Mixed Race Studies

The Afro-Latin@ Reader: History and Culture in the United States (review)

Callaloo
Volume 35, Number 2, Spring 2012
pages 548-551
DOI: 10.1353/cal.2012.0030

Daynali Flores-Rodriguez, Adjunct Professor of Spanish
Inter-American University of Puerto Rico

Jiménez Román, Miriam, and Juan Flores, eds. The Afro-Latin@ Reader: History and Culture in the United States. Durham: Duke UP, 2010.

Published a year before the United Nations declared 2011 the International Year for People of African Descent, The Afro-Latin@ Reader: History and Culture in the United States, takes a deeper look into the complex world of ethnic and race relations in America. Miriam Jiménez Román, the executive director of Afro-Latino Forum, a research and resource center for Black Latinos in the US, and Juan Flores, Director of Latino Studies at NYU, engage Afro-Latin@s as a population that “bridge various communities even as they constitute a community in their own right” (xiii). Similar to Henry Louis Gates’s Black in Latin America (2011) a four-part documentary series shown earlier this year on PBS that explores the influence of African descent in Latin America, The Afro-Latin@ Reader focuses “on the strategically important but still largely understudied United States context of Afro-Latin@ experience” (3). Both are proof of an emerging interest in transnational relations of race as a way to challenge the homogenizing effects of national and regional constructs of identity.

The complex history of ethnic and racial movements in the United States is traditionally framed within a socially-progressive agenda intended to reveal and denounce hidden histories of racialization, colonization, exploitation and social mobilization still experienced by many. In their zeal to be acknowledged and recognized as equals in mainstream society, ethnic and racial groups often articulate identity in terms that foster the same practices of cultural disenfranchisement these groups were denouncing in the first place.

Likewise, in Latin America, the myth of racial democracy based on “mestizaje” or mixed race, is still touted as one of the most defining traits of a pan-ethnic cultural identity. Since slavery was a systematic practice brought upon Latin America by European colonizers and later adopted and asserted by the United States (considered the ideological and practical heir of Europe), racial discrimination and prejudice is considered a foreign problem that attests to the immorality of imperialist and colonial practices and a strategic attempt to distract and divide Latin Americans from their common goal to resist these advances. Indigenous and black identities are accepted (in that order) as long as they do not compromise the traditional discourse of racial harmony that makes Latin Americans stand strong against the neocolonial threat, represented by the United States.

The editors of The Afro-Latin@ Reader: History and Culture in the United States make a compelling effort to reveal the subtle and complex negotiations of social identity that take place when these two paradigms clash. While oral narratives and testimonies are a common point of departure for historians and social scientists alike, the material included in the collection demonstrates an innovative approach that encourages readers to keep reflecting on the contributions made by Afro-Latin@s, far beyond the strict academic setting that so strongly divides experience from theory. Voices of the past acquire a new meaning for our own times. Arturo Alfonso Schomburg’s plea for the establishment of a Chair of Negro History in 1913 demonstrates his relevance as a pioneer for Black Studies and resonates stronger nowadays, where ethnic studies (specifically Latin@ and Chican@ studies) are threatened amidst accusations of reverse racism and/or the false premises of a post-racial America heightened by Barack Obama’s election in 2008. The essays by Jesse Hoffnung-Garskof and Evelyne Laurent-Perrault not only describe the world of tense racial coalitions and segregation Schomburg inhabited but how his legacy is kept alive and still facilitates the conversation about what it means to be an Afro-Latin@.

The strength of this collection is the diverse array of materials suitable for those reflecting comparatively on issues of race, ethnicity, and identity, whether for the first time or for the hundredth. The Afro-Latin@ Reader uses academic essays, memoirs, poetry, literature, interviews, Census statistics, short stories, music, film, and popular culture to establish a much needed conversation on the social othering of Latin@s…

Who Is Jamaica?

The New York Times
2012-08-05

Carolyn Cooper, Professor of Literary and Cultural Studies
University of the West Indies, Mona, Jamaica

DURING last week’s independence festivities, I took out my prized commemorative plate. It was a gift from the mother of a long-ago boyfriend who, incomprehensibly, complained constantly that his mother loved me more than him. Needless to say, he didn’t last.

Source: Wikipedia

The plate has a little chip, but it’s the spirit that counts: a little bit of tactile history. It features the Jamaican coat of arms. There is an Amerindian woman bearing a basket of pineapples and a man holding a bow. At school we were taught they were Arawak. These days, they are called Taino. But the distinction is academic.

The native people of Xaymaca, as the island was once called, are extinct. In their culture, the pineapple symbolized hospitality. Genocide was their reward for the welcome they gave Christopher Columbus. They survive only in the coat of arms and in the modest museum that is dedicated to their history. Perched above the man and woman is a crocodile. The reptile has fared better; its descendants live on.

Jamaica was one of the first British colonies to receive its own coat of arms, in 1661. The Latin motto grandly declaimed: “Indus uterque serviet uni” (Both Indies will serve one). From East to mythic West, colonial relations of domination were inscribed in heraldry. When we gained our independence from Britain, 50 years ago today, the motto was changed to “Out of many, one people.”

Though this might appear to be a vast improvement on the servile Indies, the new motto encodes its own problematic contradictions. It marginalizes the nation’s black majority by asserting that the idealized face of the Jamaican nation is multiracial. In actuality, only about 7 percent of the population is mixed-race; 3 percent is European, Chinese or East Indian, and 90 percent is of African origin.

It was my high school English teacher, Miss Julie Thorne, who first brought the fraudulence of the motto’s homogenizing racial myth to my attention. “Out of many, one people?” she asked the class. “Which one?”

In the highly stratified Jamaica of the 1960s, the white and mixed-race elite were the “one” who ruled the “many.”…

Read the entire opinion piece here.

Far Corner Of The Strange Empire Central Alberta On The Eve Of Homestead Settlement

Great Plains Quarterly
Volume 3, Number 2, Spring 1983
pages 92-108

William C. Wonders
University of Alberta

In the latter part of the nineteenth century, what is now central Alberta was a region in transition. For centuries the area had been inhabited by native Indian peoples, but with the advance of homestead settlement, it became a marginal part of what Joseph Howard has called the “strange empire,” a portion of the northern Great Plains that was marked by unrest at the end of one era and the beginning of another. The changes that affected the Red River Valley and later the Saskatchewan Valley had significant local repercussions in this far corner of the “empire,” the valley of the upper Battle River immediately south and east of Edmonton.

The fur trade provided the initial and dominant economic base for the European presence in the Canadian Northwest. It also contributed to the appearance of the mixed-blood people variously known as the métis, half-breeds, or country-born who played such an important role in it. Though they were soon submerged by the flood of incoming settlers, for a few decades in the late nineteenth century the metis made a distinctive but short-lived impact on the northern Great Plains. The focus here is on this transitional period between fur trade and homestead settlement in central Alberta, an area that is also transitional in its geographic character.

Read the entire article here.

Indigenous Nationalities and the Mestizo Dilemma

Indian Country Today Media Network
2012-07-24

Duane Champagne, Professor of Sociology
University of California, Los Angeles

Mestizo. Métis. Mixed bloods. Though clearly different, all these terms are used to racially classify people with Indian ancestry. However, the definitions vary—and none is wholly satisfactory.
 
Part of the problem is the widely varying histories of these people. The U.S. and Canada, for example, are settler states, where immigrants who took the land went on to form the majority. There, Indian and mixed-blood populations are a distinct minority.
 
However, many other countries like Mexico, El Salvador, Peru and Ecuador have majority mixed-blood and indigenous populations, or mixed-blood leadership over indigenous majorities. Here, indigenous and mixed-blood identities and political relations come into sharper focus.
 
Officially, racial classifications were officially discouraged in so-called Latin America after Spain lost control over most of its colonies there in the early 1800s. Just the same, many governments, like Mexico’s, promoted a mestizo national identity based on a mix of European and indigenous heritages. In the United States and Canada, we call this process assimilation.
 
In Mexico, by contrast, it is called mestizaje. Mestizaje policies ask Indigenous Peoples to join the national community and economy, adopt the Spanish language, and abandon their traditional tribal communities, culture, language and dress.

Read the entire article here.

Introduction: Passing, Imitations, Crossings

Humanities Research
Volume XVI. Number 1 (2010)

Monique Rooney, Lecturer and Honours Convenor
College of Arts and Social Sciences
Austrailian National University

When it was revealed that Anglo-Australian writer Helen Darville had passed as Ukrainian to publish a novel about the Holocaust, there was much public and scholarly debate about the nature of identity and the meaning of multiculturalism. Such ‘passing’ controversies have the capacity to unsettle everyday perceptions about personhood and about social classifications and identifications. The essays collected in this special issue of Humanities Research, ‘Passing, Imitations, Crossings’, explore the theme and act of ‘passing’ in a range of social, historical and cultural contexts. Put simply, passing is a type of border crossing, one that normally involves a movement from social disadvantage to advantage or from a socially stigmatised position to one that grants some privilege, or at least allows avoidance or evasion of group classification. Passing is distinct from other identity performances in that it generally refers to a surreptitious transgression of widely accepted social practices. That is, the passer normally masks the fact of his or her ‘true’ identity—he or she might rely on subterfuge or might remove him or herself from a telling context or simply suppress information that might lead to disclosure of his or her identity—in order to cross social boundaries. In the case of African-Americans, passing for white historically entailed crossing the social divide that separated black and white according to changing cultural, scientific and legal measurements of what constituted racial identity. As St Clair Drake and Horace R. Cayton observed in their study of African-American social life in Chicago’s South Side in the 1930s, ‘there are thousands of Negroes whom neither colored nor white people can distinguish from full-blooded whites, it is understandable that in the anonymity of the city many Negroes “pass for white” daily, both intentionally and unintentionally’. The prospect of passing multiplies in societies in which the often anonymous flow of people sets the scene for opportunism, masquerade and other forms of role-playing. There are women who have cross-dressed as male to publish books or participate in war and gays and lesbians who have passed as straight to avoid homophobia. There are those who pass out of necessity, to escape war or life-threatening discrimination, and those who pass for greater gain or simply for the thrill of experiencing life on the ‘other side’, as passing provides the opportunity to temporarily or permanently depart from a designated identity.

The transport and communications revolution that took place in the United States at the end of the nineteenth and in the early decades of the twentieth centuries—a time also of great movement and mixing of diverse social groups in American cities, as well as a period of new strictures and the terrors of lynching—created a fertile context for passing. The many fictional and sociological recordings of African-Americans who ‘passed as white’ to cross the colour line, from the middle of the nineteenth century through to the 1950s and 1960s—when African-Americans began to win civil rights—suggests how prevalent the act was in a US context. In his encyclopedic study of ‘inter-racial’ themes in US history, Werner Sollors differentiates the passer from the parvenu (the social climber or upstart). While the act of passing potentially encompasses ‘the crossing of any line that divides social groups’—and Everett V. Stonequist argues that ‘passing is found in every race situation where the subordinate race is held in disesteem’—Sollors’ study locates the phenomenon firmly in US social history. In particular, Sollors connects passing with the burden of racial ancestry for the descendents of slaves. While the general expectation is that newly arrived immigrants will gradually assimilate, the descendents of slaves—in what Sollors calls America’s ‘hypodescent’ system—have been treated as members of a caste. African-Americans have been subject to a form of ‘ancestor-counting’ that reduces personhood to a racial part…

Read the entire article here.

“Recoil” or “Seize”?: Passing, Ekphrasis and “Exact Expression” in Nella Larsen’s Passing

Enculturation: A Journal of Rhetoric, Writing and Culture
Volume 3, Number 2, Fall 2001

Monique Rooney, Lecturer and Honours Convenor
College of Arts and Social Sciences
Austrailian National University

Part One: Deep Nothing

Mona Lisa’s famous smile is a thin mouth receding into shadow. Her expression, like her puffy eyes, is hooded. The egglike head with its enormous plucked brow seems to pillow on the abundant, self-embraced Italian bosom. What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear.

—Camille Paglia

Camille Paglia’s analysis of “Mona Lisa,” the “world’s most famous painting” (155), plays on the ambiguous meaning of the spectacle—the visual image—in reading and writing practices. “Mona Lisa,” for Paglia, is an exemplary instance of the fascination and the anxiety surrounding the menacing power of the visual in Western epistemologies. She is an icon that is not only, as Paglia writes, “eternally watching” (154), she is also eternally watched. The Mona Lisa’s enigmatic smile displays but also dissembles the narcissism attributed to the feminised image. The portrait is often read as a nothing in and of itself but a something if it gestures, as the Mona Lisa’s smile appears to, towards the unreadable. Traditionally a sign of the “Mona Lisa”‘s intangibility, the smile in Paglia’s reading autoerotically evokes elusiveness through secrecy and distance (“receding into shadow”). The “Mona Lisa” wallows in this solipsism: she is “self-embraced” and enormous within the enclosure. Characteristically, Paglia’s polemic repudiates a more mysterious Mona Lisa beyond the surface of the painting, or a “thinking” woman who possesses an unreadable, interior, depth which transcends the limitations of the body. Her trivialisation of the much studied mysterious smile as hiding “nothing” is contradicted, however, by a close-up reading of the painting’s depth; she emphasises the “thin mouth receding into shadow,” the “hooded” eyes and the pillowed “brow.” The portrait overall evinces a grim determination to efface the representation of the feminine as vagina dentata, the toothed vagina or castrating woman. A disappearing line, the image retains its menacing reputation. For Paglia, the Mona Lisa’s threat is that she passes as an enigma.

Paglia’s ekphrasis of the famous face is of a partly open, partly closed surface. The description of deep “nothing” threatens the authority of the looking subject and is also thoroughly engaged in the pleasure of reading. According to Susan Stewart, it is an alluring opacity which places the human face at the centre of representations of subjectivity. “Because it is invisible,” writes Stewart, “the face becomes gigantic with meaning and significance” (125). The face is only ever visible to the other and it is a visibility that is elusive, revealing “a depth and profundity which the body itself is not capable of” (125). The eyes and mouth create the appearance of “depth,” as “openings onto fathomlessness, they engender the fearful desire to ‘read’ the expression of the face, for this reading is never apparent from the surface alone; it is continually confronted by the correction of the other” (127). The face appears to withhold its full meaning through openings such as the eyes and the mouth, stimulating the reader’s questing gaze which is always disrupted and fragmented by the broken surface. The act of looking, for Paglia and Stewart, delineates a process between subject and object which does not get beyond the surface but which generates meaning nonetheless…

…The passer is an objectified subject (for example black, female, homosexual) who refashions identity according to a superficial reading, or surface impression. In order to pass, the passer manipulates the body and the gaze so as to become legitimate. For example, the lightskinned black who passes for white synecdochically substitutes one part of the body (i.e., white skin) for the complete body (i.e., white identity). Passing for white utilises white skin as a part that stands in for a non-white body. This draws attention to two important aspects of racial identity. Firstly, the visible surface of the body is not necessarily a reliable or stable signifier of the body as a conclusively knowable entity. Secondly and contradictorily, for the passer, as an otherwise marginalised (because racialised) subject, the body’s visible surface becomes the central locus of an epistemology of identity, precisely because the body is misread as white. For the opportunistic passer, white skin functions as the point of a fraudulent entry into proper subjectivity and this inauguration (based on part not whole) destabilises the meaning of subjectivity per se. The white-looking-black proves the primacy and the ubiquity of skin as a visual surface that registers individuals as an identity, as the passer’s skin becomes a surface which dissembles a personal and social “black” history. In this sense, passing-for-white relies on skin as a bodily limit that opens up the possibility and privilege of being read and treated as white (and as a mainstream subject) but also punishingly closes the body’s past, its black heritage and history…

…Part Two: Reading and Writing the Passer

The passer is thus an enigma, a subject who is marked through his/her indeterminacy and whose attempt to escape categorisation is made visible in the passing narrative. This tension is explored in Nella Larsen’s Passing (1929), a novella which thematises both the racial and sexual passer (201). Passing is the story of two women, Clare Kendry and Irene Redfield, who are reunited after a long separation. Irene who occasionally passes for white tells Clare’s, the permanent passer’s, story. Irene lives in Harlem with her husband and her two sons where she does conscientious “race work” for the black community. Once childhood friends in their hometown Chicago, Irene and Clare are accidentally reunited while Irene is holidaying in Chicago and visiting her father. It is on this occasion that Irene discovers that Clare is passing for white and married to a racist white financier, John Bellew. Disturbed at finding Clare is passing for white, Irene discourages Clare’s desire for renewed friendship even though Irene can, and occasionally does, pass for white herself. Irene’s passing position is to some extent faceless (as narrator Irene evades self-description) whilst Clare’s passing body is obsessively and erotically pictured. In Passing, the permanent passer is spectacularised through the gaze of the casual passer who already partly knows what he/she looks for. As Edelman writes: “the fact of our ability to catch a glimpse of it [the faceless face of the homosexual] here bespeaks the possibility that we might not have done so had we not been prepared to identify what otherwise has the ability to ‘pass'” (219). Irene’s evasion is, typically, unsustainable: Clare eventually follows Irene back to Harlem where she becomes dangerously involved with Irene, her family and the “black” community. It is there that Clare’s hidden racial identity is eventually outed to her white husband. This outing, or what Butler refers to as a “killing judgment” (175), threatens Irene’s exposure and climaxes in her murder of Clare…

Read the entire article here.

More Than A Few Words About Post-War German Cinema, Race and ‘Toxi’

Shadow and Act: On Cinema of the African Diaspora
2012-08-01

Sergio Mims, Staff Writer

For anyone interested in foreign films, one of the most interesting periods of German filmmaking was the post war period between 1946 to the mid 1960’s.

In effect, only two types of films were being made: pure escapist film such as musicals and comedies that were designed to make the audience complete forget the ugly events of the recent past. But then there were films such as The Lost One, Germany Year Zero, and Murderers Among Us which explicitly dealt with the aftermath of the horrors of World War II and Germany’s guilt and its repercussions.

But of all the films, one of the most fascinating, and worthy of rediscovery, is the 1952 film Toxi co-written and directed Robert Stemmie, who was major and very successful successful director of the period. It was one of the very few German films made then, and even now, which seriously tried to deal with race. No doubt a very touchy and controversial subject considering Germany’s Nazi “racial purity” agenda.

For years the film was very difficult to see. I first saw it a couple of years ago during a film series of post war German films. However, the film has been recently remastered and released on DVD and is available from the DEFA Film Library DVD series from the University of Massachusetts Amherst.

The film centers around an abandoned German “occupation baby”, which was the term for children of U.S, soldiers stationed in Germany after the war and German women, who were abandoned by their parents. It was estimated that there were some 3000-5000 of these children, many of whom were biracial.

The lead actress, who was six years old when she made the film, was Elfie Fiegert who was herself an “occupation baby” left by both her parents and adopted by a childless German couple who renamed her…

Read the entire review here.

Is Obama Now Black (Enough) Because He’s White?

The Huffington Post
2012-08-02

Marcia Alesan Dawkins, Visiting Scholar
Brown University

With the November election less than 100 days away, the Obama campaign continues to come up against questions about the president’s racial identity. Most recently, reports that the president is “passing,” or claiming that he’s representing himself as a member of a different racial group than the one(s) to which he belongs, have resurfaced. For instance, actor Morgan Freeman recently told NPR, “America’s first black president hasn’t arisen yet. He’s not America’s first black president — he’s America’s first mixed-race president.” The logic I see behind such claims is twofold. First, the president is not really African American because his American mother is white (and, by extension, his ancestors were not enslaved). Second, that “mixed-race” and “black” are mutually exclusive ways of being…

…The revelation that the president and his mother are descendents of the “first slave” provides us all with an opportunity to acknowledge racial relationships with all their problems and awkwardness. Perhaps now, rather than merely questioning the president’s racial identity, we can pose bigger questions about the meanings of race. Questions like: Is slavery still the defining experience of African American identity? If so, who says so? Is any racial identity—multiracial, African American, white—better understood as an idea that can change over time? Wouldn’t it be real progress to admit that an increasing number of people who identify with monoracial identities like black and white might also be mixed? How do we deal with the too often painful history of racial mixing in African American communities? How many families that we know as white might actually come from a history of racial mixing and passing?…

Read the entire article here.

Is Being Biracial an Advantage for Obama?

ABC News
2008-03-21

Emily Friedman

The son of a black man and a white woman, Sen. Barack Obama, D-Ill., says he’s seen and heard it all.
 
From his grandmother’s fear of black men on the street to his former pastor’s perceived anti-American rants, Obama said Tuesday that after a lifetime straddling the line between black and white he remains hopeful that a “more perfect union” is, in fact, possible.
 
Several biracial individuals with similar backgrounds agreed that living both sides of the racial experience may offer an unique perspective on bridging the racial divide.
 
“All of us who have those experiences are given the gift of a life lesson in bridging artificial divisions to arrive at common hopes and values,” said Lise Funderburg who is biracial and the author of “Black, White, Other: Biracial Americans Talk About Race and Identity.”
 
“All of us who have that background have the opportunity to make this positive thing out of it, and Obama has seized that opportunity,” Funderburg said.
 
But not everyone was certain Obama’s views and motives were were so clear cut. Biracial writer Shelby Steele told ABCNEWS.com that he thinks Obama’s use of his background was “disingenuous.” He believes the ruminations about mixed heritage show Obama to be not an expert but rather a man confused about his racial identity.
 
“Obama is a black man with a white mother. Being biracial is an impossibility,” said Steele, who said that no matter what, when Obama walks down the street he is viewed as a black man. “How could you possibly live as both? If you didn’t know his mother was white, you’d say he’s black and you wouldn’t have a second thought.”
 
“He’s confused,” said Steele of Obama. “Are you really black or are you playing the biracial card?”
 
Henry Louis Gates Jr., professor and director of the WEB Du Bois Institute for African and African American Research at Harvard University, is considered one of the country’s leading black intellectuals and he believes politics was the major motivation at play in the Tuesday appeal…

…Being biracial, said Funderburg, allows a person insight into two very different worlds … a useful tool when trying to mediate issues between them…

Read the entire article here.

Mixed Messenger
The New York Times
2008-03-23

Peggy Orenstein

A few weeks ago, while stuck at the Chicago airport with my 4-year-old daughter, I struck up a conversation with a woman sitting in the gate area. After a time, she looked at my girl — who resembles my Japanese-American husband — commented on her height and asked, “Do you know if her birth parents were tall?”

Most Americans watching Barack Obama’s campaign, even those who don’t support him, appreciate the historic significance of an African-American president. But for parents like me, Obama, as the first biracial candidate, symbolizes something else too: the future of race in this country, the paradigm and paradox of its simultaneous intransigence and disappearance.

It’s true that, over the past months, Obama has increasingly positioned himself as a black man. That’s understandable: insisting on being seen as biracial might alienate African-American leaders and voters who have questioned his authenticity. White America, too, has a vested interest in seeing him as black it’s certainly a more exciting, more romantic and more concrete prospect than the “first biracial president.” Yet, even as he proves his black cred, it may be the senator’s dual identity, and his struggles to come to terms with it, that explain his crossover appeal and that have helped him to both embrace and transcend race, winning over voters in Birmingham, Iowa, as well as Birmingham, Ala…

…But the rise of multiracialism is not all Kumbaya choruses and “postracial” identity. The N.A.A.C.P. criticized the census change, fearing that since so few in the black community are of fully African descent, mass attrition to a mixed-race option could threaten political clout and Federal financing. Mexican-Americans, a largely mixed-race group, fought to be classified as white during the first half of the 20th century; during the second half, they fought against it.

Among Asians, Japanese-Americans in Northern California have argued over “how Japanese” the contestants for the Cherry Blossom Queen must be (the answer so far: 50 percent, which is less rigid than San Francisco’s Miss Chinatown U.S.A., whose father must be Chinese, but more strict than the 25 percent Chinese required to be Miss Los Angeles Chinatown)…

Read the entire article here.