Mixed Race Studies

Captain “Hell Roaring” Mike Healy: From American Slave to Arctic Hero

University Press of Florida
2017-04-35
352 pages
6.125 x 9.25
Hardcover ISBN 13: 978-0-8130-3368-6
Paper ISBN 13: 978-0-8130-5485-8

Dennis L. Noble, Senior Chief Petty Officer (Retired)
United States Coast Guard

Truman R. Strobridge

Foreword by James C. Bradford and Gene Allen Smith, Series Editors

One of the Coast Guard’s great heroes and the secret he kept hidden

In the late 1880s, many lives in northern and western maritime Alaska rested in the capable hands of Michael A. Healy (1839-1904), through his service to the U.S. Revenue Cutter Service. Healy arrested lawbreakers, put down mutinies aboard merchant ships, fought the smuggling of illegal liquor and firearms, rescued shipwrecked sailors from a harsh and unforgiving environment, brought medical aid to isolated villages, prevented the wholesale slaughter of marine wildlife, and explored unknown waters and lands.

Captain Healy’s dramatic feats in the far north were so widely reported that a New York newspaper once declared him the “most famous man in America.” But Healy hid a secret that contributed to his legacy as a lonely, tragic figure.

In 1896, Healy was brought to trial on charges ranging from conduct unbecoming an officer to endangerment of his vessel for reason of intoxication. As punishment, he was put ashore on half pay with no command and dropped to the bottom of the Captain’s list. Eventually, he again rose to his former high position in the service by the time of his death in 1904. Sixty-seven years later, in 1971, the U.S. Coast Guard learned that Healy was born a slave in Georgia who ran away to sea at age fifteen and spent the rest of his life passing for white.

This is the rare biography that encompasses both sea adventure and the height of human achievement against all odds.

The Verging Cities, Poetry

Center For Literary Publishing
2015
80 pages
Paperback ISBN: 978-1-885635-43-3
6.5 x 8.5 inches

Natalie Scenters-Zapico

• Poets and Writers Top Debut Poets 2015
• Great Lakes Colleges Association New Writers Award
• NACCS-Tejas Foco Best Poetry Book of 2015

Ninth in the Mountain West Poetry Series, edited by Stephanie G’Schwind & Donald Revell

From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas.

The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.

Read an excerpt here.

The Other California: Land, Identity, and Politics on the Mexican Borderlands

University of California Press
January 2017
188 pages
Hardcover ISBN: 9780520291638

Verónica Castillo-Muñoz, Assistant Professor of History
University of California, Santa Barbara

The Other California is the story of working-class communities and how they constituted the racially and ethnically diverse social landscape of Baja California. Packed with new and transformative stories, the book examines the interplay of land reform and migratory labor on the peninsula from 1850 to 1954, as governments, foreign investors, and local communities shaped a vibrant and dynamic borderland alongside the booming cities of Tijuana, Mexicali, and Santa Rosalia. Migration and intermarriage between Mexican women and men from Asia, Europe, and the United States transformed Baja California into a multicultural society. Mixed-race families extended across national borders, forging new local communities, labor relations, and border politics.

Remapping Race on the Human Genome: Commercial Exploits in a Racialized America

Praeger
January 2017
310 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3063-1
eBook ISBN: 978-1-4408-3064-8

Judith Ann Warner, Professor of Sociology
Texas A&M International University, Laredo, Texas

Do the commercial applications of the human genome in ancestry tracing, medicine, and forensics serve to further racialize and stereotype groups?

This book explores the ethical debates at the intersection of race, ethnicity, national origin, and DNA analysis, enabling readers to gain a better understanding of the human genome project and its impact on the biological sciences, medicine, and criminal justice.

Genome and genealogical research has become a subject of interest outside of science, as evidenced by the popularity of the genealogy research website Ancestry.com that helps individuals discover their genetic past and television shows such as the celebrity-focused Who Do You Think You Are? and Finding Your Roots with Henry Louis Gates, Jr.. Applications of DNA analysis in the area of criminal justice and the law have major consequences for social control from birth to death. This book explores the role of DNA research and analysis within the framework of race, ethnicity, and national origin—and provides a warning about the potential dangers of a racialized America.

Synthesizing the work of sociologists, criminologists, anthropologists, and biologists, author Judith Ann Warner, PhD, examines how the human genome is being interpreted and commonly used to affirm—rather than dissolve—racial and ethnic boundaries. The individual, corporate, and government use of DNA is controversial, and international comparisons indicate that regulation of genome applications is a global concern. With analysis of ancestry mapping business practices, medical DNA applications, and forensic uses of DNA in the criminal justice system, the book sheds light on the sociological results of “remapping race on the human genome.”

Features

• Provides historical background on the human genome in the modern context of the social construction of race and ethnicity
• Examines the use of overlapping racial-ethnic and geographical origin categories to situate ancestry, health risk, and criminal profiles in a stereotyped or discriminatory manner
• Argues for a re-examination of genome research to avoid racialization

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen

Dartmouth College Press
2017-01-03
296 pages
10 illus.
6 1/8 x 9 1/4″
Paperback ISBN: 978-1-5126-0019-3
Hardcover ISBN: 978-1-5126-0018-6
Ebook ISBN: 978-1-5126-0020-9

Samuele F. S. Pardini, Associate Professor of Italian
Department of World Languages and Cultures
Elon University, Elon, North Carolina

A bracingly original dialogue on modernity, class, and difference in the 20th century

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.

Table of Contents

• Acknowledgments
• Introduction
• New World, Old Woman: Or, Modernity Upside Down
• Rochester, Sicily: The Political Economy of Italian American Life and the Encounter with Blackness
• Structures of Invisible Blackness: Racial Difference, (Homo)Sexuality, and Italian American Identity in African American Literature during Jim Crow
• In the Name of the Father, the Son, and the Holy Gun: Modernity as the Gangster
• In the Name of the Mother: The Other Italian American Modernity
• The Dago and the Darky: Staging Subversion
• Notes
• Bibliography
• Index

The Human Face of Globalization: From Multicultural to Mestizaje

Rowman & Littlefield
November 2004
168 pages
Size: 6 x 9
Hardback ISBN: 978-0-7425-4227-3
Paperback ISBN: 978-0-7425-4228-0
eBook ISBN: 978-1-4617-1421-7

Jacques Audinet, Professor Emeritus in Anthropology
University of Metz and l’Institut Catholique de Paris

International immigration, massive migrations, economic globalization and a world-wide communications revolution have brought about a mixing of races, cultures and lifestyles unprecedented in human history. What are the implications of this phenomenon? What options present themselves… a battle of cultures for power; a move toward communitarian cooperation, or, something new, the evolution of racially and culturally mixed societies?

Anthropologist and sociologist Jacques Audinet proposes an alternative to culture wars and simple multiculturalism as he explores the history and evolution of mestizaje, the mixing of races and cultures resulting in a third and new force able to ease the tensions between the original two. Audinet reviews the tragic history of imperial and colonial conquests and traces the growth of mestizaje, especially stimulated by literature, music and sports.

Audinet argues that, instead of chasing or preserving the illusion of “pure” races, we need to face the shifting boundaries of peoples and cultures. He acknowledges the uncertainty of the changes, but emphasizes the essential role that mestizaje can play in the avoidance of racial and cultural clashes while pursuing equality as part of the promise of a democratic society.

Mixed Race Identities in Australia, New Zealand and the Pacific Islands

Routledge
2016-12-20
246 pages
Hardback ISBN: 9781138677708

Edited by:

Farida Fozdar, Associate Professor of Anthropology and Sociology
University of Western Australia

Kirsten McGavin, Postdoctoral Research Fellow (Anthropology)
School of Social Science
University of Queensland

This volume offers a “southern,” Pacific Ocean perspective on the topic of racial hybridity, exploring it through a series of case studies from around the Australo-Pacific region, a region unique as a result of its very particular colonial histories. Focusing on the interaction between “race” and culture, especially in terms of visibility and self-defined identity; and the particular characteristics of political, cultural and social formations in the countries of this region, the book explores the complexity of the lived mixed race experience, the structural forces of particular colonial and post-colonial environments and political regimes, and historical influences on contemporary identities and cultural expressions of mixed-ness.

Table of Contents

• Introduction: “Mixed Race” in the Australo-Pacific Region / Kirsten McGavin and Farida Fozdar
• 1. Descentism in Three Acts / Emma Kowal
• 2. Reimagining Ancestry in Northern Australia’s Gulf Country: The Politics of History, Indigeneity and Race / David Trigger and Richard Martin
• 3. Raising “Mixed Race” Asian/European Migrant Children in Australia / Maki Meyer and Farida Fozdar
• 4. “See This Skin, It Is Black and White Together” / Margot Ford and Ailsa Purdon
• 5. Asian (Con)Fusion: Identity Markers Among Mixed-Asian “Race” Individuals in Perth, Western Australia / Crystal Abidin
• 6. Who Are We?German-Tongan Identity in New Zealand and Australia / Kasia Cook
• 7. Constructing and Interpreting “Mixed Race” and “Mixed Parentage” in Papua New Guinea / Helen Johnson and Kirsten McGavin
• 8. Papua New Guinean-Australian Hybridity: Reflections of an “Insider” / Anita Iko Togolo
• 9. The Transformations of the “Métis Question” in New Caledonia (1853-2009) / Adrian Muckle and Benoit Trepied
• 10. A Categorical Failure: “Mixed Race” in Colonial Papua New Guinea / Michael Goddard
• 11. Searching for a Sound: Music and “Mixed Race” Identity in Rabaul, Papua New Guinea / Michael Webb
• 12. Lingering Legacies of German Colonialism: The “Mixed Race” Diasporas in Oceania / Christine Winter
• 13. “Mixed Race” Identity and West Papuan Political Activism: Two Case Studies / Camellia Webb-Gannon
• 14. “It’s a Bicultural Nation. But the Journey Towards True Biculturalism, It’s Not There Yet”: Exploring Fathers’ Involvement in Bringing Up Their Mixed Race Children in New Zealand / Rosalind Edwards
• 15. When “Mixed Race” Is No Longer “Mixed”: A Case from Aotearoa/New Zealand / Neriko Musha Doerr

Re Jane: A Novel

Pamela Dorman Books (an imprint of Penguin Random House)
2015-05-05
352 Pages
Hardcover ISBN: 978-0525427407
Paperback ISBN: 978-0143107941

Patricia Park

For Jane Re, half-Korean, half-American orphan, Flushing, Queens, is the place she’s been trying to escape from her whole life. Sardonic yet vulnerable, Jane toils, unappreciated, in her strict uncle’s grocery store and politely observes the traditional principle of nunchi (a combination of good manners, hierarchy, and obligation). Desperate for a new life, she’s thrilled to become the au pair for the Mazer-Farleys, two Brooklyn English professors and their adopted Chinese daughter. Inducted into the world of organic food co-ops and nineteenth–century novels, Jane is the recipient of Beth Mazer’s feminist lectures and Ed Farley’s very male attention. But when a family death interrupts Jane and Ed’s blossoming affair, she flies off to Seoul, leaving New York far behind.

Reconnecting with family, and struggling to learn the ways of modern-day Korea, Jane begins to wonder if Ed Farley is really the man for her. Jane returns to Queens, where she must find a balance between two cultures and accept who she really is. Re Jane is a bright, comic story of falling in love, finding strength, and living not just out of obligation to others, but for one’s self.

Journeying from Queens to Brooklyn to Seoul, and back, this is a fresh, contemporary retelling of Jane Eyre and a poignant Korean American debut.

Cultural Studies 1983: A Theoretical History

Duke University Press
2016
232 pages
Cloth ISBN: 978-0-8223-6248-7
Paperback ISBN: 978-0-8223-6263-0

Stuart Hall (1932–2014)

Edited by:

Jennifer Daryl Slack, Professor of Communication and Cultural Studies
Michigan Technological University

Lawrence Grossberg, Morris David Distinguished Professor of Communication and Cultural Studies
University of North Carolina, Chapel Hill

The publication of Cultural Studies 1983 is a touchstone event in the history of Cultural Studies and a testament to Stuart Hall’s unparalleled contributions. The eight foundational lectures Hall delivered at the University of Illinois in 1983 introduced North American audiences to a thinker and discipline that would shift the course of critical scholarship. Unavailable until now, these lectures present Hall’s original engagements with the theoretical positions that contributed to the formation of Cultural Studies. Throughout this personally guided tour of Cultural Studies’ intellectual genealogy, Hall discusses the work of Richard Hoggart, Raymond Williams, and E. P. Thompson; the influence of structuralism; the limitations and possibilities of Marxist theory; and the importance of Althusser and Gramsci. Throughout these theoretical reflections, Hall insists that Cultural Studies aims to provide the means for political change.

Table of Contents

• Editor’s Introduction / Lawrence Grossberg and Jennifer Daryl Slack
• Preface to the Lectures by Stuart Hall, 1988
• Lecture 1. The Formation of Cultural Studies
• Lecture 2. Culturalism
• Lecture 3. Structuralism
• Lecture 4. Rethinking the Base and Superstructure
• Lecture 5. Marxist Structuralism
• Lecture 6. Ideology and Ideological Struggle
• Lecture 7. Domination and Hegemony
• Lecture 8. Culture, Resistance, and Struggle
• References
• Index

Krazy: George Herriman, a Life in Black and White

HarperCollins
2016-12-06
560 pages
Trimsize: 6 in (w) x 9 in (h) x 1.679 in (d)
Hardcover ISBN: 9780061732997
E-book ISBN: 9780062098054

Michael Tisserand

In the tradition of Schulz and Peanuts, an epic and revelatory biography of Krazy Kat creator George Herriman that explores the turbulent time and place from which he emerged—and the deep secret he explored through his art.

The creator of the greatest comic strip in history finally gets his due—in an eye-opening biography that lays bare the truth about his art, his heritage, and his life on America’s color line. A native of nineteenth-century New Orleans, George Herriman came of age as an illustrator, journalist, and cartoonist in the boomtown of Los Angeles and the wild metropolis of New York. Appearing in the biggest newspapers of the early twentieth century—including those owned by William Randolph Hearst—Herriman’s Krazy Kat cartoons quickly propelled him to fame. Although fitfully popular with readers of the period, his work has been widely credited with elevating cartoons from daily amusements to anarchic art.

Herriman used his work to explore the human condition, creating a modernist fantasia that was inspired by the landscapes he discovered in his travels—from chaotic urban life to the Beckett-like desert vistas of the Southwest. Yet underlying his own life—and often emerging from the contours of his very public art—was a very private secret: known as “the Greek” for his swarthy complexion and curly hair, Herriman was actually African American, born to a prominent Creole family that hid its racial identity in the dangerous days of Reconstruction.

Drawing on exhaustive original research into Herriman’s family history, interviews with surviving friends and family, and deep analysis of the artist’s work and surviving written records, Michael Tisserand brings this little-understood figure to vivid life, paying homage to a visionary artist who helped shape modern culture.