Mixed Race Studies

CNN’s Who’s Black in America: Some Thoughts

Is That Your Child? Thought in Full Color
2012-12-12

Michelle Clark-McCrary

So here’s an audio journal with my reflections on last Sunday night’s CNN Who’s Black in America special. Ultimately, my view of this special and the entire series as a whole is that conversations about race cannot happen without first directly addressing, defining, and recognizing whiteness. If whiteness/white supremacy are not central to your examination of racial identity and racial identity formation, then the conversation will inevitably lay the issues and outcomes of racial inequality at the feet of nonwhite people. I think this is what happened on Sunday night and I think that’s what happened with the series as a whole. The space of commercial cable news in many ways is no friend to nuance or complexity and that the commercial motivations of these outlets somehow impact their willingness to “say white.”…

Listen to the audio journal here.

Coming Clean About Blackness, Mixed Race Identity and the Multiracial Movement

Is That Your Child? Thought in Full Color
2012-12-10

Michelle Clark-McCrary

Before I go into my reflections on CNN’s “Who’s Black in America” series, I have to come clean about the evolution of my personal perspective on blackness, mixed race identity and the “multiracial movement.” Over that last three years, I’ve been trying to develop a deeper, more nuanced understanding of race-particularly as it relates to how my marriage, motherhood, and my daughter fit within the historical continuum of our racialized society. Part of my process has to do with balancing my emotional, gut responses to race/racism with my contemplative, critical responses to race/racism. To be clear, there is room for both responses to simultaneously coexist. I’m a firm believer in trusting one’s instinctual, emotional responses, while at the same time interrogating and rounding out those responses with more rational, contemplative thought…

…As my critical contemplative response tempered my emotional one, I saw that the antiblack bias at the core of many multiracial organizations had shaped the larger discourse of mixedness and multiracial identity. While many mixed individuals and organizations are engaged and invested in social justice, discussions about mixed identity the realm of popular culture and mass media tend to frame the presence of black ancestry as a hindrance. While I believe that there is a definite mixed experience, I think that care must be taken not to cleave that experience from the broader historical continuum of how race has been constructed and reconstructed in America and that any analysis of race/identity must begin with defining whiteness and how the construction of whiteness has directly impacted the construction of all other identities in this country. As parents of black/white mixed kids and black/nonwhite mixed kids, we have to address the ways in which we’ve all internalized messages of antiblack bias and how that affects both the identity choices we make for our children and the ones we want them to make for themselves. For those outside the realm of the black/white/black/nonwhite mix, it’s still important to consider how antiblack bias relates to your child’s particular identity construction and how the historical black/white mixed binary informs how all mixed/multiracial identities are understood in our society…

Read the entire article here.

Shame on CNN: A commentary by Susan Graham

Project RACE
2012-12-10

Susan Graham, Executive Director

CNN aired a show hosted by Soledad O’Brien Sunday called “Who is Black in America?” I have been disgusted with the public misunderstanding of multiracial people on so called news shows in the past, but this one wins the prize for the absolute worst.

First, let’s not forget that Soledad O’Brien is an entertainer and not an authority on the news. Her game is simple: ratings. She does not believe that people get to choose their own identities. But neither she nor anyone else should ever question someone’s racial self-identification.

O’Brien’s mother is black and her father is white; her mother told her not to let anyone tell her she’s not black. So she self identifies as only black, denying half of her identity. She has that right and that opportunity. I feel that everyone should clearly have the right and opportunity to choose to be multiracial, too. But she has clearly brought her identity into her job this time…

…This CNN special tells the story of several multiracial people who identify only as black, and are coerced into identifying as black to be on the national news. Some “experts” are thrown in who simply are getting free publicity for their books or are holding on to their academic jobs by writing and talking about the advantages of self-identifying as black if you happen to be unfortunate enough to have been born to parents of different races…

…This show is, in my opinion, the most misguided show in the CNN “race” series to date. It’s a propaganda piece for every multiracial person to identify only as black; they should not even have a choice. Ms. O’Brien even tries to completely nullify multiracial advocacy by stating that you may only choose one race on the US Census. That statement has been absolutely untrue since the 2000 US Census…

…There are plenty of people who will publicly—on the Internet anyway—applaud Ms. O’Brien for whatever reason and it will give them a chance to spout more hate against the multiracial movement, Project RACE, and me. I’m used to it after 23 years of fighting for the rights of multiracial people who wish to embrace their entire heritage. What is more recent is the new hatred against white people who are being blamed for what happened so many years ago and who fostered the civil rights movement…

Read the entire article here.

Black (Or Not) Like Me: Thoughts on CNN’s Black in America 5

The Huffington Post
2012-12-10

Smokey Fontaine, Chief Content Officer
Interactive One

I know who my colleagues think I am. I’m pretty sure they’ve accepted me as the lightest Black dude in the office. My job demands that I constantly engage co-workers around racial issues, so I have opportunities to represent my Black experience all the time which I’m sure gains me some points.

But it’s different in the street. My what-is-he? scorecard for strangers who pass me by in New York City is as follows:

• 60 percent think I’m Latino
• 25 percent think I’m Black or interracial
• 15 percent think I’m White

Pretty good percentages for me because I’m only comfortable when my see-me-as-a-person-of-color index is above half. That was my problem in Baltimore. Living there for a few years to teach sixth grade at Booker T. Washington Middle School made me vulnerable to mis-identification in a southern environment without a significant Latino population. My white quotient jumped to above 50…

…CNN’s latest installment of their top-rated Black In America series handles these complex issues of identity, asking young African-Americans of various shades and backgrounds to discuss their experience. First, I’m surprised that it took them so long to address this topic (especially given series hostess Soledad O’Brien’s interracial heritage), but I was most struck by how the young people’s experiences were so similar to mine and those of my (not all-Black) friends 20 years ago. It was like I was watching a video of a college I-Pride meeting from 1995.

That’s not necessarily a bad thing. Every generation’s naivete drives their passion to figure out the world and clearly the show’s goal is to raise more questions than it answers. But as cultural critic Stuart Hall liked to say, “cultural identity is one of becoming as well as being. Like everything which is historical… [identities] undergo constant transformation” and I didn’t feel that in the show.

There is a cultural upheaval going on in our country that is expanding ideas about Blackness. Latino, Asian and even white identity are also being affected (don’t get it twisted: the identity of caucausian culture is as dependent on people of color as the other way around). But this shift was not loudly represented by all the great young folks in Black In America talking about how they see and socialize themselves…

…What I’ve learned is that when there is a gap between how someone feels about themselves and how they’re perceived by others, you get conflict. Even within my own interracial family, there are darker-skinned folks who take on their Italian maiden name as an homage to the white mother that raised them (and a dis to the Black father who didn’t), and lighter-skinned folks who refuse to ever straighten their hair to avoid any more obvious connections to a European heritage…

Read the entire article here.

Psychology Study: Is This You? Please Join Us!

University of Maryland, College Park
Psychology Department
Post Date: 2012-12-11

If you have 1 self-identified Black parent and 1 self-identified White parent, and are over the age of 18, we invite you to volunteer to be a part of our research.

• Earn SONA Course Credit or $10 in exchange for an hour of your time.
• Your personal experience can help increase research on an understudied population.
• You will be asked to reflect on personal experiences while blood pressure and heart rate measures are taken

For more information or to sign up to volunteer, please contact the following e-mail address: MFresearchstudy@gmail.com.

Same-Sex Issue Pushes Justices Into Overdrive

The New York Times
2012-12-09

Adam Liptak, Supreme Court Correspondent

In the civil rights era, the Supreme Court waited decades to weigh in on interracial marriage. On Friday, by contrast, the court did not hesitate to jump into the middle of one of the most important social controversies of the day, agreeing to hear two cases on same-sex marriage.

By taking both, the court gave itself the chance to issue a sweeping ruling that would cast aside bans on same-sex marriage nationwide. But the speed with which the court moved also raised the possibility of a split decision, one that would provide federal benefits to same-sex couples married in states that allow such unions but would permit other states to forbid gay and lesbian couples from marrying…

…In private correspondence in 1957, Justice Felix Frankfurter said the court was doing all it could to avoid hearing cases that would require giving the nation an answer about whether bans on interracial marriage — anti-miscegenation laws, in the parlance of the day — were constitutional.

“We twice shunted it away,” Justice Frankfurter wrote to Judge Learned Hand, “and I pray we will be able to do it again without being too brazenly evasive.”

Judge Hand responded that “I don’t see how you lads can duck it.”

But Justice Frankfurter was unpersuaded.

“I shall work, within the limits of judicial decency,” he wrote, “to put off decision on miscegenation as long as I can.”

The Supreme Court did not strike down laws banning interracial marriage until 1967, in Loving v. Virginia, when 16 states still had them on the books. That was almost two decades after the California Supreme Court in 1948 struck down a law making illegal “all marriages of white persons with Negroes” in Perez v. Sharp.

It has been just four years since the California Supreme Court, citing Perez, struck down two state laws limiting marriage to a man and a woman…

Read the entire article here.

Soledad O’Brien and three of the interview subjects from her docu discuss the fifth installment of CNN’s Black in America series

Starting Point with Soledad O’Brien
Cable News Network (CNN)
2012-12-10

Soledad O’Brien, Host

The fifth installment of CNN’s Black in America Series focused on the question, “Who is black in America?” That single, seemingly simple question unravels the complicated, densely packed issue of racial identity in this country. To continue this important conversation, three of the interview subjects from the documentary: Fmr. Editor, Essence Magazine Michaela Angela Davis, “(1)ne Drop Project” Artistic Director and a consulting producer for the documentary Yaba Blay and poet and mentor Perry “Vision” DiVirgilio join “Starting Point” this morning…

O’BRIEN: Joining us to continue this conversation three of the subjects in the documentary, Mikaela Angela Davis is the former editor of “Essence” magazine, Perry “Vision” Divirgilio, a poet and teacher, and Professor Yaba Blay is the artistic director of the One Drop Project and she was a consulting producer on our documentary.

It’s nice to have you all with us. So why do you think this touches such a nerve? I mean, all you do is sit for a minute on my Twitter feed timeline, and realize like people were angry, freaked out, emotional about this. Why?

YABA BLAY, CONSULTING PRODUCER, “BLACK IN AMERICA”: It touches on our lived experience. I think, you know, I don’t know that I’m biased, but I think of all of the black in America iterations, that this is one that everyone can relate to, whether it’s them personally, as a mother, father, grandmother.

All of the feedback I was getting online, always included a personal testimony, how this reminds me of my grandmother, this reminds me of this, I have a story, and I think it’s one of those things that people tap into on a personal level, and it’s — there is an emotion there.

O’BRIEN: The documentary focused on two young poets in your class. You mentor both of them. How unusual were their story? They grapple with racial identity. You picked two people who were the dysfunctional ones. Is that — is that the case or do you think their quest typical?

PERRY “VISION” DIVIRGILIO, POET AND MENTOR: I don’t think it’s dysfunctional. I think what they are doing is very normal for teenagers just brave enough to throw it out there, let the world know this is who I am, how I feel. You heard these lot during workshops. You know, folks look at that’s a young black man or young black woman, were checking other, were not wanting to identify with race at all. I’m a man, woman, I’m human.

O’BRIEN: Many people actually also, I mean, on Twitter, who knows who many is. Listen, kumbaya real progress would be when we don’t have to talk about race it all. We’re just Americans.

MICHAELA ANGELA DAVIS, FORMER EDITOR, “ESSENCE MAGAZINE”: Acting like it doesn’t exist doesn’t heal and this incredibly emotional response as Yaba said. America as a family this is our taboo issue. This brings up so much — triggers a lot of black girl pain.

It triggers a lot of secrets and bias. It triggers emotional things in life. Any family — when we go into our history and say this horrible thing created this characteristics, people don’t like to look at it. This is the road to healing. The only way we’ll feel hole, we talk about where we’re fractured.

O’BRIEN: So John Berman is our token white man on the panel this morning, John Berman, in all seriousness.

BERMAN: I am white, all seriousness.

O’BRIEN: This conversation, was it one that you were ever aware of?

BERMAN: I was just thinking what makes this so interesting, the minute you put a question mark on it, you know, who is black in America or what is black in America, it makes everyone ask a question of themselves…

Read the entire article and watch the video clip here. Read the transcript here.

“Starting Point with Soledad O’Brien” with Dr. Yaba Blay

Starting Point with Soledad O’Brien
Cable News Network (CNN)
Monday, 2012-12-10, 12:00-14:00Z (07:00-09:00 EST)

Soledad O’Brien, Host

Dr. Yaba Blay Professor, Scholar and Co-Producer of “Black in America 5” will appear.

Left of Black S2:E33 | Race, Writing and the Attack on Black Studies with Adam Mansbach and La TaSha Levy on Season Finale of Left of Black

Left of Black
John Hope Franklin Center
Duke University
2012-11-19

Mark Anthony Neal, Host and Professor of African & African American Studies
Duke University

Host and Duke University Professor Mark Anthony Neal is joined via Skype by writer Adam Mansbach, the author of several books including Angry Black White Boy (2005), The End of the Jews  (2008) and the New York Times Bestseller Go the Fuck to Sleep.  Mansbach discusses the inspiration for Macon Detornay—the protagonist of Angry Black White Boy—the surprise success of his “adult children’s book” and his new graphic novel Nature of the Beast.  Finally Neal and Mansbach discuss race in the Obama era and the legacy of the Beastie Boys…

Hapa: One Step at a Time [KQED Upcoming Broadcasts]

KQED: Public Media for Northern California
KQED World (Comcast 190, Digital 9.3)
2013-01-21, 07:30 and 13:30 PST (Local Time)

Race remains a powerful symbol in the US; it still is a shorthand notation for most Americans. This program speaks to how individuals of Asian and Pacific Islander descent are embracing their ethnic experiences as a symbol of change in an ever-evolving multicultural society. It is a thought-provoking exploration of what it means to be a mixed-race American today. The program is a first-person treatment of the struggles people of diverse cultural backgrounds and perspectives face. “Hapa” comes from the Hawaiian phrase hapa haole, which means half white/foreigner. Once considered a derogatory term, Hapa has come to be accepted as a way to describe a person of partial Asian ancestry. By Japanese American Midori Sperandeo, who provides a personal narrative about her evolution from a novice runner into a national class marathoner andshares the parallel path of her personal growth in searching for her racial identity.

For more information, click here.