Mixed Race Studies

Ivey describes herself as ‘Trayvon Martin’s mom’

The Baltimore Sun
2013-10-14

Erin Cox

(Lloyd Fox / Baltimore Sun)

Gansler’s running mate is first African-American woman to seek lieutenant governor post

After Del. Jolene Ivey told a Baltimore crowd she hopes to be Maryland’s first African-American female lieutenant governor, she discussed what it means to be a fair-skinned black woman whose racial heritage is often questioned.

Ivey, 51, is the daughter of a white woman who was raised by her black father and stepmother. She said her racial heritage was the “No.1 issue” when she launched her first political campaign in 2006 — repeatedly being asked by voters to “clarify” her racial identity.

“As much as I’d like to believe that we’re in a post-racial country, we’re not,” Ivey said during an interview after Democrat Douglas F. Gansler announced her as his running mate in the 2014 race for governor.

The Prince George’s County lawmaker emphasized her roles as a black woman and mother of five boys. “I am Trayvon Martin’s mom,” she said…

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The symbolics of blood: Mestizaje in the Americas

Identities: Global Studies in Culture and Power
Volume 3, Issue 4, 1997 (Special Issue: Race and Place)
pages 495-521
DOI: 10.1080/1070289X.1997.9962576

Carol A. Smith, Professor Emerita of Anthropology
University of California, Davis

Mestizaje, a significant process of identity formation in Latin America based on presumed race mixture, rests on certain sustaining ideologies about race, class, gender, and sexuality that are specific to Latin America. This essay attempts a preliminary discussion of how mestizaje has affected marriage and gender relations in several Latin American regions as the marital/kinship pattern, together with its sustaining ideologies, changed over time. Questions are asked about differences in beliefs held by different kinds of individuals (mestizos and “whites,” lower classes and elites, women and men) about mestizaje and the sexual and/or kinship relations appropriate between different races and classes. Examination of a few well documented historical cases suggests that what lower-class mestizos believe about race, class, gender, and sexuality involves resistance to as well as acceptance of elite beliefs about them. It appears that there are also significant differences in beliefs held by mestizo women and men about appropriate female and male sexuality, though we have less information about this.

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American Sons & Daughters: Mixed Race, Identity in Southern California

KCET Television
Burbank, California
2013-12-04

Susan Straight, Professor of Creative Writing
University of California, Riverside

This is how we began. I looked out at the 300 faces before me and said, “How many of you in this classroom are often asked, in a bar or a store or at a party, What are you?” Maybe a hundred young people raised their hands, and they couldn’t believe that’s what we would spend ten weeks talking about.

“People will guess, all the time, and they’re never right,” one young woman said.

“People think I’m black because of my hair. But I’m Ashkenazi Jewish,” a young man said.

“People think I’m Asian because of my eyes,” someone else said.

“My son is really light, because he’s Mexican-Irish,” said Arely, who is Mexican-American, standing in front of the class and showing her children from a cell phone photo onto the screens. “But my daughter is darker, since she’s Mexican-Colombian, and everyone talks about that. I already know how hard that’s going to be for her.”

The class is “The Mixed Race Novel and the American Experience.” But of course we didn’t talk only about books — we talked about who we are, how America sees us, how our families see us, and most importantly, how we see ourselves. We talked about America’s ongoing obsession with hair and melanin, about what it means to be undocumented, what it means to be a mother, what it means to witness a murder or to lose a dog. But all those discussions began with what it means to be of mixed racial and cultural heritage, and many students in this class at UC Riverside say this was their first time ever talking about these very personal things in an open forum…

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Uncovering records that link the slaveholder and enslaved

Examiner.com
2013-12-02

Robin Foster

In “Untangling the slaveholder and enslaved relationships,” several questions were raised about a possible link between Anderson Chick and Pettus Chick after it was discovered that Anderson and his mother, Eliza, lived next door to the Chick family for decades. If you are on a quest to determine if slavery links two family groups in your research, this article will provide clues that may help you.

Oral history

Review the stories about slavery that were passed down in your family. Small clues can point to records that might validate any theories. In the case of Pettus Chick, a great nephew actually shared some information that provided insights about which direction to take next.

According to the story shared, Pettus Chick and Sarah never had any children; he supposedly had a child by an enslaved woman. Pettus and Anderson appear on both the 1870 and 1880 US Censuses living in Goshen Hill, Union County, South Carolina. Pettus did not appear in 1900. Sarah was widowed. So what records would you turn to fill the gap between 1880 and 1900 when Pettus died?…

…While the will alone does not prove Pettus was the father of Anderson, it does validate the theory that Pettus was a former slave owner and had close ties to Eliza and her two oldest children. It also sheds light on why Anderson changed his name between 1880 and 1900 from Eigner to Chick…

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Jessie Fauset’s Plum Bun and the City’s Transformative Potential

Legacy: A Journal of American Women Writers
Volume 30, Number 2, 2013
pages 265-286
DOI: 10.1353/leg.2013.0031

Catherine Rottenberg, Assistant Professor
Department of Foreign Literatures and Linguistics and the Gender Studies Program
Ben-Gurion University, Beer-Sheva, Israel

We are mainly indebted to writers of fiction for our more intimate knowledge of contemporary urban life. (3)

Robert E. Park, “The City,” 1925

In a moment of accumulated outrage at the humiliations of everyday racism, Angela Murray, the protagonist of Jessie Redmon Fauset’s 1928 novel Plum Bun, decides to leave what she considers her staid hometown of Philadelphia and launch herself “into a freer, fuller life” that can be had only in a truly great city like New York (80). To avail herself of the greatest possible freedom, she also chooses to cross the color line and pass as white. This is a decisive—if expected—moment in the text, and the rest of the narrative details the various repercussions of Angela’s daring decision to set off as an unfettered woman. Fauset’s novel thus traces Angela’s movement over time and space: from her early years in a respectable black neighborhood in Philadelphia, through her adventures as a young woman passing as a white artist in bohemian Greenwich Village, and eventually to reclaiming her racial identity and moving to Paris to pursue her art. At the novel’s conclusion, Angela is coming into her own as a portrait artist and has been reunited with the love of her life, Anthony Cross.

Set exclusively in various and increasingly cosmopolitan city spaces—from Philadelphia to New York City to Paris—Fauset’s novel participates, at least to some degree, in the “urban aesthetics” of Harlem Renaissance literature that Maria Balshaw details in Looking for Harlem. In her book Balshaw considers the then-nascent discipline of urban sociology as practiced by thinkers such as Robert E. Park, whose words serve as the epigraph to my essay, and Charles S. Johnson. She demonstrates that their progressive ideas about urban space formed an important background to the optimism of the Harlem Renaissance (23). Yet Balshaw does not discuss Fauset’s work at any length, despite the fact that Plum Bun—like Nella Larsen’s Quicksand and Passing—clearly takes part in the ongoing debate about “the embeddedness of African American women in consumer culture and in the city” (97, emphasis added). Because Plum Bun engages in important ways with both urban aesthetics and the concerns of urban sociology, I will demonstrate that the novel can be read as raising crucial and timely questions about the emancipatory potential of urban space for upwardly mobile black women.

By emphasizing the centrality of city space in Plum Bun, I add a new dimension to literary criticism on Fauset while reinforcing Kathleen Pfeiffer’s claim that the novel’s narrative is “neither anachronistic nor marginal” but rather modern, complex, and worthy of serious scholarly attention (80). Susan Tomlinson has convincingly argued that Plum Bun “explores the intersections of race and gender constructions of black and white American women” (90). Angela Murray, Tomlinson suggests, manages to emulate two norms of womanhood: that of the New Negro Woman—characterized by racial pride and sexual respectability—and that of the New Woman—characterized by sexual experimentation and the pursuit of a public career. Yet, according to Tomlinson, not until the novel’s end—when Angela is in Paris, has disclosed her racial identity, and begins to devote herself to her artistic career—”do both gender and racial advancement coalesce in the unified female subject” (90). The impossibility of combining these norms in one female subject in turn reveals their contradictions and mutual exclusivity. Cherene Sherrard-Johnson makes a similar point, suggesting that the passing character as artist is the locus of Fauset’s oscillation between advocating an avant-garde womanhood and endorsing a more conventional New Negro womanhood (Portraits 49). Pfeiffer, on the other hand, examines the narrative in light of its even larger cultural context, suggesting that Fauset uses passing as a way to reflect on “the multivalent transformations in which white American culture at large was then participating” (80). Defending Plum Bun from critics who have summarily dismissed it, Pfeiffer claims that the novel is deeply invested in the larger philosophical question preoccupying contemporaneous US intellectuals, namely, whether “absolute freedom aid[s] or obstruct[s] the development of meaningful identity” (79). Fauset consequently records a general…

Trope Theory, Cane, and the Metaphysical Case for Genre

Genre
Volume 46, Number 3 (Fall 2013)
pages 239-263
DOI: 10.1215/00166928-2345605

Katie Owens-Murphy
Department of English
University of Minnesota, Duluth

Although we rely regularly on genre as a conceptual apparatus for our scholarship and course offerings, genre studies as a theory and methodology has never quite recovered from the opposition of Jacques Derrida, whose well-known essay “The Law of Genre” (1980) accused literary taxonomies of distorting the inherently indeterminate meanings of texts by imposing arbitrary restrictions, or “laws,” on our reading practices. This essay surveys the major objections to genre criticism lodged by its principal critics (especially Derrida) before introducing and advocating “trope theory,” a concept from a branch of analytic philosophy called metaphysics, in response to these objections. It then provides a sustained formal analysis of Jean Toomer’s Cane (1923) to demonstrate trope theory’s superior ability to account for generically hybrid narrative texts and its ability to yield a seemingly infinite number of readings and interpretations.

Read or purchase the article here.

Patterns of self-harm and attempted suicide among white and black/mixed race female prisoners

Criminal Behaviour and Mental Health
Volume 13, Issue 4 (November 2003)
pages 229–240
DOI: 10.1002/cbm.549

Jo Borrill
Division of Neuroscience and Psychological Medicine, Imperial College of Science Technology and Medicine
University of London

Rachel Burnett
Division of Neuroscience and Psychological Medicine, Imperial College of Science Technology and Medicine
University of London

Richard Atkins
Psychology Subject Group
Thames Valley University

Sarah Miller
Division of Neuroscience and Psychological Medicine, Imperial College of Science Technology and Medicine
University of London

Daniel Briggs
Division of Neuroscience and Psychological Medicine, Imperial College of Science Technology and Medicine, University of London

Tim Weaver
Department of Social Science and Medicine, Imperial College of Science Technology and Medicine
University of London

Professor Anthony Maden
Division of Neuroscience and Psychological Medicine, Imperial College of Science Technology and Medicine
University of London

Aim

The aim was to investigate ethnic differences in lifetime self-harm and attempted suicide in women prisoners, and to examine relationships between self-harm, suicide and substance use and dependence.

Background

Previous studies have suggested that there may be ethnic differences in the proportion of prisoners reporting substance misuse, self-harm and attempted suicide, although relatively few minority ethnic women have been studied in the UK. This study examines drug and alcohol dependence in white and black British women in prison, and explores possible associations with self-harm, suicide attempts, and family violence.

Methods

301 women (190 white, 111 black or mixed race) were interviewed in ten prisons from different parts of England. Measures included the Alcohol Use Disorders Identification test (AUDIT), the severity of Dependence Scale (SDS), section C (suicidality) of the MINI International Neuropsychiatric Interview.

Results

Half of the women in the sample reported at least one act of self-harm in their life and 46% reported making a suicide attempt at some time. Lifetime self-harm was associated with a history of harmful drinking and with being a victim of violence, including physical assault, sexual assault and violence from family and friends. Lifetime suicide attempts were associated with reported violence from family or friends. Current high suicide risk was most common among women on remand.

Drug dependence and reported violence from family or friends were both more common amongst white women than black/mixed race women. Self-harm and attempted suicide were generally more common among white women, but black/mixed race women dependent on drugs had the highest proportion of women reporting self-harm. There was tentative support for three-way association between ethnicity, dependence and self-harm; this raises the possibility that drug dependence may be a predictor of self-harm in the black female prison population, which is worthy of further investigation.

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UCLA receiver Thomas Duarte proud of biracial heritage

Los Angeles Daily News
2013-11-25

Jack Wang, Staff Reporter

The smell hits him three or four blocks away.

Thomas Duarte is coming back from a run around his Orange County neighborhood, and the day is hot enough that the windows of his house have been cracked open.

What that smell actually was, though, depended on the day.

“We always had tamales around,” said the UCLA receiver. “That was probably my favorite. Coming around wintertime, that’s pretty much what I think about when it comes to food around the house.”

Ordinary by itself, but consider some of the other Duarte household favorites: teriyaki chicken, fried rice, sushi. The platter tends to be diverse when you’re the son of a Mexican-American father and a Japanese-American mother.

When Duarte was about five years old, his father Tim brought home a whole, freshly caught albacore that a friend had just fished from the pier. As he cut thin slices on the kitchen counter, Thomas approached eagerly. He ate a piece and loved it.

“If that’s not in the blood, I don’t know what is,” Tim said…

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The Symbolic Power of Color: Constructions of Race, Skin-Color, and Identity in Brazil

Humanity & Society
Volume 35, Numbers 1-2 (February 2011)
pages 62-99
DOI: 10.1177/016059761103500104

Marcia L. Mikulak, Associate Professor of Anthropology
University of North Dakota

Some current cultural anthropologists define race as a social construct, yet explorations of the socio-historical constructions that give form and structure to racial identities perpetuating notions of “race” are rarely discussed. This study explores the theory of racial formations proposed by Michael Omi and Howard Winant as it applies to Brazil’s racial project, arguing that Brazil’s rhetoric on race and national identity during the late 19th to early 20th century culminated in a racial project ultimately known as democracia racial. As a result, I propose that Brazilian racial consciousness is symbolically pluralistic, encompassing race, social class, and social position, generating a particularly virulent, yet silent form of racism. I expand upon racial formation theory through analysis of my fieldwork carried out in Belo Horizonte, Minas Gerais, in 2004. This analysis illustrates how contemporary Brazilian social structure and daily cultural discourses on race, skin-color, racial identity, and social marginalization reflect the nation’s early racist ideology, yet contest its reality. Informants discuss self-identifications of skin-color, the meanings attributed to color tonalities, and the impact racism has on their daily lives.

Read or purchase the article here.

Book review: The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television

Film Ireland
Temple Bar, Dublin, Ireland
2013-11-19

Sarah Griffin

Zélie Asava, The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television (Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, 2013)

Sarah Griffin welcomes Zélie Asava‘s book that applies divergent theoretical concepts of Irishness, whiteness, gender and the particular place of the ‘other’ to the ‘conceptual whiteness of Irishness itself’.

While the intricacies of white and non-white filmic representation has been a subject of much study, most particularly in relation to Hollywood’s output, there has been less focused investigation into the particular relationship Ireland has to its own ‘whiteness’ and how that translates on our big and little screens.  Zélie Asava does so here, bringing together theorists and researchers from disparate decades and tying their ideas to a particularly Irish situation—a country that has only begun to integrate the multicultural nature of a relatively recently expanded populace.  From Sigmund Freud’s ‘return of the repressed’, Julie Kristeva’s abjection, Richard Dyer’s seminal contributions to the study of whiteness, and Judith Butler’s performativity, to the more recent work of Diane Negra on ‘off-white Hollywood’ and a compendium of Irish contributors, Asava blends theorists and personal experience (as an Irish/Kenyan actor) to position herself at the front line.  This book provides a welcome opportunity to apply divergent theoretical concepts of Irishness, whiteness, gender and the particular place of the ‘other’ to, as she calls it, “the conceptual whiteness of Irishness itself”…

Read the entire review here.