Mixed Race Studies

Racial Formation in the New Millennium

Routledge
 2008-03-01
256 pages
Trim Size: 6 x 9
Hardback ISBN: 978-0-415-95025-1

Michael Omi, Associate Professor of Ethnic Studies
University of California, Berkeley

Howard Winant, Professor of Sociology
University of California, Santa Barbara

First published in 1986, and then again in 1994, Omi and Winant’s Racial Formation in the United States is considered a classic text on race and ethnicity. Racial Formation in the New Millennium builds upon the ideas set forth in Omi and Winant’s classic text – providing a sophisticated and up-to-date overview of race and ethnicity in the United States. In this volume, they include current issues and controversies related to racism, race/class/gender interrelationships, modern life and racial politics.

Racial Formation in the United States: From the 1960s to the 1990s, 2nd Edition

Routledge
Publication Date: 1994-03-22
240 pages
Trim Size: 6 x 9
Paperback ISBN: 978-0-415-90864-1

Michael Omi, Associate Professor of Ethnic Studies
University of California, Berkeley

Howard Winant, Professor of Sociology
University of California, Santa Barbara

First published in 1986, Racial Formation in the United States is now considered a classic in the literature on race and ethnicity. This second edition builds upon and updates Omi and Winant’s groundbreaking research. In addition to a preface to the new edition, the book provides a more detailed account of the theory of racial formation processes. It includes material on the historical development of race, the question of racism, race-class-gender interrelationships, and everyday life. A final chapter updates the developments in American racial politics up to the present, focusing on such key events as the 1992 Presidential election, the Los Angeles riots, and the Clinton administration’s racial politics and policies.

How Did You Get to Be Mexican? A White/Brown Man’s Search for Identity

Temple University Press
1999
264 pages
6×9
EAN: 978-1-56639-651-6
ISBN: 1-56639-651-4

Kevin R. Johnson, Dean and Mabie-Apallas Professor of Public Interest Law and Chicana/o Studies
University of California, Davis

This compelling account of racial identity takes a close look at the question “Who is a Latino?” and determines where persons of mixed Anglo-Latino heritage fit into the racial dynamics of the United States. The son of a Mexican-American mother and an Anglo father, Kevin Johnson has spent his life in the borderlands between racial identities. In this insightful book, he uses his experiences as a mixed Latino-Anglo to examine issues of diversity, assimilation, race relations, and affirmative action in contemporary United States.

Read the introduction here.

Table of Contents

Preface
1. Introduction
2. A “Latino” Law Student? Law 4 Sale at Harvard Law School
3. My Mother: One Assimilation Story
4. My Father: Planting the Seeds of a Racial Consciousness
5. Growing Up White?
6. College: Beginning to Recognize Racial Complexities
A Family Gallery
7. A Corporate Lawyer: Happily Avoiding the Issue
8. A Latino Law Professor
9. My Family/Mi Familia
10. Lessons for Latino Assimilation
11. What Does It All Mean for Race Relations in the United States?
Notes
Bibliography
Index

Glamour in the Pacific: Cultural Internationalism and Race Politics in the Women’s Pan-Pacific

University of Hawai’i Press
July 2009
304 pages
15 illustrations
Cloth ISBN: 978-0-8248-3342-8

Fiona Paisley, Senior Lecturer, School of Humanities
Griffith University in Brisbane, Australia

Perspectives on the Global Past

Since its inception in 1928, the Pan-Pacific Women’s Association (PPWA) has witnessed and contributed to enormous changes in world and Pacific history. Operating out of Honolulu, this women’s network established a series of conferences that promoted social reform and an internationalist outlook through cultural exchange. For the many women attracted to the project—from China, Japan, the Pacific Islands, and the major settler colonies of the region—the association’s vision was enormously attractive, despite the fact that as individuals and national representatives they remained deeply divided by colonial histories.

Glamour in the Pacific tells this multifaceted story by bringing together critical scholarship from across a wide range of fields, including cultural history, international relations and globalization, gender and empire, postcolonial studies, population and world health studies, world history, and transnational history. Early chapters consider the first PPWA conferences and the decolonizing process undergone by the association. Following World War II, a new generation of nonwhite women from decolonized and settler colonial nations began to claim leadership roles in the Association, challenging the often Eurocentric assumptions of women’s internationalism. In 1955 the first African American delegate brought to the fore questions about the relationship of U.S. race relations with the Pan-Pacific cultural internationalist project. The effects of cold war geopolitics on the ideal of international cooperation in the era of decolonization were also considered. The work concludes with a discussion of the revival of “East meets West” as a basis for world cooperation endorsed by the United Nations in 1958 and the overall contributions of the PPWA to world culture politics.

Read the introduction here.

The limits of internationalist interventions into the politics of “race” and the historical legacies of imperialism, nationalism and colonialism familiar to much contemporary world history were fundamental questions preoccupying women at the PPWA also. As I argue in this book, the resilience of race thinking and the limits of the cross-cultural ethos within the PPWA should be read not as constituting the organization’s failure to somehow transcend history, but rather as a reminder of the inherence of racialism to modern feminism and liberal thought more generally. Wishing to be unbounded by territory yet inevitably preoccupied by territorial issues, the Pan-Pacific conferences discussed in the following chapters provide unique insight into the profoundly interconnected histories of race and gender that have shaped feminist internationalism, as well as other progressive politics, and illustrate their on-the-ground, embodied, and passionate contestations.  By viewing the interwar Pacific as a newly conceived territory of modernity in both spatial and temporal terms, this book sees the interwar period as a pivotal moment in the twentieth century, one in which new ways of thinking about the world opened up, however partially, to questions of diversity and difference at the global level that still occupy us today. Not least, these decades saw new accounts of the flow of populations across the Pacific, encouraging a generation of ethnographers, demographers, and anthropometrists to declare the similarities between the races and cultures and in the Pacific in particular, to announce the future intermixing of peoples and cultures as the Pacific solution to world affairs, and to predict the future advancement of world civilization. Warwick Anderson points out that racial intermixture was claimed by many of those undertaking studies in the Pacific such as Felix and Marie Keesing, who feature in this study, to announce the way forward for humankind, thus envisaging interracial relations in stark contrast to the disavowal of racial mixing in the United States and its anxious management in Australia and elsewhere. The Keesings were also critical of the mandate of their own country, New Zealand, in Samoa (alongside the United States), contrasting that regime with their ideal of advancement through dynamic racial and cultural flows.  As Tony Ballantyne explains, the region was conceptualized spatially and temporally as the product of waves of population linking more recent colonization to deep time.

The History of White People

W. W. Norton & Company
March 2010
448 pages
6.125 × 9.25 in
ISBN: 978-0-393-04934-3

Nell Irvin Painter

A mind-expanding and myth-destroying exploration of “whiteness”—an illuminating work on the history of race and power.

Eminent historian Nell Irvin Painter tells perhaps the most important forgotten story in American history. Beginning at the roots of Western civilization, she traces the invention of the idea of a white race—often for economic, scientific, and political ends. She shows how the origins of American identity in the eighteenth century were intrinsically tied to the elevation of white skin into the embodiment of beauty, power, and intelligence; how the great American intellectuals— including Ralph Waldo Emerson—insisted that only Anglo Saxons were truly American; and how the definitions of who is “white” and who is “American” have evolved over time.

A story filled with towering historical figures, The History of White People closes an enormous gap in a literature that has long focused on the nonwhite, and it forcefully reminds us that the concept of “race” is an all-too-human invention whose meaning, importance, and reality have changed according to a long and rich history.

The Skin Between Us: A Memoir of Race, Beauty, and Belonging

W. W. Norton
May 2006
240 pages
5.8 × 8.6 in
ISBN: 978-0-393-05890-1

Kym Ragusa, Professor of Nonfiction &  Professor Writing
Queens University of Charlotte, North Carolina
Program in Writing and Humanistic Studies, Massachusetts Inistitute of Technology

A memoir of astonishing delicacy and strength about race and physical beauty.

Kym Ragusa’s stunningly beautiful, brilliant black mother constantly turned heads as she strolled the streets of West Harlem. Ragusa’s working-class white father, who grew up only a few streets (and an entire world) away in Italian East Harlem, had never seen anyone like her. At home their families despaired at the match, while in the streets the couple faced taunting threats from a city still racially divided—but they were mesmerized by the differences between them.

From their volatile, short-lived pairing came a sensitive child with a filmmaker’s observant eye. Her two powerful grandmothers gave her the love and stability to grow into her own skin. Eventually, their shared care for their granddaughter forced them to overcome their prejudices. Rent parties and religious feste, baked yams and baked ziti—Ragusa’s sensuous memories are a reader’s delight, as they bring to life the joy, pain, and inexhaustible richness of a racially and culturally mixed heritage.

The Hemingses of Monticello: An American Family

W. W. Norton & Company
September 2008
800 pages
Hardcover ISBN: 978-0-393-06477-3
6.5 × 9.6 in
Paperback ISBN: 978-0-393-33776-1
816 pages
6.1 × 9.2 in

Annette Gordon-Reed, Charles Warren Professor of American Legal History; Professor of History, Faculty of Arts & Sciences
Harvard University

Winner of the National Book Award and the 2009 Pulitzer Prize

In the mid-1700s the English captain of a trading ship that made runs between England and the Virginia colony fathered a child by an enslaved woman living near Williamsburg. The woman, whose name is unknown and who is believed to have been born in Africa, was owned by the Eppeses, a prominent Virginia family. The captain, whose surname was Hemings, and the woman had a daughter. They named her Elizabeth.

So begins this epic work—named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon.com, the San Francisco Chronicle, and a notable book by the New York Times—Annette Gordon-Reed’s “riveting history” of the Hemings family, whose story comes to vivid life in this brilliantly researched and deeply moving work. Gordon-Reed, author of the highly acclaimed historiography Thomas Jefferson and Sally Hemings: An American Controversy, unearths startling new information about the Hemingses, Jefferson, and his white family. Although the book presents the most detailed and richly drawn portrait ever written of Sarah Hemings, better known by her nickname Sally, who bore seven children by Jefferson over the course of their thirty-eight-year liaison, The Hemingses of Monticello tells more than the story of her life with Jefferson and their children. The Hemingses as a whole take their rightful place in the narrative of the family’s extraordinary engagement with one of history’s most important figures.

Not only do we meet Elizabeth Hemings—the family matriarch and mother to twelve children, six by John Wayles, a poor English immigrant who rose to great wealth in the Virginia colony—but we follow the Hemings family as they become the property of Jefferson through his marriage to Martha Wayles. The Hemings-Wayles children, siblings to Martha, played pivotal roles in the life at Jefferson’s estate.

We follow the Hemingses to Paris, where James Hemings trained as a chef in one of the most prestigious kitchens in France and where Sally arrived as a fourteen-year-old chaperone for Jefferson’s daughter Polly; to Philadelphia, where James Hemings acted as the major domo to the newly appointed secretary of state; to Charlottesville, where Mary Hemings lived with her partner, a prosperous white merchant who left her and their children a home and property; to Richmond, where Robert Hemings engineered a plan for his freedom; and finally to Monticello, that iconic home on the mountain, from where most of Jefferson’s slaves, many of them Hemings family members, were sold at auction six months after his death in 1826.

As The Hemingses of Monticello makes vividly clear, Monticello can no longer be known only as the home of a remarkable American leader, the author of the Declaration of Independence; nor can the story of the Hemingses, whose close blood ties to our third president have been expunged from history until very recently, be left out of the telling of America’s story. With its empathetic and insightful consideration of human beings acting in almost unimaginably difficult and complicated family circumstances, The Hemingses of Monticello is history as great literature. It is a remarkable achievement.

Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative

Indiana University Press
2007-12-04
272 pages
30 b&w photos, 6.125 x 9.25
ISBN-13: 978-0-253-34944-6
ISBN: 0-253-34944-3

Michael A. Chaney, Associate Professor of English
Dartmouth College

Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass’s mother as Ramses to the incised snatches of proverb and prophesy on Dave the Potter‘s ceramics, the book identifies a “fugitive vision” that reforms our notions of antebellum black identity, literature, and cultural production.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: Looking Beyond and Through the Fugitive Icon
• Part 1. Fugitive Gender: Black Mothers, White Faces, Sanguine Sons
  1. Racing and Erasing the Slave Mother: Frederick Douglass, Parodic Looks, and Ethnographic Illustration
  2. Looking for Slavery at the Crystal Palace: William Wells Brown and the Politics of Exhibition(ism)
  3. The Uses in Seeing: Mobilizing the Portrait in Drag in Running a Thousand Miles for Freedom
• Part 2. Still Moving: Revamped Technologies of Surveillance
  1. Panoramic Bodies: From Banvard‘s Mississippi to Brown’s Iron Collar
  2. The Mulatta in the Camera: Harriet Jacobs’s Historicist Gazing and Dion Boucicault‘s Mulatta Obscura
  3. Throwing Identity in the Poetry-Pottery of Dave the Potter
• Conclusion
• Notes
• Works Cited
• Index

Mestizo Modernism

Rutgers University Press
2003
280 pages
21 b&w illus.
Paper ISBN 0-8135-3217-5
Cloth ISBN 0-8135-3216-7

Tace Hedrick, Associate Professor and Women’s Studies
University of Florida, Gainesville

We use the term “modernism” almost exclusively to characterize the work of European and American writers and artists who struggled to portray a new kind of fractured urban life typified by mechanization and speed. Between the 1880s and 1930s, Latin American artists were similarly engaged-but with a difference. While other modernists drew from “primitive” cultures for an alternative sense of creativity, Latin American modernists were taking a cue from local sources-primarily indigenous and black populations in their own countries. In Mestizo Modernism Tace Hedrick focuses on four key artists who represent Latin American modernism-Peruvian poet César Vallejo, Chilean poet Gabriela Mistral, Mexican muralist Diego Rivera, and Mexican artist Frida Kahlo. Hedrick interrogates what being “modern” and “American” meant for them and illuminates the cultural contexts within which they worked, as well as the formal methods they shared, including the connection they drew between ancient cultures and modern technologies. This look at Latin American artists will force the reconceptualization of what modernism has meant in academic study and what it might mean for future research.

Table of Contents

MESTIZO MODERNISM
SENTIMENTAL MEN
WOMEN’S WORK
BROTHER MEN
CHILDLESS MOTHERS
HYBRID MODERN
Acknowledgments
Notes
Works Cited
Index

Read an excerpt here.

Lumbee Indians in the Jim Crow South: Race, Identity, and the Making of a Nation

University of North Carolina Press
April 2010
368 pages
6.125 x 9.25
12 illus., 3 tables, 5 genealogical charts, 3 maps, appends., notes, index
Cloth ISBN:  978-0-8078-3368-1
Paper ISBN:  978-0-8078-7111-9

Malinda Maynor Lowery, Assistant Professor of History
University of North Carolina, Chapel Hill

Awards & Distinctions

• 2010 Labriola Center American Indian National Book Award
• 2010 CHOICE Outstanding Academic Title

With more than 50,000 enrolled members, North Carolina‘s Lumbee Indians are the largest Native American tribe east of the Mississippi River. Malinda Maynor Lowery, a Lumbee herself, describes how, between Reconstruction and the 1950s, the Lumbee crafted and maintained a distinct identity in an era defined by racial segregation in the South and paternalistic policies for Indians throughout the nation. They did so against the backdrop of some of the central issues in American history, including race, class, politics, and citizenship.

Lowery argues that “Indian” is a dynamic identity that, for outsiders, sometimes hinged on the presence of “Indian blood” (for federal New Deal policy makers) and sometimes on the absence of “black blood” (for southern white segregationists). Lumbee people themselves have constructed their identity in layers that tie together kin and place, race and class, tribe and nation; however, Indians have not always agreed on how to weave this fabric into a whole. Using photographs, letters, genealogy, federal and state records, and first-person family history, Lowery narrates this compelling conversation between insiders and outsiders, demonstrating how the Lumbee People challenged the boundaries of Indian, southern, and American identities

Table of Contents

• Preface: Telling Our Own Stories
• Acknowledgments
• A Note on Terms
• Introduction: Coming Together
• 1 ADAPTING TO SEGREGATION
• 2 MAKING HOME AND MAKING LEADERS
• 3 TAKING SIDES
• 4 CONFRONTING THE NEW DEAL
• 5 Pembroke Farms: Gaining Economic Autonomy
• 6 MEASURING IDENTITY
• 7 RECOGNIZING THE LUMBEE
• Conclusion: Creating a Lumbee and Tuscarora Future
• Appendix
• Notes
• Index