Mixed Race Studies

Dangerous crossroads: Mestizaje in the U.S. Latino/a imaginary

Rice University
December 2007
197 pages
Publication ID: 3309864

John L. Escobedo, Assistant Professor of English
University of Colorado, Boulder

A thesis submitted in partial fulfillment of the requirement for the degree Doctor of Philosophy

My dissertation interrogates mestizaje and nationalism to rethink academic tendencies that construct resistant methodologies and singular national representations of hybrid theories and racial identities. To ground this argument, chapters one and two analyze how nationalism compromises current theoretical and feminist uses of mestizaje. The introductory chapter traces the influence of Latin American cultural theorists such as José Vasconcelos (1925) and Fernando Ortiz (1940) on contemporary U.S. Latino/a cultural critics. I argue that by selectively borrowing theoretical elements from Ortiz and Vasconcelos, U.S. Latino/a scholars unintentionally consolidate divergent Latino/a histories as well as ignore issues of nation building, class differences, and racial tensions to promote a unitary discourse of subversive mestizaje. Likewise, my analysis of Jovita González’s novel Caballero (1930) reveals how González’s feminist tactics counteract Mexico’s patriarchal oppression of women by going against traditional feminist themes esteemed in Chicano/a Studies. For González, nationalist tropes of indigenous curanderismo (spirituality) and magical realism insufficiently respond to the needs of oppressed Mexican American women.

The final two chapters evaluate the ramifications of constructing unitary racial identities of whiteness and blackness. My final investigation uncovers the existence of ethnicities within North American racial categorizations of whiteness and blackness that provide new insights to mestizaje’s disruption of ordered classifications of race in the United States. Chapter three argues that the southeastern European immigrant experience of racial inclusion and exclusion from Anglo Saxon whiteness allowed María Amparo Ruiz de Burton to play off of new conceptions of whiteness in an evolving imaginary of white U.S. mestizaje to write her novels The Squatter and the Don (1885) and Who Would Have Thought It? (1872). Chapter four examines the rise of the New Negro Movement during the Harlem Renaissance as a cultural event that required the erasure of individuals in the black community who did not mirror the collective identity of African Americans. This chapter specifically studies Puerto Rican archivist Arthur A. Schomburg as a figure who broadened the conception of the New Negro to recognize the intellectual participation and contribution of Afro Caribbeans to the Harlem Renaissance.

Read the entire dissertation here.

America’s Changing Color Lines: Immigration, Race/Ethnicity, and Multiracial Identification

Annual Review of Sociology
Volume 30 (August 2004)
pages 221–242
DOI: 10.1146/annurev.soc.30.012703.110519

Jennifer Lee, Associate Professor of Sociology
University of California, Irvine

Frank D. Bean, Chancellor’s Professor of Sociology and Economics; Director of the Center for Research on Immigration, Population, and Public Policy
University of California, Irvine

Over the past four decades, immigration has increased the racial and ethnic diversity in the United States. Once a mainly biracial society with a large white majority and relatively small black minority—and an impenetrable color line dividing these groups—the United States is now a society composed of multiple racial and ethnic groups. Along with increased immigration are rises in the rates of racial/ethnic intermarriage, which in turn have led to a sizeable and growing multiracial population. Currently, 1 in 40 persons identifies himself or herself as multiracial, and this figure could soar to 1 in 5 by the year 2050. Increased racial and ethnic diversity brought about by the new immigration, rising intermarriage, and patterns of multiracial identification may be moving the nation far beyond the traditional and relatively persistent black/white color line. In this chapter, we review the extant theories and recent findings concerning immigration, intermarriage, and multiracial identification, and consider the implications for America’s changing color lines. In particular, we assess whether racial boundaries are fading for all groups or whether America’s newcomers are simply crossing over the color line rather than helping to eradicate it.

Read the entire article here.

Hang Tough, Martina

Frear Ensemble Theatre
Swarthmore College, Swarthmore, Pennsylvania
2004-02-27 through 2004-02-29
Saturday at 20:00, Sunday at 14:00

Composed and Performed By: Audrey Pernell
In Collaboration with: Vernice Miller and Jessica Nakamura
Directed by: Vernice Miller
Music: Ralph Denzer

The Department of Theater presents an honors thesis project by Audrey Pernell, directed by Vernice Miller as Artist-in-Residence. Hang Tough, Martina is a work in progress composed and performed by Audrey Pernell ’04 in collaboration with Vernice Miller and Jessica Nakamura ’03. It is an exploration of light-skinned black/biracial black-white identity using a fusion of European and African performance elements, made most evident through the characterization of a contemporary griot-opera-diva.

Reducing Race: News Themes in the 2008 Primaries

The International Journal of Press/Politics
Volume 15, Number 4 (October 2010)
pages 375-400
DOI: 10.1177/1940161210372962

Catherine R. Squires, Cowles Professor of Journalism, Diversity and Equality
University of Minnesota

Sarah J. Jackson
University of Minnesota

This article presents a content analysis exploring how racial issues were addressed in newspaper and news magazine coverage of the 2008 Democratic primaries. Despite the presence of Latino and biracial candidates, discussion of race was limited by binary racial frames, resulting in the construction of racial groups as competing voting blocs (including frequent references to white voters) and few references to Barack Obama’s biracial heritage. The dominant framing constricted the range of racial issues to matters of interpersonal insensitivity and misguided statements and ignored matters of public policy and racial equity.

Read or purchase the article here.

Diverse Identities in Interracial Relationships: A Multiethnic Interpretation of “Mississippi Masala” and “The Wedding Banquet”

Xchanges
Volume 4, Number 1 (September 2004)

Lan Dong, Assistant Professor of English
University of Illinois, Springfield

In their introduction to the collection Multiculturalism, Postcoloniality, and Transnational Media, Ella Shohat and Robert Stam point out “much of the work on race within the United States has tended to emphasize a discussion of particular ethnicities. There has not been much engagement with the interrelations among such communities, nor with how the multicultural debates cross various national borders” (Shohat and Stam 3). In the past decade, nevertheless, discussions of ethnicity and identity among U.S. critics frequently note the prominent multiethnic and interethnic relations among racial groups [1].

In this paper, I build upon theories of multiethnicity and interethnicity in my examination of heterogeneity, hybridity, and multiplicity within the body we label “Asian diaspora.” In particular, my argument is focused on the realization and construction of the diverse identities of Asian diaspora living in contemporary America in the context of interracial relationships. I choose to analyze Mississippi Masala (1991) directed by Mira Nair and The Wedding Banquet 喜宴(1993) directed by Ang Lee since interracial romance in both films functions as the primary plot. The struggle for love and individuality is intertwined with the protagonists’ complicated identities by way of negotiation between personal, familial, communal, and social concerns. I use this film analysis to suggest the intersection of gender, class, ethnicity, and nationalism in Asian diaspora’s pursuit of their reconstructed, rather than prescribed, identities…

Read the entire article here.

The Election of Barack Obama and the Politics of Interracial and Same-Sex Marriage

History News Network
2009-02-23

Peggy Pascoe, Beekman Professor of Northwest and Pacific History
University of Oregon

Peggy Pascoe is the author of “What Comes Naturally: Miscegenation Law and the Making of Race in America”, (winner of 5 literary prizes).

The election (and now the inauguration) of Barack Obama has inspired a widespread sense of awe at the scope and scale of change in race relations in America—and more than a hint of self-congratulation.

The news media just can’t seem to resist trumpeting the example of interracial marriage. When Barack Obama’s white mother married his black father in 1961, reporters remind us, their marriage would have been illegal in more than a dozen states. See how far we’ve come, they enthuse, falling into the trap of assuming that the legality of interracial marriage is proof that racism and white supremacy have disappeared into thin air and a colorblind utopia is on the way.

As someone who has spent nearly two decades studying the history of interracial marriage in America, I want to suggest that at a moment when talk of change seems to be everywhere, we could use a bit less celebration—and a lot more reflection…

…It does not, however, follow that interracial marriage is synonymous with colorblindness or that the end of racism is at hand. Generations of lawyers had to fight to make interracial marriage a legal right. Many of them thought colorblindness was a wonderful idea, but few were naive enough to believe it actually existed. Today the assertion that America is a colorblind nation is so commonplace that even the most conservative of Supreme Court justices are eager to wrap themselves in its mantle. Yet forty years after the Supreme Court’s decision in Loving v. Virginia, marriages between blacks and whites are still the rarest form of interracial marriage, and interracial couples still face a host of challenges, from stares on the street to confusion on the faces of their children’s teachers and playmates. And in yet another example of racism’s shape-shifting power, America’s prisons, police, schools, and housing markets offer daily evidence of how easy it is for claims of colorblindness to co-exist with, and even enable, new forms of white entitlement…

Read the entire article here.

Fall 2010 Honors Colloquium: RACE

University of Rhode Island
Tuesday evenings, 19:00 ET (Local Time); (23:00Z through November; 00:00Z on Wednesday after November 9).
2010-09-14 through 2010-12-07
Edwards Auditorium, URI Kingston Campus

A series of public programs at the University of Rhode Island presented by the URI Honors Program

Join us! The public is invited to attend this series of free events.

Perceptions about race shape everyday experiences, public policies, opportunities for individual achievement, and relations across racial and ethnic lines. In this colloquium we will explore key issues of race, showing how race still matters.

You will be able to watch the Colloquium live by clicking here or watching below. This link will only work in real time, while the presentation is going on.

Note: the live feed is only active during live events.

Includes noted scholars (Times and dates below are in UTC.  Please read carefully!):

2010-10-05, 23:00Z
Race, Identity, and Medical Genomics in the Obama Age
Duana Fullwiley, Assistant Professor of African and African American studies and of Medical Anthropology
Harvard University

2010-10-12, 23:00Z
The Invisible Weight of Whiteness: The Racial Grammar of Everyday Life in Contemporary America
Eduardo Bonilla-Silva, Professor of Sociology
Duke University

2010-11-31, 00:00Z
How Black Women’s Stories Complicate Race and Gender Politics
Melissa Harris-Lacewell, Associate Professor of Politics and African American Studies
Princeton University

For more information, click here.

IndiVisible: African-Native American Lives in the Americas

Smithsonian Institution
2009
256 pages
6 5/8 x 9 1/2 inches
115 color and black-and-white illustrations
ISBN: 978-1-58834-271-3

Twenty-seven passionate essays explore the complex history and contemporary lives of people with a dual heritage that is a little-known part of American culture. Authors from across the Americas share first-person accounts of struggle, adaptation, and survival and examine such diverse subjects as contemporary art, the Cherokee Freedmen issue, and the evolution of jazz and blues. This richly illustrated book brings to light an epic history that speaks to present-day struggles for racial identity and understanding.

IndiVisible: African-Native American Lives in the Americas accompanies the groundbreaking exhibition of the same title developed by the National Museum of the American Indian (NMAI) in partnership with the National Museum of African American History and Culture (NMAAHC) and the Smithsonian Institution Traveling Exhibition Service (SITES). Through the concepts of policy, community, creative resistance, and lifeways, the exhibition and publication examine the long overlooked history of Native American and African American intersections in the Americas.

The book features a foreword by NMAI Director Kevin Gover and NMAAHC Director Lonnie G. Bunch, III, essays by leading scholars, and approximately 100 object images, documents, and photographs. IndiVisible illuminates a history fraught with colonial oppression, racial antagonism, and the loss of culture and identity. Uncovered within that history, however, are stories of cultural resurgence and the need to know one’s roots. Guided by NMAI historian Gabrielle Tayac, five Native scholars served as curatorial advisors for the exhibition and contributors for the publication: Angela A. Gonzales, Robert K. Collins, Judy Kertész, Penny Gamble-Williams, and Thunder Williams. In addition to the curatorial advisors, esteemed authors Theda Perdue, Tiya Miles, Richard Hill, Sr., Herman J. Viola, and Ron Welburn—among the book’s many expert voices—discuss race relations in the Jim Crow South, creative resistance, the relationship between African Americans and the Haudenosaunee, the famed buffalo soldiers of the American West, and the roots of jazz and blues. Taken together, the book’s essays and images create a portrait of a vital American subculture.

Read the forward here.

African Creeks: Estelvste and the Creek Nation

University of Oklahoma Press
2007
368 pages, 6″ x 9″
Illustrations: 15 color illustrations, 4 maps
Hardcover ISBN: 9780806138152

Gary Zellar, Assistant Professor of History
University of Saskatchewan

A narrative history of the African Creek community

Among the Creeks, they were known as Estelvste—black people—and they had lived among them since the days of the first Spanish entradas. They spoke the same language as the Creeks, ate the same foods, and shared kinship ties. Their only difference was the color of their skin.

This book tells how people of African heritage came to blend their lives with those of their Indian neighbors and essentially became Creek themselves. Taking in the full historical sweep of African Americans among the Creeks, from the sixteenth century through Oklahoma statehood, Gary Zellar unfolds a narrative history of the many contributions these people made to Creek history.

Drawing on a wealth of primary sources, Zellar reveals how African people functioned as warriors, interpreters, preachers, medicine men, and even slave labor, all of which allowed the tribe to withstand the shocks of Anglo-American expansion. He also tells how they provided leaders who helped the Creeks navigate the onslaught of allotment, tribal dissolution, and Oklahoma statehood.

In his compelling narrative, Zellar describes how African Creeks made a place for themselves in a tolerant Creek Nation in which they had access to land, resources, and political leverage—and how post–Civil War “reform” reduced them to the second-class citizenship of other African Americans. It is a stirring account that puts history in a new light as it adds to our understanding of the multi-ethnic nature of Indian societies.

Personal passion fuels Smithsonian exhibit

San Francisco State University News
2010-02-12

Denize Springer

The search for identity is particularly complex for Americans of both African and Native American heritage, according to Assistant Professor of American Indian Studies Robert Keith Collins.

Of Choctaw and African American descent, Collins has turned a personal passion into a career. His research, featured in a major exhibit at the Smithsonian National Museum of the American Indian, focuses on the racially motivated laws and other influences and issues that continue to complicate the lives of mixed-heritage people throughout the Americas.

According to the 2000 U.S. census, hundreds of thousands of Americans claim both African and Native American heritage. The tangled relationship between these groups began when Native Americans were enslaved, took African slaves, rescued them from slavery and married freed or freeborn African slaves. Collins’ research involves scouring historical records of the Americas, particularly the slave narratives compiled by the WPA (Works Project Administration) during the Great Depression, which illuminated the dynamics of slave life within Native American nations…

Read the entire article here.