Mixed Race Studies

6 things I wish people understood about being biracial

Vox
2015-03-11

Jenée Desmond-Harris, Race, Law, and Politics Reporter

According to the results of a DNA test I took recently, my ancestors on my father’s side are mostly from West Africa (via Arkansas), and the ones on my mom’s side come from Europe. When strangers inquire about my racial background, I tend to try to de-escalate their interest. I say things like, “I’m just your run-of-the-mill mixed person with a white mom and a black dad.” In other words: nothing super exotic. Nothing to see here.

Why am I so dismissive? I’m a little self-conscious about engaging in excessive navel-gazing regarding my racial identity. It hasn’t been particularly difficult for me to manage. If anything, it may have made life easier for me and meant I’ve encountered less racism than people who have two parents who identify as black. I definitely don’t consider myself a “tragic mulatto.”

And with 9 million Americans selecting more than one race on the last Census — not to mention a president who has a white mother and a black father — it’s hard to argue that being “mixed,” “multiracial,” or “mulatto” (I’ve been called all of those) in 2015 is really all that unusual.

But I can’t deny that as long as race and racism are hot topics in our culture, biracial and multiracial people will continue to be a source of curiosity and fascination. Confession: even I find myself looking a little longer at mixed-race families on the streets of Washington, DC, craning my head to see which parent the children resemble most and wondering how they’ll see themselves. As a writer, I’ve been amazed by the way articles about interracial couples, families, or biracial children intrigue readers every single time. My guess is that it’s because these stories provide fodder for people to grapple with the nuances of their own identities and push the limits of racial categories, which is itself sort of fascinating.

So there’s nothing wrong with the continued curiosity about the experience of biracial people — whether their parents identify as black and white or some other combination society sees as interesting — but there are a few things I’d like people to know about those of us who are living it…

Read the entire article here.

EXCLUSIVE: Michelle Obama’s mother was worried about her daughter marrying a biracial man

The New York Daily News
2015-03-18

Celeste Katz

Long before Michelle Obama became First Lady, her mother had misgivings about her marrying a young man named Barack Obama — because he was biracial.

In a Chicago TV interview that aired during Obama’s 2004 U.S. Senate campaign — and newly resurrected by Michelle Obama biographer Peter Slevin in a book due out next month — Marion [Marian] Robinson confessed to being “a little bit” wary about her future son-in-law being the product of a white mom and black dad.

But it could’ve been worse, according to Robinson…

Read the entire article here.

Fifteen Projects Selected for Tribeca Film Institute All Access Grants

Filmaker
2015-03-19

Scott Macaulay, Editor-in-chief

Fifteen works — scripted, documentary and interactive — were selected today for the Tribeca Film Institute‘s All Access program, which offers grant monies and other non-monetary support to projects by creators from statistically underrepresented communities. The projects were chosen from a submission pool of 710 entries. In addition to the 15 projects, two filmmakers from the LGBT community were chosen to take part in TFI Network Market, a one-on-one industry meeting forum, with their feature films. They are Ingrid Jungermann, a 25 New Face appearing with her project Women Who Kill, and Hernando Bansuelo, with Martinez, CA.

The complete list of selected projects, from the press release, is below…

… So Young So Pretty So White: Directed by Chanelle Aponte Pearson and Terence Nance; produced by Yaba Blay and Michelle Serieux. Weaving together the lives of several compelling men and women from across the globe, the film is a window into the world of skin bleaching, unveiling what drives people to lighten their skin and the complex factors that make it difficult to stop…

Read the entire article here.

Scholar’s debut novel ties black, Native-American history

The Detroit Free Press
2015-03-22

Cassandra Spratling

Tiya Miles got it honest.

Straight from her grandmother’s garden. That knack for telling stories that pull at your heartstrings.

“I’m one of those people who had a storytelling grandma,” says Miles. “We’d be in the garden or snapping peas on the porch and my grandma would be telling stories, about life in Mississippi, about how the family lost their farm to a white man, about how they came up North on a train. Those stories riveted me and they shaped me.

“If my grandmother had had my life, she would have won three MacArthur Fellowships,” Miles says of her grandmother, the late Alice King.

But it was Miles, 45, who was granted a prestigious MacArthur Fellowship in 2011, and it was that award that gave her the shot of confidence she needed to up her game and write her first novel, which will be released next month.

Friends and coworkers at the University of Michigan are hosting a book launch party for “the Cherokee Rose” (John F. Blair, $26.95) Tuesday…

…Not that she doesn’t greatly appreciate the fellowship that annually doles out a ton of money to selected people in a variety of areas so that they can pursue their areas of interest, unencumbered by money woes.

Without it, she doubts she would have completed “the Cherokee Rose,” a novel that uses three modern day women to take readers on a haunting, sometimes horrific, but redemptive journey to a little-known past on a Southern plantation where Native-American and African-American lives were intertwined. In the process, the women make unexpected connections to one another and others…

Read the entire article here.

Miss Universe Japan — spectacle, race, and dreams

Grits and Sushi: my musings on okinawa, race, militarization, and blackness
2015-03-19

Mitzi Uehara Carter

The newly crowned Miss Universe Japan is Blackanese. No, she’s Japanese. No, she’s Haafu. Multiracial? Mixed? Japanese enough to represent Japan in a silly beauty contest? Ariana Miyamoto is from Nagasaki, Japan and her win has whipped up both excitement and disdain. The issue of representation has emerged yet again for those anxious about the nation’s performance on the global beauty stage. National beauty pageants are always a site where race and gender intersect in messy ways and the spectacle of “national authentic beauty” in international pageants can be even more convoluted. Miyamoto’s racial difference has sparked a series of interesting questions about how to identify “Japaneseness” through the body of women.

Weather you’re a pageant supporter or not, you can’t ignore how potent the social commentary these kinds of wins can be in everyday discourse. A careful analysis can tell us more about the framing of race in mainstream Japanese and transnational media circuits. While people outside Japan seem to be generally fascinated by the fact that this Japanese woman with her obvious African ancestry has been named “Ms. Universe Japan,” the commentary in Japanese social media is a bit more varied and well, echoes some made in the US, when a New Yorker of Indian descent, Nina Davaluri, won the Ms. America pageant in 2013…

Read the entire article here.

Chicago’s Jazz Age still lives in Archibald Motley’s art

The Chicago Tribune
2015-03-20

Howard Reich

Where does Chicago’s Jazz Age still live? In the paintings of Archibald Motley, on view in a new exhibition

Trumpets blared, saxophones thundered, singers belted and dancers swayed from nighttime to past sunup.

Walk along “the Stroll” — a very hot stretch of State Street from 31st to 35th streets — and you could hear and feel the music without so much as stepping inside any of the clubs, saloons, cafes, cabarets, theaters and whatnot. Nearby boulevards shook with the music, as well, for no place on Earth swung harder than the South Side of Chicago during the Jazz Age.

Roughly speaking, the epoch when Jelly Roll Morton, Louis Armstrong, Earl Hines, Joe “King” Oliver and other jazz immortals lit up Chicago began in 1910, when Morton arrived from New Orleans, and extended into the 1950s.

Few of us around today were there in the Roaring ’20s heyday, but we’re fortunate that Archibald John Motley Jr. walked “the Stroll,” heard the music, ogled the dancers, treasured the proceedings and captured the scene for all time — on canvas. That glorious fact radiates from every corner of a newly opened exhibition at the Chicago Cultural Center, “Archibald Motley: Jazz Age Modernist” (curated by Richard J. Powell and running through Aug. 31)…

…And though the subject is music, the theme surely is the meaning of race.

“In all my paintings where you see a group of people you’ll notice that they’re all a little different color,” Motley once said in an oral history interview. “They’re not all the same color, they’re not all black, they’re not as they used to say years ago, high yellow, they’re not all brown. I try to give each of them character as individuals.”

That respect for humanity issues from all of Motley’s jazz paintings and, of course, from the music itself. Like the range of complexions in Motley’s work, jazz emerged at the turn of the previous century as a heady mix of African-American and Creole cultures in New Orleans, these societies rubbing up against one another in church, in street parades and in the city’s Storyville vice district. The shuttering of that collection of brothels and other nightspots in 1917 drove Crescent City musicians north to Chicago, where Motley — who similarly was born in New Orleans and came to Chicago in his youth — was ready to see and hear them…

Read the entire article here.

The Tragic Immigrant: Duality, Hybridity and the Discovery of Blackness in Mark Twain and James Weldon Johnson

ELH
Volume 82, Number 1, Spring 2015
pages 211-249
DOI: 10.1353/elh.2015.0001

Richard Hardack

Around the turn of the twentieth-century, a number of American writers imagined that European culture could help them develop an external perspective with which to reinterpret racial double-consciousness in the United States. In Mark Twain’s Pudd’nhead Wilson, European culture winds affirmed the binaries of race in the American South; but in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man, published eighteen years later, European culture helps foster ideas of cultural and racial hybridity, though they cannot be transferred entirely to America. I explore the “discovery” of blackness and final rejection of European identity common to Twain’s and Johnson’s novels. In Twain’s novel, the familiar figure of “the tragic mulatto” is juxtaposed with, and temporarily supplanted by, the more unexpected figure of the tragic immigrant, an outsider who can never become an assimilated American. Johnson then recalibrates Twain’s configuration of racial duality by turning the external conflict between African American mulatto and European immigrant twins into an internal struggle of double consciousness.

“What Are You?” That’s None of Your Business

Multiracial Asian Families
2015-03-20

Sharon H. Chang

A couple months ago I got cornered big time by a stranger and their “What are you?” mind-meld. The unsolicited probing went on for a while. Honestly something I’m used to. But this time was crazy multidimensional and unique in a way I don’t know I’ve ever experienced. It involved not only me, but my child, and then HER mixed children by comparison. This stranger just couldn’t resist wanting to know my and my son’s specific mixes, explained her husband was “American,” then wondered out loud if her son would one day look like my son and if her daughter would one day look like me. I was declared white-looking while my son was judged Asian-looking. A picture of her own children was then shown proudly with seeming expectation for praise (which I uncomfortably indulged). There was also some lecturing/instruction on how I should feel about my particular Asian heritage (which she shares) and why I should be able to afford visiting my paternal homeland (which I actually can’t). Finally, because she felt this exchange had laid the groundwork for connectivity, she asked to exchange info and wanted to set up a play date.

First let’s be clear. I don’t doubt the well-meaning and friendly intention of this stranger. I understand that my son and I were visually assessed as having something in common with her which could potentially be the beginning of shared interest. I understand this stranger probably felt her comments were sincere, genuine, even complimentary, and that we would receive them as kind, welcoming and affirming. But here is an important racial truth — there’s a big difference between intention versus impact in inter-race relations. Much of what was said in this exchange was actually incredibly egocentric, driven centrally by one person’s self-interested compulsion (I-need-to-know-I-have-to-know) and seemingly little to no consideration for how my son and I might feel like zoo animals…

Read the entire article here.

A young Jewish woman, raised as white, learns she’s not

Religion News Service
2015-03-13

Lauren Markoe, National Reporter

WASHINGTON (RNS) The Schwartz‘s seemed like any other Jewish family in Woodstock, N.Y., except for one thing: mom and dad were obviously white, and their daughter Lacey was obviously not.

That racial disconnect would be easier to fathom if Peggy and Robert Schwartz hadn’t had everyone believing their dark-skinned daughter was the biological child of both parents.

It would take “Little White Lie,” the film an adult Lacey made about family secrets and religious identity, to unpack this mystery.

“I grew up in a world of synagogue, Hebrew school, bar mitzvahs,” Schwartz narrates over a home movie montage of Jewish holiday celebrations and her own bat mitzvah.

“So it never occurred to me that I was passing,” she continues. “I wasn’t pretending to be something I wasn’t. I actually grew up believing I was white.”

“Little White Lie,” which has enjoyed success on the film festival circuit and will reach a larger audience when PBS’s Independent Lens airs it on March 23, revolves around a flabbergasting central question: How could this family pretend that she owed her complexion to the genes of dad’s darkest Italian ancestor?…

Read the entire article here.

Genetics: No evidence of role in racial mortality gap

Science Daily: Your source for the latest research news
2015-03-16

There is still no evidence of genetic difference between blacks and whites to account for the health disparities in cardiovascular disease (CVD), according to a new study by McGill University researchers. Published in the American Journal of Epidemiology, the researchers suggest that after a decade of genetic studies, factors such as lifestyle, education and socio-economics — not genetics — are more promising avenues to understanding racial health disparities.

The researchers focused on cardiovascular disease, the largest contributor to the racial mortality gap, and conducted a systematic review for articles published over a seven year period in which genetic data from African and European populations were available. The team found no explanation for racial disease disparities amongst any of the hundreds of genetic variants reported.

“After nearly a decade of genome-wide association studies (GWAS), no assessment had yet been made of their contribution toward an explanation of the most prominent racial health disparities observed at the population level,” says Jay Kaufman, of the Department of Epidemiology, Biostatistics & Occupational Health in the Faculty of Medicine…

Read the entire article here.