Scholarly perspectives on the mixed race experience.
Multiracialism cuts its teeth on the denial of this fundamental social truth: not simply that antiblackness is longstanding and ongoing but also that it is unlike other forms of racial oppression in qualitative ways—differences of kind, rather than degree, a structural singularity rather than an empirical anomaly.
Ahead of her new book, the first African-American female principal dancer of the American Ballet Theatre reveals the power of seeing a portrait of Raven Wilkinson, who broke color barriers in ballet more than 50 years ago.
“I saw this image of dancer Raven Wilkinson for the first time in Ballets Russes, the 2005 documentary. I cried upon hearing a history I didn’t know much about. As a black woman in the classical-ballet world, I realized then that, although things have evolved in the 50 years since Raven faced severe racism while performing with the Ballet Russe de Monte Carlo, black women still face an uphill battle finding their place as professionals in classical ballet…
She overcame difficult childhood to become first African-American female principal dancer with the American Ballet Theatre
American dancer Misty Copeland knows about overcoming the odds and pushing through adversity to achieve a dream.
As the first African American female to be appointed as Principal Dancer with the prestigious American Ballet Theatre, Copeland knows more than a little bit about breaking out of the life she was given, to create the life she wanted. With that story to tell, it’s no surprise the 34-year-old was invited to Denver as a special guest of the Colorado Women’s Foundation annual luncheon, an event sponsored by the Denver Post Community Foundation.
The foundation’s goal is to create systemic change for women and girls in Colorado, empowering them to overcome stereotypes, tackle math, science and technology in school, achieve financial independence and reach their full potential.
Copeland’s story seems to align with that message. Her seemingly fairy tale adult life in the spotlight bears little to no resemblance to her humble beginnings…
…Hughes: Is there any part of you that is bothered by the fact that the title is first African-American principal dancer in the ballet company?
Copeland: No. I think that this is something that I’ve had to accept and own, and I’m so OK with that. You know, this is a huge deal and for people to kind of take away that title just because I’ve reached this point — like it doesn’t make any sense. It is a big deal, and it doesn’t erase the history of the lack of diversity in classical ballet just because me as an individual — one person — has reached this point. So whenever people say, “You know, you’re here. Like, why do you have to talk about race? Why is every article about you being African-American. It has to be said. That message has to continue and I hope it does. When I’m retired in that it will continue to spark change…
Misty Copeland recounted her own Prince tribute Saturday (July 2) during an Essence Fest weekend full of them. But for the first African American woman to be named principal dancer at the American Ballet Theater, the music star was a friend before she’d ever even seen him in concert.
“I’d never seen him perform live,” Copeland said during an interview with Soledad O’Brien on the festival’s Empowerment Experience stage. Copeland was emotional as she continued her story, adding, “I approached this relationship as this really hilarious quiet guy that became my friend, then I stepped onstage with him for the first time and I was like, OK, I get it now. Like, wow.”…
Obama praised her for being a role model to his young daughters as she breaks barriers with her athletic body type
Copeland asked Obama for advice on how to stay humble and grounded when one reaches the top of their field
They have a shared history of multiracial families, being raised by single mothers and making it to the top position of their respective fields.
Now President Barack Obama and Prima Ballerina Misty Copeland are sharing a table, discussing their thoughts on women’s body image, affirmative action and growing up black in America.
Copeland, the first African American to be named the principal dancer at the American Ballet Theater, has been breaking barriers in the ballet world with her athletic body type.
And Obama revealed during the TIME interview that it was the likes of Copeland and wife Michelle that were acting as role models for his daughters as they learn the pressures women face today to ‘look a certain way’…
…Copeland said that growing up African American has definitely been a ‘huge obstacle’ but she credited for giving her ‘this fire’ that has made her one of the best in her field.
As both she and the president praised social media for inciting conversation on racism and discrimination in the country, Obama pointed out that more still had to be done…
Comments Off on Obama praises wife Michelle’s curves as he sits down with prima ballerina Misty Copeland for interview about body image and growing up black in America
The first African American president and the first black principal dancer at the American Ballet Theater have much more in common than their success. Both have risen to the pinnacle of institutions that have historically been led by whites. Both were raised by determined single mothers and born into multi-racial families. And both seek to use their unique positions of power to inspire a generation of kids who may not see a clear path forward toward success.
They have also come to appreciate each other from afar, prompting a rare meeting at the White House on Feb. 29, when they sat down with TIME’s Maya Rhodan for a unusually personal, 30-minute conversation about body image, raising daughters, empowering the young and fighting racial discrimination. “As the father of two daughters, one of the things I’m always looking for are strong women who are out there breaking barriers and doing great stuff,” Obama said after they sat down. “Misty’s a great example of that. Somebody who has entered a field that’s very competitive, where the assumption is that she may not belong.”
By his own admission, President Obama didn’t realize how much social pressure women faced to look and act a certain way when he was younger. “When you’re a dad of two daughters, you notice more,” he said. “And that pressure I think is historically always been harder on African American women than just about any other women.”
Copeland, a member of the President’s advisory Council of Fitness, Sports and Nutrition, said she has embraced her role as a mentor for younger people, especially black women. “I feel like people are looking at me, and it’s my responsibility to do whatever I can to provide opportunities,” Copeland said….
Here is a full transcript of the conversation:
TIME: Well thank you both so much for joining us today. My hope is that this is more of a conversation than an interview. So we’ll just let you guys talk. I’m going to be obviously jumping in with questions. But we want it to be natural and fun. And I want to start off by saying that you guys have a lot more in common than I’m sure a lot of people know. You’re both born into multiracial families, you were raised by single mothers. And you’ve risen to the top of your respective fields as African Americans. Which is pretty notable. But I’m curious, what do you see in each other that you recognize in yourself? Like what is it, and is there a common thread that has allowed you both to succeed?
PRESIDENT BARACK OBAMA: Well first of all, I thought you were going to say that I’m also a really good dancer. (Laughter.)
…TIME: And you both represent the African American community. As the President of the United States, as a principal dancer for the American Ballet Theater, do you ever think that – how does race come to play? Do you think that people still treat you differently because of race? Because you’re African American?
COPELAND: You know, my experience has been that a lot of what I’ve experienced has not always been to my face, or it’s been very subtle. But it’s in a way that I know what’s going on and I feel it deep inside of me. And I, being the only African American in almost every environment in terms of classical ballet, it weighs on you and it wears on you after a while. And I feel like a lot of it as well is what I’m kind of putting on myself. And this just trying to not get too caught up and too wrapped up and too weighed down with being black and trying to just be the best person and the best dancer that I can be. And work, and work harder than, even if I see the person next to me that things may be a little bit easier for them, I’m going to try and push myself even harder than them. But I think that being African American has definitely been a huge obstacle for me. But it’s also allowed me to have this fire inside of me that I don’t know if I would have or have had if I weren’t in this field…
If you think #OscarsSoWhite, consider the world of elite ballet. And if you want to understand why the current conversation over the lack of diversity among this year’s film academy nominees is just one thread of a much larger tapestry, watch Nelson George’s documentary “A Ballerina’s Tale: The Incredible Rise of Misty Copeland” on PBS on Monday night.
Watch too if you are a dance aficionado or a woman, if you have a daughter or for that matter a son, if you are a Southern California resident or just a thinking member of a culture that is changing, with various degrees of resistance, in almost every area.
It won’t take long, just 90 minutes that include several exquisite dance scenes, Copeland’s now-signature friendly frankness and none of the crazy-girl “Black Swan” pathology we have come to expect from tales of the dance world…
…”I think that people think that sometimes I focus too much on the fact that I’m a black dancer,” Copeland says in the film’s opening moments. “There’s never been a black principal woman … in the top companies of the world. In New York City Ballet, in New York City. I don’t think people realize what a feat it is, being a black woman. But that’s so much of who I am, and I think it’s so much a part of my story.”…
Few dancers reach the highest levels of classical ballet; of that few only a fraction are black women. Against the odds, Misty Copeland has made history by becoming the first African American principal dancer with the prestigious American Ballet Theatre, considered the pinnacle of ballet in the United States. A Ballerina’s Tale is an intimate look at this groundbreaking artist as she breaks through barriers and transcends her art.
