Mixed Race Studies

The Daughter of Union County

Lake Union Publishing
August 2016
432 pages
5.5 x 1 x 8.2 inches
Paperback ISBN: 978-1503937321

Francine Thomas Howard

Fourteen years after the end of slavery, Lord Henry Hardin and his wife, Lady Bertha, enjoy an entitled life in Union County, Arkansas. Until he faces a devastating reality: Bertha is unable to bear children. If Henry doesn’t produce an heir, the American branch of his family name will die out. So Henry, desperate to preserve his aristocratic family lineage, does the unthinkable.

When Salome, a former slave and Henry’s mistress, gives birth to a white-skinned, blue-eyed daughter, Henry orders a reluctant Lady Bertha to claim the child as their own…allowing young Margaret to pass into the white world of privilege.

As Margaret grows older, unaware of her true parentage, devastating circumstances threaten to shroud her in pain and shame…but then, ultimately, in revelation. Despite rumors about Margaret’s true identity, Salome is determined to transform her daughter’s bitter past into her secure future while Henry goes to extraordinary lengths to protect his legacy. Spanning decades and generations, marked by tragedy and redemption, this unforgettable saga illuminates a family’s fight for their name, for survival, and for true freedom.

End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Jacana Media
March 2016
240 pages
235x155mm
Paperback ISBN: 9781431423279

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa

Satanism and family murder – bizarre responses to fear of change. This book examines the effects that apartheid may have had on those who benefitted from it the most.

The End of Whiteness aims to reveal the pathological, paranoid and bizarre consequences that the looming end of apartheid had on white culture in South Africa, and overall to show that whiteness is a deeply problematic category that needs to be deconstructed and thoughtfully considered.

This book uses contemporary media material to investigate two symptoms of this late apartheid cultural hysteria that appeared throughout the contemporary media and in popular literature during the 1980s and 1990s, showing their relation to white anxieties about social change, the potential loss of privilege and the destabilisation of the country that were imagined to be an inevitable consequence of majority rule.

The ‘Satanic panic’ revolved around the apparent threat posed by a cult of white Satanists that was never proven to exist but was nonetheless repeatedly accused of conspiracy, murder, rape, drug-dealing, cannibalism and bestiality, and blamed for the imminent destruction of white Christian civilisation in South Africa.

During the same period an unusually high number of domestic murder-suicides occurred, with parents killing themselves and their children or other family members by gunshot, fire, poison, gas, even crossbows and drownings. This so-called epidemic of family murder was treated by police, press and social scientists as a plague that specifically affected white Afrikaans families. These double monsters, both fantastic and real, helped to disembowel the clarities of whiteness even as they were born out of threats to it. Deep within its self-regarding modernity and renegotiation of identity, contemporary white South Africa still wears those scars of cultural pathology.

The Dozen

Sibling Rivalry Press
2016-03-15
120 pages
6 x 0.3 x 9 inches
ISBN: 978-1-943977-10-9

Casey Rocheteau

The Dozen is the debut collection from the first winner of Write A House, Casey Rocheteau. This book of poems is intended as a game that grows outward. The idea is to reinvent the dozens and juke what is truly oppressive about the world. The Dozen is also literal: 12 poems in each of four sections, playing off of each other, scraping against each other messily, harmonizing, clowning each other and sometimes themselves. Above all, The Dozen is intended as an invitation to unwind the clocks, shake off the shame we learned as kids, stop talking about other people’s mamas, and call out the things in our culture that are so ugly they turned Medusa to stone.

JewAsian: Race, Religion, and Identity for America’s Newest Jews

University of Nebraska Press
July 2016
198 pages
6 tables, 1 appendix
Hardcover ISBN: 978-0-8032-8565-1

Helen Kiyong Kim, Associate Professor of Sociology
Whitman College, Walla Walla, Washington

Noah Samuel Leavitt, Associate Dean of Students
Whitman College, Walla Walla, Washington

In 2010 approximately 15 percent of all new marriages in the United States were between spouses of different racial, ethnic, or religious backgrounds, raising increasingly relevant questions regarding the multicultural identities of new spouses and their offspring. But while new census categories and a growing body of statistics provide data, they tell us little about the inner workings of day-to-day life for such couples and their children.

JewAsian is a qualitative examination of the intersection of race, religion, and ethnicity in the increasing number of households that are Jewish American and Asian American. Helen Kiyong Kim and Noah Samuel Leavitt’s book explores the larger social dimensions of intermarriages to explain how these particular unions reflect not only the identity of married individuals but also the communities to which they belong. Using in-depth interviews with couples and the children of Jewish American and Asian American marriages, Kim and Leavitt’s research sheds much-needed light on the everyday lives of these partnerships and how their children negotiate their own identities in the twenty-first century.

“Yes We Can” Barack Obama’s Proverbial Rhetoric

Peter Lang Publishing
2009
352 pages
Hardcover ISBN: 978-1-4331-0668-2
Softcover ISBN: 978-1-4331-0667

Wolfgang Mieder, Professor of German and Folklore
University of Vermont

As President Barack Obama outlined his promise for change during the presidential campaign, he made effective use of proverbs and proverbial phrases, and invented many quotable epithets that have all the makings of future proverbs. This book examines how Obama’s natural and authentic reliance on traditional metaphors enhances his impressive rhetoric, rather than reducing it to mere sound bites. Proverbs, with their often colorful metaphors, add expressiveness and emotion to his communications, giving people the opportunity to follow his pragmatic or philosophical arguments through common language. No matter the subject, Obama’s prose contains metaphorical language that makes his rhetoric and oratory universally accessible.

This book contains detailed analyses of the proverbial rhetoric in Obama’s books Dreams from My Father (1995) and The Audacity of Hope (2006). A section looks at his proverbial language in 229 speeches, news conferences, interviews, and radio addresses, and the final section presents in-depth studies of his seven most significant addresses. It includes a comprehensive contextualized index of 1714 proverbial texts found within the writings and speeches from Obama’s political beginnings to his memorable inaugural address.

The Best “Worst President”: What the Right Gets Wrong About Barack Obama

Dey Street Books (an imprint of HarperCollins)
2016-06-28
336 pages
Trimsize: 5.75 in (w) x 8.25 in (h) x 1.274 in (d)
Hardcover ISBN: 9780062443052
E-book ISBN: 9780062443090

Mark Hannah

Illustrated by Bob Staake

Political analyst and Democratic campaign veteran Mark Hannah and renowned New Yorker illustrator Bob Staake give Barack Obama the victory lap he deserves in this compendium that takes the president’s critics head-on and celebrates the president’s many underappreciated triumphs.

Barack Obama’s election in 2008 was a watershed moment in American history that inspired supporters on the Left—and fired up enemies on the Right. Elected in the midst of multiple crises—a Wall Street meltdown that imperiled the global economy and American troops entangled in two foreign wars—Barack Obama’s presidency promised, from the start, to be one of the most consequential presidencies in modern American history.

Although he stabilized the economy and restored America’s prestige on the global stage, President Obama has been denied the credit he deserves, receiving instead acidic commentary from political opponents such as former Vice President Dick Cheney, who declared that Obama was “the worst president in [his] lifetime”—an accusation that reflects the politics of resentment and recrimination that has come to characterize the president’s critics.

In The “Best Worst” President, Mark Hannah and New Yorker illustrator Bob Staake swiftly and systematically debunk conservative lies and disinformation meant to negate the president’s accomplishments and damage his reputation—baseless charges too often left unchallenged by the national media. The “Best Worst” President is a whip-smart takedown of these half-truths and hypocrisies, each refuted in a smart, witty, fact-based style. Hannah and Staake not only defend the president but showcase his administration’s most surprising and underappreciated triumphs—making clear he truly is the best “worst president” our nation has ever known.

The Common Cause: Creating Race and Nation in the American Revolution

University of North Carolina Press
June 2016
Approx. 640 pages
21 halftones, 1 figs., 7 maps, 33 tables, notes, index
6.125 x 9.25
Cloth ISBN: 978-1-4696-2663-5
Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia

Robert G. Parkinson, Assistant Professor of History
Binghamton University, The State University of New York

When the Revolutionary War began, the odds of a united, continental effort to resist the British seemed nearly impossible. Few on either side of the Atlantic expected thirteen colonies to stick together in a war against their cultural cousins. In this pathbreaking book, Robert Parkinson argues that to unify the patriot side, political and communications leaders linked British tyranny to colonial prejudices, stereotypes, and fears about insurrectionary slaves and violent Indians. Manipulating newspaper networks, Washington, Jefferson, Adams, Franklin, and their fellow agitators broadcast stories of British agents inciting African Americans and Indians to take up arms against the American rebellion. Using rhetoric like “domestic insurrectionists” and “merciless savages,” the founding fathers rallied the people around a common enemy and made racial prejudice a cornerstone of the new Republic.

In a fresh reading of the founding moment, Parkinson demonstrates the dual projection of the “common cause.” Patriots through both an ideological appeal to popular rights and a wartime movement against a host of British-recruited slaves and Indians forged a racialized, exclusionary model of American citizenship.

Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén

Bucknell University Press
May 2016
274 pages
Size: 6 x 9
Hardback ISBN: 978-1-61148-758-9
eBook ISBN: 978-1-61148-759-6

Miguel Arnedo-Gómez, Senior Lecturer
Spanish and Latin American Studies Program
Victoria University of Wellington, New Zealand

The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén’s work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén’s pre-Cuban Revolution writings placing them alongside contemporaneous intellectual discourses that feigned adherence to the homogenizing ideology whilst upholding black interests. On the basis of links with these and other 1930s Cuban discourses, Arnedo-Gómez shows Guillén’s work to contain a message of black unity aimed at the black middle classes. Furthermore, against a tendency to seek a single authorial consciousness – be it mulatto or based on a North American construction of blackness – Guillén’s prose and poetry are also characterized as a struggle for a viable identity in a socio-culturally heterogeneous society.

Strange Fruit: Uncelebrated Narratives from Black History

Fulcrum Publishing
May 2014
176 pages
8 X 10
Paperback ISBN: 9781938486296

Joel Christian Gill

Strange Fruit Volume I is a collection of stories from early African American history that represent the oddity of success in the face of great adversity. Each of the nine illustrated chapters chronicles an uncelebrated African American hero or event. From the adventures of lawman Bass Reeves, to Henry “Box” Brown’s daring escape from slavery.

Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic

Northwestern University Press
June 2016
184 pages
6 x 9
Cloth ISBN: 978-0-8101-3286-3
Paper ISBN: 978-0-8101-3285-6
E-book ISBN: 978-0-8101-3287-0

Mark Christian Thompson, Associate Professor of English
Johns Hopkins University, Baltimore, Maryland

Kafka’s Blues proves the startling thesis that many of Kafka’s major works engage in a coherent, sustained meditation on racial transformation from white European into what Kafka refers to as the “Negro” (a term he used in English). Indeed, this book demonstrates that cultural assimilation and bodily transformation in Kafka’s work are impossible without passage through a state of being “Negro.” Kafka represents this passage in various ways—from reflections on New World slavery and black music to evolutionary theory, biblical allusion, and aesthetic primitivism—each grounded in a concept of writing that is linked to the perceived congenital musicality of the “Negro,” and which is bound to his wider conception of aesthetic production. Mark Christian Thompson offers new close readings of canonical texts and undervalued letters and diary entries set in the context of the afterlife of New World slavery and in Czech and German popular culture.