Mixed Race Studies

An Interview with Poet and Room Poetry Coordinator Chelene Knight

Room: Literature, Art, and Feminism Since 1975
Issue 37.4: Claiming Space (2015)

Interview with Bonnie Nish

Chelene Knight was born in Vancouver and is a graduate of The Writer’s Studio at SFU. She has been published in Sassafras Literary Magazine, Room, emerge 2013 and Raven Chronicles and is the Poetry Coordinator at Room. Braided Skin, her first book (Mother Tongue Publishing, March 2015), has given birth to numerous writing projects, including a work in progress, Dear Current Occupant. Her work is deeply rooted in her experiences of mixed ethnicity. Her mother is African-American, and her father and his family were victims of the Asian expulsion in Uganda during the 70s, when President Idi Amin led a campaign of “de-Indianization,” resulting in the “ethnic cleansing” of the country’s Indian minority. Chelene is currently pursuing her BA in English at SFU.

Her first book Braided Skin is forthcoming with Mother Tongue Publishing in spring 2015. Her launch will take place Wednesday April 8th, 2015 from 7-9:30 pm as a part of Twisted Poets Literary Salon run by Pandora’s Collective.

ROOM: First of all Congratulations on your new book Braided Skin (Mother Tongue Publishing). Would you like to tell us something about your new book?

CK: Thank you! Braided Skin is a mix of many things…

Read the entire interview here.

“End the Autocracy of Color”: African Americans and Global Visions of Freedom

Imperial & Global Forum (blog of the Centre for Imperial and Global History at the History Department, University of Exeter)
2016-02-15

Keisha N. Blain, Assistant Professor of History
University of Iowa

John Q. Adams

Historically, black men and women in the United States frequently linked national and geopolitical concerns. Recognizing that the condition of black people in the United States was “but a local phase of a world problem,” black activists articulated global visions of freedom and employed a range of strategies intent on shaping foreign policies and influencing world events.

During the early twentieth century, John Q. Adams, an African American journalist, called on people of African descent to link their experiences and concerns with those of people of color in other parts of the globe. Born in Louisville, Kentucky in 1848, Adams moved to St. Paul, Minnesota in 1886, where he became associate editor, and subsequent owner, of the Appeal newspaper. The paper’s debut coincided with key historical developments of the period including the hardening of U.S. Jim Crow segregation laws, the rising tide of anti-immigration sentiment, and the rapid growth of American imperial expansion overseas…

John Q. Adams, “End Autocracy of Color,” The Appeal, 4 January 1919

Read the entire article here.

Black History Month 2016: Three-star General, Lt. General Nadja West

Black German Cultural Society
2016-02-05

Congratulations!!!

Lt. Gen. Nadja West has been appointed as the Army’s 44th Surgeon General. With this appointment comes a promotion to lieutenant general, which makes West the Army’s first black female 3-star general as well as the highest ranking female of any race to graduate from West Point.

West started as a child in Germany five decades ago. She came into the world a mischlingskinder or “brown baby”—one of many children borne of liaisons between African American servicemen and German women. Orphaned as a baby, she was adopted at nine months by Oscar and Mabel Grammer. Oscar Grammer worked as a chief warrant officer in the U.S. Army. Mabel Grammer was a civil rights activist and journalist who, at one point, wrote for the Afro American Newspapers. Together the couple adopted 12 children; West was the youngest.

On Tuesday, February 9 (2016), Lt. Gen Nadja West will be honored in an official ceremony…

Read the entire article here.

Arcade Fire Exploited Haiti, and Almost No One Noticed

The Atlantic
2013-11-12

Hayden Higgins

Arcade Fire / JF Lalonde

The band has a deep, sincere relationship with the Caribbean nation. But even so, Reflektor’s marketing campaign has perpetuated stereotypes.

Months before Arcade Fire’s new album came out, I learned of its existence when social media pointed me to a website with some chalked, black and white patterns spelling out “Reflektor.” The designs seemed strange and foreign, and I was intrigued about what the music might sound like—not because I knew what the accompanying imagery meant, but precisely because I didn’t.

This, of course, was the intended effect. It turns out those designs were inspired by Haitian veve graffiti, used in syncretistic Vodoun practices to summon the Loa (angels or spirits, messengers to the deity). But presented out of context, to the typically unknowing fan like me, they connoted something else: mystery, exoticness, esotericism.

Reflektor itself—now released and at the top of the charts—and the rest of its marketing campaign went all-in on the Haitian tropes. During some promotional concerts the band donned Kanaval masks, coopting a symbol that holds multifaceted, complex meaning for Haitians during Carnival but that was reduced to flat shorthand for “party!” during a raucous SNL appearance. The music evokes similar stereotypes. In the song “Flashbulb Eyes,” glimmering marimbas will, for many listeners, conjure a specific idealization of the Caribbean (where Haiti is located), while singer Win Butler wails about cameras stealing souls. The band’s music used to feel interesting by virtue of its heart-on-sleeve confrontation with mortality; now, it borrows its edginess by leaning on preconceptions about a foreign region….

…This demonstrates that peoples’ stereotypes and assumptions operate independent of the appropriators’ own knowledge, however deep, of the culture they’re taking from. In this case, that knowledge is substantial. The band has a longstanding relationship with Haiti, starting with member Régine Chassagne’s ancestry (her parents fled the nation during the Duvalier horrors). They have been dedicated supporters of Partners in Health, which works to eradicate disease in Haiti. As Darville points out, though, audiences generally lack this context, and the onus is on the artist to recognize that fact…

Read the entire article here.

Maj. Gen. Nadja West confirmed as 44th Army Surgeon General

www.army.mil: The Official Homepage of the United States Army
2015-12-11

Maria Tolleson, Media Relations Officer

Maj. Gen. Nadja West is sworn in as 44th Surgeon General of the Army by Acting Secretary of the Army Eric Fanning. West is also Commander of the US Army Medical Command.

OFFICE OF THE SURGEON GENERAL Falls Church, Va. (Dec. 11, 2015) — The Senate confirmed Thursday Maj. Gen. Nadja West to serve as the new Army Surgeon General and Commanding General, U.S. Army Medical Command (MEDCOM).

With the appointment as the 44th Surgeon General, West picks up a third star to become the Army’s first black female to hold the rank of lieutenant general.

She most recently served as the Joint Staff Surgeon at the Pentagon. West’s appointment as Army Surgeon General is effective immediately…

…With this appointment she becomes the first black Army Surgeon General and the highest ranking female to have graduated from the US Military Academy at West Point…

Read the entire article here.

South Bend high school student behind race-based signs speaks out

WNDU TV 16
South Bend, Indiana
2016-02-12

A local high school student says he’s in trouble after he and two other students posted some controversial signs at Riley High School.

The signs stated “COLORED ONLY” and “WHITES ONLY,” and they were placed above water fountains throughout the school.

Shane Williams, who says he’s black, white, and Hispanic, told NewsCenter 16, “I put the signs up to help students to view legal segregation in a different form, for them to experience it themselves…

Read the entire story here.

Passing up the race: Students share stories of racial “passing”

Polaris Press
The Ann Richards School For Young Women Leaders
Austin, Texas
2016-02-04

It was one of the first weeks of sixth grade when Lanna Ahlberg found herself at school talking on the phone in Traditional Mandarin with her Taiwanese grandmother.

Hanging up the phone, Ahlberg found a number of girls staring at her.

“In sixth grade, a lot of people thought I was Hispanic or white because I have chocolate hair, like it’s not black hair. My eyes aren’t as prominent,” Ahlberg, now in eighth grade, said. “My mom is Taiwanese and my dad is half Swedish.”

If you’re a person of color who has ever been mistaken for white, you’ve experienced the phenomenon known as “white passing.”

Simply defined, White passing is when a person of color is perceived as white at any point in their life…

Read the entire article here.

Is Obama a black man?

The Independent: You Buy the Truth, We Pay the Price
Kololo, Kampala, Uganda
2016-02-08

Andrew M. Mwenda, Founder and Owner

How he has accepted the categorisation imposed upon him by a racial system that subjugated black people

US President Barak Obama calls himself a black man. Indeed, America and the rest of the world refer to him as a black man. Yet we all know he is actually a person of mixed ancestry. His father was a black man from Kenya, his mother a white woman from Kansas. If Obama had been born in Uganda, he would be called a “mucotera”, in apartheid South Africa, a “colored”, in Brazil, a “mulatto” and in mainstream English, a “half caste”. This teaches us that racial categories are not biological but social constructions.

Some would think Obama sees himself as a black person because of our patrilineal cultures where a child takes after their father’s identity. That is not the case in America. Even if Obama’s mother had been black and his father white, he would have been seen and treated by American society as a black man. This would also lead him to see himself as a black man. The categorisation of anyone with black blood, whatever the percentage, as a black person is a very American thing rooted in that nation’s slave history and the politics around it.

Slavery in America was based on race. To justify keeping a certain group of people in perpetual bondage, white supremacists developed ideologies that dehumanised black people. Blacks were referred to as sub human, or as animals in the category of monkeys and chimpanzees. This justified white people owning black people as private property – just the way one owns a horse, a cow or goat. Interracial sexual liaisons threatened to upset this social order because they showed that black people were as human as white people and therefore capable of loving and siring children with whites…

Read the entire article here.

Identifying as Mixed Race vs Identifying as Black: I Choose Both

Mixed Race Feminist Blog
2016-02-10

Nicola Codner
Leeds, Yorkshire, United Kingdom

I recently watched an interview with the UK rapper, writer and academic Akala. I usually really enjoy hearing him speak and generally find him to be quite faultless in his views on racial issues. For those who don’t know of Akala he is of mixed race and identifies as both mixed and black. In the interview I am referencing he covers many topics including veganism, internalized racism and Obama’s presidency. He also briefly mentions his thoughts on people with some black heritage who identify solely as mixed race. I’d long been wondering about where he stood in terms of his thoughts on mixed race issues. Please note that for the purposes of this article when I mention ‘mixed race’ I am referring to people with both black and white heritage…

…I have to admit I was actually quite upset about Akala’s comments in the interview on those who choose to identify as mixed race. He gave the usual spiel that is frequently heard in the US, about how many of those who describe themselves as mixed are problematic and are disassociating themselves from blackness. It’s quite common, particularly in the US, for people to view identifying as mixed race when you have black heritage, as anti-black and evidence of self-loathing/ internalized racism. I was shocked in some ways to hear Akala endorsing such simplistic views given that he obviously has such a good intellect…

Read the entire article here.

A call for end of the “Globeleza Mulata”: A Manifesto

Black Women of Brazil: The site dedicated to Brazilian women of African descent
2016-02-08

Stephanie Ribeiro and Djamila Ribeiro

Originally, “A Mulata Globeleza: Um Manifesto” from Agora é que são elas (2016-01-29).

The Globeleza Mulata is not a natural cultural event, but a performance that invades the imaginary and the Brazilian televisions during Carnival. A spectacular created by art director Hans Donner to be the symbol of the popular party, which exhibited for 13 years his companion Valéria Valenssa in the super-expositional function of “mulata”. We’re talking about a character that appeared in the nineties and still strictly follows the same script: it is always a black woman that dances the samba as a passista (Carnaval dancer), naked with her body painted with glitter, to the sound of the vignette displayed throughout the daily programming of Rede Globo (TV).

To start the debate on this character, we need to identify the problem contained in the term “mulata”. Besides being a word naturalized by Brazilian society, it is a captive presence in the vocabulary of the hosts, journalists and reporters from the Globo broadcasting. The word of is of Spanish origin comes from “mula” or “mulo” (the masculine and feminine of ‘mule’): that that is a hybrid originating from a cross between species. Mules are animals born crossing donkeys with mares or horses with donkeys. In another sense, they are the result of the mating of the animal considered noble (equus caballus) with the animal deemed second class (donkey). Therefore, it is a derogatory word indicating mestiçagem (racial mixture or crossbreeding), impurity; an improper mixing that should not exist.

Employed since the colonial period, the term was used to designate lighter skinned blacks, fruits of the rape of slaves by masters. Such a nomenclature has sexist and racist nature and was transferred to the Globeleza character, naturalized. The adjective “mulata” is a sad memory of the 354 years (1534-1888) of escravidão negra (black slavery) in Brazil…

Read the entire article here.