Exploring mixed race identity in CGI influencers

Posted in Articles, Arts, Communications/Media Studies, Media Archive on 2018-12-26 22:36Z by Steven

Exploring mixed race identity in CGI influencers

Dazed Digital
2018-09-26

Stephanie Phillips
London, United Kingdom

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From Lil Miquela to Lil Wavi, we look at why the majority of CGI influencers are being conceived as mixed race

Historically the It girls of the moment have reflected the true values of their time. 60s model Veruschka’s flowing blonde tresses and chiseled bone structure represented the decade’s youthful outlook. The 70s gave birth to the unconventional where powerhouse Grace Jones and avant-garde Donna Jordan came to life. Kate Moss started heroin chic in the 90s, and Brazilian Gisele Bündchen ended it. Today we have a new It girl to shape our confused and conflicted era.

With her constellation of freckles, millions of followers, and collection of side hustles that includes modelling and a pop career, 19-year-old Brazilian-American Lil Miquela, aka Miquela Sousa, could be your average beautiful, woke celeb crush except for one crucial fact; she’s not real. Created by the mysterious robotics company Brud, Miquela is one of a number of racially ambiguous CGI avatars taking over Instagram using a collage of mixed race identity…

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Socioemotional wellbeing of mixed race/ethnicity children in the UK and US: Patterns and mechanisms

Posted in Articles, Identity Development/Psychology, Media Archive, Social Science, United Kingdom, United States on 2018-12-26 17:55Z by Steven

Socioemotional wellbeing of mixed race/ethnicity children in the UK and US: Patterns and mechanisms

SSM – Population Health
Volume 5, August 2018
Pages 147-159
DOI: 10.1016/j.ssmph.2018.06.010

James Nazroo, Honorary Professor of Sociology
Cathie Marsh Institute, University of Manchester, United Kingdom

Afshin Zilanawala, Senior Research Associate
University College London, London, United Kingdom

Meichu Chen, Research Associate Social/Behavioral Sciences Intermediate
University of Michigan, Ann Arbor

Laia Bécares, Senior Lecturer in Applied Social Science (Social Work and Social Care)
University of Sussex, Brighton, United Kingdom

Pamela Davis-Kean, Professor of Psychology; Research Professor
Institute for Social Research, University of Michigan, Ann Arbor

James S. Jackson, Daniel Katz Distinguished University Professor of Psychology; Professor of Health Behavior and Health Education
University of Michigan, Ann Arbor

Yvonne Kelly, Professor of Lifecourse Epidemiology
University College London, London, United Kingdom

Lidia Panico, Researcher
Institut National d’Etudes Demographiques, Paris, France

Amanda Sacker, Professor of Lifecourse Studies
University College London, London, United Kingdom

Cover image SSM - Population Health

Highlights

  • Mixed race/ethnicity children are thought to have poorer socioemotional wellbeing
  • We find no evidence that mixed race/ethnicity children have poorer socioemotional wellbeing in a study covering children aged 5/6 in the US and UK
  • We find that mixed race/ethnicity children do have socio-economic advantage
  • This socio-economic advantage is protective for socioemotional wellbeing

Existing literature suggests that mixed race/ethnicity children are more likely to experience poor socioemotional wellbeing in both the US and the UK, although the evidence is stronger in the US. It is suggested that this inequality may be a consequence of struggles with identity formation, more limited connections with racial/ethnic/cultural heritage, and increased risk of exposure to racism.

Using data from the UK Millennium Cohort Study (n = 13,734) and the US Early Childhood Longitudinal Study-Birth Cohort (n ~ 6250), we examine differences in the socioemotional wellbeing of mixed and non-mixed 5/6 year old children in the UK and US and explore heterogeneity in outcomes across different mixed groups in both locations. We estimate a series of linear regressions to examine the contribution of factors that may explain any observed differences, including socio-economic and cultural factors, and examine the extent to which these processes vary across the two nations.

We find no evidence of greater risk for poor socioemotional wellbeing for mixed race/ethnicity children in both national contexts. We find that mixed race/ethnicity children experience socio-economic advantage compared to their non-mixed minority counterparts and that socio-economic advantage is protective for socioemotional wellbeing. Cultural factors do not contribute to differences in socioemotional wellbeing across mixed and non-mixed groups.

Our evidence suggests then that at age 5/6 there is no evidence of poorer socioemotional wellbeing for mixed race/ethnicity children in either the UK or the US. The contrast between our findings and some previous literature, which reports that mixed race/ethnicity children have poorer socioemotional wellbeing, may reflect changes in the meaning of mixed identities across periods and/or the developmental stage of the children we studied.

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Mixed Up: ‘There are certain elements of English life that Iranian culture would deem totally disgusting’

Posted in Articles, Identity Development/Psychology, Media Archive, United Kingdom on 2018-12-19 00:39Z by Steven

Mixed Up: ‘There are certain elements of English life that Iranian culture would deem totally disgusting’

Metro UK
2018-12-12

Natalie Morris, Senior Lifestyle Writer


Ariana Alexander-Sefre

Welcome to Mixed Up, a series looking at the highs, lows and unique experiences of being mixed-race.

Mixed-race is the fastest-growing ethnic group in the UK. It means your parents hail from two (or more) different ethnicities, leaving you somewhere in the middle.

In 2001, when the ‘mixed’ categories were first introduced to the national census, mixed-race people made up 1.3% of the population. Fast-forward 10 years, and that figure almost doubles to 2.3%.

It’s a trajectory that’s unlikely to slow down.

Alongside the unique pleasures and benefits of being exposed to multiple cultures, being mixed comes with complexities, conflicts and innate contradictions.

Ariana, founder of Sweat & Sound, is half Persian and half British. The Persians are an Iranian ethnic group that make up half of the population of Iran – they have their own language, Farsi.

Some schools of thinking class Persians as technically Caucasian, but recent census categorisation changes in the US have definied Iranian and Middle-Eastern heritage as different to white…

…Ariana identifies as mixed. She says her family is made up of a combination of intensely different cultural traditions.

But because of her appearance, her light skin and European features, she says she’s often assumed to be white by both English and Iranian people.

‘I actually find it really frustrating to be honest,’ Ariana tells Metro.co.uk

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White Lies: Ijeoma Oluo On Privilege, Power, And Race

Posted in Articles, Family/Parenting, Identity Development/Psychology, Interviews, Media Archive, Social Justice, United States on 2018-12-18 01:56Z by Steven

White Lies: Ijeoma Oluo On Privilege, Power, And Race

The Sun Interview
The Sun
December 2018

Mark Leviton
Nevada City, California

516 - Ijeoma Oluo - Leviton

“Race has always been a prominent part of my life,” Ijeoma Oluo writes in her new book So You Want to Talk about Race. “I have never been able to escape the fact that I am a black woman in a white-supremacist country.”

Oluo was born in 1980 in Denton, Texas. Her father, a Nigerian college professor and politician, returned to his native country when she was three and never came back to the U.S. She and her brother, Ahamefule (often called Aham), had no contact with him growing up. Their mother, a white woman from the Midwest, raised them by herself in Seattle

..Oluo is an editor-at-large for the online magazine The Establishment. In her blog on Medium.com she often covers serious subject matter — white supremacy, representations of race in the media, the U.S. crisis of mass incarceration and police violence — but her approach is personal and down-to-earth; she’s rarely without a rueful joke or a post about what her two sons said at breakfast. In 2015 she self-published The Badass Feminist Coloring Book, a project that developed from her habit of sketching famous feminists to relieve stress. She hit the New York Times best-seller list earlier this year with So You Want to Talk about Race. Though she realizes that most of her readers will be white, she says she wrote the book to help people of color make themselves heard. Her website is ijeomaoluo.com.

I met with Oluo at her favorite independent Seattle coffeehouse, which also serves as an informal community center and work space. We sat at a small table and struggled to talk over the sound of the coffee grinder and the not-so-quiet background music before moving to a bench across the street. It was a beautiful spring day, and despite her sometimes dire message, Oluo’s energy and humor never flagged.

Leviton: You believe that if you’re white in America, you’re racist, and if you’re a male in America, you’re sexist. Are you saying I can’t transcend my received culture no matter what kind of a person I am?

Oluo: I don’t think you can escape it. But that doesn’t mean you can’t fight racism or patriarchy. You can fight the racism in society even while you fight the racism inside you. It’s like fighting a cancer inside you: you’re not “pro-cancer” because you have it.

There’s no way to avoid absorbing our American culture, which was designed to benefit white males. We absorb American racism in ways we’re not fully aware of. You can’t undo a lifetime of experience in a few years of work. While you are struggling against racism, the culture keeps reinforcing it, telling you who is “normal” and who isn’t, who deserves to be seen and who is made invisible. Racism is alive.

I want to move people away from thinking of racism as a feeling of hatred, because it’s rare to find someone who blatantly hates people of color. But the impact of racial bias isn’t lessened because it’s not blatant. If someone denies me a job because I’m “not the right fit,” without realizing that their idea of the right fit is almost always a white person, it doesn’t hurt me any less than if I’m told, “I won’t hire you because you’re black.” Racism is not necessarily an intention or a feeling. It is a system that produces predictable results.

In this country there are large racial divides in everything from infant mortality, to how much you earn, to your chances of being arrested or incarcerated. This is not because a bunch of white people wake up every day and decide to oppress people of color; it’s not just the actions of individuals with hate in their hearts. We cannot understand American racism unless we recognize it as a system that was built to run — and that still runs — on principles of oppression and domination. Four hundred years of history doesn’t go back into the toothpaste tube…

Leviton: You were always a high achiever in school. You didn’t have disciplinary problems.

Oluo: Yes, I was well suited for Western education. I scored high on standardized tests — which are very prejudiced in many ways. While I was growing up, my mom was going to college, and because she couldn’t afford day care, she would sneak my brother and me into her big auditorium classes. My father was a college professor; he didn’t raise us, but I was aware of that heritage. So education was always something I loved.

But there were costs. One was that my blackness was erased. People could accept that I was talented and smart only if they saw me as less black. I had teachers who would insist I was “mixed,” not black. Many people told me I didn’t “act black” — I guess because doing well in school and loving to read were not “black” behaviors to them. And in many ways that robbed me of my sense of community and identity. I was often used as an example to other black students: “Why can’t you be more like Ijeoma?” I became a reason to withhold sympathy from other black students: “She gets it. Why can’t you?”

I grew up in Seattle, and I talk like someone who grew up in Seattle. I was raised by a white single mom. I have a lighter skin tone than many black people. And I was treated as if I were fundamentally better than my black peers, because I looked and sounded whiter. I grew up feeling very isolated as a result. I was the only black kid in the advanced programs up to seventh grade. In high school there was one other black kid. Today my son is in an advanced school program, and there’s only one other black kid in there with him. So my son has to carry that burden of representing black students…

Read the entire interview here.

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Passing for White in THE GREAT GATSBY: A Spectroscopic Analysis of Jordan Baker

Posted in Articles, Literary/Artistic Criticism, Passing, United States on 2018-12-17 05:03Z by Steven

Passing for White in THE GREAT GATSBY: A Spectroscopic Analysis of Jordan Baker

The Explicator
Volume 76, 2018 – Issue 3
Published online: 2018-11-27
DOI: 10.1080/00144940.2018.1489769

Tom Phillips
New York, New York

“Jordan’s fingers, powdered white over their tan, rested for a moment in mine.”

Early in F. Scott Fitzgerald’s The Great Gatsby, narrator Nick Carraway offers the view that personality is “an unbroken series of successful gestures” (6), an extended performance. Nick’s paramour, the racy golfer Jordan Baker, would certainly agree. She is glamorous and opaque, her “pleasant contemptuous expression” (23) so polished it deflects interpretation and critical analysis. However, a close reading focused on Fitzgerald’s descriptions of Baker indicates she can be seen as central to the novel’s concern with identity. Amid the sexual and racial upheavals of the 1920s, she may be Gatsby’s most successful imposter—a light-skinned, mixed-race person “passing for white.”

Such suspicions were directed at Gatsby himself by Carlyle V. Thompson in a 2000 essay, “Was Gatsby Black?”—an argument quickly dismissed for insufficient textual evidence (Manus). In Jordan’s case evidence runs throughout the text, obscured by her proximity to Gatsby and Daisy, and Fitzgerald’s deceptive style, in which significant detail can “pass” as merely decorative.

Twentieth-century critics typically wrote Baker off as an enigma; Lionel Trilling found her “vaguely guilty, vaguely homosexual” (243). In this century, Maggie Froehlich has taken a closer look. Building on Edward Wasiolek’s case that Nick is a careful homosexual, she concludes that Jordan is one too—that the bond between them is a dissent from sexual norms (Froehlich 83ff; Wasiolek 14-22). This is a reasonable reading; the “hard demands of her Jaunty body” (63) may well go beyond her cool affair with Nick. However, an accumulation of detail marks her also as a person of color, presenting herself as white. In Nella Larsen’s 1929 novel Passing, a lead character describes it as a “frightfully easy thing to do … If one’s the type, all that’s needed is a little nerve” (15). The “type” in this context clearly refers to complexion.

In at least eight passages, Fitzgerald touches on Baker’s complexion; no one else’s skin is mentioned, save one reference to Gatsby as “suntanned” (54). In a novel of “spectroscopic gayety” (49) she occupies an arc of color from yellow…

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Court declares one must “look like an African descendant in the eyes of the average man” to qualify for affirmative action, rejecting another case of a white student “passing” for black

Posted in Articles, Brazil, Campus Life, Caribbean/Latin America, Law, Media Archive on 2018-12-03 04:15Z by Steven

Court declares one must “look like an African descendant in the eyes of the average man” to qualify for affirmative action, rejecting another case of a white student “passing” for black

Black Women of Brazil
2018-11-12

Marques Travae, Creator and Editor


One of numerous examples of fraud, Vinícius Loures defined himself as black to attain access to a Medicine course at the Universidade Federal de Minas Gerais.

Court declares one must “look like an African descendant in the eyes of the average man” to qualify for affirmative action, rejecting another case of a white student “passing” for black

In a recent decision that will have huge repercussions on persons who attempt to obtain access to certain jobs and vacancies in universities, a panel upheld a policy that defined that for anyone wishing to qualify through affirmative action, it is not enough that said person be of African descent, but rather must look like an African descendant in the eyes of the average man. This was an argument I made several months ago. A little background here.

Due to the lack of diversity on Brazil’s college and university campuses, the nation began to experiment with affirmative action policies nearly 20 years ago. The discussion on the policies generated debates on race in the public sphere that had never happened to such a degree in Brazil. Sure, the topic of race in Brazil had been studied in academia for decades, but never had the general public had such public debates on the topic. Since the first half of the 20th century, the belief system in Brazil had been that Brazil was a “racial democracy” in which any person, regardless of their racial appearance had an equal opportunity to attain a middle class lifestyle. In fact, because of widespread miscegenation, it was even difficult to determine what race the average Brazilian was anyway…

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Genesis of U.S. Colorism and Skin Tone Stratification: Slavery, Freedom, and Mulatto-Black Occupational Inequality in the Late 19th Century

Posted in Articles, Economics, Health/Medicine/Genetics, Media Archive, Slavery, Social Science, United States on 2018-12-03 02:54Z by Steven

Genesis of U.S. Colorism and Skin Tone Stratification: Slavery, Freedom, and Mulatto-Black Occupational Inequality in the Late 19th Century

The Review of Black Political Economy
First Published 2018-05-21
21 pages
DOI: 10.1177/0034644618770761

Robert L. Reece, Assistant Professor of Sociology
University of Texas, Austin

Studies show lighter skinned Black people are advantaged on a number of social indicators—a phenomenon called “colorism.” These studies generally contend preferences for light-skinned and/or Mulatto slaves endured the postbellum period to shape social outcomes into today. Following this idea, other studies examine differences in social outcomes between Mulattos and Blacks in the 19th century, but few empirically connect antebellum life to postbellum Mulatto–Black stratification. With that in mind, I examine whether the socio-economic differences between Mulattos and Blacks varied across geographic space in proportion to places’ reliance on slave labor and the characteristics of its free African American population. This allows me to examine whether differences in economic status between Mulattos and Blacks are a result of Mulatto advantage in the form of privileged positions during slavery. My results reveal that Mulattos have higher occupational statuses relative to Blacks in places where slavery was more prominent and where free Mulattos were literate. This suggests the intraracial hierarchy established during slavery was more likely to be replicated in places where slavery was more important, and Mulattos were able to capitalize on freedom by leveraging their literacy into better economic statuses after emancipation. These results support the idea that skin color stratification was initiated at least in part by practices during chattel slavery and offers some plausible mechanisms for its transmission.

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Japanese Mom, Non-Japanese Kid

Posted in Articles, Asian Diaspora, Autobiography, Family/Parenting, Media Archive, United States on 2018-12-03 02:43Z by Steven

Japanese Mom, Non-Japanese Kid

Hapa Japan
2018-11-29

Fredrick Cloyd


Featured Image by Edward M. Haugh

Perhaps one of the most interesting things about a mixed-Japanese child either born and/or raised outside of Japan, is the personal-cultural aspects of the relationship between the Japanese parent and the child, who grows up to be an adult. Since my ethnographic focus for my book, as well as my life experiences with Amerasians are with my mother and her friends and their families, and Japanese mothers in general, this will be my focus here, rather than families with Japanese fathers.

One aspect of the Japanese mother-American child relationship growing up in the United States, is the fact of loneliness…

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The DNA Industry and the Disappearing Indian

Posted in Articles, Health/Medicine/Genetics, Law, Media Archive, Native Americans/First Nation, Politics/Public Policy, United States on 2018-12-03 01:40Z by Steven

The DNA Industry and the Disappearing Indian

TomDispatch.com: A regular antidote to the mainstream media
2018-11-29

Aviva Chomsky, Professor of History; Coordinator of Latin American, Latino and Caribbean Studies
Salem State University, Salem, Massachusetts

DNA, Race, and Native Rights

Amid the barrage of racist, anti-immigrant, and other attacks launched by President Trump and his administration in recent months, a series of little noted steps have threatened Native American land rights and sovereignty. Such attacks have focused on tribal sovereignty, the Indian Child Welfare Act (ICWA), and the voting rights of Native Americans, and they have come from Washington, the courts, and a state legislature. What they share is a single conceptual framework: the idea that the long history that has shaped U.S.-Native American relations has no relevance to today’s realities.

Meanwhile, in an apparently unrelated event, Senator Elizabeth Warren, egged on by Donald Trump’s “Pocahontas” taunts and his mocking of her claims to native ancestry, triumphantly touted her DNA results to “prove” her Native American heritage. In turning to the burgeoning, for-profit DNA industry, however, she implicitly lent her progressive weight to claims about race and identity that go hand in hand with moves to undermine Native sovereignty.

The DNA industry has, in fact, found a way to profit from reviving and modernizing antiquated ideas about the biological origins of race and repackaging them in a cheerful, Disneyfied wrapping. While it’s true that the it’s-a-small-world-after-all multiculturalism of the new racial science rejects nineteenth-century scientific racism and Social Darwinism, it is offering a twenty-first-century version of pseudoscience that once again reduces race to a matter of genetics and origins. In the process, the corporate-promoted ancestry fad conveniently manages to erase the histories of conquest, colonization, and exploitation that created not just racial inequality but race itself as a crucial category in the modern world.

Today’s policy attacks on Native rights reproduce the same misunderstandings of race that the DNA industry is now so assiduously promoting. If Native Americans are reduced to little more than another genetic variation, there is no need for laws that acknowledge their land rights, treaty rights, and sovereignty. Nor must any thought be given to how to compensate for past harms, not to speak of the present ones that still structure their realities. A genetic understanding of race distorts such policies into unfair “privileges” offered to a racially defined group and so “discrimination” against non-Natives. This is precisely the logic behind recent rulings that have denied Mashpee tribal land rights in Massachusetts, dismantled the Indian Child Welfare Act (a law aimed at preventing the removal of Native American children from their families or communities), and attempted to suppress Native voting rights in North Dakota

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Chyrstyn Fentroy — First Black Woman To Join Boston Ballet In A Decade — Debuts As Snow Queen In ‘The Nutcracker’

Posted in Articles, Arts, Media Archive, United States, Women on 2018-12-02 22:07Z by Steven

Chyrstyn Fentroy — First Black Woman To Join Boston Ballet In A Decade — Debuts As Snow Queen In ‘The Nutcracker’

WBUR 90.9 FM
Boston, Massachusetts
2018-11-30

Arielle Gray, Arts Fellow

Lasha Khozashvili and Chyrstyn Fentroy in Mikko Nissinen's The Nutcracker (Photo by Angela Sterling, courtesy of Boston Ballet)
Lasha Khozashvili and Chyrstyn Fentroy in Mikko Nissinen’s The Nutcracker (Photo by Angela Sterling, courtesy of Boston Ballet)

Artificial snow falls gently from the top of the stage of the Boston Opera House, encasing the space in an ethereal glittering glow. Beneath it dances Chyrstyn Fentroy as the Snow Queen, entwined in an elegant flow of limbs and carefully choreographed steps with the Snow King. The Boston Ballet is rehearsing for its opening night of “The Nutcracker,” the other worldly production based off of E.T.A Hoffman’s novella. Fentroy debuted as the Snow Queen on Thursday evening and will star in the role again on Sunday, Dec. 2.

Fentroy makes a stunning Snow Queen, traversing the stage in a series of light, precise steps. The role is a notable milestone for Fentroy, who has been deeply involved in the world of dance since she was old enough to walk. She tells me she’s the first black female dancer to join the Boston Ballet in the last decade.

Growing up as the daughter of two dancers in Los Angeles, Fentroy spent a lot of time in the dance studio. “’The Nutcracker’ specifically is something that’s kind of been a part of my life forever,” Fentroy told WBUR. “I grew up watching my mom do the Sugarplum Fairy variation and spent so many years in the wings watching performances.”…

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