Mixed Race Studies

Charcoal and Cinnamon: The Politics of Color in Spanish Caribbean Literature

University Press of Florida
2000-04-09
192 pages
6 x 9
Cloth ISBN 13: 978-0-8130-1736-5
Paper ISBN 13: 978-0-8130-2717-3

Claudette M. Williams, Senior Lecturer
Department of Modern Languages and Literatures
University of the West Indies, Kingston, Jamaica

Charcoal and Cinnamon explores the continuing redefinition of women of African descent in the Caribbean, focusing on the manner in which literature has influenced their treatment and contributed to the formation of their shifting identities.

While various studies have explored this subject, much of the existing research harbors a blindness to the literature of the non-English-speaking territories. Claudette Williams bases her analyses on poetry and prose from Cuba, Puerto Rico, and the Dominican Republic and enhances it by comparing these writings with the literatures of the English- and French-speaking Caribbean territories.

Williams also questions the tendency of some of the established schools of feminism to de-emphasize the factor of race in their gender analyses. A novel aspect of this work, indicated by the allusion to “charcoal” and “cinnamon” in its title, is its focus on the ways in which many writers use language to point to subtle distinctions between black and brown (mulatto) women.

The originality of Williams’s approach is also evident in her emphasis on the writer’s attitudes toward race rather than on the writer’s race itself. She brings to the emotionally charged subject of the politics of color the keen analysis and sustained research of a scholar, as well as the perceptive personal insights of an African-ancestored Caribbean woman.

Though the main focus is on literary works, the book will also be a valuable reference for courses on Caribbean history, sociology, and psychology.

The Mulatto Republic: Class, Race, and Dominican National Identity

University Press of Florida
2014-03-24
224 pages
6×9
Cloth ISBN 13: 978-0-8130-4919-9

April J. Mayes, Associate Professor of History and Africana Studies
Pomona College, Claremont, California

The Dominican Republic was once celebrated as a mulatto racial paradise. Now the island nation is idealized as a white, Hispanic nation, having abandoned its many Haitian and black influences. The possible causes of this shift in ideologies between popular expressions of Dominican identity and official nationalism has long been debated by historians, political scientists, and journalists.

In The Mulatto Republic, April Mayes looks at the many ways Dominicans define themselves through race, skin color, and culture. She explores significant historical factors and events that have led the nation, for much of the twentieth century, to favor privileged European ancestry and Hispanic cultural norms such as the Spanish language and Catholicism.

Mayes seeks to discern whether contemporary Dominican identity is a product of the Trujillo regime—and, therefore, only a legacy of authoritarian rule—or is representative of a nationalism unique to an island divided into two countries long engaged with each other in ways that are sometimes cooperative and at other times conflicted. Her answers enrich and enliven an ongoing debate.

Black In The Dominican Republic: Denying Blackness

HuffPost Live
The Huffington Post
2014-06-10

Marc Lamont Hill, Host

In Latin America and Caribbean countries like the Dominican Republic many deny being of African decent, despite 90 percent of the population possessing black ancestry. Where has the blackness gone in the region?

Guests:

• Biany Perez (Philadelphia, Pennsylvania) Graduate Student at Bryn Mawr College
• Christopher Pimentel (New York , New York) Finance Student at Baruch College
• Robin Derby (Los Angeles, California) Associate Professor of History, University of California, Los Angeles
• Kimberly Eison Simmons (Columbia, South Carolina) Associate Professor, Anthropology and African American Studies, University of South Carolina
• Silvio Torres-Saillant (Syracuse, New York) Professor of English, Syracuse University

There’s a long story behind ‘anti-Haitianismo’ in the Dominican Republic

PRI’s The World
Public Radio International
2013-11-14

Christopher Woolf, Producer

Tens of thousands of people in the Dominican Republic are being stripped of their citizenship, on the grounds that they or their ancestors were illegal immigrants.  Thousands have already been deported across the border to Haiti, because it is assumed all illegal migrants come from there.

The court ruling applies to anyone whose family arrived in the country after 1929 and can’t document their status. Being born in the Dominican Republic doesn’t make a difference.

Some are calling it the latest manifestation of “anti-Haitianismo” in the Dominican Republic. Both countries are on the same island of Hispaniola.

Their relations are a story of race, identity, and money. The Dominican Republic is not a rich country, but it’s a lot better off than its neighbor, Haiti.

In terms of per capita GDP, it’s about six times richer. So thousands of Haitians go to the Dominican Republic to find work. Haitians and their descendants may make up as many as one in ten of the Dominican Republic’s population. Some Dominicans are unhappy about that, as they see Haitians as different, and some fear for the identity of their nation.

Haitians are different from their Dominican neighbors in several ways. Firstly, language: most Dominicans speak Spanish, while most Haitians speak Creole, based on French. Then, there’s the issue of race.

Haiti is overwhelmingly black; whereas Dominicans identify more with the European part of their heritage, rather than the African part. Most Americans would describe most Dominicans as black. And DNA tests taken over the last decade confirm that most Dominicans have black ancestry in their family history to varying degrees.

But race in the Dominican Republic and in other parts of the Caribbean does not mean the same thing as it does in the United States. Dominicans use a variety of words to self-identify, such as moreno, trigueno, and blanco-oscuro, indicating different colors or different types of mixed racial origins. But not many will choose the term “black.”…

Read the entire article and listen to the story here.

Artists, Educators Laud Black Heritage In Dominican Republic

The Associated Press
2013-10-11

Ezequiel Abiú López, Foreign Correspondent
The Associated Press

SANTO DOMINGO, Dominican Republic (AP) — In a school auditorium filled with laughing students, actresses Luz Bautista Matos and Clara Morel threw themselves into acting out a fairy tale complete with a princess, a hero and acts of derring-do.

Morel had wrapped a white plastic sheet around her multi-colored blouse, while Bautista donned a brown paper bag over her blue tights. The two black actresses wore their hair free and natural, decorated only with single pink flowers.

“Yes, you’re a princess,” said Bautista to Morel, who fretted that she didn’t look like a traditional princess with her dark complexion and hair. Bautista then turned to a young girl sitting in the front row, who shared the same African-descended features as both actresses. “And you too,” Morel said as the child smiled back at her.

The theater group Wonderful Tree has visited schools all over Santo Domingo and some in the countryside to spread the word among black children that their features and heritage should be a source of pride. That message, though simple, has been nothing less than startling in this Caribbean country, where 80 percent of people are classified as mulattos, meaning they have mixed black-white ancestry, but where many still consider being labeled black an offense.

Wonderful Tree represents a larger cultural movement that’s working to combat the country’s historic bias through arts and education. The Dominican choreographer Awilda Polanco runs a contemporary dance company that’s trying to rescue Afro-Caribbean traditions, while the Technological Institute of Santo Domingo has been training primary school teachers to respect and celebrate their students’ African heritage, including through skits that young children can more easily understand.

It’s a bid to transform a color-obsessed society where a majority of the country’s 10 million people choose to identify themselves as “Indio” — or “Indian” — on government documents despite their black roots, and many reject afros in favor of closely cropped hair or sleek blowouts. Public schools for decades even prohibited students from attending classes with their hair loose or in a natural frizz.

Such hair, in fact, is called “bad hair” in the local Spanish lexicon while straightened hair is “good hair.”…

…Women in the Dominican Republic spend an estimated 12 percent of their household budgets on hair salons and treatments, according to “Good Hair, Bad Hair,” which included an economic and anthropological study of Dominican beauty salons.

Dictator Rafael Leonidas Trujillo, who oversaw the killing of some 17,000 Haitians in 1937 in an effort to expel them from the Dominican Republic, was himself a mulatto who used makeup to make his face lighter.

Trujillo was the first to include the term “Indio” in official documents, said historian Emilio Cordero Michel…

Read the entire article here.

A Rising Voice: Afro-Latin Americans

Miami Herald
2007-06-10 through 2007-06-24

In this series, the black experience is unveiled through a journey: to Nicaragua, where a quiet but powerful civil and cultural rights movement flickers while in neighboring Honduras, the black Garffuna community fights for cultural survival; to the Dominican Republic where African lineage is not always embraced; to Brazil, home to the world’s second largest population of African descent; to Cuba, where a revolution that promised equality has failed on its commitment to erase racism; and to Colombia, where the first black general serves as an example of Afro-Latin American achievements.

Part 1: Nicaragua and Honduras: Afro-Latin Americans: A rising voice
Audra D.S. Burch
A close-up look at a simmering civil rights movement in a tiny port settlement along Nicaragua’s Atlantic Coast.

…To appreciate the story of race here, is to understand the kaleidoscopic legacy of slavery, the historic demonization and denial of blackness and the practice of racial mixing.

This portrait is complicated by the lack of reliable census data because of traditional undercounting and because some blacks decline to identify themselves as such.

The dynamic along the coast is a layered quilt of Miskitos, mestizos and blacks. The ancestors of other Afro-Nicaraguans were free blacks who immigrated from Jamaica and other Caribbbean countries, lured by the good, steady jobs available for English speakers.

Stories abound about people who have hidden behind ambiguously brown complexions, “passing” for Miskito Indians, or mestizo.

“It’s hard to mobilize when you are still recouping the identity and just starting to openly use the term black,” says [Juliet] Hooker, the University of Texas professor whose father was a regional councilman…

Part 2: Dominican Republic: Black denial
Frances Robles
An examination on the sensitive nature of racial definition in a nation with inextricable ties to Africa.

SANTO DOMINGO—Yara Matos sat still while long, shiny locks from China were fastened, bit by bit, to her coarse hair.

Not that Matos has anything against her natural curls, even though Dominicans call that pelo malo—bad hair.

But a professional Dominican woman just should not have bad hair, she said. “If you’re working in a bank, you don’t want some barrio-looking hair. Straight hair looks elegant,” the bank teller said. “It’s not that as a person of color I want to look white.   I want to look pretty.”

And to many in the Dominican Republic, to look pretty is to look less black.

Dominican hairdressers are internationally known for the best hair-straightening techniques. Store shelves are lined with rows of skin whiteners, hair relaxers and extensions.

Racial identification here is thorny and complex, defined not so much by skin color but by the texture of your hair, the width of your nose and even the depth of your pocket.  The richer, the “whiter.” And, experts say, it is fueled by a rejection of anything black…

Part 3: Brazil: A Great Divide
Jack Chang
Black Brazilians speak out and push for affirmative action laws in the hemisphere’s most Africanized nation.

…And Brazilians are finally discussing race after decades of telling themselves and the rest of the world that the country was free from racism, said Sen. Paulo Paim, author of one of the pending affirmative-action bills.

“The Brazilian elite says this is not a racist country, but if you look at whatever social indicator, you’ll see exclusion is endemic,” he said. “We want to open up to more Brazilians the legitimate spaces they deserve…

…”I have never seen any evidence that suggests anything other than there’s widespread racism in Brazil,” said UCLA sociology professor Edward Telles, who studies race in Brazil…

…Black leaders also blame what they describe as decades of self-censorship about race spurred by the “racial democracy” vision of their country, which long defined Brazilian self-identity.

Preached in the early 20th century by sociologist Gilberto Freyre, the vision depicted a Brazil that was freeing itself of racism and even of the concept of race through pervasive mixing of the races…

Part 4: Cuba: A barrier for Cuba’s blacks
Miami Herald Staff Report
Economic and political apartheid are alive in Cuba, despite a revolution launched in 1959 that promised equality.

..DISPARITY IN NUMBERS

Cuba’s official statistics offer little help on the race issue. The 2002 census, which asked Cubans whether they were white, black or mestizo/mulatto, showed 11 percent of the island’s 11.2 million people described themselves as black. The real figure is more like 62 percent, according to the Institute for Cuban and Cuban-American Studies at the University of Miami.

And the published Census figures provide no way at all to compare blacks and whites in categories like salary or educational levels. Ramón Colás, who left Cuba in 2001 and now runs an Afro-Cuba race-relations project in Mississippi, said he once carried out his own telling survey: Five out of every 100 private vehicles he counted in Havana were driven by a Cuban of color.

The disparity between the census’ 11 percent and UM’s 62 percent also reflects the complicated racial categories in a country where if you look white you are considered white, no matter the genes.

“You know, there are seven different types of blacks in Cuba,” said Denny, who now works as a waiter but dreams of a hip-hop career. From darkest to lightest, they are: negro azul, prieto, moreno, mulato, trigueño, jabao and blanconaso…

Part 5: Achievers: Racism takes many hues
Leonard Pitts, Jr.
An overview on the achievement of black leaders in the region. And a personal essay by Miami Herald columnist Leonard Pitts Jr.

…Which brings us back to that earnestly debated question: Who is black?

A COMPLEX MATTER

The question is more complex than an American might believe. In Brazil, a nation of indigenous peoples and descendants of African slaves, European colonists and immigrants, a dark-skinned man who might automatically be called black elsewhere has a racial vocabulary that allows him to skirt the Africa in his heritage altogether. He can call himself moreno (racially mixed), mestizo (colored) or pardo (medium brown). Anything but “afrodescendente” (Africa-descended) or negro (black)…

..Brazil likes to think of itself as a racial democracy, says Miriam Leitao, but that’s a delusion. She has, she says, been making that argument for 10 years and has become one of the nation’s most controversial journalists in the process.

When she writes about racism in Brazil, people tell her she’s crazy. “I don’t know how to explain the thing that, for me, is so obvious,” she says

Multimedia

Read the entire series here.

Race and Identity in the Dominican Republic: A Complex Topic

CIEE Santiago, DR Service Learning Blog
CIEE Study Abroad
Council on International Educational Exchange
2012-09-18

Hannah Loppnow
St. Norbert College, De Pere, Wisconsin

One piece of advice that really resonated with me from the first day of orientation was “put yourself out there.” We were also told to step outside of our comfort zone when interacting with Dominicans in Spanish and to carry ourselves confidently.  Having only been in the Dominican Republic for less than twenty-four hours, I was very conscious of my every move and legitimately terrified to show my true colors to the program staff, my classmates, and the Dominican population. What will they think about me? Am I different than what they are used to? What do I think about them? First impressions are nearly impossible to prepare for because you simply can’t know what to expect. Have you ever thought about what your appearance says to others? In our Poverty and Development class, we have been discussing how Dominicans identify themselves and all of the factors that play into their self-identity, placing a strong emphasis on the history of the DR.

It is important to get a better understanding of how people identify themselves and their reasons why. The racial diversity of the Dominican Republic was largely influenced by the colonization of the island in 1492 by Christopher Columbus.  After the colonization of the Island and the mixture of European and African blood with indigenous Taíno blood, the new mulatto, the Spanish word for mixed race, soon became the dominant race of the Dominican Republic, making it a melting pot of light to dark skin tones. Walking around Santiago, the city I currently live in, I can clearly see the diverse mix of races and backgrounds of the Dominican community. Dominican’s have different body types, facial structures, eye colors, hair colors and textures and skin tones. I think their varied skin tones are beautiful, adding even more dimension to their multi-cultural community…

Read the entire article here.

Race Migrations: Latinos and the Cultural Transformation of Race

Stanford University Press
April 2012
268 pages
6 tables, 1 figure, 20 photographs
Cloth ISBN: 9780804777957
Paper ISBN: 9780804777964
E-book ISBN: 9780804782531

Wendy D. Roth, Associate Professor of Sociology
University of British Columbia, Canada

In this groundbreaking study of Puerto Rican and Dominican migration to the United States, Wendy D. Roth explores the influence of migration on changing cultural conceptions of race—for the newcomers, for their host society, and for those who remain in the countries left behind. Just as migrants can gain new language proficiencies, they can pick up new understandings of race. But adopting an American idea about race does not mean abandoning earlier ideas. New racial schemas transfer across borders and cultures spread between sending and host countries.

Behind many current debates on immigration is the question of how Latinos will integrate and where they fit into the U.S. racial structure. Race Migrations shows that these migrants increasingly see themselves as a Latino racial group. Although U.S. race relations are becoming more “Latin Americanized” by the presence of Latinos and their views about race, race in the home countries is also becoming more “Americanized” through the cultural influence of those who go abroad. Ultimately, Roth shows that several systems of racial classification and stratification co-exist in each place, in the minds of individuals and in their shared cultural understandings of “how race works.”

Contents

• List of Illustrations
• Acknowledgments
• 1. How Immigration Changes Concepts of Race [Read an excerpt here.]
• 2. Beyond the Continuum: Race in the Dominican Republic and Puerto Rico
• 3. Migrant Schemas: Race in the United States
• 4. Transnational Diffusion
• 5. Multiple Forms of Racial Stratification
• 6. Performing Race Strategically
• 7. Is Latino Becoming a Race?
• Cultural Change and Classifications
• Appendix: Notes on Methodology
• Notes
• Index

Legislation eradicates Dominican “Indians”

Dominican Today
2011-11-11

Santo Domingo.—Mulatto, black and white will be the only colors among Dominicans and will be stated thus in the citizens ID cards (cedula), effectively eradicating the nation’s “Indians.”

The bill “Dominican Republic Electoral Law Reform” states that in the master file of cedulas the color of Dominicans will be established by their ethnic group, and as such only three colors. The Spanish Royal Academy of Language defines ethnic group as “a human community defined by racial affinities.”
 
Organization of American States (OAS) and Central Electoral Board (JCE)technicians drafted the legislation to reform Electoral Law 275-97, and will be debated by the JCE prior to being submitted to Congress in the next few days…

…Although nearly all Taíno Indians perished early during Spanish colonization, the term “Indio” lingered from the many remaining descendants of mixed blood also called mestizos…

Read the entire article here.

Trans-American Modernisms: Racial Passing, Travel Writing, and Cultural Fantasies of Latin America

University of Southern California
August 2009
311 pages

Ruth Blandón

Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (ENGLISH)

In my historical examination of the literary works of Nella Larsen, William Carlos Williams, Langston Hughes, James Weldon Johnson, Jessie Redmon Fauset, and Carl Van Vechten, I investigate U.S. modernists’ interest in Latin America and their attempts to establish trans-American connections. As they engage with and write about countries such as Brazil, Puerto Rico, the Dominican Republic, Cuba, Costa Rica, and Venezuela as utopian spaces, these writers often tend to relegate Latin America to the status of a useful trope, one that allows them to negotiate a variety of identitarian and sexual anxieties.

The domestic political landscape that informs the desire for migration to the Latin Americas—whether real or fantastical—in the early twentieth century leads to Johnson’s depiction of the savvy and ambitious titular character in his first and only novel, Autobiography of an Ex-Coloured Man, to Van Vechten’s, Larsen’s, and Fauset’s fantastical Brazil in their respective Nigger Heaven, Passing, and Plum Bun. Hughes’s translation of Cuban poet Nicolás Guillén’s poetry illustrates his straddling of national and color lines through the translation of language. These writers react to Jim Crow laws, one-drop rules, and color lines in their connections to and fantasies of the Latin Americas. What then of writers who make similar trans-American connections and constructions, but who write from a space of relative privilege, however resistant they are to that privilege? Consider William Carlos Williams, who negotiates the pressures of assimilation in the United States as he attempts to assert his Afro Puerto Rican and Anglo Dominican heritages. Although Williams is commonly recalled as an “all-American” poet, his works betray his constant attempts to harness three perpetually shifting and overlapping identities: that of a son of immigrants, of a first generation “American,” and of a son of the Americas.

The trans-American connections I reveal span the fantastical to the truly cross-cultural. In placing United States modernism and the Harlem Renaissance within a larger hemispheric context, I shift our sense of U.S. modernism in general, but also of the Harlem Renaissance’s place within U.S. modernism in particular.

Table of Contents

• Dedication
• Acknowledgments
• List of Figures
• Abstract
• Introduction
• Chapter One:
  • Reading, Misreading, and Language Passing in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man and Along This Way
  • Blackness under the law
  • James Weldon Johnson’s Along This Way
  • The Autobiography of an Ex-Coloured Man
  • Conclusion
• Chapter Two:
  • Brazilian Schemes and Utopian Dreams in Nella Larsen’s Passing, Jessie Redmon Fauset’s Plum Bun, and Carl Van Vechten’s Nigger Heaven
  • Historical Context
  • From Liberia to Brazil—A Change of Venue
  • Carl Van Vechten’s Nigger Heaven
  • Jessie Fauset’s Plum Bun, “Home,” and Brazil
  • Larsen’s Passing and Brazil as Utopia/Dystopia
  • Conclusion: Utopia vs. Brazilian Reality
• Chapter Three:
  • All-American Me: William Carlos Williams’s Construction and Deconstruction of the Self
  • Cultural Context—Casta and Passing
  • Blurring Cultural Boundaries: “Only the whites of my eyes were affected.”
  • The Specter of Blackness: “I had visions of being lynched…”
  • In The American Grain: “I am—the brutal thing itself.”
  • Translation: “El que no a vista Sevilla, […] no a vista maravilla!”
  • Conclusion: “I’ll keep my way in spite of all.”
• Chapter Four:
  • “Look Homeward Angel Now”: Travel, Translation, and Langston Hughes’s Quest for Home
  • Langston Hughes in Mexico and Cuba—1907-1948: Mexico
  • Cuba
  • Langston Hughes and Nicolás Guillén in Spain
  • Translation, Analogy, and the “I”
  • Of Poetry, Jazz, Son, and Rumba
  • The Translations
  • Conclusion: Translating, Travel, and “Home”
• Bibliography

List of Figures

• Figure 1: James Weldon Johnson, photographed by Carl Van Vechten in 1932.
• Figure 2: “Les Demoiselles d’Avignon.” Pablo Picasso, 1907.
• Figure 3: “Noire et Blanche.” Man Ray, 1926.
• Figure 4: “Blues.” Archibald Motley, 1929.
• Figure 5: “An Idyll of the Deep South.” Aaron Douglas, 1934.
• Figure 6: Bessie Smith, photographed by Carl Van Vechten, 1936.
• Figure 7: Billie Holiday, photographed by Carl Van Vechten, 1949.
• Figure 8: The Williams Family
• Figure 9: “De Español y Mulata; Morisca.” [“From Spaniard and Mulatto, Morisca.”] Miguel Cabrera, 1763.
• Figure 10: “De Mestizo y d India; Coyote.”[“From Mestizo and Indian, Coyote.”] Miguel Cabrera, 1763.
• Figure 11: William Carlos Williams, circa 1903.
• Figure 12: Elena Hoheb Williams
• Figure 13: Langston Hughes
• Figure 14: Diego Rivera with Frida Kahlo, photographed by Carl Van Vechten, 1932.
• Figure 15: Nicolás Guillén

Read the entire dissertation here.