Mixed Race Studies

Stir Builds Over Actress to Portray Nina Simone

The New York Times
2012-09-12

Tanzina Vega

In the digital age Hollywood casting decisions leaked from behind closed doors can instantly become fodder for public debate. And when the decision involves race and celebrity, the debate can get very heated.

The online media world has been abuzz with criticism for nearly a month now over the news — first reported by The Hollywood Reporter — that the actress Zoe Saldana would be cast as the singer Nina Simone in the forthcoming film “Nina” based on her life.

Few have attacked Ms. Saldana for her virtues as an actress. Instead, much of the reaction has focused on whether Ms. Saldana was cast because she, unlike Simone, is light skinned and therefore a more palatable choice for the Hollywood film than a darker skinned actress.

“Hollywood and the media have a tendency to whitewash and lightwash a lot of stories, particularly when black actresses are concerned,” said Tiffani Jones, the founder of the blog Coffee Rhetoric. Ms. Jones wrote a blog post titled “(Mis)Casting Call: The Erasure of Nina Simone’s Image.”…

…Recently an online petition was circulated to protest the casting of the light-skinned actress Thandie Newton in the film based on Ngozi Adichie’s novel “Half of a Yellow Sun,” which centers on the Nigerian Civil War (1967-70); there was some criticism of the casting of the biracial Jaqueline Fleming as Harriet Tubman in the film “Abraham Lincoln: Vampire Hunter.”…

…Casting an actress who does not look like Simone is troubling, said Yaba Blay, a scholar of African and diaspora studies and the author of a forthcoming book called “(1)ne Drop: Conversations on Skin Color, Race, and Identity.”

“The power of her aesthetics was part of her power,” Dr. Blay said. “This was a woman who prevailed and triumphed despite her aesthetic.” Dark-skinned actresses, she added, are “already erased from the media, especially in the role of the ‘it girl’ or the love interest.”…

Read the entire article here.

A Lesson from Philadelphia’s Little Film Festival that Could

Colorlines: News for Action
2012-08-10

Akiba Solomon, Columnist, Gender Matters

For a four-day event that began as a small assortment of screenings, there were plenty of major moments at Philadelphia’s inaugural BlackStar Film Festival last week. Curated in less than a year by producer and filmmaker Maori Karmael Holmes, this new celebration of film by and about people of the African diaspora featured more than 40 works from four continents including the Philadelphia premiere of Byron Hurt’s Kickstarter-assisted Soul Food Junkies; the U.S. debut of Berlin filmmaker Oliver Hardt’s The United States of Hoodoo, a sold-out screening of Nelson George’s Brooklyn Boheme, and a candid talk about African American filmmaking outside of the Hollywood system by Sundance-prize winning director and organizer Ava DuVernay…

…While the biggest crowds filled Philadelphia’s International House for screenings of nationally publicized works such as Brooklyn Boheme and Soul Food Junkies, lesser known films also attracted audiences. For me, the highlight was a German import, Audre Lorde: The Berlin Years 1984 to 1992.

Written, directed and produced by German feminist publisher and professor Dagmar Schultz, the documentary provides an intimate portrait of the poet, professor, activist and cultural organizer who died of cancer in 1992 at age 58. Through never-released video, photographs and (sometimes hilarious) interviews with Lorde, her partner, Gloria Joseph, and a tight-knit group of Afro-German activists and writers, The Berlin Years tells the story of Lorde the genius facilitator.

When Harlem-born Lorde arrived in Berlin in 1984 as a visiting professor, she immediately sought out Afro-Germans—who were then known only by pejoratives like “cross-breed,” “mulatto” and “brown babies”—and taught them how to see themselves outside of what she observed as “the pain of living a difference that has no name.”

The anecdotes are rich. For instance, at the end of a 1984 poetry reading, Lorde asked the white women to leave the room and the black women to remain until they had spoken to at least one other black woman. “Her intention was to make us feel: No matter what you do, you are not alone,” recalls one Afro-German activist who was in that room. “You must work together! Make yourself visible and raise your voice, each of you in her own way.”…

Read the entire article here.

Cameron reshuffle brings critic of legal aid cuts into ministry of justice

The Guardian
2012-09-05

Owen Bowcott, Legal Affairs Correspondent

New Conservative minister Helen Grant criticised coalition policy on Guardian website last year

One of the new ministerial appointees to the Ministry of Justice (MoJ) has previously been highly critical of the government’s key policy decision to axe £350m from the civil legal aid budget.

Helen Grant, Conservative MP for Maidstone and The Weald, practised as a legal aid solicitor for 20 years and established her own firm in Croydon helping clients through family and social welfare cases. On Tuesday, she was made a justice minister.

Writing for the Guardian’s law website last year, as the green paper on legal aid began its passage through the Commons, Grant declared: “Our country’s financial health is a priority, but not at the cost of basic social justice.

“It cannot be right that those most in need of support are left without it … We must ensure we protect those most vulnerable here at home and treat this debate with the care it deserves.” She eventually voted for the Legal Aid, Sentencing and Punishment of Offenders Act after it was altered through successive amendments.

Grant, 50, who has a Nigerian father and English mother, should be able to defend herself ably in political infighting: she was under-16 judo champion for the north of England and Scotland. She was briefly a member of the Labour party before becoming the Conservative party’s first black female MP. She has worked with Iain Duncan Smith’s Centre for Social Justice…

Read the entire article here.

Helen Grant first black female minister in the UK

Afro-Europe International Blog
2012-09-09

Helen Grant MP has been made a Minister in David Cameron’s Ministerial reshuffle this September. She is now the first female black cabinet Minister in the UK.

Grant, 50, was born in London to an English mother and Nigerian father, but grew up in a single parent family after her parents separated and her father emigrated to the United States…

Read the entire article here.

Passing for Black: The Life and Careers of Mae Street Kidd

University Press of Kentucky
1997
208 pages
On Demand paperback ISBN: 978-0-8131-0948-0

Wade Hall

In 1976, Kentucky state legislator Mae Street Kidd successfully sponsored a resolution ratifying the 13th, 14th, and 15th amendments to the U.S. Constitution. It was fitting that a black woman should initiate the state’s formal repudiation of slavery; that it was Mrs. Kidd was all the more appropriate. Born in Millersburg, Kentucky, in 1904 to a black mother and a white father, Kidd grew up to be a striking woman with fair skin and light hair. Sometimes accused of trying to pass for white in a segregated society, Kidd felt that she was doing the opposite—choosing to assert her black identity. Passing for Black is her story, in her own words, of how she lived in this racial limbo and the obstacles it presented. As a Kentucky woman of color during a pioneering period of minority and women’s rights, Kidd seized every opportunity to get ahead. She attended a black boarding academy after high school and went on to become a successful businesswoman in the insurance and cosmetic industries in a time when few women, black or white, were able to compete in a male-dominated society. She also served with the American Red Cross in England during World War II. It was not until she was in her sixties that she turned to politics, sitting for seventeen years in the Kentucky General Assembly—one of the few black women ever to do so—where she crusaded vigorously for housing rights. Her story—presented as oral history elicited and edited by Wade Hall—provides an important benchmark in African American and women’s studies and endures as a vital document in Kentucky history.

Miss., US Poet Laureate Natasha Trethewey to read poetry at JSU

Clarion-Ledger
Jackson, Mississippi
2012-08-21

Special to The Clarion-Ledger
 
Pulitzer Prize winner and current Mississippi and United States Poet Laureate Natasha Trethewey will read her poetry at Jackson State University at 3 p.m. Sept. 20 in room 166/266 of the Dollye M.E. Robinson College of Liberal Arts Building.

This event will be hosted by the Margaret Walker Center at JSU and is free and open to the public.

In January, Trethewey was named the Mississippi Poet Laureate for a four-year term. Soon after, she was named the 19th U.S. Poet Laureate by the Library of Congress. Trethewey is the first person to serve simultaneously as a state and U.S. laureate.

Read the entire article here.

“No more kiyams”: Métis women break the silence of child sexual abuse

University of Victoria,  British Columbia, Canada
2004
146 pages

Lauralyn Houle

A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF SOCIAL WORK In the Faculty of Human and Social Development

“No more kiyams” Métis women break the silence of child sexual abuse, is a glimpse into the lives of four M&is women who were raised in an Aboriginal community and who speak to the effects and the obstacles of trying to heal from an abuse that affects not only them, but also their families and communities.

As Métis people, the women in this thesis bring to light, the generational abuses that affect the healing process. They give a picture of how healing is a very personal journey but at the same time a collective process. Rose, Betsy, Angela and Rena provide us with insight into why healing from child sexual abuse needs to address a cultural perspective. Rose became a victim of a respected elderly uncle. Betsy and Angela’s fathers were their abusers. For Rena it was her stepfather, grandfather, and cousins; how does one send all those significant people to jail? In addition, remain a ‘part’ of family and community. The Métis are raised to be very proud and loyal to family and community. We do not heal alone.

This work is about honouring individual strength and gifts in order to heal. It speaks to healing that is not in isolation from identity as a Métis or in isolation from one’s community. This thesis is about acknowledging the strengths of Métis women by giving voice to their stories, their dreams, and their lives.

Read the entire thesis here.

Born a Half-Caste

Aboriginal Studies Press
1990 (revised edition)
78 pages
210 x1 50mm, b/w illus
Paperback ISBN: 9780855751609

Margaret (Marnie) Kennedy (1919–1985)

Marnie Kennedy was born in 1919 ‘on the bank of Coppermine Creek’. Her story takes us from her birthplace in Western Queensland, to Palm Island where she grew up ‘under the Act’, and back to western Queensland where she spent all of her hard-working life on cattle stations. It is a story of quiet courage and determination, dedicated ‘to my mother, my children and grandchildren, and my people’.

Mothers and Their Biracial Children: Growing Up Biracial in a One Race Fits All Society

Cedarville University, Cedarville, Ohio
November 2009
86 pages

Kristin Felts-Keller

A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Education

This thesis is a qualitative study on the Mothers of biracial children and the formation of a biracial identity in a one race fits all society. The goal of this study was to gain a deeper understanding and explore the concerns mothers of biracial children hold for their children. It is not intended to be applied to the general population but it does however, give us an insight into what it means to be biracial, how it is perceived as a race and how the Mothers of these children teach their children to cope with their race and form a positive sense of self-identity.

Read the entire thesis here.

Reconstructing Molly Welsh: Race, Memory and the Story of Benjamin Banneker’s Grandmother

University of Massachusetts, Amherst
September 2008
194 pages

Sandra W. Perot

Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of History

Molly Welsh, oral tradition captured in the nineteenth century tells us, was a white Englishwoman who worked as an indentured servant. The same tradition has it that she owned slaves, although she is said to have married (or formed a union with) one of them. I aim not only to recover the life of Molly Welsh Banneker, but also to consider its various tellings—probing in particular at Molly’s shifting racial status. By examining a multiplicity of social and cultural aspects of life for seventeenth- and early eighteenth-century Maryland women, I test whether these various narratives are even possible or plausible reconstructions of the Molly Welsh story. My project thus sheds light on the woman Molly Welsh was, how her story was constructed, what factors contributed to the retelling of her story, and why and at what point various narratives deviate from each other. By comparing the various Molly Welsh/Benjamin Banneker narratives it is possible to uncover or at least posit the most reliable narrative, while at the same time coming to a greater understanding of how such historically undocumented stories are constructed and what part memory plays in their reconstruction. An extensive bias informs many of these narratives, shaped by the various “memories” generated by family loyalty, by the growing tensions between the North and the South over slavery, by Reconstruction, and by new standards in historical accuracy that appeared with the founding of the American Historical Association in 1884.
 
While Molly Welsh may appear to be a near-silent character in her grandson Benjamin Banneker’s story, it is possible that new discoveries will be made that further verify (or refute) the long-standing tradition that Molly Welsh was a white English dairymaid transported to Maryland and that she married one of her own slaves by whom she had four daughters. Recent interest in new ways of approaching history, a greater acceptance of oral traditions as an important historical source, and a renewed appreciation for exploring stories of the untold masses, including women and minorities, may someday locate Molly’s voice and allow her to speak for herself. The chances of uncovering Molly Welsh’s story through documentary sources has improved with the recent emergence of powerful databases and electronic search tools have made many things possible that once were not (ancestry.com, the Old Bailey records for example). And then, perhaps Molly might come to represent other seventeenth-century women who married or had children with African men, like Eleanor Atkins who had a “Molattoe” child and who subsequently received twenty-four lashes for her crime, Elizabeth Day who admitted before the court that she had an illegitimate “Malatto” child by a “Negro man named Quasey belonging to her master,” or Eleanor Price who pleaded guilty to “Fornication with a Negro Man named Peter Belonging to Mr. John Walker,” received twenty-one lashes, and whose child, Jeremiah, was bound out until the age of twenty-one. Through their stories we might come to accept that one of the few choices these women had may have been with whom they had a child, though even this is subject to question. Regardless, Molly Welsh’s story is one that does not appear to stand alone. Through her we might see how women survived their indentures and prospered, or managed at the very least to endure life in Maryland, women whose lives until now never managed to become a footnote in anyone’s biography.

TABLE OF CONTENTS

• ACKNOWLEDGEMENTS
• INTRODUCTION: LOCATING MOLLY WELSH: MEMORY AND MYTH IN SEVENTEENTH-CENTURY MARYLAND
• I THE DAIRYMAID AND THE PRINCE
• II “OF THE DEEPEST DYE”: EARLY NARRATIVES
• III “A REMARKABLY FAIR COMPLEXION”: THE EMERGENCE OF MOLLY WELSH
• IV “ACT WELL YOUR PART, THERE ALL THE HONOR LIES”: THE RECONSTRUCTION OF MOLLY WELSH’S CHARACTER
• V “THE TALE AS IT WAS TOLD FOR A HUNDRED YEARS ON THE RIDGE”: EARLY TWENTIETH-CENTURY AFRICAN-AMERICAN SCHOLARS REVITALIZE MOLLY’S STORY
• VI “TRUE NOBILITY’S CONFINED TO NONE”: MOLLY IN THE LATE TWENTIETH CENTURY
• VII “BUT WHAT ARE COLOURS? DO COMPLEXIONS CHANGE?” TWENTYFIRST CENTURY PERSPECTIVES ON MOLLY WELSH.114
• VIII EPILOGUE
• APPENDICES
  • I CHRONOLOGY OF PRINT CONCERNING ANCESTRY OF BENJAMIN BANNEKER
  • II BANNEKER FAMILY TREE
  • III INTERNET RESPONSES TO MOLLY WELSH
  • IV MARYLAND LAWS DIRECTLY PERTAINING TO SLAVERY, RACE, INDENTURED SERVITUDE, WOMEN, AND MARRIAGE IN SEVENTEENTH- AND EARLY-EIGHTEENTH-CENTURY MARYLAND
  • V 1685 INDENTURE
  • VI A BRIEF EXAMINATION OF SEVENTEENTH-CENTURY TRANSPORTATION RECORDS
  • BIBLIOGRAPHY

Read the entire thesis here.