Mixed Race Studies

A Strange Emblem for a (Not So) White Nation: La Morocha Argentina in the Latin American Racial Context, c. 1900–2015

Journal of Social History
DOI: 10.1093/jsh/shw018
First published online: 2016-06-01

Ezequiel Adamovsky

This article explores the origins of La morocha argentina as an unofficial national emblem, the personification of the quintessential Argentinean woman, from its emergence in the early twentieth century to the present. A typical character of vernacular popular culture, the Argentinean “morocha” is compared to the “morenas” featured in other Latin American countries, to find similarities and differences. The racial uncertainty of the “morochas”—who, unlike the “morenas,” were not always marked as being of dark complexion—helped undermine the official discourses of the Argentinean nation, which described it as racially white and ethnically European. The ambivalence of the “morocha argentina” was crucial in contexts in which open challenges of that myth were still unfeasible. Thus, despite claims of racial exceptionalism, the making and trajectory of this emblem proves that Argentina’s racial regime is a variant of the Latin American “color-continuum” racial formations. By analyzing the Argentinean case in comparative perspective, this article also seeks to contribute to a better understanding of nonbinary racial models and, more generally, of ethnicity “beyond groupism”—to put it in Roger Brubaker’s terms. In other words, it aims to reconsider ethnicity as a process, the outcome of group-making projects, rather than (only) as the expression of preexisting ethnic entities.

Read or purchase the article here.

Negras in Brazil: Re-envisioning Black Women, Citizenship, and the Politics of Identity

Rutgers University Press
December 2006
252 pages
6 x 9
Paper ISBN: 978-0-8135-3957-7
Web PDF ISBN: 978-0-8135-4132-7

Kia Lilly Caldwell, Associate Professor of African, African American, and Diaspora Studies
University of North Carolina, Chapel Hill

For most of the twentieth century, Brazil was widely regarded as a “racial democracy“—a country untainted by the scourge of racism and prejudice. In recent decades, however, this image has been severely critiqued, with a growing number of studies highlighting persistent and deep-seated patterns of racial discrimination and inequality. Yet, recent work on race and racism has rarely considered gender as part of its analysis.

In Negras in Brazil, Kia Lilly Caldwell examines the life experiences of Afro-Brazilian women whose stories have until now been largely untold. This pathbreaking study analyzes the links between race and gender and broader processes of social, economic, and political exclusion. Drawing on ethnographic research with social movement organizations and thirty-five life history interviews, Caldwell explores the everyday struggles Afro-Brazilian women face in their efforts to achieve equal rights and full citizenship. She also shows how the black women’s movement, which has emerged in recent decades, has sought to challenge racial and gender discrimination in Brazil. While proposing a broader view of citizenship that includes domains such as popular culture and the body, Negras in Brazil highlights the continuing relevance of identity politics for members of racially marginalized communities. Providing new insights into black women’s social activism and a gendered perspective on Brazilian racial dynamics, this book will be of interest to students and scholars of Latin American Studies, African diaspora studies, women’s studies, politics, and cultural anthropology.

Contents

• Illustrations
• Acknowledgments
• Prologue
• Introduction
• PART ONE: Re-envisioning the Brazilian Nation
  • 1. “A Foot in the Kitchen”: Brazilian Discourses on Race, Hybridity, and National identity
  • 2. Women in and out of Place: Engendering Brazil’s Racial Democracy
• PART TWO: The Body and Subjectivity
  • 3. “Look at Her Hair”: The Body Politics of Black Womanhood
  • 4. Becoming a Mulher Negra
• PART THREE: Activism and Resistance
  • 5. “What Citizenship is This?”: Narratives of Marginality and Struggle
  • 6. The Black Women’s Movement: Politicizing and Reconstructing Collective Identities
• Epilogue: Resenvisioning Racial Essentialism and Identity Politics
• Notes
• References
• Index

Dominican Anti-Blackness

bluestockings magazine
2016-05-02

Perla Montas

We were socialized from an early age to name blackness. To taunt it, to call it names. My friends and I compared skin colors as we played the “who’s blacker?” game.

“You’re blacker than me, Perla!”

“Haitiana, you lose!”

My parents groomed an identity that privileged straight hair and lighter skin, while compromising my kinks and self-esteem.

“I need 25 dollars to straighten Perla’s greña. It looks messy. She needs to look good for picture day.”

My inherited black skin and kinky hair were my parents’ greatest shame and the butt of my friends’ jokes.

La Raza Dominicana, a term that refers to Dominican people and culture as a collective, is actually used to highlight the Dominican Republic’s pluralities. The term celebrates all of the racial, ethnic, and cultural origins that have positively influenced expressions of Dominicanidad. Like Cuba and Brazil, the Dominican Republic has an extensive history of racial mixing between Indigenous peoples, enslaved Africans, and European colonizers. Yet under Spanish rule, colonizer violence and disease diminished the Indigenous population from 400,000 to 60,000 people by 1508, leaving a population of mostly miscegenated people (Howard, 31). As such, the DR has a population of primarily black people. According to current statistics, the Dominican Republic has an afro-descendant population of nearly 8 million people, the fifth largest black population outside of Africa.

While the colors and aesthetics of Dominican people are endless, it is important to keep in mind that white supremacy still operates insidiously in miscegenated societies…

Read the entire article here.

Race, revolution and interracial relations: Revisiting rapper Emicida’s video ‘Boa Esperança’, the most courageous video of 2015

Black Women of Brazil
2016-04-25

Note from BW of Brazil: Get ready! Today’s piece is one of those long articles in which you must read every word in order to get the full significance. The rapper known as Emicida is perhaps the most popular rapper in Brazil right now and his star continues to rise. Last year, the rapper released the video for his song “Boa Esperança”, one of the most discussed music videos of last year and for good reason and you will no doubt agree.

The video takes on the realities of race and class in modern day Brazilian society that date back all the way to the colonial era; a colonial era in which masses of Brazilian Indians were massacred and millions of imported Africans were forced to endure unthinkable conditions of cruelty, exploitation and death. As we have seen in numerous posts in the past, many black Brazilians still make references to the Casa Grande (big house/slave master’s home) to describe race relations in modern day Brazil, even as the institution of slavery officially ended in 1888, making Brazil the last country in the Western world to abolish this practice…

Read the entire article here.

Anna In-Between

Akashic Books
2010-08-17
352 pages
Paperback IBSN: 9781936070695
Hardcover IBSN: 9781933354842

Elizabeth Nunez, Distinguished Professor of English
Hunter College, the City University of New York

Anna In-Between is Elizabeth Nunez’s finest achievement to date. In spare prose, with laserlike attention to every word and the juxtaposition of words to each other, Nunez returns to her themes of emotional alienation, within the context of class and color discrimination, so richly developed in her earlier novels. Anna, the novel’s main character, who has a successful publishing career in the US, is the daughter of an upper-class Caribbean family. While on vacation in the island home of her birth she discovers that her mother, Beatrice, has breast cancer. Beatrice categorically rejects all efforts to persuade her to go to the US for treatment, even though it is, perhaps, her only chance of survival. Anna and her father, who tries to remain respectful of his wife’s wishes, must convince her to change her mind.

In a convergence of craftsmanship, unflinching honesty, and the ability to universalize the lives of her characters, Nunez tells a story that explores our longing for belonging to a community, the age-old love-repulsion relationship between mother and daughter, the Freudian overtones in the love between daughter and father, and the mutual respect that is essential for a successful marriage. One of the crowning achievements of this novel is that it shines a harsh light on the ambiguous situation of this ruling-class family who rose from the constraints of colonialism to employ their own servants. It is a strength of the novel that it understands that the political truth is not distinct from the truth of the family or the truth of love relationships; they are integrated into a unity in this novel constituting one unbroken reality as they are in real life.

Ethnicity does not define one’s character

The Royal Gazette
Hamilton, Bermuda
2016-04-15

Christopher Famous

There has been debate on social media recently about good hair vs bad hair, persons of mixed ethnicities, light skin vs dark skin.

After a conversation with someone deeply concerned with these issues, I decided to dig up a column I wrote in June last year:

We see a large proportion of Bermudians who are fair or light-skinned, with straight or semi-straight hair. Why is that, you ask? Let’s look at history to understand…

Read the entire article here.

Mestizaje in the Age of Fascism: German and Q’eqchi’ Maya Interracial Unions in Alta Verapaz, Guatemala

German History
Volume 34, Issue 2 (June 2016)
pages 214-236
DOI: 10.1093/gerhis/ghw017

Julie Gibbings, Assistant Professor of History
University of Manitoba, Winnipeg, Manitoba, Canada

In contemporary Guatemala, Q’eqchi’ Mayas of German descent are reclaiming identities as ‘the improved race’ (la raza mejorada), which allows them claim both tradition and authenticity as well as racial whiteness and modernity. While surprising to contemporary observers, these identities have longer histories, rooted in the interwar period, when Guatemalan urban intellectuals and statesmen looked to German-Maya sexual unions as the racial solution to Guatemala’s failure to forge a modern and homogenous nation. Like national racial mixing (mestizaje) projects found in Mexico and elsewhere in Latin America, Guatemalan intellectuals in the 1920s and 1930s argued that racial mixing with Anglo-Saxons led not to racial degeneration, but—potentially—to new and more vital races. While long ignored by historical scholarship, hybrid Q’eqchi’-Germans, however, unravel a priori assumptions of German diasporic political and social insularity. By examining the potent symbolic and cultural dimensions Guatemala’s unique mestizaje project had for the formation of both German and Guatemalan nationalist projects during the rise of German National Socialism and Guatemala’s own populist dictatorship under President Jorge Ubico (1931–1944), this article argues for an understanding of German diasporas in Latin America that places them squarely in the transnational space between competing nationalisms and political agendas. By further examining the important material and social dimensions of mixed-race families, this article reveals the crucial ties Germans forged in Latin America and how who counted as German and by what measure was a subject of considerable debate with important political consequences.

Read or purchase the article here.

Charlotte Brontë May Have Started the Fire, But Jean Rhys Burned Down the House

Literary Hub
2016-04-21

Bridget Read
Brooklyn, New York

Wide Sargasso Sea and The Limits of Bronte Feminism

In November of last year, Tin House published the text of a speech given by the author Claire Vaye Watkins, in which she spoke frankly of the various intersecting systems of privilege that affect the publishing world. Her main focus was the industry’s domination by men, their tastes and their interests, which even writers who are not men keep in mind when working toward literary success. The rousing essay ended with this call to arms: “Let us burn this motherfucking system to the ground and build something better.”

I thought of this speech this week, on the 200th anniversary of a famous literary house fire otherwise known as Jane Eyre—Charlotte Brontë’s novel about the eponymous “poor, obscure, plain and little” governess who quietly triumphs over several archetypal gothic adversaries: poverty, cruelty, a castle, a ghost, a brooding Byronic lover. Jane Eyre endures because it’s the story of an underdog, surely, as is the story of the author herself. Diminutive Charlotte and her sisters published their novels from their home in the Yorkshire moors, first under male pen names before being welcomed into important literary circles as women writers. Of Brontë, whose heroine notoriously requires the gruff, hot Mr. Rochester to regard her as a true partner before she will wed him, “equal—as we are,” Matthew Arnold complained in 1853: “The writer’s mind contains nothing but hunger, rebellion and rage, and therefore that is all she can, in fact, put in her book.” This, of course, is an excellent blurb for a novel in 2016, and cause to study Jane Eyre as a proto-feminist text….

There are other reasons that cultural objects get to hang around for multiple centennials, however, and rarely can a book’s radicalism alone account for its longevity in popular imagination. You might consider how Jane Eyre, not unlike the work of another famous but non-fictional Jane, in addition to being groundbreaking, is very safe. Jane E. might at first deny the hands of Rochester and her cousin St. John Rivers because they want to control her, but she does get married, eventually, all while maintaining her quiet dignity, her resilience, and her piety—meaning that her self-actualization is still in the service of morality, a Christian, patriarchal one. It is important to remember who exactly burns down the house in Jane Eyre, because it isn’t Jane. The arsonist of the novel is Bertha, Rochester’s shut-in wife, the infamous woman in the attic, and if a radical core can be found in Brontë’s work, it’s with her. Which is to say that the novel’s real potential for systemic annihilation is not the novel itself, and brings me to another anniversary, a 50th birthday, of Jean Rhys’s prequel to Jane Eyre: Wide Sargasso Sea, published in 1966…

Read the entire article here.

Marlene Daut

New Books Network
2016-04-18

Dan Livesay, Assistant Professor of History
Claremont McKenna College, Claremont, California

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of the Haitian Revolution, and of the country itself, have long suffered under these false assumptions of exceptional racial problems. She has also produced a compendium of Haitian fiction during this period, in conjunction with the book. You can find it here.

Listen to the interview (00:49:33) here. Download the interview here.

Atlantic Africa and the Spanish Caribbean, 1570-1640

University of North Carolina Press
May 2016
352 pages
6.125 x 9.25, 15 halftones
Cloth ISBN: 978-1-4696-2341-2

David Wheat, Assistant Professor of History
Michigan State University

This work resituates the Spanish Caribbean as an extension of the Luso-African Atlantic world from the late sixteenth to the mid-seventeenth century, when the union of the Spanish and Portuguese crowns facilitated a surge in the transatlantic slave trade. After the catastrophic decline of Amerindian populations on the islands, two major African provenance zones, first Upper Guinea and then Angola, contributed forced migrant populations with distinct experiences to the Caribbean. They played a dynamic role in the social formation of early Spanish colonial society in the fortified port cities of Cartagena de Indias, Havana, Santo Domingo, and Panama City and their semirural hinterlands.

David Wheat is the first scholar to establish this early phase of the “Africanization” of the Spanish Caribbean two centuries before the rise of large-scale sugar plantations. With African migrants and their descendants comprising demographic majorities in core areas of Spanish settlement, Luso-Africans, Afro-Iberians, Latinized Africans, and free people of color acted more as colonists or settlers than as plantation slaves. These ethnically mixed and economically diversified societies constituted a region of overlapping Iberian and African worlds, while they made possible Spain’s colonization of the Caribbean.