Mixed Race Studies

Raising Multiracial Awareness in Family Therapy Through Critical Conversations

Journal of Marital and Family Therapy
Volume 31, Issue 4 (October 2005)
pages 399–411
DOI: 10.1111/j.1752-0606.2005.tb01579.x

Teresa McDowell, Associate Professor and Department Chair of Counseling Psychology
Lewis & Clark University, Portland Oregon

Lucrezia Ingoglia
Greater Lakes Mental Healthcare

Takiko Serizawa
Family Service Associates

Christina Holland
Behavioral Medicine Clinic

John Wayne Dashiell, Jr.
Tacoma, Washington

Christopher Stevens
Renton Area Youth and Family Services

Multiracial families are uniquely affected by racial dynamics in U.S. society. Family therapists must be prepared to meet the needs of this growing population and to support racial equity. This article includes an overview of literature related to being multiracial and offers a framework for working with multiracial identity development in therapy. A critical conversation approach to working with multiracial identity is shared along with case examples. The authors’ experiences developing the model via a practitioner inquiry group are highlighted.

Read or purchase the article here.

Social Origins of the Brandywine Population

Phylon (1960-)
Vollume 24, Number 4 (4th Qtr., 1963)
pages 369-378

Thomas J. Harte
Catholic University of America

ALL RACIAL ISOLATES present problems of unknown or mysterious origins. [C. A.] Weslager notes the lack of specific information for the Nanticokes of Delaware and for the Moors as well.  There is some historical evidence that when white people first settled in Robeson County, North Carolina, in the 1730’s, they found a mixed blood people inhabiting the swamps there. However, proof that these people constituted the survivors of Sir Walter Raleigh’s “Lost Colony” of Roanoke Island is far from conclusive. A similar lack of specific historical data applies to the “Guineas” of West Virginia, although Gilbert believes that the history of this group can be reconstructed in a general way. Authentic historical information is also lacking for the Melungeons of Tennessee and for some Louisiana racial hybrids as well.

The present paper attempts to trace the Brandywine triracial isolate population of southern Maryland back to its earliest beginnings. Conclusive factual evidence cannot be expected for historical developments in the early period of the group’s evolution. There are, however, substantial materials to support some sound hypotheses which can serve as guides for future research on this and similar populations. The data presented below represent the cumulative results of a systematic search of public and parish records, supplemented on some points by data from personal interviews, for leads as to the origin of this deme. The analysis is largely confined to the late seventeenth century, the whole of the eighteenth century, and the early decades of the nineteenth century.

The hypothesis that racial isolates originated in illegal interracial unions between Indians, whites, and Negroes provides a particularly fruitful lead in tracing the history of the Brandywine group. This hypothesis has been proposed explicitly and implicitly by a number of students of…

Genetic Linkage of the Dentinogenesis Imperfecta Type III Locus to Chromosome 4q

Journal of Dental Research
Volume 78, Number 6 (June 1999)
pages 1277-1282
DOI: 10.1177/00220345990780061301

M. MacDougall
Department of Pediatric Dentistry
University of Texas Health Science Center, San Antonio

L. G. Jeffords
Department of Pediatric Dentistry,
University of Texas Health Science Center, San Antonio

T. T. Gu
Department of Pediatric Dentistry
University of Texas Health Science Center, San Antonio

C. B. Knight
Department of Pediatric Dentistry
University of Texas Health Science Center, San Antonio

G. Frei
Department of Pediatric Dentistry,
University of Texas Health Science Center, San Antonio

B. E. Reus
Department of Cellular and Structural Biology
University of Texas Health Science Center, San Antonio

B. Otterud
Department of Human Genetics
Eccles Institute of Human Genetics
University of Utah School of Medicine, Salt Lake City

M. Leppert
Department of Human Genetics
Eccles Institute of Human Genetics
University of Utah School of Medicine, Salt Lake City

R. J. Leach
Department of Cellular and Structural Biology
University of Texas Health Science Center, San Antonio

Dentinogenesis imperfecta type III (DGI-III) is an autosomal-dominant disorder of dentin formation which appears in a tri-racial southern Maryland population known as the “Brandywine isolate”. This disease has suggestive evidence of linkage to the long arm of human chromosome 4 (LOD score of 2.0) in a family presenting with both juvenile periodontitis and DGI-III. The purpose of this study was to screen a family presenting with only DGI-III to determine if this locus was indeed on chromosome 4q. Furthermore, we wanted to determine if DGI-III co-localized with dentinogenesis imperfecta type II (DGI-II), which has been localized to 4q21-q23. Therefore, a large kindred from the Brandywine isolate was identified, oral examination performed, and blood samples collected from 21 family members. DNA from this family was genotyped with 6 highly polymorphic markers that span the DGI-II critical region of chromosome 4q. Analysis of the data yielded a maximum two-point LOD score of 4.87 with a marker for the dentin matrix protein 1 (DMP1) locus, a gene contained in the critical region for DGI-II. Our results demonstrated that the DGI-III locus is on human chromosome 4q21 within a 6.6 cM region that overlaps the DGI-II critical region. These results are consistent with the hypothesis that DGI-II is either an allelic variant of DGI-III or the result of mutations in two tightly linked genes.

Read or purchase the article here.

Skin, race and space: the clash of bodily schemas in Frantz Fanon’s Black Skins, White Masks and Nella Larsen’s Passing

Cultural Geographies
Volume 18, Number 1 (2011-01-06)
pages 25-41
DOI: 10.1177/1474474010379953

Steve Pile, Professor of Human Geography
The Open University, United Kingdom

Nella Larsen’s novel Passing offers the opportunity to reconsider the relationship between race and space. The novel provides an account of space that is highly racialized. It describes 1920s Chicago as having heavily proscribed white and black spaces. However, race itself is far more uncertain. The novel’s two main characters, Irene and Clare, though black by blood in US American racial schematics, are both able to pass as white. Their skin colour renders their race ultimately unknowable: they can easily cross the borders between the white and the black world. By using Frantz Fanon’s notions of corporeal schemas and epidermal schemas, and by focusing on skin itself, it is possible to open up another way of seeing race and space in the novel. The paper argues that these bodily schemas ultimately clash, and come to grief, in the novel. Even so, this clash of bodily schemas enables a possible resolution to the problem of seeing the body either through black/white grids of signification and power, or through their aggregation into phenotypes or races. In this view, bodily schemas may come to define race and space, but never exclusively in one way or another.

Read or purchase the article here.

Musical Miscegenation? Rock Music and the History of Sex

e-misférica
Hemispheric Institute for Performance & Politics
Issue 5.2: Race and its Others (December 2008)

Tavia Nyong’o, Associate Professor of Performance Studies
New York University

Image by Bruce Yonemoto

Countering facile analogies between musical hybridity and sex across the color line that characterize certain popular discourses about American popular music, this essay explores the genealogy of “miscegenation” in U.S. political discourse. Undermining claims that “musical miscegenation” explains black influence in rock music, the essay shows how “miscegenation” emerged precisely as a means of policing and proscribing black citizenship and black/white social equality.

“So, when it comes, miscegenation will be a terror …”
—Norman Mailer, “The White Negro,” 1957

When pop music critic Sasha Frere-Jones wondered aloud in the New Yorker magazine as to how, when, and why “indie rock lost its soul” in the mid-1990s, he provoked a small controversy among popular music critics, bloggers, and fans. Lamenting rock’s decreasing reliance on what he described as “the ecstatic singing and intense, voicelike guitar tones of the blues, the heavy African downbeat, and the elaborate showmanship that characterized black music of the mid-twentieth century,” Frere-Jones targeted contemporary musicians that he considered to be guilty of divorcing (white) rock from its (black) roots (Frere-Jones 2007a). Part of his argument resembled prior cases made by music critics like Albert Murray (1990) and Kandia Crazy Horse (2004), who have also extolled the universal basis and relevance of black music. But it took a peculiar turn when he attributed the steady diminution of black heat, rhythm, and ecstasy in 1990s and 2000s rock to a cultural separatism jointly enforced by hip hop and academic political correctness…

…Miscegenation as Political Coinage

Scholars and journalists routinely employ miscegenation, with or without scare quotes, to denote the “mixing” of the so-called races. Even when they pause to think about it, even when, as with Frere-Jones when they are challenged on their use of it, they typically ignore or seem unaware that the word appeared at a particular time and place, and for a particular purpose. Whatever Ralph Emerson meant by the “smelting pot,” for example, he could not have meant “miscegenation” musical or otherwise, simply because the word did not yet exist, and because he chose not to use the closest variant with a racial connotation that did exist at the time, amalgamation. While a variety of terms for race, caste, and color “mixing” have emerged from the time of the Encounter with the New World, no single term can accurately index all of that history. Miscegenation is not the translation of the Spanish mestizaje or the Portuguese mestizagem it is commonly assumed to be, as both terms long predate it. Nor does it have any etymological relation to words like “mulatto,” “mestizo,” or, for that matter, “hybrid.” It is, to quote William Carlos Williams, a “pure product” of the U.S., a specimen of rhetorical chicanery and pseudo-scientific quackery whose astonishing success at infiltrating the language should only surprise those who doubt the immense resources of racial disavowal in the shaping of our culture…

Read the entire article here.

A New Look At The Life Of Jean Toomer

National Public Radio
All Things Considered
2010-12-30

Robert Siegel, Host

Rudolph P. Byrd, Goodrich C. White Professor of American Studies and African American Studies
Emory University

Jean Toomer received much acclaim for his portrait of African-American life in the early 20th century in his 1923 book Cane. The Harlem Renaissance author wrote vivid vignettes in a series of poems and short stories in the book. Next week, the book will be re-released with a new introduction written by Harvard scholar Henry Louis Gates and Emory University scholar Rudolph Byrd. In the 70-page introduction, the two scholars write that Toomer, a light-skinned black man of mixed heritage, chose to live much of his life as a black man passing as white. NPR’s Robert Siegel talks with Byrd about the life of Toomer.

Jean Toomer was a writer whose 1923 book “Cane” wove poetry, prose and drama into its glimpses of African-American life in the early 20th century. “Cane” earned him a place among the leading lights of the Harlem Renaissance, and a new edition of the book has a different take on Toomer’s life.

Toomer was a light-skinned man who spoke of himself as being neither white nor black. Well, two scholars of African-American literature, Henry Louis Gates Jr. of Harvard and Professor Rudolph Byrd of Emory University contribute an introduction to the new book, which is to be published next week.

And they conclude that Toomer – his writings notwithstanding – lived much of his life as a black man passing for white. Their investigation is one of both textual criticism and genealogical research.

Professor Byrd joins us now. Professor Gates is not with us because his father, Henry Louis Gates Sr., passed away this week, and we send our condolences.

Professor Byrd, welcome to the program.

Professor RUDOLPH BYRD (African-American Studies, Emory University): Mr. Siegel, it’s a pleasure to be with you.

SIEGEL: And your conclusions are based on both facts and a reading of those facts. First, what did you find out?

Prof. BYRD: Oh, the newly unearthed facts are in census records. There’s a draft registration and his marriage license. The census records list Toomer as white. The draft registrations record Toomer as Negro. And then, the marriage license lists both the bride and groom as white.

What is fascinating about these findings is that, first of all, this is information that has been overlooked, and so it adds an important dimension to the long speculation about Toomer’s racial ancestry, which really began with the publication of “Cane” in 1923.

SIEGEL: Now, Toomer, in writings, distanced himself from the label Negro.

Prof. BYRD: Yes.

SIEGEL: But he did speak of lots of different blood that flowed in his veins.

Prof. BYRD: Yes.

SIEGEL: And he described himself as someone who had spent some years of his life – as they said in the day – in colored schools…

Prof. BYRD: Yes.

SIEGEL: …and many years living as white.

Is that accurate? Is his description of how he grew up accurate?

Prof. BYRD: It is and it isn’t. He did attend Henry Highland Garnet School, which was a black school. He did attend Paul Lawrence Dunbar High School, which was a black school…

Read the article here.  Listen to the interview (00:05:44) here.

Ethnic identity, ego identity, and psychological well-being among mixed-ethnic Arab-European adolescents in Israel

British Journal of Developmental Psychology
Volume 24, Issue 4 (November 2006)
pages 669–679
DOI: 10.1348/026151005X59196

Hisham Motkal Abu-Rayya
The Unit of Psychology
Åbo Akademi University, Turku, Finland

This study explored the relationship between ethnic identity, ego identity, and psychological wellbeing among mixed-ethnic adolescents with European mothers and Arab fathers in Israel. One hundred and twenty-seven mixed-ethnic adolescents (13 to 18 years) were instructed to respond to a modified version of Phinney’s (1992) Multigroup ethnic identity measure (MEIM), to Bennion and Adams’ (1986) ego identity measure (EOM-EIS) and to Ryff’s (1999) psychological well-being scale. It was found that Arab and European ethnic identities, composed of ethnic behaviours, affirmation and belonging, and achievement of a sense of oneself as part of an ethnic group, were significantly positively correlated with participants’ psychological well-being. Findings revealed also that the ego identity statuses Achievement and Moratorium were associated with higher levels of psychological well-being, while the statuses Foreclosure and Diffusion were associated with lower levels of well-being. Arab and European ethnic identities and ego identity were found to be formed independently among the participants.

Read or purchase the article here.

On “Mulatto”

Modern American Poetry
Langston Hughes (1902-1967)
Compiled and Prepared by Cary Nelson

From Langston Hughes (Twayne, 1967)
James A. Emanuel

This dramatic dialogue offers a tensely individualized conflict between father and son that is hardened by the vigor and scorn of the words and broadened by carefully placed, suggestive details from nature. The son’s adamant voice opens the poem, but is transformed into a passive Negro feminine presence exuberantly recalled by the white father, who feels half-pleasurably nagged in his fancied return to the conception and infancy of his son. The poet, employing the past awakened in the white man, leaves him musing and moves the growing child swiftly through years of hostile rejection by his white half-brothers—implying virtual estrangement from his father, whom he no longer reminds of sexual freedom in the Negro quarter….

A Comparison of Langston Hughes’s “The Mulatto” and Claude McKay’s “Mulatto”

2007
John Claborn

Reading McKay’s traditional poetics alongside his contemporary Langston Hughes’s open-form, experimental poetics brings out the specificity of the sonnet’s formalizing force. Consider Hughes’s “Mulatto” (1927) and McKay’s earlier 1925 sonnet, “The Mulatto.” Since slavery, the problem of the mulatto child disavowed by his/her white father-master has been a site of intense emotion and trauma—a problem that these two poems address head-on from the perspective of the mulatto son. Hughes’s “Mulatto” embraces a hybrid form structured by interpolations, multiple voices, and polyphony—in short, the poem is “mulatto” in form as well as content…

Read both essays here.

Passage to identity is still a struggle

Kansas City Star
2010-12-17

Commentary by: Jeneé Osterheldt

I’ve always known I wasn’t white like my mama. Even as a little girl, I could feel adults stare as we passed by.

I was different. But was I black like my daddy? It took me much of my young life to figure that out.

Earlier this year, we took the census. The hardest of the 10 questions revolved around racial identity.

President Barack Obama, born to a white mother and a black father from Africa, checked one box: Black, African Am. or Negro.

I checked it, too. But I also marked the ones next to white and Native American. The president and I are both mixed.

So, who chose the right answer?

More and more black-and-white mixed Americans are “passing” for black, according to a recent study in the current issue of Social Psychology Quarterly, titled “Passing as Black: Racial Identity Work Among Biracial Americans.” That’s a reverse form of what biracial and fair-skinned blacks did in the Jim Crow era, when they denied their race altogether.

It’s claptrap. Yes, Obama is mixed, but he’s also black. It’s possible to be both. How can people “pass” for something they already are?..

Read the rest of the commentary here.

Color outside the lines

Columbia Missourian
2006-06-11

Sara Fernández Cendon

The boundaries between traditional racial categories shift as more people identify themselves as multiracial. The term adds another dimension to the complex issue of race in America.

Some say Tiger Woods started it all.

After winning the Masters Tournament in 1997, the golf star described himself as “Cablinasian” — as in Caucasian, black, American Indian and Asian.

Colin Powell, a light-skinned black man, quickly dismissed Wood’s invention.

“In America, which I love from the depths of my heart and soul, when you look like me, you’re black,” Powell said.

Woods says “Cablinasian” honors his multiracial heritage. In 1997 he told Oprah Winfrey that being identified solely as an African-American bothered him. But others, who agree with Colin Powell, believe Woods will always be thought of as black and treated as such.

The Woods-Powell disagreement illustrates the deep rift between those who believe that race is a biological category and those who believe it is a political one. As more mixed-race couples join Woods’ camp by identifying their children as “multiracial,” or even “white,” civil rights groups worry about the loss of historical racial categories.

Critics of the multiracial label believe the American racial landscape is still dominated by the “one-drop” rule, which held that a person with just one black ancestor was still black. Their argument is that you don’t need much “color” to be a “person of color.” Discrimination affects people of color, they say, regardless of how light their skin might be or how they identify themselves racially…

…AGAINST THE MULTIRACIAL LABEL

David Brunsma

White people have made disparaging racial comments around him expecting to get a nod in return. But fair-skinned, red-haired, blue-eyed David Brunsma has no tolerance for “whiteness” because “white” to him is synonymous with privilege. He says he gets questions like, “What are the best neighborhoods in town, if you know what I mean …” His response: “No, I really don’t know what you mean.”

Half-Puerto Rican and half-Caucasian, Brunsma does not think of himself as biracial, but he does consider “Hispanic” to be a racial category…

…FOR THE MULTIRACIAL LABEL

Susan Graham and Project RACE

You can’t blame Ryan Graham for not wanting to check “other” on questionnaires requesting racial information. “It makes me feel like a freak or a space alien,” he testified during a U.S. House hearing on multiracial identification back in 1997, when he was 12 years old.

Ryan’s mother, Susan Graham, is the executive director of Project RACE, an advocacy organization for multiracial individuals. She, too, testified before the House on behalf of a separate multiracial category in census forms.

In her testimony, Graham berated the “all that apply” compromise announced by the Office of Management and Budget just days before the hearing.

“My children and millions of children like them merely become ‘check all that apply’ kids or ‘check more than one box’ children or ‘more than one race’ persons. They will be known as ‘multiple check offs’ or ‘half and halfers,’” she said…

Read the entire article here.