project is the idea that if the processes of Whiteness can be uncovered, then they can be reasoned with and overcome, through rationale dialogue. This article will argue, however, that Whiteness is a process rooted in the social structure, one that induces a form of psychosis framed by its irrationality, which is beyond any rational engagement. Drawing on a critical discourse analysis of the two only British big budget movies about transatlantic slavery, Amazing Grace and Belle, the article argues that such films serve as the celluloid hallucinations that reinforce the psychosis of Whiteness. The features of this discourse that arose from the analysis included the lack of Black agency, distancing Britain from the horrors of slavery, and downplaying the role of racism.

Read or purchase the article here.

A Telenovela, Slavery, and the Diaspora

African American Intellectual History Society
2016-04-17

Greg Childs

A Escrava Isaura, the 1875 novel by Bernardo Guimarães, was one of a number of late 19th century works of fiction in Brazil that focused on abolitionism. The story revolves around a young enslaved girl named Isaura, her efforts to gain freedom and become married to Alvaro, a wealthy white man who believes fervently in abolition, as well as her trials and tribulations with the plantation overseer who aims to seduce her and make her his concubine. It was quite transparently an anti-slavery propaganda novel. But it was also quite transparently an idealized romance, an effort to portray liberal whiteness as a heroic and saving grace for enslaved peoples. The novel was a huge success in Brazil and catapulted the author to immediate national fame.

Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom…

Read the entire article here.

Thomas Jefferson spent years raping his slave Sally Hemings. A new novel treats their relationship as a love story.

Vox
2016-04-08

Constance Grady

A new historical novel about Thomas Jefferson is raising eyebrows.

Stephen O’Connor’s Thomas Jefferson Dreams of Sally Hemings, which came out on Tuesday, is about our third president’s relationship with Sally Hemings, his slave. DNA evidence has proved that Jefferson and Hemings had six children together while Jefferson kept Hemings enslaved — and Jefferson also enslaved their children, freeing them one by one as they came of age. To further complicate matters, Sally Hemings was a half-sister to Jefferson’s late wife, the product of a relationship between Jefferson’s father-in-law and one of his slaves.

By all accounts, Jefferson’s sexual relationship with Hemings spanned several decades, beginning when Hemings was a teenager and Jefferson was in his 40s. It was not, in any sense of the word, consensual: Hemings was a child, and Jefferson literally owned her; she was not in any position to give or withhold consent. What Jefferson did to Hemings was rape.

But Thomas Jefferson Dreams of Sally Hemings, judging from early reviews, is most interested in exploring potential ambiguities of their relationship. The book wonders: Did Hemings perhaps enjoy it? To what extent was she complicit?…

Read the entire article here.

Exploring Whiteness in a Black-Indian Village on Mexico’s Costa Chica

The Latin American Diaries
Institute of Latin American Studies
2015-06-29

Laura A. Lewis, Professor of Latin American Anthropology
University of Southampton

During the early colonial period, Mexico had one of the largest African slave populations in Latin America. Today, there are numerous historically black communities along the coast of the states of Guerrero and Oaxaca – a region known as the Costa Chica. Towards the end of the 16th century, the Spanish Crown granted tracts of land in the region to several conquistadors who had quelled local Indian resistance. These conquistadors brought to the coast cattle for ranching, and – in the colonial vernacular – blacks and mulattoes, both free and enslaved, to work as cowboys, in agriculture, and as overseers, including of Indian labor.

As time went on, two ethnic zones developed: the foothills and highlands of the Sierra Madre del Sur mountain range at the Costa Chica’s northern edge held Indian communities, while the zone closest to the coast became an ethnic mix that included Indians drawn willingly or unwillingly into the colonial ambit. On the coast, blacks, mulattoes and Indians worked together for Spaniards. Indians also taught blacks and mulattoes native healing, agricultural techniques and local building styles. Because demographics tilted towards African-descent males, informal and formal unions between them and Indian women were common. By the middle of the 17th century, many coastal belt villages were Afro-Indigenous…

Read the entire article here.

W.T. Jones — Carthage’s best-kept secret: From slave to industrialist in the South

The Courier-Tribune
Ashboro, North Carolina
2016-03-15

Judi Brinegar

(Contributed photo)

He was born the son of a slave and her white owner in 1833. By time time of his death in 1910, William T. Jones was one of the prominent business owners in Carthage. He rubbed elbows with the elite, white, upper class in Moore County during the 1880s, dined with them, threw elaborate holiday parties where most of the guests were white, and even attended church with them. Both of his wives, Sophia Isabella McLean and Florence Dockery were white. Dockery was the daughter of a well-to-do Apex family.

Yet, until a decade ago, few in this small Moore County town acknowledged out loud that Jones was not a white man.

Then, Pat Motz-Frazier entered the scene in 2005. She purchased Jones home, built in 1880 for his wife, Florence, and today runs it as a bed and breakfast, aptly named “The Old Buggy Inn.”

“He built this huge elaborate house because he and his wife wanted to fill it with children,” Motz-Frazier says. “Unfortunately, they never had any.”

Motz-Frazier ran into many brick walls while trying to research the history of her historic Victorian home. Many of those she asked, declined to acknowledge that Jones, president of the Tyson & Jones Buggy Company, was anything but a white man, she says. Slowly and methodically, she finally put together the pieces of the puzzle of what was a remarkable story of Jones, one man who, in the 19th century, never let the color of his skin define him…

Read the entire article here.

“As White as Most White Women”: Racial Passing in Advertisements for Runaway Slaves and the Origins of a Multivalent Term

American Studies
Volume 54, Number 4, 2016
pages 73-97

Martha J. Cutter, Professor of English and Africana Studies
University of Connecticut

In 1731 a man named Gideon Gibson, along with several of his relatives, emigrated from Virginia to South Carolina. At first it was reported with consternation that Gibson was a free black man married to a white wife. However, when the South Carolina House of Assembly took up an investigation of Gibson, then governor Robert Johnson concluded that the Gibson family were “not Negroes nor Slave but Free people.” The Gibsons were allowed to remain in the colony, and they prospered, eventually purchasing 450 acres of prime South Carolina land; Gibson owned black slaves, and his sister married a wealthy planter. Gideon Gibson’s son married a white woman and himself became the owner of at least seven slaves. It would be forty-five more years before the colonies declared independence from Britain, but it seems the Gibsons had already declared themselves free from the social, legal, or ideological codes that would construct them as black, Negro, or mulatto. Another investigation in 1768 revealed that Gideon Gibson, Jr., “escaped the penalties of the negro law by producing upon comparison more red and white in his face than could be discovered in the faces of half the descendants of … [the House of Assembly].” Gideon Gibson, Jr., was judged to have been passing for white; he was in actuality a very light-skinned black man with black ancestors. Yet he was also a slave owner and a prosperous member of South Carolinian society.

On May 15, 1845, an enslaved black woman named Fanny ran away from her Alabama owner. Since Fanny could read and write, her owner speculates in an advertisement posted in the Alabama Beacon (June 14, 1845) that she might forge a pass for herself. But Fanny’s master also comments that “she is as white as most white women, with straight light hair, and blue eyes, and can pass herself for a white woman.” Fanny can pass for white, but indeed one wonders what her owner means when he says that she is “as white as most white women.” Are many “white women” not quite “pure” white? And yet they are not subject to perpetual enslavement, as Fanny is. Fanny is also described as “very pious” and “very intelligent.” This valuable piece of “property,” it is implied, in other ways is no different from a white woman. She is religious, rational, and light-skinned. In what ways is she not, the advertisement seems to wonder, a “white woman”? The advertisement appears to grant Fanny humanity as more than property, even as it seeks to re-enslave her. Her owner seems to know that nothing but “a fiction of law and custom”—to borrow Mark Twain’s words in Pudd’nhead Wilson (1894)—keeps her enslaved.

Although some scholars argue that racial passing began in earnest in the mid- to late nineteenth century, reached its pinnacle in the early twentieth century, and then abated or became “passé” by the 1930s, these two incidents and many others discussed in this essay indicate that, as both a word and a behavior, passing has a longer and more extensive early history and genealogy. Moreover, its meaning is unstable and changes based on historical context. When Gideon Gibson passed for white in 1731, he did so to migrate into a category of identity that empowered him in a period in which such racial migration was somewhat acceptable because ideologies of black racial inferiority had not yet solidified. That he owned slaves himself indicates that he did not see his passing as a challenge to the codes of law that allowed the perpetual possession of black human property; for Gibson slaveholding might have been a sign of his wealth, status, and power, rather than a racially inflected behavior. Fanny’s owner, on the other hand, manifests a more convoluted attitude toward passing and race, because by 1845 the ideology of African American physical and mental inferiority was entrenched and often used to rationalize the fact that blacks were the only group of individuals who could legally be held in perpetual enslavement in the United States. Matthew Frye Jacobson argues that in the United States, “whiteness” denoted “not only color but degree of freedom (as against…

Africans in India: Pictures that Speak of a Forgotten History

The Wire
2016-03-20

Jahnavi Sen

Sultan Muhammad Adil Shah of Bijapur and African courtiers, ca, 1640. Credit: The British Library Board.

An exhibition on Africans in India, highlighting the long history of African communities in India, opens on March 21

India and Africa have a shared history that runs deeper than is often realised. Trade between the regions goes back centuries – 4th century CE Ethiopian (Aksumite) coins have been found in southern India. Several African groups, particularly Muslims from east Africa, came to India as slaves and traders. On settling down in the country, they played important roles in the history of the region.

Forgotten histories

Unlike slave experiences in other parts of the world, enslaved Africans in India were able to assert themselves and attain military and political authority in their new homeland.

One of the most famous slave-turned-generals was Malik Ambar, an Ethiopian born guerrilla leader who went on to hold a prominent position in the Ahmadnagar Sultanate in west India in the 17th century. In spite of Ambar’s important role, he is a near forgotten chapter of history. Like Ambar, several other enslaved Africans rose to positions of power and prestige.

Ikhlas Khan, African prime minister of Bijapur, c. 1650, Credit: Johnson Album 26, no. 19, British Library. Public Domain.

“Free African traders, sailors, and skilled artisans were part of the movement of people across the India Ocean. Later on, captives were brought by the Arabs, the Portuguese and Indians”, Sylviane Diouf, director of the Lapidus Center for the Historical Analysis of Transatlantic Slavery in New York, told The Wire. “The people who became ‘elite slaves’ came mostly from the countries that today are Eritrea, Ethiopia and Sudan. The Portuguese brought in men and women from Mozambique. Later years also saw the arrival of people from Tanzania and adjacent countries.”

Africans in India were known as either Habshi or Sidi to denote their African origins. Even after centuries of mixing with local populations, the name Sidi remains for their descendants…

…The historical African diaspora in India is rarely discussed. What is the idea behind this exhibition and what is it trying to highlight?

The idea was to show the diversity of the African diaspora in terms of geography and history. Few people know that there is an African diaspora in the east, the vast majority think only of the Atlantic world. There is also a diversity of experiences within slavery. I started with a digital exhibition: The African Diaspora in the Indian Ocean World, which presents the history of Africans in Arabia, Oman, Yemen, Iraq, Iran, India, Sri Lanka, etc. The Indian story was so unique that it I thought it had to be the focus of a physical exhibition…

Read the entire article and interview here.

Before People Called Me A Spic, They Called Me A Nigger

Medium
2016-03-11

Pablo Guzmán

It was a throwaway line I used. Deliberately. Speaking to mostly Latino and African-American audiences. Back in the day.

“Before people called me a spic, they called me a nigger.”

And it hit the mark.

The hoots, applause, whistles and laughs let me know. I’d found a nerve. And I intended to probe. When I felt that arrow’s reverb, I launched it again. Aimed squarely at calling out what separates us. Latinos/African-Americans. Even what separates Latinos from ourselves. And. What also ties us together.

Drawing from all my observations. And, experiences (through the ripe old age then of 19. Worldly motherfucker)…

…THE SLAVE SHIP.

Square One. For a good many Latinos, African-Americans, and people of the Caribbean, that is our link. To music, dance, cuisine, religion, history. And, a politics to build upon. We may be different shades of black. But we be Black. African. That one drop thing has truth. Now, we are a New World Black. I mean, we ain’t African. Proud of Africa. But we gone through the looking glass. Among Latinos we’re also Spanish and Indigenous. In some Latinos, the impact of slavery is much more pronounced. Among others in the New World, the European blend could be French, or Dutch, or British or Portuguese. The Indigenous element might be Mayan, or Taino, or Incan, or Muscogee, or Carib or scores of others. But the African element. Is like no other.

My parents and I were born in New York City. My grandparents are from Puerto Rico and Cuba. Except for my paternal grandfather and maternal grandmother we are all dark-skinned. “Obviously” of African descent. But that guaguancó gene is lying within practically all Latinos with raíces in Africa. So, you might be light-skinned, and you might marry a light-skinned Latina, but hello! One of your babies might be a nappy-headed rhumbera. Took my people a while to figure out genetics. There was a lot of fighting at first about where that baby came from…

Now, yeah, I’m joshing a bit. But the truth is that in some families, the dark-skinned ones sometimes caught hell. Yeah, that racist self-hate thing permeated everywhere. But the moms and grandmoms especially, circled protectively. Bien conmigo, negrita. Ten cuidao con mi negrito. As Pedro Pietri said in his epic poem Puerto Rican Obituary

“Aqui to be called Negrito/Means to be called LOVE”…

Read the entire article here.

“Kiss me, my slave owners were Irish”

Medium
2015-03-16

Liam Hogam

As many of you already know, I have engaged with the “we were slaves too!” narrative on multiple forums and platforms for the past few months. Now I plan to explore some of the uncomfortable truths that this mythology tends to obscure. This Saint Patrick’s Day essay will briefly review Ireland’s anti-slavery history before focussing on the more representative and troubling issue of slave ownership among those of Irish descent. What could be more appropriate?

Ireland has a rich anti-slavery history.

Beginning in the fifth century, a former slave to the Irish, Patricius aka Saint Patrick, sent a now famous letter to the Romano-British warlord Coroticus. In this letter, Patricius condemned and excommunicated the soldiers of Coroticus for enslaving his new Christian converts in Ireland and for selling them to non-Christians. This document is one of the earliest anti-slavery texts in existence.

1700s

In the early-eighteenth century, the Irish philosopher Francis Hutcheson was one of the first to break with Aristotle’s theory of “natural slavery” by declaring that natural liberty was a natural right that belonged to all. This ever increasing dissemination and development of enlightenment thought, such as Hutcheson’s, helped to influence the rise of a formidable anti-slavery movement in Ireland, particularly in Dublin and Belfast…

…(i) The ‘Irish’ Slaves

Upon reviewing the various colonial laws pertaining to anti-miscegenation, it is reasonable to conclude that there were voluntary courtships between enslaved black men and free or indentured white women. But the remarkable case of Eleanor Butler illustrates why these unions were rare.

Maryland 1681

Eleanor “Irish Nell” Butler, was an Irish indentured servant who was brought to Maryland by Lord Baltimore in 1661. In 1681 (by then “well free of her indenture”) she choose to marry Charles, who was a black chattel slave. Her punishment for such an indiscretion was that she was to be a slave as long as her husband was alive and that their children were to be slaves. We find that the descendants of Eleanor and Charles were suing for their freedom 100 years later.

But why was Butler punished in this manner? The colonists in Maryland (as in all the other colonies) created racial laws to discourage marriages between white and black, and their 1664 laws stated that

“divers freeborne English women forgettfull of their free Condicon and to the disgrace of our Nation doe intermarry with Negro Slaves”

Lord Baltimore’s remarks to Nell about her fateful decision are revealing of the racism of this era. It is difficult to say if there was anger, concern or bemusement in his voice when he reportedly asked her

“how she would like to go to Bed to a Negro.”

Either way, her defiant reply would have stung..

“I would rather go to Bed to Charles than your lordship.”

Evidently Nell Butler broke the racial line and law out of love not coercion, and it is thus clear that there were rare cases of chattel slaves of Irish descent on their mother’s side.

Conversely, we find that there were many slaves, just like R.R. Madden’s relatives, who had ‘Irish blood’ on their father’s side, i.e. they were the progeny of an Irish slave-master (or his friends or relatives) and his female slave. This is a disturbing chapter that needs to be explored. The rape and sexual abuse of slaves was an infamous practice. Slaves, who were treated as livestock by their white masters and their white supremacist laws, were offered no protection by the State or polity. Slave breeding had become an important consideration for slave owners once the slave trade was banned. Coerced slave breeding between slaves and the rape of slaves by their owners was thus further motivated by the wish to increase the slave population; these slave breeders wanted to extract future capital from present chattel…

Read the entire article here.

Kaleidoscope: Redrawing an American Family Tree

University of Arkansas Press
2015-06-01
140 pages
10 images
6″ x 9″
Paper ISBN: 978-1-55728-815-8

Margaret Jones Bolsterli, Emeritus Professor
University of Arkansas, Fayetteville

In 2005 Margaret Jones Bolsterli learned that her great-great-grandfather was a free mulatto named Jordan Chavis, who owned an antebellum plantation near Vicksburg, Mississippi. The news was a shock; Bolsterli had heard about the plantation in family stories told during her Arkansas Delta childhood, but Chavis’s name and race had never been mentioned. With further exploration Bolsterli found that when Chavis’s children crossed the Mississippi River between 1859 and 1875 for exile in Arkansas, they passed into the white world, leaving the family’s racial history completely behind.

Kaleidoscope is the story of this discovery, and it is the story, too, of the rise and fall of the Chavis fortunes in Mississippi, from the family’s first appearance on a frontier farm in 1829 to ownership of over a thousand acres and the slaves to work them by 1860. Bolsterli learns that in the 1850s, when all free colored people were ordered to leave Mississippi or be enslaved, Jordan Chavis’s white neighbors successfully petitioned the legislature to allow him to remain, unmolested, even as three of his sons and a daughter moved to Arkansas and Illinois. She learns about the agility with which the old man balanced on a tightrope over chaos to survive the war and then take advantage of the opportunities of newly awarded citizenship during Reconstruction. The story ends with the family’s loss of everything in the 1870s, after one of the exiled sons returns to Mississippi to serve in the Reconstruction legislature and a grandson attempts unsuccessfully to retain possession of the land. In Kaleidoscope, long-silenced truths are revealed, inviting questions about how attitudes toward race might have been different in the family and in America if the truth about this situation and thousands of others like it could have been told before.