Mixed Race Studies

Dear Senator: A Memoir by the Daughter of Strom Thurmond

HarperCollins
2005
240 pages
Trimsize: 6 x 9
Trade Paperback ISBN: 9780060761424; ISBN10: 0060761423

Essie Mae Washington-Williams and William Stadiem

Breaking nearly eight decades of silence, Essie Mae Washington-Williams comes forward with a story of unique historical magnitude and incredible human drama. Her father, the late Strom Thurmond, was once the nation’s leading voice for racial segregation (one of his signature political achievements was his 24-hour filibuster against the Civil Rights Act of 1957, done in the name of saving the South from “mongrelization”). Her mother, however, was a black teenager named Carrie Butler who worked as a maid on the Thurmond family’s South Carolina plantation.

Set against the explosively changing times of the civil rights movement, this poignant memoir recalls how she struggled with the discrepancy between the father she knew—one who was financially generous, supportive of her education, even affectionate—and the Old Southern politician, railing against greater racial equality, who refused to acknowledge her publicly. From her richly told narrative, as well as the letters she and Thurmond wrote to each other over the years, emerges a nuanced, fascinating portrait of a father who counseled his daughter about her dreams and goals, and supported her in reaching them–but who was unwilling to break with the values of his Dixiecrat constituents.

With elegance, dignity, and candor, Washington-Williams gives us a chapter of American history as it has never been written before—told in a voice that will be heard and cherished by future generations.

Essie Mae Washington-Williams dies at 87; black daughter of segregationist Strom Thurmond

The Los Angeles Times
2013-02-04

Elaine Woo

In 2003 the retired L.A. schoolteacher unburdened herself of a secret: Her father was Sen. Strom Thurmond, the legendary South Carolina politician who had built a career as a champion of segregation.

A week before Christmas in 2003, a retired Los Angeles schoolteacher stood before a phalanx of news cameras and 250 reporters in a South Carolina ballroom and declared, “I am Essie Mae Washington-Williams, and at last I am completely free.”
 
After more than 60 years, Washington-Williams had chosen to unburden herself of a secret: that she, a black woman, had been fathered by a white man — Sen. Strom Thurmond, the legendary South Carolina politician who had built a long Washington career as a champion of segregation.
 
Thurmond had died five months earlier at age 100, having never acknowledged that his liaison with a family maid when he was 22 had produced a daughter. At 78, Washington-Williams decided she owed it to history to speak up.

“My children ultimately convinced me that history needed to know about Thurmond and that I should set the record straight,” she wrote in the Los Angeles Times in 2003. “I am not doing this for money. I am not suing his estate. I just want to tell the truth.”
 
Washington-Williams, 87, died Monday of natural causes in Columbia, S.C., said her attorney, Frank K. Wheaton. After more than 40 years in Los Angeles, she moved back to South Carolina a few years ago when her health began to deteriorate…

Read the entire obituary here.

Faces In Between: Art About Mixed-Race Identity

CBC
Here and Now Toronto
2013-02-01

Throughout history, artists have drawn upon their own experience to fuel their work. Tonight, a new exhibit explores mixed race identity from the point of view of three young women. Rema Tavares is one of the artists. She spoke about “Faces In Between.”

Listen to the episode (00:06:14) here.

Faces In Between

Daniels Spectrum
585 Dundas Street East
Toronto, Ontario
Friday, 2013-02-01, 19:00-21:00 EST (Local Time)

A 3MW Collective art Exhibit at Regent Park Arts and Cultural Centre during Black History Month exploring mixed race identity through painting and photography.

Join us to celebrate our first show as a collective!

Cash bar and amazing art!

We are three mixed-race women artists using portraiture in both painting and photography to address ideas of mixed-race identity. The subjects in our work are people who have parents, grandparents, and ancestors from different cultural backgrounds. The faces of our “models” do not conform to society’s outdated notions of human classification. These faces are loaded with issues of colonialism, racism, shadeism, as well as questions of history and identity.

In Canada, although we have a policy of multiculturalism, people are generally not comfortable talking about race. Our work aims to highlight the experiences of mixed people. These are the people whose “race” is not clear and who are often faced with questions such as, “What are you?” or “What is your ethnic background?” These persistent questions clearly reflect our society’s discomfort with an inability to classify people by racialized norms.

For more information, click here.

You Have No Right: Jane Webb’s Story

Out of the Box: Notes for the Archives @ Library of Virginia
Virginia Memory: Library of Virginia
2012-11-14

Greg Crawford, Local Records Coordinator

The colonial era Northampton County court records tell a fascinating story of a woman named Jane Webb. Born of a white mother, she was a free mulatto, formerly called Jane Williams. In 1704, Jane Webb had “a strong desire to intermarry with a certain negro slave … commonly called and known by the name of Left.” Webb informed Left’s owner Thomas Savage, a gentleman of Northampton County, of her desire to marry Left and made an offer to Savage. She would be a servant of Savage’s for seven years and would let Savage “have all the children that should be bornd [sic] upon her body during the time of [Jane’s] servitude,” but for how long the children were to be bound is not clear. In return, Savage would allow Jane Webb to marry his slave, and after Jane’s period of servitude ended, Savage would free Left. Also, neither Savage nor his heirs could claim any child born to Jane Webb and Left after her period of servitude. Savage agreed to Jane Webb’s offer, and an agreement was written and signed by both parties.

Jane Webb fulfilled her part of the agreement and served Savage for seven years. During that time, she had three children by her husband Left—Diana or Dinah Webb, Daniel Webb, and Francis Webb. After she completed her term of service in 1711, Jane Webb “in a kindly manner” demanded her husband from Savage as well as her children. Apparently, Jane Webb and Savage were at odds on how long the children she bore during her servitude were supposed to be bound to him, and Savage refused to free Left and the children. In April 1711, Savage submitted a letter to the county court of Northampton requesting that Jane Webb’s children be bound to him and his heirs, to which the court agreed…

Read the entire article here.

Nation’s First Asian American Rabbi Inspires Social Change

KoreAm: The Korean American Experience
2011-12-06

Rebecca U. Cho

Unorthodox Rabbi

As a child, Angela Buchdahl stood out as the lone Asian face in the synagogue and at Jewish camps. Today, she holds the distinction of being the nation’s first Asian American rabbi and is helping to redefine what it means to be Jewish.

On Friday nights at Manhattan’s Central Synagogue, a crowd of 600 gathers for service, voices unifying in centuries-old songs of worship. Leading the attendees in fluent Hebrew, her passion-laden voice soaring to the tops of the temple, is Korean American Angela Buchdahl.
 
A decade ago, Buchdahl shook up the ranks of Jewish leadership in the U.S. by becoming the country’s first Asian American rabbi. She is “emblematic of the changing face of Judaism,” declared an article in Newsweek, which named the biracial 39-year-old to its 2011 list of 50 Most Influential Rabbis. Not only is she helping to redefine what it means to be Jewish, she is at the forefront of a movement among Reform Jews to inspire social change and push for greater involvement in community organizing.
 
Her leadership and vision seem to have connected with Jews around the world. Since her arrival five years ago to the prominent New York synagogue as cantor, or song leader, attendance on Friday nights has doubled. Thousands more worldwide recently listened in on a live web stream of services for the High Holy Days…

…The need to connect to a Jewish community is close to Buchdahl’ s heart. Born Angela Lee Warnick to a Korean Buddhist mother and a Jewish American father, she spent much of her childhood with a perpetual sense of being “the only one.”
 
Buchdahl’ s parents met and married in South Korea, where her father had been visiting as a civil engineer in the ROTC program and her mother was studying English literature at Yonsei University. After the family relocated to the U.S. when Buchdahl was 5 years old, she and her sister grew up as the lone Jewish kids in a large Korean American community in Tacoma, Wash. At the same time, in the synagogue and Jewish camps, she stood out as the only Asian face.
 
“My ‘Koreanness’ wasn’t anything I could escape because it was on my face,” says Buchdahl. Her younger sister, on the other hand, was often mistaken for being Hispanic…

…She sees her bicultural heritage reflected in the diverse Jewish community in New York and at Central Synagogue, which counts at least a dozen Asian-Jewish families. Racial diversity has been on the upswing, with about 20 percent of the 6.1 million Jews in America being of African, Asian, Hispanic, Middle Eastern or mixed-race descent, compared to prior estimates of 10 to 14 percent, according to a 2005 book by the Institute for Jewish and Community Research…

Read the entire article here.

Tragic No More: Mixed Race Women and the Nexus of Sex and Celebrity

University of Massachusetts Press
December 2012
176 pages
6 x9; 6 illustrations
ISBN (paper): 978-1-55849-985-0
ISBN (cloth): 978-1-55849-984-3

Caroline A. Streeter, Associate Professor of English
University of California, Los Angeles

A timely exploration of gender and mixed race in American culture

This book examines popular representations of biracial women of black and white descent in the United States, focusing on novels, television, music, and film. Although the emphasis is on the 1990s, the historical arc of the study begins in the 1930s. Caroline A. Streeter explores the encounter between what she sees as two dominant narratives that frame the perception of mixed race in America. The first is based on the long-standing historical experience of white supremacy and black subjugation. The second is more recent and involves the post–Civil Rights expansion of interracial marriage and mixed race identities. Streeter analyzes the collision of these two narratives, the cultural anxieties they have triggered, and the role of black/white women in the simultaneous creation and undoing of racial categories—a charged, ambiguous cycle in American culture.

Streeter’s subjects include concert pianist Philippa Schuyler, Dorothy West’s novel The Wedding (in print and on screen), Danzy Senna’s novels Caucasia and Symptomatic, and celebrity performing artists Mariah Carey, Alicia Keys, and Halle Berry. She opens with a chapter that examines the layered media response to Essie Mae Washington-Williams, Senator Strom Thurmond’s biracial daughter. Throughout the book, Streeter engages the work of feminist critics and others who have written on interracial sexuality and marriage, biracial identity, the multiracial movement, and mixed race in cultural studies.

Table of Contents

• Acknowledgments
• Introduction
• 1. Essie Mae Washington-Williams’s Secrets and Strom Thurmond’s Lies
• 2. The Wedding’s Black/White Women in Prime Time
• 3. Sex and Femininity in Danzy Senna’s Novels
• 4. Faking the Funk? Mariah Carey, Alicia Keys, and the Politics of Passing
• 5. From Tragedy to Triumph: Dorothy Dandridge, Halle Berry, and the Search for a Black Screen Goddess
• 6. High (Mulatto) Hopes: The Rise and Fall of Philippa Schuyler
• Afterword
• Notes
• Index

Don’t consign Mary Seacole to history, Michael Gove is urged

The Independent
London, England
2013-01-04

Kevin Rawlinson

Petition launched to prevent Crimean War nurse being written out of school textbooks

Leading black Britons have united to urge the Education Secretary, Michael Gove, to abandons his plan to remove the country’s most celebrated black historical figure from the school curriculum.

The campaign group Operation Black Vote has launched a petition to demand that Mary Seacole, who cared for soldiers on the front line during the Crimean War, and was as famous as Florence Nightingale during her lifetime, is not left out of textbooks.

“What does removing her name achieve, other than telling those who are racist that they have a point?” asked the writer and campaigner Darcus Howe, who is supporting the petition…

…Seacole’s efforts in the Crimea earned her the adulation of thousands of ex-servicemen, despite her postwar descent into bankruptcy. Her exploits were largely forgotten after her death in 1881, before a successful campaign was launched to ensure that her story was taught in primary schools.

Mr Gove’s plan to remove her from the syllabus once again has outraged many black people, including the Labour MP, Diane Abbott, and the Rev Jesse Jackson, the  US civil rights campaigner who also supports the petition. Ms Abbott said yesterday: “Students in this country already learn about traditional figures such as Winston Churchill, Oliver Cromwell and Florence Nightingale. Mary Seacole is simply another such important individual. Not of less significance and certainly not expendable.

“In addition to this, she is one of the most distinct examples of how black history is an integral part of British  history. Michael Gove should be fully aware of the message that this decision sends.”…

Read the entire article here.

Jackie Kay @ 5×15

5×15
2012-10-16

Jackie Kay, Professor of Creative Writing
Newcastle University, Newcastle upon Tyne, United Kingdom

Five speakers, fifteen minutes each. True stories of passion, obsession and adventure recounted live with just two rules: no scripts and only fifteen minutes each.

The Red Dust Road

Jackie Kay was born in Edinburgh in 1961 to a Scottish mother and Nigerian father. She was adopted by a white couple at birth and was brought up in Glasgow, studying at the Royal Scottish Academy of Music and Drama and Stirling University. Her experiences of growing up inspired her first collection of poetry, The Adoption Papers (1991), which won a Scottish Arts Council Book Award and the Saltire Society Scottish First Book of the Year Award. Her other collections include Other Lovers (1993), Off Colour (1998), Darling: New and Selected Poems (2007) and The Lamplighter (2008). Her collection of poetry for children, Red, Cherry Red (2007) won the 2008 CLPE Poetry Award. Her first novel, Trumpet, published in 1998, was awarded the Guardian Fiction Prize and short-listed for the International IMPAC Dublin Award. She has also published three collections of short stories: Why Don’t You Stop Talking (2002), Wish I Was Here (2006) and her latest book, Reality, Reality (2012). Her memoir Red Dust Road (2010), a memoir about meeting her Nigerian birth father, which was short-listed for the 2011 PEN/Ackerley Prize. Jackie Kay was awarded an MBE for services to literature in 2006.

Jackie Kay: a poetic imagining of post-racial (be)longing

darkmatter: in the ruins of imperial culture
ISSN: 2041-3254
Post-Racial Imaginaries [9.2] (2012-11-29)

Katy Massey

Jackie Kay is a prolific and well-loved writer who, though she has written in many forms, is best-known for her poetry. A mixed-race Scot who lives in the north of England, her work frequently utilises the facts of her own life as a means to ponder wider issues of identity, loss and sexual desire. Her approach challenges some of the key categories of social identification such as race, culture and belonging. Her work also spotlights some of the most cherished concepts of post-colonialism, most notably hybridity, plurality and the condition of the ‘in-between’.

In this article I suggest that, as Kay’s work explores the process of racial mixing, a ‘mixed’ reading is required in order to fully expose the subtleties within it. Such a reading is innovative in that it exposes two previously unarticulated ideas. First, the idea that mixedness can form a site of creative production as it is a condition which demands new identifications are continually brought into being. Second, that this process serves as a site of political resistance because it has a destabilising influence on fixed notions of ‘race’ and the operation of racialised thinking. It is exactly such a reading of Kay’s first autobiographical collection, The Adoption Papers, that this article attempts.

In suggesting the existence of a politically-resistant ‘mixed’ perspective, this article utilises ideas around racial mixing which have been developed in the field of in social science and cultural studies but have rarely been applied in literary criticism. For example, in the title of her book Mixed-race, Post-race: Gender, New Ethnicities and Cultural Practices Suki Ali boldly positions the state of mixedness as ‘post-race’. By positioning ‘mixed’ status as sitting outside fixed racial identifiers, and in this sense ‘post’ or beyond established discourses around race, she opens a space for thinking about ‘race’ which leaves room for uncertainty, for a ‘betweeness’ which remains undefined because perpetually in a state of re-creation…

Read the entire article here.