Mixed Race Studies

Throwing Rocks: An Interview with John Vercher

Los Angeles Review of Books
2020-01-29

Alex Segura interviews John Vercher

JOHN VERCHER’S TAUT, impressive debut crime novel, Three-Fifths, follows Bobby Saraceno — a mixed-race man living a lie. Saraceno has spent his life passing as a white man, raised by his racist maternal grandfather in Pittsburgh. Bobby’s kept his true self hidden from everyone, even his fellow comic book fan/best friend, Aaron, who’s just returned home after a prison stint. Aaron not only comes back as a more hardened man, but also as a radical white supremacist. When Bobby witnesses Aaron commit a hateful, race-based crime, his world begins to pull apart. Not only must Bobby keep his mixed race a secret from his militant friend, but he must also make sure he doesn’t land on the police’s radar as an accomplice to Aaron’s vicious crime. But an unexpected return threatens to destroy Bobby’s tricky balancing act.

Three-Fifths is a tale of lost histories, identity, dangerous secrets, and deadly obsessions. It’s a confident, thoughtful novel that doesn’t hesitate to show the brutality of violence and the complexities of race relations, without pumping the brakes for the faint of heart. It’s a confident, mannered debut that feels carefully seasoned — like the work of an author leveling up after a string of starter novels, as opposed to a newcomer. I talked to Vercher about his motivations and influences.

ALEX SEGURA: John, can you talk a bit about why Three-Fifths was the story you wanted to tell now? It feels remarkably urgent, but pensive at the same time, if that makes sense.

JOHN VERCHER: It’s a story I always wanted to tell, in the sense that little to nothing has changed in our country in regards to race between 1995 when the story takes place to now. Similarly, little was different from the same 24-year time span from 1971 to 1995, and even further back. Having said that, I was fortunate that Three-Fifths found a home when it did, because there does seem to be, as a function of our increased access to all forms of media, more talk than ever about race and identity. It would be better if we were having conversations about it rather than talking at each other, and as always, books are some of the best means to spark those kinds of conversations. It was my hope that Three-Fifths could do that, even for the smallest of audiences…

Read the entire interview here.

Black in Appalachia: Project unearths black history

The Daily Times: Blount County’s Newspaper of Record Since 1883
Maryville, Tennessee
2020-01-25

Linda Braden Albert, Daily Times Correspondent

Kenson Isom, great-great-grandfather of William Isom II, is pictured with his family. William Isom, director of the Black in Appalachia Project, discovered more about his ancestor’s history while researching a slave cemetery in Virginia.

William Isom II had been searching for his great-great-grandfather, Kelson Isom, for 20 years. He finally broke through the brick wall as a result of his work with the Black in Appalachia Project, researching a slave cemetery in Lee County, Virginia.

“I just so happened to find the record of my great-great-granddad as a slave in Scott County, Virginia,” Isom said. “He was listed as property in a will. The slave owner had died and listed him and his brothers as property in the will. Once you can find the slave owner you can find other records. For me, that was one of the most amazing finds that benefited me personally.”

William Isom II, director of the Black in Appalachia Project, will present a program at 7 p.m. Monday at the Blount County Public Library.

At 7 p.m. Monday, Isom, director of community outreach for East Tennessee PBS and director of Black in Appalachia, will speak about the project at the Blount County Public Library’s next program in its Southern Appalachian Studies Series. Admission is free, and the public is invited to attend…

Read the entire article here.

A Painter Resurrects Louisiana’s Vanished Creole Culture

The New York Times
2020-01-16

Elizabeth Pochoda, Editor-in-Chief
The Magazine ANTIQUES

Andrew LaMar Hopkins portrays the significant role Creoles played in the civic life of New Orleans. “Edmond Dédé Piano Recital” (2019) shows the freeborn Creole musician and composer in his elegant salon. Andrew LaMar Hopkins

Andrew LaMar Hopkins celebrates the rich contributions of 19th-Century New Orleans in his folk art style (and drag).

NEW ORLEANS — Dressed as his alter ego, the modish matron Désirée Joséphine Duplantier, the artist Andrew LaMar Hopkins is a familiar presence on this city’s arts scene. His paintings, faux naïf renderings of 19th-century life in the city — particularly the vanished culture of New Orleans’s free Creoles of color — also keep good company. You can see these works in Nadine Blake’s gallery on Royal Street in the French Quarter, on the art-filled walls of Dooky Chase’s Restaurant in Treme, and in the rooms of collectors like the designer Thomas Jayne and the food stylist Rick Ellis.

When a dozen of Mr. Hopkins’s paintings appear at the Winter Show at the Park Avenue Armory on Jan. 24 they will be making their first foray north. Placed alongside 18th- and 19th -century portrait miniatures in the booth of Elle Shushan near the entrance of the show, these small works portraying daily life in New Orleans, circa 1830, will enact their own sly magic, inserting themselves into the stream of art history as if the visual record of people and places in antebellum Creole culture had not been lost. “This is what these lives looked like, and no one else was doing it,” Mr. Hopkins, 42, says of both white Creoles and Creoles of color in his work. “I wanted to do them justice.”

Creole is a long-embattled term, perhaps best defined now as a person whose background and identity is traceable to colonial French Louisiana and/or its Franco-African culture. William Rudolph, the chief curator at the San Antonio Museum of Art and an early enthusiast about the work of Mr. Hopkins, says this artist “has used his work to interrogate Creole history.” He added, “He has deconstructed the past.”…

Read the entire article here.

Why Harry and Meghan’s ‘Megxit’ is a crossroads for the UK on race

PBS NewsHour
2020-01-20

Courtney Vinopal, Digital Reporter

When Prince Harry and Meghan, the duke and duchess of Sussex, first announced that they intended to “step back” from their duties as “senior UK royals,” palace officials were reportedly taken aback by the decision.

But it came as no surprise to close watchers of the young royals — particularly among the United Kingdom’s communities of color — that the couple made the historic decision to renounce their “Royal Highness” titles and spend most of their time in North America.

“Minority communities expected this to some degree,” said Nels Abbey, a London-based media executive and author of the novel “Think Like a White Man.” With “the level of hostility and racism that Meghan has been on the receiving end of, it’s no surprise that she’s chosen to leave,” he added…

Read the entire article here.

UVA and the History of Race: Eugenics, the Racial Integrity Act, Health Disparities

UVA Today
2020-01-09

P. Preston Reynolds, Professor of Medicine and Nursing
University of Virginia

Thomas Jefferson’s writings included observations about race that aligned with later eugenicists. Under the medical school deanship of Paul Brandon Barringer, right, UVA built its first hospital in 1901, but also continued to advance eugenic science.

Editor’s note: Even an institution as historic as the University of Virginia – now entering its third century – has stories yet to be told. Some are inspiring, while the truths of others are painful, but necessary for a fuller accounting of the past. The President’s Commissions on Slavery and on the University in the Age of Segregation were established to find and tell those stories. Here are some of them, written by those who did the research. One in an occasional series:

By the start of the 20th century, the University of Virginia had become a center of an emerging new strain of racism – eugenics – that would create and perpetuate myths created under the guise of scientific research, but ultimately was intended to demonstrate white racial superiority.

The goal of eugenic science was knowledge of how various traits – emotional, physical, intellectual – were inherited, so that such information could be applied in order to advance the human race and preserve imagined racial superiority. Eugenic scientists used the census, genealogy, measurement of physiological functions and human anatomy, as well as intelligence testing, as methods of investigation.

They believed application of eugenic knowledge, through legislation and community practices, would eliminate mental illness, physical disabilities, moral delinquency, crime and even physical illnesses. They assumed the benefit to society would be a dramatic reduction in the cost of caring for the sick, poor, mentally ill and incarcerated…

Read the entire article here.

I am not ‘non-white’

Daily Kos
2020-01-12

Denise Oliver Velez

Denise Oliver, minister of economic development of the Young Lords, pictured at the office headquarters in East Harlem. Photo by Hiram Maristany, c.1970.

I’m black.

I’ve been black, and proud to be black, my whole life. My parents raised me like that. They grew up as ‘Negroes.’ They had to drink at water fountains labeled ‘colored.’ They lived long enough to become Afro-Americans, and then African Americans.

I was, and still am, militantly black. I’ve lived through the “Ungawa Black Power” of Stokely Carmichael and Rap Brown; the clenched, raised fists of the Panthers and Young Lords; and through this decade’s Black Lives Matter and #VoteLikeBlackWomen movements. My mom, who was never seen without her hair hot-comb pressed straight as a board, even accepted my Afro hairdo.

Though I was raised by a socialist dad and I was a member of revolutionary nationalist socialist movements as a young person, I do not want to hear anyone spouting that it is more important to address class issues before we deal with racism and white supremacy. The two are inextricably intertwined in this country founded on African enslavement. All the money and economic equality in the world won’t wipe away our blackness and potential death by a white-aimed bullet. Racial issues steeped in malevolent anti-blackness do not deserve “back of the bus” status…

Read the entire article here.

We European Jews never passed as white

The Times of Israel
2020-01-09

Rivka Hellendall, Graduate Student of English Literature and Jewish Studies
University of Amsterdam

Rivka Hellendall

In the last two decades, American Ashkenazi Jews have returned to the question of their Otherness, or, put more crudely, to the question of whether Ashkenazi Jews are White, “white-passing”, or something else entirely. A quick Google search entry of “are Jews white” yields roughly 89 million results, including news articles, op-eds, and even academic tomes. The fact that Karen Brodkin named her 243-page 1998 study on the topic “How Jews Became White Folks and what that Says about Race in America” speaks volumes. Apparently, there was a large enough body of Jews at the time who never suffered anti-Semitism in person for Brodkin to make this title a viable one. A large enough number of American Jews who had never, for example, been denied housing or religious rights, equal opportunity employment (i.e. suffered job discrimination), or experienced insults, social exclusion, threats, and physical violence because of their Jewishness. Sadly, those times have changed since…

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Black Britons Wonder What Took Harry and Meghan so Long

The New York Times
2020-01-10

Ceylan Yeginsu

Prince Harry and Meghan, Duchess of Sussex, leaving St. George’s Chapel in Windsor Castle after their wedding last year. Pool photo by Ben Birchall

“Thank God they are free,” one Londoner said. “All of this is about her race, I know it because as a Caribbean woman who did not grow up here, I have experienced it myself.”

LONDON — When Prince Harry and Meghan announced this week that they would be stepping back from their royal duties and spending extensive time in North America, many of Britain’s minority residents said they felt a burst of relief.

At long last, many said in interviews, the couple might finally escape the abuse, much of it racially tinged, that has been heaped upon them by the British press, particularly the country’s raucous tabloids.

“Thank God they are free,” said Sanaa Edness, lifting her arms to the sky as she walked through Fordham Park in southeast London. “Nobody should tolerate bullying and abusive behavior because of the color of their skin. All of this is about her race, I know it because as a Caribbean woman who did not grow up here, I have experienced it myself.”…

Read the entire article here.

Black Britons Know Why Meghan Markle Wants Out

The New York Times
2020-01-09

Afua Hirsch

Samir Hussein/WireImage, via Getty Images

It’s the racism.

The British press has succeeded in its apparent project of hounding Meghan Markle, the Duchess of Sussex, out of Britain. The part it perhaps didn’t bargain for, however, is the loss of Prince Harry — a much loved Royal and a key part of the family’s global brand — along with her.

In a statement released this week, the couple said they want to “carve out a progressive new role” within the royal family and will “step back as ‘senior’ members, and work to become financially independent.”

The British press reacted with surprise at the “shock move abroad,” described variously as “seismic,” “selfish,” “rogue” and “an atrocious lapse of judgment.”

If the media paid more attention to Britain’s communities of color, perhaps it would find the announcement far less surprising. With a new prime minister whose track record includes overtly racist statements, some of which would make even Donald Trump blush, a Brexit project linked to native nationalism and a desire to rid Britain of large numbers of immigrants, and an ever thickening loom of imperial nostalgia, many of us are also thinking about moving…

Read the entire article here.

Trump loves to blame the black guy

The Washington Post
2020-01-09

Jonathan Capehart, Opinion Writer

President Barack Obama and President-elect Donald Trump speak before members of the media during a meeting in the Oval Office of the White House in Washington on Nov. 10, 2016. (Jabin Botsford/The Washington Post)

Anyone else tired of perpetually petulant President Trump blaming former president Barack Obama for, well, everything?

Boo-hoo, the air conditioning makes the White House too cold. Waaa, it’s unlawful for Turkey to buy U.S. fighter jets because it purchased missiles from Russia. Hmmph, Iran is restarting its nuclear program after I junked the international treaty Obama negotiated that put the whole thing on ice for at least 10 years.

On Wednesday, hours after some yapper on “Fox & Friends” said, “This moment right now is on Barack Obama, not Donald Trump,” the 45th president of the United States blamed the 44th. “The missiles fired last night at us and our allies were paid for with the funds made available by the last administration,” Trump mewled. “The very defective [Iran nuclear agreement] expires shortly anyway, and gives Iran a clear and quick path to nuclear breakout.” As my Post colleague Paul Waldman noted, “None of those things is true.”…

Read the entire article here.