Mixed Race Studies

“Little White Lie”: Black And Jewish Filmmaker Documents Growing Up Believing She Was White

Madame Noire
2014-08-04

Veronica Wells

Most of us know from a very early age that we’re Black. It happens so early that many of us can’t remember a specific conversation or moment where we learned this truth. But that wasn’t the case for 37-year-old Lacey Schwartz.

Schwartz, a Harvard Law School graduate turned filmmaker, didn’t learn she was black until she was 18 years old. While many of us would look at Schwartz, with her light brown skin and dark, curly hair and suspect immediately that she has at least some Black ancestry, she was told by her Jewish family that she was White and had inherited her dark skin from her Sicilian grandfather.

Her story is so fascinating, so remarkable, that she decided to make it the subject for her documentary Little White Lie which premiered at the San Francisco Jewish Film Festival this past weekend. It will eventually make its way to PBS next year.

The documentary, narrated, obviously, by Schwartz herself, details her at a funeral, discussions with her girlfriends and therapy sessions where she asks over and over again how she was able to “pass for white.”

In the film, Schwartz offers a bit of an explanation: “I come from a long line of New York Jews. My family knew who they were, and they defined who I was.”

Read the entire review here.

Checking new boxes

Gender News
The Clayman Institute for Gender Research
Stanford University
2014-07-23

Ashley Farmer, Postdoctoral Fellow
Michelle R. Clayman Institute for Gender Research

Political Scientist Lauren Davenport reveals the importance of gender in understanding multiracialism

Since 2000, the year the U.S. census first allowed respondents to identify as multiracial or multiethnic, the number of Americans who identify with multiple races has increased dramatically. Given that respondents are now allowed to check multiple boxes on the census, that’s not surprising. However, what is surprising is that gender appears to be the biggest predictor of mixed-race identification.

So says Professor Lauren Davenport, assistant professor of Political Science at Stanford. In her new book project, Politics Between Black and White, which examines how social and political processes shape the outlook of multiracial Americans, she finds that women identify as multiracial at higher rates than men. Professor Davenport also finds that gender-specific factors like physical appearance and feminist politics can influence mixed-race identification…

Read the entire article here.

Reading Race in Nella Larsen’s Passing and the Rhinelander Case

African American Review
Voluume 46, Numbers 2-3, Summer/Fall 2013
pages 345-361
DOI: 10.1353/afa.2013.0076

Rebecca Nisetich, Assistant Director, Honors Program
University of Southern Maine

Toward the end of Nella Larsen’s Passing (1929), the protagonist Irene Redfield imagines how her friend Clare Kendry’s racist husband might react if he discovers his wife’s “true” racial identity: “What if Bellew should divorce Clare? Could he? There was the Rhinelander case.” This essay argues that what seems like a casual reference to a contemporary event actually underscores a central theme of the novel: the Rhinelander case and Passing both illustrate the problematic ways Americans sought to categorize mixed-race individuals in the 1920s, but while the Rhinelander verdict denies the existence of a middle ground between racial absolutes, the novel affirms it. Larsen directly references the Rhinelander case only once, but its themes echo throughout the text of Passing, which challenges the visibility of race and the conception of racial identity as intimately connected to one’s essential self. Irene’s reference calls to mind a very public trial that forced Americans to question their understanding of racial difference. In Passing, Larsen explores the conceptions of race as a real physical fact and as an imagined social construct, and challenges the logic of “common knowledge” and visibility in assigning racial identity to individuals.

Read the entire article here.

Multi-Racial In Wisconsin…And The “What Are You?” Question

Wisconsin Public Radio
Central Time
2014-06-02

Rob Ferrett, Host

Jennifer Patrice Sims
Department of Sociology
University of Wisconsin, Madison

A sociology researcher looks at multi-racial identity in Wisconsin–and how people deal with the questions “what are you?” and “where are you from?”

Listen to the interview here. Download the interview here (00:10:45).

Obama has 44 cousins in the Senate. Now can’t we all just get along?

The Guardian
204-08-07

A J Jacobs

Forget the president’s Tea Party cousin or Washington animosity. My research shows that we’re all part of one big family. A dysfunctional one, but still – come on, cousins!

It’s been a tough week for the Obama family.

On Tuesday night, Barack Obama’s second cousin – a radiologist named Milton Wolf – lost the closer-than-expected Republican primary for US Senate in Kansas. Wolf and Obama share a relatively recent ancestor, a 19th century farm laborer named Thomas McCurry. Barack leaned left, Milton leaned right – he was a Tea Party candidate who believed his second cousin was “destroying America”. But still, they are, officially, kin.

So now Barack Obama is deprived of having a cousin in the US Senate.

Or is he?…

Read the entire article here.

A surprising number of people change their race and ethnicity from one Census to the next

The Washington Post
2014-08-06

Emily Badger, Reporter

On Census forms, the option to check a box for racial or ethnic identity presupposes that there’s an unambiguous answer: white, black, American Indian, Hispanic, etc. But identity is a fluid thing. And, it turns out, about eight percent of us change our answers to the Census questions pictured at right from one decade to the next.

Researchers at the Census Bureau and the University of Minnesota have calculated this with the most comprehensive survey yet of our shifting sense of race and ethnicity, in a new working paper based on the matched responses of 162 million Americans captured in the 2000 and 2010 censuses (a preview of their findings circulated earlier this spring is here; here is the full paper)…

Read the entire article here.

America’s Churning Races: Race and Ethnic Response Changes between Census 2000 and the 2010 Census

CARRA Working Paper Series
Working Paper #2014-09
Center for Administrative Records Research and Applications
United States Census Bureau
Washington, D.C.
2014-08-04
56 pages

Carolyn A. Liebler
University of Minnesota

Sonya Rastogi
U. S. Census Bureau

Leticia E. Fernandez
U. S. Census Bureau

James M. Noon
U. S. Census Bureau

Sharon R. Ennis
U. S. Census Bureau

Race and ethnicity responses can change over time and across contexts – a component of population change not usually taken into account. To what extent do race and/or Hispanic origin responses change? Is change more common to/from some race/ethnic groups than others? Does the propensity to change responses vary by characteristics of the individual? To what extent do these changes affect researchers? We use internal Census Bureau data from the 2000 and 2010 censuses in which individuals’ responses have been linked across years. Approximately 9.8 million people (about 6 percent) in our large, non-representative linked data have a different race and/or Hispanic origin response in 2010 than they did in 2000. Several groups experienced considerable fluidity in racial identification: American Indians and Alaska Natives, Native Hawaiians and Other Pacific Islanders, and multiple-race response groups, as well as Hispanics when reporting a race. In contrast, race and ethnic responses for single-race non-Hispanic whites, blacks, and Asians were relatively consistent over the decade, as were ethnicity responses by Hispanics. People who change their race and/or Hispanic origin response(s) are doing so in a wide variety of ways, as anticipated by previous research. For example, people’s responses change from multiple races to a single race, from a single race to multiple races, from one single race to another, and some people add or drop a Hispanic response. The inflow of people to each race/Hispanic group is in many cases similar in size to the outflow from the same group, such that cross-sectional data would show a small net change. We find response changes across ages, sexes, regions, and response modes, with variation across groups. Researchers should consider the implications of changing race and Hispanic origin responses when conducting analyses and interpreting results.

Read the entire paper here.

“Where a Man is a Man”?: Ancestral Possibilities in Charles Chesnutt’s Paul Marchand, F.M.C.

African American Review
Volume 46, Numbers 2-3, Summer/Fall 2013
pages 397-411
DOI: 10.1353/afa.2013.0048

Susan M. Marren, Associate Professor
University of Arkansas

This essay reads Charles Chesnutt’s Paul Marchand, F.M.C. not as a historical romance (as Chesnutt’s contemporaneous publishers deemed it) but rather as a peculiarly modernist passing novel. It argues that the novel’s hybrid possibilities stage a confrontation between an eighteenth-century standard of impartial “right reason” and the racially pluralistic world of nineteenth-century New Orleans.

The Octoroon

Broadview Press
2014-05-16 (orignially published in 1859)
136 pages
Paperback / PDF / ePub
ISBN: 9781554812110 / 1554812119

Dion Boucicault

Edited by:

Sarika Bose, Lecturer of English
University of British Columbia

Joseph Black, Professor of English
University of Massachusetts, Amherst

et al.

Regarded by Bernard Shaw as a master of the theatre, Dion Boucicault was arguably the most important figure in drama in North America and in Britain during the second half of the nineteenth century. He was largely forgotten during the twentieth century—though he continued to influence popular culture (the iconic image of a woman tied to railway tracks as a train rushes towards her, for example, originates in a Boucicault melodrama). In the twenty-first century the gripping nature of his plays is being discovered afresh; when The Octoroon was produced as a BBC Radio play in 2012, director and playwright Mark Ravenhill described Boucicault’s dramas as “the precursors to Hollywood cinema.”

In The Octoroon—the most controversial play of his career—Boucicault addresses the sensitive topic of race and slavery. George Peyton inherits a plantation, and falls in love with an octoroon—a person one-eighth African American, and thus, in 1859 Louisiana, legally a slave. The Octoroon opened in 1859 in New York City, just two years prior to the American Civil War, and created a sensation—as it did in its subsequent British production.

This new edition includes a wide range of background contextual materials, an informative introduction, and extensive annotation.

Table of Contents

• Acknowledgements
• Introduction
• A Note on the Text
• The Octoroon; or, Life in Louisiana
• Appendix A: American Reviews
  • 1. “‘The Octoroon.’ A Disgrace to the North, a Libel on the South,” Spirit of the Times; A Chronicle of the Turf, Agriculture, Field Sports, Literature and the Stage (17 December 1859)
  • 2. From “The Octoroon,” The Charleston Courier, Tri-Weekly (22 December 1859)
  • 3. From “Winter Garden–First Night of ‘The Octoroon,'” The New York Herald (7 December 1859)
• Appendix B: English Reviews
  • 1. “Saving the Octoroon,” Punch (21 December 1861)
  • 2. From “Theatres and Music,” John Bull (Saturday, 23 November 1861)
  • 3. From “Adelphi” (Review of The Octoroon), The Athenaeum (23 November 1861)
  • 4. “Pan at the Play,” Fun (Saturday, 30 November 1861)
  • 5. “Adelphi Theatre” (Review of Revised Play), The Times [London] (12 December 1861)
• Appendix C: Letters to Editors Concerning the Lawsuit
  • 1. “The Octoroon Conflict: Financial and Political View of the Case–Letter from Mrs. Agnes Robertson Boucicault,” The New York Herald (Friday, 16 December 1859)
• Appendix D: A Selection of Letters from Boucicault Defending the Content of The Octoroon
  • 1. “Letter from the Author of the ‘Octoroon,'” The New York Herald (7 December 1859)
  • 2. “The Octoroon Gone Home,” New York Times (9 February 1860)
  • 3. “‘The Octoroon’: To the Editor of the Times,” The Times [London] (Wednesday, 20 November 1861)
• Appendix E: Boucicault on Acting
  • 1. From Dion Boucicault, “The Art of Acting” (1882)
• Appendix F: Alternative Endings
  • 1. The Illustrated London News (14 December 1882)
  • 2. “Music and the Drama,” Bell’s Life in London and Sporting Chronicle (Sunday, 15 December 1861)
  • 3. From The Octoroon: Founded on Dion Boucicault’s Celebrated and Original Melodrama (1897)
  • 4. From Dion Boucicault, The Octoroon, Lacy’s Acting Edition, No. 963 (c. 1861)
  • 5. From Dion Boucicault, The Octoroon: A Drama in Three Acts (26 October 1861)
• Appendix G: On Slavery
  • 1. From Dion Boucicault, unpublished note, Theatre Museum, London (1861)
  • 2. From Fredrika Bremer, “Fredrika Bremer Sees the New Orleans Slave Market” (1853)
  • 3. From Civil Code of the State of Louisiana
• Appendix H: Illustrations
  • 1. From The Illustrated London News (30 November 1861)
  • 2. Cover, Reynolds Miscellany (4 January 1862)
  • 3. Cover, The Octoroon (Dick’s Standard Plays)
• Permissions Acknowledgments

Your words don’t change who I am

The Race Card Project (by Michele Norris)
2014-08-05

Blake Coffey
Van Nuys, California

In a world where being mixed is supposed to be looked at as beautiful, it’s not as easy when you are. People automatically assume that all mixed people are supposed to look mixed just like they assume all Mexicans are brown. I’m born to a mixed black/white father who looks full black and society deems him so, and a white mother. I’ve looked for people that are the same thing or mixed but not looked at as mixed but I’ve always felt left out. I don’t look at people as a certain race but they sure look at me like I am. I’m judged and denied of who I am because genetics determined that I wouldn’t come out looking mixed. Although I’ve faced racism from every race.

Today is the day when I fully accept myself for who I am. I’m not denying myself or anyone else of who I truly am…

Read the entire essay here.