Mixed Race Studies

Melissa Harris-Perry Walks Off Her MSNBC Show After Pre-Emptions

The New York Times
2016-02-26

John Koblin, Television Reporter

Melissa Harris-Perry said she had received no word about whether her MSNBC show had been canceled. Credit Fred R. Conrad/The New York Times

Melissa Harris-Perry said she was refusing to go on the MSNBC show she hosts this Saturday, following several weeks of pre-emptions and what she described as a loss of editorial control.

In an email sent to people she works with this week, which was obtained by The New York Times, Ms. Harris-Perry said that her show had effectively been taken away from her and that she felt “worthless” in the eyes of NBC News executives.

“Here is the reality: Our show was taken — without comment or discussion or notice — in the midst of an election season,” she wrote. “After four years of building an audience, developing a brand and developing trust with our viewers, we were effectively and utterly silenced.”…

…Ms. Harris-Perry is black, and Mr. Lack and Mr. Griffin are white. In the phone interview on Friday, Ms. Harris-Perry clarified her remarks and said she did not think race played a role in her recent absence from the air.

“I don’t know if there is a personal racial component,” she said. “I don’t think anyone is doing something mean to me because I’m a black person.”…

Read the entire article here.

Nella Larsen Reconsidered: The Trouble with Desire in Quicksand and Passing

MELUS: Multi-Ethnic Literature of the United States
Volume 41, Issue 1 (Spring 2016)
pages 165-192
DOI: 10.1093/melus/mlv083

Rafael Walker
Department of English
University of Pennsylvania

This paper challenges the pervasive tendency to treat Larsen’s work as explorations of black women’s lives and examines the distinctly biracial perspective that her fiction attempts to elaborate. I argue that her novels employ narratives of frustrated desire in order to show the impossibility of the racially liminal subject in a society that thinks in black and white. In developing this argument, the essay explains the aesthetic and theoretical implications that ensue from taking this biracial perspective seriously. For instance, it shows how each novel mobilizes a distinct ontology of biracial identity—biraciality as synthesis in one case (Quicksand [1928]) and biraciality as oscillation in the other (Passing [1929]). In its discussion of the aesthetics of Larsen’s fiction, the essay demonstrates how this shift in racial perspective enables us to reassess her endings, which vexed critics in her day and continue to vex readers in ours (including the scholar arguably most responsible for Larsen’s current prominence, Deborah E. McDowell). Aware that aversion to the essentialist “tragic mulatta” trope has been one of the primary impediments to concentrating on biraciality in Larsen’s work, I offer ways of understanding Larsen’s focus on biraciality as more—rather than less—subversive of American racial ideology than previous studies suggest.

Read or purchase the article here.

Chirlane McCray and the Limits of First-Ladyship

The New York Times Magazine
2016-02-09

Rachel Kaadzi Ghansah

New York City Mayor Bill de Blasio and First Lady Chirlane McCray
Credit Damon Winter/The New York Times

What two years in Gracie Mansion have meant for a woman who aspired to be the “voice for the forgotten voices.”

The first time I had lunch with Chirlane McCray at Gracie Mansion, I was distracted by the wallpaper. This was just about a year after her husband, Bill de Blasio, was sworn in as mayor of New York. In a breathlessly short period, McCray had gone from being a poet, wife and mother, with a job writing ad copy for a neighborhood hospital, to being first lady of New York City with a day-to-day schedule that could consist of everything from reading books to kindergartners in a classroom in East New York to exchanging pleasantries with Catherine, the Duchess of Cambridge.

Standing near the head of a long, polished dining table, as a young white woman in a chef’s uniform recited the lunch menu, McCray repeated our choices to me and her chief of staff. But my attention kept drifting to the walls, where a Zuber wallpaper from the 1830s depicted a maiden, her complexion a flushed peaches and cream, trapped in an almost-embrace with a pale and severe-looking soldier in a red-and-blue military uniform. Before they moved into Gracie, McCray and de Blasio lived in a vinyl-sided townhouse in Park Slope, Brooklyn, and worked out at the local Y.M.C.A. Shortly after de Blasio became mayor, McCray said she would be a ‘‘voice for the forgotten voices,’’ because, she said, ‘‘black women do not have as many positive images in the media as we should.’’ How did it feel for that woman to regularly dine within this patrician fantasy?…

New York City Mayor Bill de Blasio and First Lady Chirlane McCray
Credit Damon Winter/The New York Times

…What made de Blasio exceptional during his campaign in 2013 was his ability to convincingly articulate what many minority families had never heard a white man say publicly about race. He understood their fears and related to them. He was the one candidate who seemed to know intimately the fatigue that many of them felt after 12 years of Michael Bloomberg’s leadership as mayor. This was in large part because of the woman by his side with the long dreadlocks, tiny nose ring and activist past. Though she had obviously not made de Blasio black, she gave black New Yorkers a sense of representation, a sense that unlike Rudolph W. Giuliani or Bloomberg, her husband did not lack empathy toward their concerns…

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An Interview with Poet and Room Poetry Coordinator Chelene Knight

Room: Literature, Art, and Feminism Since 1975
Issue 37.4: Claiming Space (2015)

Interview with Bonnie Nish

Chelene Knight was born in Vancouver and is a graduate of The Writer’s Studio at SFU. She has been published in Sassafras Literary Magazine, Room, emerge 2013 and Raven Chronicles and is the Poetry Coordinator at Room. Braided Skin, her first book (Mother Tongue Publishing, March 2015), has given birth to numerous writing projects, including a work in progress, Dear Current Occupant. Her work is deeply rooted in her experiences of mixed ethnicity. Her mother is African-American, and her father and his family were victims of the Asian expulsion in Uganda during the 70s, when President Idi Amin led a campaign of “de-Indianization,” resulting in the “ethnic cleansing” of the country’s Indian minority. Chelene is currently pursuing her BA in English at SFU.

Her first book Braided Skin is forthcoming with Mother Tongue Publishing in spring 2015. Her launch will take place Wednesday April 8th, 2015 from 7-9:30 pm as a part of Twisted Poets Literary Salon run by Pandora’s Collective.

ROOM: First of all Congratulations on your new book Braided Skin (Mother Tongue Publishing). Would you like to tell us something about your new book?

CK: Thank you! Braided Skin is a mix of many things…

Read the entire interview here.

Black History Month 2016: Three-star General, Lt. General Nadja West

Black German Cultural Society
2016-02-05

Congratulations!!!

Lt. Gen. Nadja West has been appointed as the Army’s 44th Surgeon General. With this appointment comes a promotion to lieutenant general, which makes West the Army’s first black female 3-star general as well as the highest ranking female of any race to graduate from West Point.

West started as a child in Germany five decades ago. She came into the world a mischlingskinder or “brown baby”—one of many children borne of liaisons between African American servicemen and German women. Orphaned as a baby, she was adopted at nine months by Oscar and Mabel Grammer. Oscar Grammer worked as a chief warrant officer in the U.S. Army. Mabel Grammer was a civil rights activist and journalist who, at one point, wrote for the Afro American Newspapers. Together the couple adopted 12 children; West was the youngest.

On Tuesday, February 9 (2016), Lt. Gen Nadja West will be honored in an official ceremony…

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Maj. Gen. Nadja West confirmed as 44th Army Surgeon General

www.army.mil: The Official Homepage of the United States Army
2015-12-11

Maria Tolleson, Media Relations Officer

Maj. Gen. Nadja West is sworn in as 44th Surgeon General of the Army by Acting Secretary of the Army Eric Fanning. West is also Commander of the US Army Medical Command.

OFFICE OF THE SURGEON GENERAL Falls Church, Va. (Dec. 11, 2015) — The Senate confirmed Thursday Maj. Gen. Nadja West to serve as the new Army Surgeon General and Commanding General, U.S. Army Medical Command (MEDCOM).

With the appointment as the 44th Surgeon General, West picks up a third star to become the Army’s first black female to hold the rank of lieutenant general.

She most recently served as the Joint Staff Surgeon at the Pentagon. West’s appointment as Army Surgeon General is effective immediately…

…With this appointment she becomes the first black Army Surgeon General and the highest ranking female to have graduated from the US Military Academy at West Point…

Read the entire article here.

A call for end of the “Globeleza Mulata”: A Manifesto

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-02-08

Stephanie Ribeiro and Djamila Ribeiro

Originally, “A Mulata Globeleza: Um Manifesto” from Agora é que são elas (2016-01-29).

The Globeleza Mulata is not a natural cultural event, but a performance that invades the imaginary and the Brazilian televisions during Carnival. A spectacular created by art director Hans Donner to be the symbol of the popular party, which exhibited for 13 years his companion Valéria Valenssa in the super-expositional function of “mulata”. We’re talking about a character that appeared in the nineties and still strictly follows the same script: it is always a black woman that dances the samba as a passista (Carnaval dancer), naked with her body painted with glitter, to the sound of the vignette displayed throughout the daily programming of Rede Globo (TV).

To start the debate on this character, we need to identify the problem contained in the term “mulata”. Besides being a word naturalized by Brazilian society, it is a captive presence in the vocabulary of the hosts, journalists and reporters from the Globo broadcasting. The word of is of Spanish origin comes from “mula” or “mulo” (the masculine and feminine of ‘mule’): that that is a hybrid originating from a cross between species. Mules are animals born crossing donkeys with mares or horses with donkeys. In another sense, they are the result of the mating of the animal considered noble (equus caballus) with the animal deemed second class (donkey). Therefore, it is a derogatory word indicating mestiçagem (racial mixture or crossbreeding), impurity; an improper mixing that should not exist.

Employed since the colonial period, the term was used to designate lighter skinned blacks, fruits of the rape of slaves by masters. Such a nomenclature has sexist and racist nature and was transferred to the Globeleza character, naturalized. The adjective “mulata” is a sad memory of the 354 years (1534-1888) of escravidão negra (black slavery) in Brazil…

Read the entire article here.

The Brazilian carnival queen deemed ‘too black’ – video

The Guardian
2016-02-09

Barney Lankester-Owen, Bruce Douglas, Charlie Phillips and Juliet Riddell

Nayara Justino thought her dreams had come true when she was selected as the Globeleza carnival queen in 2013 after a public vote on one of Brazil’s biggest TV shows. But some regarded her complexion to be too dark to be an acceptable queen. Nayara and her family wonder what this says about racial roles in modern Brazil

Yvonne Chouteau, Native American Ballerina, Dies at 86

The New York Times
2016-01-29

Jack Anderson

Yvonne Chouteau, one of the five celebrated Oklahoma ballerinas with an American Indian background, in a 1963 photo. Credit Jack Mitchell/Getty Images

Yvonne Chouteau, a former principal dancer of the Ballet Russe de Monte Carlo who emerged as one of a celebrated group of dancers known as the American Indian ballerinas of Oklahoma, died on Sunday at her home in Oklahoma City. She was 86.

The cause was congestive heart failure, said Mary Margaret Holt, director of the School of Dance and dean of the College of Fine Arts at the University of Oklahoma. Ms. Chouteau was a founder of the dance school, one of the leading institutions of its kind in the Southwest…

…Part French and part Shawnee–Cherokee, Myra Yvonne Chouteau was born into a pioneering Southwestern family in Fort Worth on March 7, 1929, the only child of Corbett Edward Chouteau and the former Lucy Annette Taylor. The family soon moved to Vinita, Okla., and her father, who was known as C. E. Chouteau, became a prominent American Indian figure in the state.

Ms. Chouteau was a direct descendant of Maj. Jean Pierre Chouteau (1758-1849), who established Oklahoma’s oldest white settlement in 1796…

Read the entire obituary here.

Motherhood in Liminal Spaces: White Mothers’ Parenting Black/White Children

Affilia
Volume 31, Number 4 (November 2016)
pages 434-449
DOI: 10.1177/0886109916630581

Mary Elizabeth Rauktis, Research Assistant Professor of Social Work
University of Pittsburgh, Pittsburgh, Pennsylvania

Rachel A. Fusco, Associate Professor of Social Work
University of Pittsburgh, Pittsburgh, Pennsylvania

Sara Goodkind, Associate Professor of Social Work
University of Pittsburgh, Pittsburgh, Pennsylvania

Cynthia Bradley-King, Clinical Assistant Professor of Social Work
University of Pittsburgh, Pittsburgh, Pennsylvania

Most of the extant social work research on biracial children and families has focused on the experiences of transracially adopted black or biracial children and their white parents or Afro-Caribbean/white children and their white mothers in the United Kingdom. This study adds to the body of knowledge by using focus group interviews analyzed through a feminist lens to understand the experiences of a diverse group of white women parenting their biological black/white biracial children. The findings suggest that having children locates them in a liminal space between whiteness and blackness. Many face racism from their families and communities, which they are unprepared for, given their upbringing as white Americans. Yet despite these experiences, many still practice color-blind perspective in socializing their children. Implications of these findings include the need for early intervention and support for white mothers raising biracial children as well as the need to challenge the assumption that mothers are solely responsible for the well-being and cultural and racial socialization of their children.

Read or purchase the article here.