Mixed Race Studies

Veterans to Remember: Parker David Robbins

We’re History
2014-11-10

Ben Railton, Associate Professor of English and Coordinator of American Studies
Fitchburg State University, Fitchburg, Massachusetts

Thanks principally to the critical and popular success of the film Glory (1989), our collective memory of the Civil War includes African American soldiers (known in their era as United States Colored Troops). But while we might have a sense of those soldiers’ general participation in the war, few individual African American soldiers or officers have made it into our Civil War narratives – which also, and perhaps even more significantly, means that we don’t tend to think about African American Civil War veterans and their experiences and identities beyond the war. Parker David Robbins (1834-1917) is a good candidate to correct those trends.

Robbins doesn’t fit either of the two identities that historians have most consistently linked to the USCT: he was neither an ex-slave nor a free Northern African American. Instead, he was born free in North Carolina, into a mixed-race farming family that included Native American as well as European and African American heritages. By the time the war started, Robbins had begun developing his own North Carolina family and legacy. He was married and running a 100-acre farm on which he paid Confederate taxes. But when he learned of the creation of African American regiments in the Union Army, he crossed into Union territory and enlisted in the 2nd U.S. Colored Cavalry, in which he served until the war’s end. Glory rightly makes a great deal of the unique threats faced by the war’s African American soldiers, and thus of the inspiring bravery they demonstrated simply by joining and staying in the army; Robbins’ abandonment of a settled and comfortable life in order to enlist exemplifies those histories…

Read the entire article here.

Gugu Mbatha-Raw to Star Opposite Matthew McConaughey in Gary Ross’ ‘Free State of Jones’ (Exclusive)

The Wrap: Covering Hollywood
2014-01-06

Jeff Sneider, Film Reporter

Scott Stuber and Jon Kilik are producing the Civil War tale for Robert Simonds’ STX Entertainment

Hot off a pair of acclaimed performances in “Beyond the Lights” and “Belle,” Gugu Mbatha-Raw will star opposite Matthew McConaughey in Gary Ross’ Civil War movie “Free State of Jones,” TheWrap has learned.

Robert Simonds’ STX Entertainment is producing the $65 million movie and co-financing with foreign sales company IM Global. STX will handle domestic distribution, while IM Global will handle foreign rights. CAA brokered the domestic deal…

…Based on a true story, “Free State of Jones” will star McConaughey as Newton Knight and Mbatha-Raw as Rachel, a slave whose relationship with Knight played a central part in his life and in his armed rebellion against the Confederacy during the Civil War…

Read the entire article here.

‘A Tale of Two Plantations,’ by Richard S. Dunn

Sunday Rook Review
The New York Times
2015-01-02

Greg Grandin, Professor of History
New York University

Dunn, Richard S., A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia (Cambridge: Harvard University Press, 2014).

For enslaved peoples in the New World, it was always the worst of times. Whether captured in Africa or born into bondage in the Americas, slaves suffered unimaginable torments and indignities. Yet the specific form their miseries took, as the historian Richard S. Dunn shows in his painstakingly researched “A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia,” depended on whether one was a slave in the British Caribbean or in the United States. The contrasts between the two slave societies were many, covering family life, religious beliefs and labor practices. But one difference overrode all others. In the Caribbean, white masters treated the slaves like “disposable cogs in a machine,” working them to death on sugar plantations and then replacing them with fresh stock from Africa. In the United States, white masters treated their slaves like the machine itself — a breeding machine.

Dunn began working on this comparative study in the 1970s, around the time historians like Winthrop D. Jordan, Edmund S. Morgan and Eugene D. Genovese were revolutionizing the study of American slavery. Drawing on Freud, Marx and other social theorists, these scholars painted what Dunn calls the “big picture,” capturing the psychosexual terror, economic exploitation, resistance, and emotional and social dependency inherent in the master-slave relation.

Decades of extensive research led Dunn, a professor emeritus at the University of Pennsylvania, in a different direction, away from making large historical claims or speculating about the “interiority” of slavery’s victims. Instead, he’s opted to stay close to the facts, using demographic methods to reconstruct “the individual lives and collective experiences of some 2,000 slaves on two large plantations” — Mesopotamia, which grew sugar on the western coastal plain of Jamaica, and Mount Airy, a tobacco and grain estate on the Rappahannock River in Virginia’s Northern Neck region — “during the final three generations of slavery in both places.”…

…Likewise, Dunn’s discussion of interracial sex seems tone deaf to decades of scholarship on the subject. Forty years ago, Winthrop D. Jordan wrote about the libidinal foundations of white supremacy in America. More recently, the historians Jennifer L. Morgan and Diana Paton have explored the linkages between ideology, law and sexual domination in slave societies. Dunn devotes a chapter each to two slave women, empathetically tracing their family history and considering the many hardships they endured. He mentions rape and “predatory” whites and discusses the sharp differences in the way mixed-race offspring were treated on the two plantations. Yet at times he plays down the varieties of sexual coercion that enslaved women lived under. At one point, he calls the relationship between a white overseer, his black “mistress” and his distraught wife a “ménage à trois.”…

Read the entire review here.

A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia

Harvard University Press
November 2014
522 pages
6-1/8 x 9-1/4 inches
9 line illustrations, 31 tables
Hardcover ISBN: 9780674735361

Richard S. Dunn, Roy F. and Jeannette P. Nichols Professor Emeritus of American History
University of Pennsylvania

Forty years ago, after publication of his pathbreaking book Sugar and Slaves, Richard Dunn began an intensive investigation of two thousand slaves living on two plantations, one in North America and one in the Caribbean. Digging deeply into the archives, he has reconstructed the individual lives and collective experiences of three generations of slaves on the Mesopotamia sugar estate in Jamaica and the Mount Airy plantation in tidewater Virginia, to understand the starkly different forms slavery could take. Dunn’s stunning achievement is a rich and compelling history of bondage in two very different Atlantic world settings.

From the mid-eighteenth century to emancipation in 1834, life in Mesopotamia was shaped and stunted by deadly work regimens, rampant disease, and dependence on the slave trade for new laborers. At Mount Airy, where the population continually expanded until emancipation in 1865, the “surplus” slaves were sold or moved to distant work sites, and families were routinely broken up. Over two hundred of these Virginia slaves were sent eight hundred miles to the Cotton South.

In the genealogies that Dunn has painstakingly assembled, we can trace a Mesopotamia fieldhand through every stage of her bondage, and contrast her harsh treatment with the fortunes of her rebellious mulatto son and clever quadroon granddaughter. We track a Mount Airy craftworker through a stormy life of interracial sex, escape, and family breakup. The details of individuals’ lives enable us to grasp the full experience of both slave communities as they labored and loved, and ultimately became free.

Visit the interactive website about the enslaved families here.

Professor Jared Ball on Ferguson and the Media

Truthout
2014-12-29

Dan Falcone

At the recent “Shrouded Narrative teach-in” at American University, Dan Falcone met Jared A. Ball, a professor of communication studies at Morgan State University in Baltimore, Maryland, who discussed, “Propaganda and Media.” In this interview, father and husband, author of I MiX What I Like: A MiXtape Manifesto and coeditor of A Lie of Reinvention: Correcting Manning Marable’s Malcolm X, Ball talks about the construction of Black identity, colonialism and what is needed to stop the police killings of a Black person every 28 hours.

Dan Falcone for Truthout.org: Professor Ball, could you tell the readers about your teaching, academic interests, and how they relate to activism and democratic participation?

Jared Ball: Thank you. My academic interests and teaching are very much tied to my personal political passions – all of which revolve around Black or Africana studies, political struggles, cultural production and how that all intersects or interacts with the political and “libidinal” (thanks to the work of Frank Wilderson and Jared Sexton) economies of media, communication and journalism.

This primarily works out to be a focus on the political function of mass media within the context of ongoing power (national, racial, class) struggles. I generally look to extend or tailor deep traditions of radical political, economic and cultural analyses and media criticism to our time and hope that I can make them relevant to students today. To better connect traditions of political activism to the immediate work of my classes, I’ve increasingly infused the work of political prisoners into our own course work, which allows me to tap an almost endless reservoir of knowledge and experience – while exposing students to a more realistic political context for our own studies.

Additionally, this approach infuses into our classes, ideas of political struggle and activism while challenging the limitations of conventional approaches to such study, including notions of “American democracy.”…

Read the entire interview here.

The fluidity of race

Rutgers, The State University of New Jersey
May 2012
221 pages
DOI: 10.7282/T3FN154X

Nicholas Trajano Molnar, Assistant Professor
Department of History, Philosophy, and Religious Studies
Community College of Philadelphia, Philadelphia, Pennsylvania

This study is an examination of the American mestizos who lived in the Philippines from 1900 to 1955. No scholarly studies exist that analyze and historicize this group, but this is understandable, as the population of the American mestizos compared to the overall Filipino population is miniscule, never exceeding 20,000 individuals at any one time. Despite their small numbers, the American mestizos were a matter of social concern for the Philippine state and the expatriate Americans and Filipino nationalists who resided there. Various actors in the Philippines carried their own imposed racializations of the group that changed over time, ranging from American expatriates who emphasized the group’s “American” blood to Filipino nationalists who embraced them as Filipinos.

This study will demonstrate that the boundaries of race have been constantly shifting, with no single imposed or self-ascribed American mestizo identity coalescing. American mestizo racial definitions and constructs are historically and regionally specific, complicating conventional scholarly assumptions and requiring a historically grounded approach to the understanding of race and ethnicity. This study makes theoretical contributions to the study of race in the United States and its former colonies. Contemporary literature seeks to explain by what means racial identity is created and maintained. My study, however, seeks to explore racial formation from another angle, exploring why a distinct group identity never coalesced among the American mestizos despite the presence of similar economic, historical, and social forces that have clearly led to racial formation in other groups.

The concept of the American mestizo and the fluid Philippine racial framework challenged static American notions of race. I argue that contact with the Philippines led to an assimilation of Filipino racial ideas among American expatriates, who in turn created their own colonialized concepts of race and nationality, demonstrating that under certain historical conditions, American concepts of race had room to bend. Tracking the transmittal of these hybridized ideas, and their transformations and various interpretations at each venue, allows us to gain insight into the malleability of Philippine and American notions of nation and race, and into the larger processes of racial construction overall.

Request a copy of the dissertation here.

The Birth of A Nation: How a Legendary Filmmaker and a Crusading Editor Reignited America’s Civil War

PublicAffairs
2014-11-04
368 pages
6.300 x 9.500
Hardcover ISBN: 9781586489878
eBook ISBN: 9781586489885

Dick Lehr, Professor of Journalism
Boston University, Boston, Massachusetts

In 1915, two men—one a journalist agitator, the other a technically brilliant filmmaker—incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights.

Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Almost fifty years earlier, Monroe’s father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry—including Roaring Jack Griffith, D. W.’s father—fled for their lives. Griffith’s film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln’s assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country.

Monroe Trotter’s titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.

Racial Passing and the Raj

American Historical Association
129th Annual Meeting
New York, New York
2015-01-02 through 2015-01-05

Saturday, 2015-01-03, 15:10 EST (Local Time)
Park Suite 3 (Sheraton New York)

Uther Charlton-Stevens
Volgograd State University, Volgograd, Russia

Racial passing is a subject that has attracted much attention in the historiography of the Americas, as well as other settings such as South Africa. It has hitherto been overlooked in the South Asian context. Mixed race groups in South Asia have until recently also been largely neglected by historians, while attracting more attention from geographers and anthropologists.

Mixed race groups such as Anglo-Indians have been perceived as marginal, despite existing on the fault line of constructed racial difference. In many ways they embody the colonial connection and the transnational most tangibly, and through their mere presence make problematic the binary of ruler and ruled, colonizer and colonized. The British perceived not only those of mixed race but also poor whites of Indian domicile as undermining their racial prestige in the eyes of their Indian subjects, treating the two groups as essentially one class. However the socio-racial and class-based hierarchies which the British sought to erect and to police motivated widespread attempts at transgression, resulting in widespread passing in hopes of upward mobility along the spectrum from Indian Christians to mixed-race Anglo-Indians to supposedly unmixed Domiciled Europeans and even into the ranks of the British population, such as those who came out to take senior positions on the railways. This world of racial mixing and transgression was one which the British found unsettling and which later Indian Hindu nationalists, concerned with concepts of purity, also had reasons to overlook. Exploring racial passing across the boundaries erected by the Raj should yield us far greater insight into the nature of race in late colonial India and the lasting impact of the imperial presence.

Museum Offers Interactive Oral History of Mixed Race Brooklynites

NY1 News
New York, New York
2014-12-29

Jeanine Ramirez, Brooklyn Reporter

A new interactive website offers an interracial, multi-ethnic view of Brookynites. NY1’s Jeanine Ramirez filed the following report.

Deborah Schwartz clicks on the latest resource at the Brooklyn Historical Society, an oral history project about self-identity, showcasing those who are of mixed race and heritage.

“We’re not just telling a sweetness and light story. This is not just that America is kind of the perfect melting pot. But rather that this is something that’s had very powerful impact on people both positive and negative, said Schwartz.

The project, “Crossing Borders, Bridging Generations,” offers a view into the lives of Brooklynites who have to balance different cultural worlds. The more than 100 oral histories collected can be listened to online. There’s Park Slope resident Alexander David who started the Half Asian Club at his school…

Read the entire article and watch the video here.

“Love Letter to My Ancestors:” Representing Traumatic Memory in Jackie Kay’s The Lamplighter

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 36, Number 2 (December 2014)
pages 161-182

Petra Tournay-Theodotou, Associate Professor of English
European University Cyprus, Engomi, Nicosia-Cyprus

Jackie Kay’s The Lamplighter, published in 2008, was first broadcast on BBC radio in 2007 to coincide with the commemoration of the bicentenary of the abolition of the African slave trade in Britain. Kay’s dramatised poem or play, as it has alternately been defi ned, focuses on the female experience of enslavement and the particular forms of dehumanization the female slave had to endure. Kay’s project can in fact be described in terms of Marianne Hirsch’s concept of “postmemory,” or more specifically of “feminist postmemory.” As such, literary devices are employed to emulate the traumatic events at the level of form such as intertextuality, repetition and a fragmented narrative voice. While commemorating the evils of the past, Kay simultaneously wishes to draw attention to contemporary forms of racism and exploitation in the pursuit of profit. Through re-telling the story of slavery, The Lamplighter can ultimately be regarded as Kay’s tribute to her African roots and the suffering endured by her African forebears and contemporaries.

Read the entire article here.