Mixed Race Studies

From deracialization to racial distinction: interpreting Obama’s successful racial narrative

Social Semiotics
Volume 23, Issue 1 (2013)
pages 119-145
DOI: 10.1080/10350330.2012.707039

Charlton McIlwain, Associate Professor of Media, Culture and Communication
New York University

While many scholars attribute Barack Obama’s success in the 2008 presidential election to his so-called deracialized campaign strategy, I argue that Obama constructed a persuasive message strategy that was fundamentally based on race. I argue that in pursuing what I call a racial distinction strategy, Obama mobilized race differently than previous Black candidates running in White-voter electoral majorities. Specifically, Obama’s racial distinction strategy constructed a seamless racial narrative – deployed through constellations of subtle racial language and imagery – incorporating Obama’s own personal biography within a broader narrative of the nation, specifically a narrative of American progress. The fact that Obama employed a racial distinction strategy, and the fact that he succeeded in doing so, sheds new light on, and leads us to reconsider the veracity of popular political theories such as post-Blackness, post-racialism and deracialization, along with the general ideology of colorblindness.

Barack Obama’s election as the 44th President of the United States was historic, not only because he achieved something no other Black American had accomplished, but because he attained the political heights many believed no Black American could. Few Black American candidates have been elected to federal office, especially when elections require support from White voters (Lublin 1997). Black candidates’ fear of White voters mobilizing racial prejudice against them has historically prevented Black candidates from even attempting to run in campaign contests where Blacks and other minorities do not comprise the majority of voters. However, Obama not only believed he could win, despite the historical racial odds, but also demonstrated that America was indeed ready and willing to elect a Black president.

Many explanations of Obama’s success focus on his ability to sidestep a variety of racial attacks throughout the primary and general election. Carly Fraser, for instance, writes “As a post-black candidate. Obama did not once make reference to the historic fact that he would be the first African American to have a real chance of winning the democratic nomination.” Fraser continues, saying that race was .. repeatedly acknowledged by the media, his [Obama’s] opponents, his surrogates, and eventually by the candidate himself” (Fraser 2009, 17). Similarly, Manning Marable writes, “Obama minimized the issue of race, presenting a race-neutral politics that reached out to White Republicans and independents. Yet despite his..

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Mixed Roots Film & Literary Festival 2012

Multicultural Familia: Educating & Empowering Modern Familes
2012-07-27

Glenn Robinson
 
Two-thousand twelve was another fun and inspirational Mixed Roots festival in Little Tokyo, Los Angeles.
 
Highlights from the movies and readings that I attended:
 
Friday evening was the beautiful and inspirational movie The Loving Story…

…Sunday was an emotional reading by Devin Hughes of his account with racism as an 8 year old. When Hughes took the podium you saw a tall man made of bricks and steel. A couple minutes into his reading you saw him transform into an 8 year old boy. He apologized for crying. This was his first reading from his new memoir, Contrast, that will be out this summer of 2012…

..Steven Riley of Mixed Race Studies, raffled off free books both Satuday and Sunday. He wrote about the books he gave away in his post here…

Read the entire article here.

Rosario Dawson and the Ambiguous Blackness of Latinidad

antenna
2012-08-05

Keara Goin

As has become abundantly clear to me over the course of my research, in the context of contemporary popular U.S. racial discourse, one is either Latina/o or Black, not both. Moreover, we see this phenomenon replicated in U.S. cinema, where characters played by Afro-Latina/o actors are racialized as Hispanic or African American and, usually, nothing in between. Actors like Christina Milian (who is of Afro-Cuban descent) and Zoë Saldana (who is of Dominican heritage) have dark enough skin that casting them as African American seems appropriate, if not the only option. While Michelle Rodriguez (who is of mixed Latino and Dominican descent), who can better embody a generic Latina look (Clara Rodriguez 1997), can easily play a Chicana from Los Angeles primarily based on her lighter (read: whiter) skin tone. Relying on dominant conceptions of racialization to construct a racial understanding of racially mixed and ambiguous actors, casting agents are often motivated by racialized casting practices (Kristen Warner 2010)…

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Who Gets To Decide Who Is Native American?

Tell Me More
National Public Radio
2012-08-09

Michel Martin, Host

Rob Capriccioso, Washington Bureau Chief
Indian Country Today Media Network

Tiya Miles, Professor of American Culture, Afroamerican and African Studies, and Native American Studies
University of Michigan

A controversy about identity has erupted in the race for U.S. Senate in Massachusetts. News outlets revealed Democrat Elizabeth Warren claimed Cherokee ancestry during her academic career, and critics say Warren isn’t providing enough documentation to prove her identity. Host Michel Martin discusses just who is Native American.

Listen to the story here. Download the story here. Read the transcript here.

Census to Change Categories on Race

The Associated Press
2012-08-09

The Census Bureau wants to make broad changes to its surveys to keep pace with changing notions of race. The changes would drop use of the term “Negro,” leaving a choice of “black” or “African-American.” It would count Hispanics as separate from blacks and whites. It would also add write-in categories that would allow Middle Easterners and Arabs to specifically identify themselves. The census director, Robert M. Groves, says research during the 2010 census found that making these changes increased response rates and improved accuracy. The government currently defines Latino as an ethnicity. Census forms now instruct people to indicate if they have Hispanic origin and then check a race box such as “white” or “black.”

Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, AD 1933-1940

Random House
1999 (Originally Published: 1931)
208 pages
Paperback ISBN: 978-0-375-75380-0

George S. Schuyler (1895-1977)

Introduction by Ishmael Reed

What would happen to the race problem in America if black people turned white? Would everybody be happy? These questions and more are answered hilariously in Black No More, George S. Schuyler’s satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can’t beat them, turn into them.

Ishmael Reed, one of today’s top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction.

The fertile artistic period now known as the Harlem Renaissance (1920-1930) gave birth to many of the world-renowned masters of black literature and is the model for today’s renaissance of black writers.

Black German Cultural Society of New Jersey 2012 Annual Convention

What is the Black German Experience? History, Performance Popular & Visual Cultures
Barnard College, Columbia University
New York, New York
2012-08-10 through 2012-08-11

Building on the success of the inaugural 2011 conference, the second annual convention of the Black German Cultural Society of New Jersey (BGCSNJ) will be held at Barnard College in New York City on August 10-11, 2012.  This year’s convention will focus on the theme of “What Is the Black German Experience?”

The conference will feature a keynote address, “‘Operation Helping Hands’, African Americans and the Albert-Schweitzer Children’s Home for Mixed-Race Children,” by Yara Colette Lemke Muniz de Faria, screenings of the films “Hope in My Heart: The May Ayim Story” and “Audre Lorde—The Berlin Years 1984-1992,” and readings by Black German poet-performers Olumide Popoola and Philipp Kabo Köpsell.

Features

• Teaching the Black German Experience.
• Historical and Popular Cultures of Blacks in Germany.
• Visualizing German Blackness.
• Witnessing Our Histories—Reclaiming the Black German Experience.
• Telling Our Stories—Black German Life Writing.

For more information, click here.

The Afro-Latin@ Reader: History and Culture in the United States (review)

Callaloo
Volume 35, Number 2, Spring 2012
pages 548-551
DOI: 10.1353/cal.2012.0030

Daynali Flores-Rodriguez, Adjunct Professor of Spanish
Inter-American University of Puerto Rico

Jiménez Román, Miriam, and Juan Flores, eds. The Afro-Latin@ Reader: History and Culture in the United States. Durham: Duke UP, 2010.

Published a year before the United Nations declared 2011 the International Year for People of African Descent, The Afro-Latin@ Reader: History and Culture in the United States, takes a deeper look into the complex world of ethnic and race relations in America. Miriam Jiménez Román, the executive director of Afro-Latino Forum, a research and resource center for Black Latinos in the US, and Juan Flores, Director of Latino Studies at NYU, engage Afro-Latin@s as a population that “bridge various communities even as they constitute a community in their own right” (xiii). Similar to Henry Louis Gates’s Black in Latin America (2011) a four-part documentary series shown earlier this year on PBS that explores the influence of African descent in Latin America, The Afro-Latin@ Reader focuses “on the strategically important but still largely understudied United States context of Afro-Latin@ experience” (3). Both are proof of an emerging interest in transnational relations of race as a way to challenge the homogenizing effects of national and regional constructs of identity.

The complex history of ethnic and racial movements in the United States is traditionally framed within a socially-progressive agenda intended to reveal and denounce hidden histories of racialization, colonization, exploitation and social mobilization still experienced by many. In their zeal to be acknowledged and recognized as equals in mainstream society, ethnic and racial groups often articulate identity in terms that foster the same practices of cultural disenfranchisement these groups were denouncing in the first place.

Likewise, in Latin America, the myth of racial democracy based on “mestizaje” or mixed race, is still touted as one of the most defining traits of a pan-ethnic cultural identity. Since slavery was a systematic practice brought upon Latin America by European colonizers and later adopted and asserted by the United States (considered the ideological and practical heir of Europe), racial discrimination and prejudice is considered a foreign problem that attests to the immorality of imperialist and colonial practices and a strategic attempt to distract and divide Latin Americans from their common goal to resist these advances. Indigenous and black identities are accepted (in that order) as long as they do not compromise the traditional discourse of racial harmony that makes Latin Americans stand strong against the neocolonial threat, represented by the United States.

The editors of The Afro-Latin@ Reader: History and Culture in the United States make a compelling effort to reveal the subtle and complex negotiations of social identity that take place when these two paradigms clash. While oral narratives and testimonies are a common point of departure for historians and social scientists alike, the material included in the collection demonstrates an innovative approach that encourages readers to keep reflecting on the contributions made by Afro-Latin@s, far beyond the strict academic setting that so strongly divides experience from theory. Voices of the past acquire a new meaning for our own times. Arturo Alfonso Schomburg’s plea for the establishment of a Chair of Negro History in 1913 demonstrates his relevance as a pioneer for Black Studies and resonates stronger nowadays, where ethnic studies (specifically Latin@ and Chican@ studies) are threatened amidst accusations of reverse racism and/or the false premises of a post-racial America heightened by Barack Obama’s election in 2008. The essays by Jesse Hoffnung-Garskof and Evelyne Laurent-Perrault not only describe the world of tense racial coalitions and segregation Schomburg inhabited but how his legacy is kept alive and still facilitates the conversation about what it means to be an Afro-Latin@.

The strength of this collection is the diverse array of materials suitable for those reflecting comparatively on issues of race, ethnicity, and identity, whether for the first time or for the hundredth. The Afro-Latin@ Reader uses academic essays, memoirs, poetry, literature, interviews, Census statistics, short stories, music, film, and popular culture to establish a much needed conversation on the social othering of Latin@s…

Lift Up Thy Voice: The Grimke Family’s Journey from Slaveholders to Civil Rights Leaders

Penguin Press
December 2002
432 pages
Paperback ISBN 9780142001035

Mark Perry

A story of race consciousness and the fight for equality told through the lives of one extraordinary American family

In the late 1820s Sarah and Angelina Grimké traded their elite position as daughters of a prominent white slaveholding family in Charleston, South Carolina, for a life dedicated to abolitionism and advocacy of women’s rights in the North. After the Civil War, discovering that their late brother had had children with one of his slaves, the Grimké sisters helped to educate their nephews and gave them the means to start a new life in postbellum America. The nephews, Archibald and Francis, went on to become well-known African American activists in the burgeoning civil rights movement and the founding of the NAACP. Spanning 150 eventful years, this is an inspiring tale of a remarkable family that transformed itself and America.

Indigenous Nationalities and the Mestizo Dilemma

Indian Country Today Media Network
2012-07-24

Duane Champagne, Professor of Sociology
University of California, Los Angeles

Mestizo. Métis. Mixed bloods. Though clearly different, all these terms are used to racially classify people with Indian ancestry. However, the definitions vary—and none is wholly satisfactory.
 
Part of the problem is the widely varying histories of these people. The U.S. and Canada, for example, are settler states, where immigrants who took the land went on to form the majority. There, Indian and mixed-blood populations are a distinct minority.
 
However, many other countries like Mexico, El Salvador, Peru and Ecuador have majority mixed-blood and indigenous populations, or mixed-blood leadership over indigenous majorities. Here, indigenous and mixed-blood identities and political relations come into sharper focus.
 
Officially, racial classifications were officially discouraged in so-called Latin America after Spain lost control over most of its colonies there in the early 1800s. Just the same, many governments, like Mexico’s, promoted a mestizo national identity based on a mix of European and indigenous heritages. In the United States and Canada, we call this process assimilation.
 
In Mexico, by contrast, it is called mestizaje. Mestizaje policies ask Indigenous Peoples to join the national community and economy, adopt the Spanish language, and abandon their traditional tribal communities, culture, language and dress.

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