Mestizaje and Law Making in Indigenous Identity Formation in Northeastern Brazil: “After the Conflict Came the History”

Posted in Anthropology, Articles, Brazil, Law, Media Archive, Native Americans/First Nation on 2011-01-25 03:40Z by Steven

Mestizaje and Law Making in Indigenous Identity Formation in Northeastern Brazil: “After the Conflict Came the History”

American Anthropologist
Volume 106, Issue 4 (December 2004)
pages 663–674
DOI: 10.1525/aa.2004.106.4.663

Jan Hoffman French, Assistant Professor of Anthropology
University of Richmond

In this article, I explore issues of authenticity, legal discourse, and local requirements of belonging by considering the recent surge of indigenous recognitions in northeastern Brazil. I investigate how race and ethnicity are implicated in the recognition process in Brazil on the basis of an analysis of a successful struggle for indigenous identity and access to land by a group of mixed-race, visibly, African-descended rural workers. I propose that the debate over mestizaje (ethnoracial and cultural mixing) in the Spanish-speaking countries of Latin America can be reconfigured and clarified by broadening it to include such Brazilian experiences. I argue that the interaction between two processes—law making and indigenous identity formation—is crucial to understanding how the notion of “mixed heritage” is both reinforced and disentangled. As such, this article is an illustration of the role of legal discourse in the constitution of indigenous identities and it introduces northeastern Brazil into the global discussion of law, indigenous rights, and claims to citizenship.

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Brief communication: Admixture analysis with forensic microsatellites in Minas Gerais, Brazil: The ongoing evolution of the capital and of an African-derived community

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Media Archive on 2011-01-25 01:32Z by Steven

Brief communication: Admixture analysis with forensic microsatellites in Minas Gerais, Brazil: The ongoing evolution of the capital and of an African-derived community

American Journal of Physical Anthropology
Volume 139, Issue 4 (August 2009)
pages 591–595
DOI: 10.1002/ajpa.21046

Marília O. Scliar
Departamento de Biologia Geral, ICB
Universidade Federal de Minas Gerais, MG, Brazil

Marco T. Vaintraub
GENETICENTER—Centro de Genética e Reprodução, Nova Lima, MG, Brazil

Patrícia M.V. Vaintraub
GENETICENTER—Centro de Genética e Reprodução, Nova Lima, MG, Brazil

Cleusa G. Fonseca
Departamento de Biologia Geral, ICB
Universidade Federal de Minas Gerais, MG, Brazil

We report the estimated allele frequencies for 13 and 14 microsatellite loci in two populations of Minas Gerais, Brazil as follows: Belo Horizonte (the capital) and Marinhos (an African-derived community). Analysis of the African, Amerindian, and European genetic contributions to both populations, together with historical information, revealed distinct differences between the two populations. Estimates for Belo Horizonte revealed a higher-European (66%) than African (32%) contribution, and a minimal Amerindian contribution. These results are consistent with the peopling of the city mainly by people from the Minas Gerais hinterland, a people highly admixed but with more European ancestry. Estimates for Marinhos confirmed the high-African component of the population. However, a temporal analysis of two datasets—CURRENT (representing the population living in Marinhos today) and ORIGINAL (representing families, who have lived in Marinhos since the onset of the 20th century),—identified a diminishing of the population’s African ancestry from 92% in the ORIGINAL group to 67% in the CURRENT group. This change is here interpreted as a consequence of the growing migration into the village of people with more European ancestry and subsequent admixture with the local population.

Description of the supporting document:

Supporting Table S1. Origin and size of parental sample populations used in admixture analyses. Supporting Table S2. Allele frequencies distribution of 13 STRs loci in Belo Horizonte population. Supporting Table S3. Allele frequencies distribution of 14 STRs loci in Marinhos (CURR) population. Supporting Table S4. Allele frequencies distribution of 14 STRs loci in Marinhos (ORIG) population. Supporting Table S5. Admixture proportions and 90% confidence intervals for each individual of Marinhos population obtained with the Structure 2.0 program.

Read or purchase the article here. Read the supporting document (in Microsoft Word) here.

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A Sea Captain’s Wife: A True Story of Love, Race, and War in the Nineteenth Century (review)

Posted in Articles, Book/Video Reviews, Caribbean/Latin America, History, Media Archive, United States, Women on 2011-01-24 22:17Z by Steven

A Sea Captain’s Wife: A True Story of Love, Race, and War in the Nineteenth Century (review)

Journal of American Folklore
Volume 124, Number 491 (Winter 2011)
pages 120-121
E-ISSN: 1535-1882 Print ISSN: 0021-8715

Sharon Downey Varner
Department of English
University of South Alabama

Hodes, Martha. A Sea Captain’s Wife: A True Story of Love, Race, and War in the Nineteenth Century. New York: W. W. Norton & Company. 2007.

This meticulously researched historical narrative is reconstructed from letters written by the subject and her family members. In A Sea Captain’s Wife, historian Martha Hodes brings to life the story of an obscure New England woman who marries a black man after the Civil War and takes up residence in the Cayman Islands. Hodes is a professor of history at New York University and the author of White Women, Black Men: Illicit Sex in the Nineteenth Century South.

Eunice Richardson, the subject of this book, was born a white, working-class woman in New England in 1831. She was first married to William Stone, a fellow New Englander, with whom she moved to Mobile, Alabama, for a period of time. Hodes speculates that it was in Mobile that Eunice first became acquainted with Smiley Connolly, an African American who would become her second husband.

Hodes leaves no stone unturned and no document undogged. Her storyteller’s bent, her understanding of the complex racial climate of the late 1800s, and her extensive historical knowledge combine to produce an engaging historical document that reads like a novel…

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Was Your Mama Mulatto? Notes toward a Theory of Racialized Sexuality in Gayl Jones’s “Corregidora” and Julie Dash’s “Daughters of the Dust”

Posted in Articles, Brazil, Literary/Artistic Criticism, Media Archive, Passing, Women on 2011-01-22 21:51Z by Steven

Was Your Mama Mulatto? Notes toward a Theory of Racialized Sexuality in Gayl Jones’s “Corregidora” and Julie Dash’s “Daughters of the Dust”

Callaloo
Volume 27, Number 3 (Summer, 2004)
pages 768-787
E-ISSN: 1080-6512, Print ISSN: 0161-2492
DOI: 10.1353/cal.2004.0136

Caroline A. Streeter, Associate Professor of English
University of California, Los Angeles

Gayl Jones’s novel Corregidora (1975) and Julie Dash’s feature film Daughters of the Dust (1991) are singular texts that use historical frameworks to comment upon post Civil-Rights- era race and gender relations and identity formations. Daughters of the Dust, the first feature film written and directed by Dash, was also the first film by an African-American woman to receive widespread theatrical distribution. Daughters is an independent work that resists and contests many aspects of the Hollywood film. Corregidora was the first novel by Gayl Jones, a reclusive figure with a small but striking literary output. Both the novel and the film call attention to understudied aspects of the African diaspora. In Corregiilora, Jones creates an unusual migration circuit that links mid-to-late twentieth-century African Americans living in Kentucky to their slave ancestors in Brazil. In Daughters of the Dust, the plot concerns the persistence of African traditions among black people at the turn of the century living on the Sea Islands. located off the coast of Georgia and South Carolina. Both works also highlight the crucial role of women in maintaining cultural memory for black communities. This essay concerns the ways in which Corregidora and Daughters of the Dust make compelling interventions that transform mulatto characters—“racially mixed” women of African descent who bear the phenotypical (physical) markers of “race mixing”—into figures that help us to understand new things about sexual and racial normativity. Both texts effect a surprising deployment of a figure that has been symbolic of repressed histories and regressive discourses.

Mulatta characters have long been controversial figures for scholars of African-American literature. In novels such as Clotelle, or the Colored Heroine, A Tale of the Southern States (William Wells Brown, 1867), lola Leroy, or Shadows Uplifted (Frances Ellen Watkins Harper, 1892), Megda (Emma Dunham Kelley-Hawkins, 1891), and Contending Forces: A Romance lllustrative of Negro Life North and South (Pauline Hopkins, 1900), mulatta characters are symbolic of traumatic histories of enslavement. In novels of the 1920s and 1930s, especially those associated with Harlem Renaissance writers such as Nella Larsen Quicksand (1928) and Passing (1929) and Jessie Fauset There is Confusion (1924), Plum Bun (1928), The Chinaberry Tree (1931), and Comedy American Style ( 1933). mulatta characters represented access to class mobility and the possibility of escaping the stigma of blackness altogether through “racial passing.”…

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Race, the Jamaican Body and Eugenics/Genomics: An Autobiographic Mediation

Posted in Books, Caribbean/Latin America, Chapter, Media Archive on 2011-01-21 04:52Z by Steven

Race, the Jamaican Body and Eugenics/Genomics: An Autobiographic Mediation

Auto/Biography and Mediation
2010
pages 39-55

Edited by:

Alfred Hornung, Professor of English and American Studies
Johannes Gutenberg University Mainz

Written by:

Eve Hawthorne, Professor of History
Howard University

Paul Vanouse, Associate Professor of Visual Studies
The State University of New York, Buffalo

Caribbean bodies are among the most specularized of observed objects. From religion to sociology, and through a range of genres—travel writing, missionary reports, histories, colonial administrative accounts, diaries/journals and belles lettres—these bodies have been made into available and free sites, serving for archival evidentiary data collection, statistics, literary subjects and visual voyeurism. They have been objectified both through a “torrent of words and images,” as Stephen Greenblatt has described the phenomenon of hyper-textualization that enabled imperialistic projects to gain possession of and control over the New World (145), and a “visual colonialism” achieved through scoping, according to Johannes Fabian (123).  Historically, this ‘gaze’ begins with fixing the New World indigenous Indian people as its object—the adventurer Christopher Columbus both described and brought back Indigenous people as specimen to Europe to display their difference from Europeans (Doggett 12)—but by the eighteenth century there is a marked shift to the black, African body. In contrast to the dual perspectives that had characterized the textualization of the Amerindian in which early colonial representations of aboriginal peoples were both “pragmatically political and romantically imaginative” (G. K. Lewis 32), that of the African was invariably constructed to justify his enslavement. Middle-colonial imaginings, then, with the exception of those created by the Abolitionists or liberals such as John Gabriel Stedman (Narrative of a Five-Years Expedition Against the Revolted Negroes of Surinam, 1796) were ideological productions that evolved into a potent archive of black stereotypes available for hegemonic discourses.

Colonial texts produced two views that would predominate throughout the following centuries, i.e., one of the black body’s ‘laziness,’ and one of moral laxity or ‘slackness’—particularly of the female. In Jamaica, the writing of Matthew [Monk] Gregory Lewis, the British writer and plantation owner, relies on the evolving stereotype of the lazy native:

For myself, it appears to be almost worth surrendering the luxuries and pleasures, of Great Britain: for the single pleasure of being surrounded with beings who are always laughing and singing, and who seem to perform their work with so much nonchalance, taking up their baskets as if it were perfectly optional … sauntering along with their hands dangling; stopping to chat with every one they meet. (101)

In time, Thomas Carlyle in “The Nigger Question” would give a more egregious picture of this ‘lazy’ Caribbean native, while Anthony Trollope would devote eight of his twenty-one chapters of The West Indies and the Spanish Main 1858/1860 to the same purpose. The surveillance of the female, in which it was important to declare her moral laxity, is sometimes different. Thus in one of the earliest descriptions, Mrs. Race, the Jamaican body, and Eugenics/Genomics 40 Carmichael writes in Domestic Manners and Social Conditions of the White,Coloured, and Negro Population:

The appearance of these women was disgusting;… but without exception, the arms were drawn out of the sleeves, which with the body of the gown, hung down as useless appendages; while from the waist upwards, all was in a state of nudit.… We observed several coloured women at the door and windows of houses, the dresses of some of whom would have been elegant and graceful, had they been more modest. (10-11)

The immodesty of the black female becomes an overpoweringly invasive image that overshadows that of the Abolitionists and adventurers such as Stedman. For both genders, the underlying objectification of ‘skin color’ assumed paramount importance, and became the clearest and most frequent delineator of alterity and inferiority. By the beginning of the twentieth century it would be scientized as ‘race.’

In this article we examine a twentieth-century manifestation of the collusion of power and knowledge-formation—specifically ‘Science.’ Largely, scholars have been scrupulously attentive in examining the colonization of the black body during the mid-period of Caribbean colonialism, promoted by an early science of ethnography that relied on the writer’s observation and interpretation. By the 1850s, this ethnographic authority was augmented through the field of physical anthropology that would claim greater scientific authority, ensured by works of biology such as that of Charles Darwin. The young science accommodated ideological needs by declaring hierarchical structures of difference, especially as existent in the European colonial possessions with their unmatched degrees of hybridity—or intermixtures of peoples. The new science becomes an “aggressively racist movement” (Lorimer 12), solidified under the science of eugenics. The black body and its sexuality and reproductivity were placed under constant surveillance. While this dominant science of eugenics was the popular science of nineteenth-century England, by the early twentieth century it had lost much of its appeal and potency there. Conversely, it becomes a plausible science in the U.S., and institutions and scientists were well-financed by both government and private sources, given its promise as tool of social engineering and control.

Given the waning British interest in eugenics, it was surprising for us to discover that the Caribbean body was made freely available to this racialized science as pursued by an American scientist and occurring as late as the 1920s. Race Crossing in Jamaica (1929) is a scientific text resulting from an extensive study conducted by the American eugenicist Charles B. Davenport. It seems, however, to be entirely overlooked within the historical discussion of the colonial era, yet it, too, epitomizes Western imperialism; Jamaican bodies used as raw material in the furtherance of First World goals. With its late-imperialist vision, the 512-page tome comprises anthropometric, physiological, and psychological studies of “Blacks, Whites, and hybrids” (iv). Its author is a well-known U.S. biologist who held at the time of this study the position of director of the Biological Laboratory at Cold Spring Harbor in New York State. His field investigator was Morris Steggerda, a Ph.D. student in zoology at the University of Illinois. The island of Jamaica was chosen for having what were perceived as isolated pockets of “pure-blooded negro, mulatto and White” populations of similar economic class. The methods entailed anthropomorphic and psychological examinations that included some sixty measurements of body areas including face breadth, cranial capacity and relative height in a variety of positions. The text has some 359 tables and charts, the result of a comparative analysis of three hundred and seventy “Blacks,” “Browns,” “Whites”: 197 males, 173 females. Mico College for Men and Shortwood College for Women supplied ninety-eight of these subjects; 118 came from the agricultural areas of Gordon Town and Seaford Town, and from a prison; 110 were classified as “city folk”, from Kingston’s fire and police departments, a crèche, and a prison; and forty-four Cayman Islanders were chosen who were supposedly white subjects.

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Dominica in Brooklyn

Posted in Articles, Arts, Caribbean/Latin America, History, Media Archive, United States, Women on 2011-01-18 22:47Z by Steven

Dominica in Brooklyn

The New York Times
2011-01-13

Carol Vogel, Art Reporter

The Brooklyn Museum has acquired an 18th-century painting by Agostino Brunias, a little-known London-based Italian artist. Around 1764 the British government sent Brunias to the West Indies to document one of that empire’s newest colonies, Dominica. Depicting two richly dressed mulatto women on a walk accompanied by their mother and children—all members of the island’s colonial elite—the painting also shows eight African servants on a sugar plantation.

“We have a large West Indian community,” said Richard Aste, the museum’s curator of European art. “When I saw it, it just screamed Brooklyn. We were looking for something from the 18th century, and we didn’t have anything like this.”

Mr. Aste first saw the painting in Paris in September at the booth of the London gallery Robilant & Voena at the Biennale des Antiquaires. The dealers had bought it from Sotheby’s after the painting failed to sell at auction a year ago. It had belonged to Jayne Wrightsman, a collector and a longtime trustee of the Metropolitan Museum of Art.

While the Brooklyn Museum will not say what it paid for the painting, Sotheby’s was estimating it would bring $200,000 to $300,000. The museum has titled the canvas “Free Women of Color With Their Children and Servants in a Landscape,” and it will go on view on March 7.

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Brooklyn Museum Acquires 18th Century Painting by Agostino Brunias Depicting Colonial Elite

Posted in Articles, Arts, Caribbean/Latin America, History, Media Archive, United States, Women on 2011-01-18 22:05Z by Steven

Brooklyn Museum Acquires 18th Century Painting by Agostino Brunias Depicting Colonial Elite

artdaily.org: The First Art Newspaper on the Net
2011-01-18

Agostino Brunias (Italian, ca. 1730-1796), Free Women of Color with their Children and Servants in a Landscape, ca. 1764-1796, Oil on canvas, 2010.59, Gift of Mrs. Carll H. de Silver in memory of her husband, and gift of George S. Hellman, by exchange.

BROOKLYN, NY.—The Brooklyn Museum has acquired, by purchase from the London gallery Robilant + Voena, Agostino Brunias’s (1730-1796) painting Free Women of Color with Their Children and Servants in a Landscape, (circa 1764-96), a portrait of the eighteenth-century mixed-race colonial elite of the island of Dominica in the West Indies. Brunias, a London-based Italian painter, left England at the height of his career to chronicle Dominica, then one of Britain’s newest colonies in the Lesser Antilles. [The painting will go on view 2001-03-07.]

The painting depicts two richly dressed mixed race women, one of whom was possibly the wife of the artist’s patron. They are shown accompanied by their mother and their children, along with eight African servants, as they walk on the grounds of a sugar plantation, one of the agricultural estates that were Dominica’s chief source of wealth. Brunias documents colonial women of color as privileged and prosperous. The two wealthy sisters are distinguished from their mother and servants by their fitted European dresses…

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Mapping the liminal identities of mulattas in African, African American, and Caribbean literatures

Posted in Africa, Caribbean/Latin America, Dissertations, Literary/Artistic Criticism, Media Archive, Passing, United States, Women on 2011-01-16 04:05Z by Steven

Mapping the liminal identities of mulattas in African, African American, and Caribbean literatures

Pennsylvania State University
December 2006
285 pages
AAT: 3343682
ISBN: 9780549992738

Khadidiatou Gueye

Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2006

In twentieth-century African, African American, and Caribbean literatures, mixed-blood women are often misread as figures frozen in tragic postures. Such unrealistic portraitures replicate the traditional white-authored pathologizations of racial hybridity. Drawing on the theoretical framework of liminality, this study investigates how mulattas negotiate their identities in specific socio-cultural environments, times, and places. Four writers of African descent and dissimilar socio-historical backgrounds are studied: Abdoulaye Sadji from Senegal, Bessie Head from South Africa, Mayotte Capécia from Martinique, and Nella Larsen from the United States.

The study is divided into five chapters that deal with the experiences of mulattas in autobiographical writing, sexuality, madness, racial passing, and expatriation. Thematic and stylistic discrepancies in the works examined are ancillary to the common liminal strategies of de-marginalization and self-reconstruction of female heroines. Their attempts at self-assertion appear in the ways in which they resist the constrictions of patriarchal and racist regimes. Their construction of spaces of agency is interwoven with ambiguity, ambivalence, and contradictions, which are emblematic of the discontinuities of their lives and paradigmatic of their intricate search for identity. In the works, the liminal experiences of mulattas are framed within the quests for social visibility, the affirmation of humanity, the renegotiation of space, and the anomic straddling between oppositional boundaries and statuses. Through their striving to rise above the limitations imposed on their gender and race, mulattas commit acts of transgression and dissemblance, and disrupt racial taxonomy. I demonstrate that liminality is a major unifying thread that runs through all the narratives and argue that it creates alternative existential paradigms for mixed-blood women. Liminality is an appropriate tool that challenges monolithic views of identities through the re-articulation of cultural meanings.

My main contribution is twofold. First, I extend the traditional cartography of liminality, which is usually based on small-scale societies where individuals have loyalty to their primary communities. Second, I suggest new vistas for race criticism in diasporic studies.

Table of Contents

  • Acknowledgements
  • Chapter One
    • Monoracial, Biracial, and the Entre-Deux
    • Introduction
    • Black/White Polarization
    • Racial Hybridity
    • Betwixt and Between: The Ambiguity of Liminality
  • Chapter Two
    • Liminal Psychoautobiographies: Rites and Routes
    • Autobiography as Autrebiographie: Je-Jeu in Mayotte Capécia’s Je suis martiniquaise
    • Internal Drama: Spectralized Presences in Bessie Head’s A Question of Power
  • Chapter Three
    • The Liminal Experience of Sexuality and the Problematic of Respectability
    • Sexuality at Point Zero in Nella Larsen’s Quicksand and Mayotte Capécia’s La négresse blanche
    • Sexuality and Normative Illegitimacy in Mayotte Capécia’s La négresse blanche
    • Nini, mulâtresse du Sénégal: Between Sexual Empowerment and Disempowerment
  • Chapter Four
    • Herspace: Liminal Madness and Racial Passing of the Mulatta
    • I am Mad But I am Not Mad: Shuttling Between Seamless Identities in Bessie Head’s A Question of Power
    • Telling a New Story: Racial Performance and Ambiguity in Nella Larsen’s Passing
  • Chapter Five
    • The Limen of Journeys: Mulattas and Colonial Paris
    • The French Métropole: Interior Landscapes in Nini, mulâtresse du Sénégal
    • Migration and Trans-Caribbean Identity in Je suis martiniquaise and La négresse blanche
  • Conclusion
  • Works Cited

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Dougla, Half-doogla, Travesao, and the Limits of Hybridity

Posted in Articles, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2011-01-15 03:58Z by Steven

Dougla, Half-doogla, Travesao, and the Limits of Hybridity

Anthurium: A Caribbean Studies Journal
Volume 7, Issues 1 & 2 (Fall 2009)
30 paragraphs
ISSN 1547-7150

Jennifer Rahim, Senior Lecturer in English
University of the West Indies, St. Augustine

Discourses on Caribbean culture and identity have been, if anything, prolific and energetic in their manufacture and circulation of a virtual plethora of signs, an entire vocabulary of terms recruited to articulate the concept of the hybrid, whether biological or cultural, as a corrective, if not redemptive possibility for the region and beyond. Indeed, cultural discourses throughout the Americas have at one time or the other looked to hybridity like a raised standard to heal Empire’s poisonous legacy of Manichean systems of value applied to race and ethnic difference. Without a doubt, these discourses have been deployed in sometimes naïve, sometimes cunningly politicized ways. If anything, they have been most productive in providing an instructive archive of narratives that reveal the far from idyllic and democratic histories of forced and consensual interracial mixings and cross-cultural aesthetic practices that characterize the region’s evolution.
 
Whatever the names with which the ever expanding family of hybrid identities have been baptized—Mulatto, Mestizaje, Creole, Spanish, Cocoa Payol, callaloo, Travesaou, Dougla, and so on—all share the following features: their origination in the diasporic multiracial, multiethnic make up of Caribbean societies; their particular histories and politics of application in contexts of privilege associated with colour, class, gender, and physical appearance; their role in the promotion of a rhetoric of nationalist accommodation to salve tensions among diverse race and ethnic groups; their elevation as signifiers of a regional and/or planetary destination that will be the radical reconstitution of demeaning stereotypes instituted under colonialism; and finally, their shared histories of failure to convincingly realize the very possibilities for which they have been embraced given the uneven weighting of differences that comprise the “mix.”

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“A Whole New Race”: Chinese Cubans and Hybrid Identities in Cristina García’s Monkey Hunting

Posted in Articles, Caribbean/Latin America, Media Archive on 2011-01-14 23:04Z by Steven

“A Whole New Race”: Chinese Cubans and Hybrid Identities in Cristina García’s Monkey Hunting

Anthurium: A Caribbean Studies Journal
Volume 7, Issues 1 & 2 (Fall 2009)
14 paragraphs
ISSN 1547-7150

Ann Marie Alfonso-Forero, Dissertation Editor
Graduate School, University of Miami

More so than its predecessors Dreaming in Cuban and The Agüero Sisters, Cristina García’s 2003 novel Monkey Hunting establishes her sense of Cubanness within the broader context of the Caribbean experience. More importantly, it seeks to create an inclusive and diverse sense of what it means to be Cuban that destabilizes the very notion of racial identification, which fails to account for the dynamic nature of identity and the importance of adopted cultural and religious traditions. What Monkey Hunting offers as an alternative is a process of identification through self-chosen cultural and religious hybridities that provides a source of agency in a time and place fraught with various forms of brutal and racialized socio-political oppression.
 
García, a Cuban-born novelist who has spent all but her first two years of life in the United States, addresses issues of race and identity in her previous novels, but does so in a way that makes use of themes and historical events closer to her own experience. These narratives take on Castro’s revolution, the condition of exile, and family politics and division, and are equally concerned with Cuba as they are with Cuban-American culture in the United States. Monkey Hunting surprised critics with its broader concerns and unusual subject matter. When asked during an interview in L.A. Weekly what made her choose to write about the legacy of a Chinese man in Cuba, García answered:

Monkey Hunting probably came from my first visit to a Chinese-Cuban restaurant on the Upper West Side of Manhattan, circa 1965. “You mean I get to order the black beans and the pork fried rice?” That blew my mind. Later, I got to thinking more seriously about compounded identities. My own daughter, for example, is part Cuban, Japanese and Russian Jew, with a little Guatemalan thrown in on my paternal grandmother’s side. Traditional notions of identity don’t work for her. I don’t think they work for a lot of people anymore. I wanted to explore this. (Huneven 38)

This response calls attention to García’s preoccupation with hybridity, which is evident throughout the text’s various narrative threads. Spanning over 150 years, four generations, and at least three continents, the novel concerns itself with issues of slavery, indentured servitude, colonization, the sugar plantation, and Cuba’s complex racial and political history, and presents readers with a Cuban identity that is inclusive of the Asian and African presences on the island. This paper argues that through the narrative of Chen Pan and his family, García explores the ways in which self-chosen hybridities allow for the inclusion of both Chinese and African cultures in Cuban identity and function against patriarchal Spanish colonial paradigms that tend to restrict identification along the lines of race and gender. Privileging cultural and religious hybridities over fixed racial identifications, García celebrates her characters’ ability to create fluid and dynamic identities, even if she is at moments ambiguous about the role of racial politics in their choices. Moreover, this preoccupation allows the novel to participate in Caribbean discourses surrounding race since, as Antonio Benítez-Rojo points out, “the Caribbean area… [is the] most extensive and intensive racial confluence registered by human histories” (199), and Cuba is no exception. Reading the novel as distinctly Caribbean, while also acknowledging it as a product of the Cuban-American exile community, requires that due attention be paid to issues of race and hybridity…

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