Review of Kessler, John S.; Ball, Donald B., North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Posted in Articles, Book/Video Reviews, History, Media Archive, Tri-Racial Isolates, United States on 2011-04-17 02:02Z by Steven

Review of Kessler, John S.; Ball, Donald B., North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

H-Net Reviews
June 2002

Penny Messinger, Assistant Professor of History
Daemen College, Amherst, New York

John S. Kessler, Donald B. Ball. North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio. Macon, Ga.: Mercer University Press, 2001. xiii + 220 pp., ISBN 978-0-86554-703-2; ISBN 978-0-86554-700-1.

Ethnic Diversity in Appalachia and Appalachian Ohio

Scholars of the Appalachian South have begun to explore the ethnic and racial diversity of the region as part of an attempt to go beyond the one-dimensional stereotype of the white, “one hundred percent American” hillbilly that has frequently prevailed in depictions of the area’s residents. Kessler and Ball offer an interesting contribution to this effort. The title, North from the Mountains, while specifically describing migration from the mountains of eastern Kentucky to the hills of southern Ohio, also refers to a migration from South to North that took place in several steps, over several generations. The group that established the settlement in the small crossroads community of Carmel, Ohio had its origins, the authors explain, in a multi-racial community that formed in the mid-Atlantic colonies between the mid-1600s and 1800. Members of the group relocated to the disputed borderlands of the Virginia and North Carolina mountains during the 1790s, where they were called “Melungeons,” and from there to Magoffin County (then part of Floyd County), Kentucky, by 1810. Migrants from Magoffin County settled in Highland County, Ohio, around 1864, forming the Carmel Melungeon settlement. The Melungeon settlement straddled the borders of Highland and Pike counties and spread south and east from Carmel, a small crossroads community not far from the current Fort Hill State Memorial. Although it never grew into a town, during the 1940s Carmel was large enough to sustain a store, schools (later absorbed during the consolidation process), two churches, and several cemeteries. At its peak size around 1900, Carmel had included additional stores and businesses, an attorney, and a post office (operating from 1856 until 1921). The Melungeon settlement in Carmel appears to have reached its peak size of around 150 people during the 1940s.

The questions “Who are the Melungeons?” and “Where did they come from?” have intrigued anthropologists, novelists, and regional scholars for many decades. To an even greater degree than is the case for other residents of the Southern Appalachians, the group has been the subject of stereotype and myth. The term “Melungeon” is explained as an adaptation of the French “mélange,” meaning “mixture,” and has sometimes been used as an epithet. Kessler and Ball use the Spanish “mestizo,” meaning a person of mixed racial ancestry, to characterize members of the Melungeon communities. The term “Melungeon” describes several insular, multi-ethnic, or multi-racial communities within the Appalachian region, notably those located in Hancock and Hawkins counties in Tennessee, and Lee, Scott, and Wise counties in Virginia. However, Kessler and Ball argue that this definition should be expanded to include “genetically comparable and similarly named families throughout an area covering at least twenty-nine adjacent counties variously located in northwestern North Carolina, southwestern Virginia, northeastern Tennessee, and southeastern Kentucky,” in addition to the Carmel settlement (p. 2). These mixed-race communities were often held in low regard by their neighbors, creating a sense of shared identity among residents within the community that was reinforced by hostility from outside. Historically, the attitude of residents of the communities surrounding mestizo settlements was often manifested in a refusal to intermarry with the community members, a pattern that served to reinforce group identity and to preserve racial composition. Kessler and Ball also provide concise discussions of other mestizo populations within the Appalachian area that are unrelated to the Melungeon groups and delineate the points of distinction among the groups.

During the 1940s and 1950s, anthropologists described Melungeon communities as “tri-racial isolates,” a term that emphasized a mixed heritage of white, African, and Native American ancestry. The authors note that group members generally emphasized their Native American rather than their African ancestry, although both races contributed to the group’s ethnic mix. A more controversial aspect of Melungeon identity is the group’s claim of Portuguese and/or Middle Eastern ancestry. Molecular biologist Kevin Jones is currently coordinating a project to analyze genetic material from Melungeon community members in order to answer the question of ancestry. N. Brent Kennedy, who edits the series “The Melungeons,” addresses the issue of identity in the book’s foreword. Kennedy is also the author of a recent book on the Melungeons and a leader in the movement for Melungeon pride and identity.[1] In discussing the ancestry of the group, Kennedy writes, “No doubt some of us are primarily Native American; others more Turkish and/or central Asian; still others more Portuguese, or Semitic, or African. But, despite the old argument that the Melungeon claim to be of various origins is ‘proof’ against all origins, there is no conflict in such a multiplicity of claims. We were more multicultural than the average Englishman when we first arrived. And, like all Americans, we Melungeons have also become even more multicultural and multiethnic with the passage of time.” Kennedy continues, “Early America was far more ethnically and racially complex than we have been taught. Some whites were not northern European, some blacks were not sub-Saharan African, and some Indians and some mulattos were not Indians and mulattos….We Melungeons and, indeed, other mixed groups have irrefutable ties not only to northern Europe, sub-Saharan Africa, and early America, but also to the eastern Mediterranean, southern Europe, northern African, and central Asia” (pp. ix-x)…

Read the entire review here.

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North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Posted in Books, History, Media Archive, Monographs, Tri-Racial Isolates, United States on 2011-04-17 00:40Z by Steven

North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Mercer University Press
2001
220 pages
Paperback ISBN: 9780865547032

John S. Kessler

Donald B. Ball

The newest book in Mercer University Press’ new series The Melungeons: History, Culture, Ethnicity, and Literature is North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio by John S. Kessler and Donald B. Ball. It is the first substantive study of the Carmel Melungeon settlement since 1950. Tracing their history from about 1700, this book contains extensive firsthand information to be found in no other source, and relates the Carmel population to the Melungeons and similar mixed-blood populations originating in the Mid-Atlantic coastal region. This study combines a review of documentary evidence, extensive firsthand observations of the group, and information gleaned from area informants and a visit to the Carmel area. The senior author, until about age eighteen, was a resident of a community nearby, hence the personal insight and perspective into the lifestyle and inter- and intrarelationships of the group.

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Miscegenation Blues: Voices of Mixed Race Women

Posted in Anthologies, Autobiography, Biography, Books, Gay & Lesbian, Identity Development/Psychology, Media Archive, Women on 2011-04-16 04:02Z by Steven

Miscegenation Blues: Voices of Mixed Race Women

Sister Vision Press
May 1994
389 pages
8.8 x 5.8 x 1 inches
Paperback ISBN: 092081395X; ISBN 13: 9780920813959
This book is out of print.

Edited by

Carol Camper

Miscegenation Blues: Voices of Mixed Race Women is a stunning and long awaited collection of some of the most poignant writing by more than forty women of mixed racial heritage.  Together they explore the concept of a mixed race identity, the fervour of belonging, the harsh reality of not belonging—of grappling in two or more worlds and the final journey home.

Table of Contents

  • Introduction: Carol Camper Into the Mix
  • Edge to the Middle … location, identity, paradox
    • Camille Hernandez-Ramdwar Ms. Edge Innate
    • A. Nicole Bandy Sorry, Our Translator’s Out Sick Today
    • Culture Is Not Static
    • Lisa Jensen “journal entry 25/10/92″
    • Elehna de Sousa Untitled
    • Nadra Qadeer Spider Woman
    • Deanne Achong Untitled
    • Michele Chai Don’t
    • Naomi Zack My Racial Self Over Time
    • Mercedes Baines Mulatto Woman a honey beige wrapper
    • Mixed Race Women’s Group—Dialogue One
    • Michele Paulse Commingled
    • Lara Doan Untitled
    • Lisa Suhair Majaj Boundaries, Borders, Horizons
  • But You Don’t Look Like a… faces, body, hair
    • Lisa Jensen (one more time now.)
    • Ijosé Two Halves—One Whole (Part I)
    • Two Halves—One Whole (Part two)
    • Ngaire Blankenberg Untitled
    • Blue
    • Joanne Arnott Mutt’s Memoir
    • Lois Robertson-Douglass No Nation Gal
    • Marilyn Elain Carmen The Issue of Skin Colour
    • Claire Huang Kinsley Questions People Have Asked Me
    • Questions I Have Asked Myself
    • Gitanjali Saxena Second Generation; Once Removed
  • My Name is Peaches… obiectification.exoticizaiton
    • Mercedes Baines Bus Fucking
    • Where Are You From? A broken record
    • Michele Chai Resistance 153
    • S.R.W. What is a “Sister”?
    • Barbara Malanka Noblewomen In Exile
    • Stephanie Martin Is true what dem seh bout colrd pussy?
    • Michelle La Flamme Yo White Boy
    • Carol Camper Genetic Appropriation
    • Family Album
  • Some More Stories
    • Annharte Emilia I Should a Said Something Political
    • Victoria Gonzalez Nicaragua, Desde Siempre: War fragments from a woman’s pen
    • Marilyn Dumont The Halfbreed Parade
    • The Red & White
    • S.R.W. For My Sister Rosemary: Just Like Mine
    • Claiming Identity: Mixed Race Black Women Speak
    • Joanne Arnott Song About
    • kim mosa mcneilly don’t mix me up
  • The Unmasking… betrayals, hard truths
    • Lorraine Mention Journal Entry: Thoughts on My “Mother”
    • Letter to a Friend
    • Nadra Qadeer To a Traveller
    • Nila Gupta Falling from the Sky
    • Rage is my sister
    • Jaimi Carter Are You Writing a Book?
    • Nona Saunders Mother Milk
    • Children’s Games
    • Pussy Willows and Pink
    • S.R.W. Untitled
    • That Just Isn’t Right
    • Michi Chase One
    • Karen Stanley Warnings (Suspense Version)
    • Joanne Arnott Little On The Brown Side
    • Speak Out, For Example
    • Anonymous White Mother, Black Daughter
    • Mixed Race Women’s Group—Dialogue Two
    • Heather Green This Piece Done, I Shall Be Renamed
    • Myriam Chancy Je suis un Nègre
    • Yolanda Retter Quincentennial Blues
  • Are We Home Yet?… return to self and cultures
    • Diana Abu-Jaber Tbe Honeymooners
    • Nona Saunders Tapestry I
    • Tapestry II Carole Gray Heritage
    • Bernardine Evaristo Letters from London
    • Ngaire Blankenberg Halifax
    • Kukumo Rocks Route to My Roots
    • Pam Bailey Naming and Claiming Multicultural Identity
    • Maxine Hayman Shortbread and Oolichan Grease
    • Seni Seneviratne Cinnamon Roots
    • Shanti Thakur Domino: Filming the Stories of Interracial People
    • Nila Gupta The Garden of My (Be)Longing 350
    • Gitanjali Saxena Gitanjali’s Bio
    • Kathy Ann March Like Koya
    • Faith Adiele Learning to Eat
    • The Multicultural Self
    • Remembering Anticipating Africa
  • Contributors’ Notes
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Creolization of the Atlantic World: The Portuguese and the Kongolese

Posted in Africa, Articles, Brazil, Caribbean/Latin America, History, Media Archive on 2011-04-15 22:19Z by Steven

Creolization of the Atlantic World: The Portuguese and the Kongolese

Portuguese Studies
Volume 27, Number 1 (2011-03-01)
pages 56-69

Francisco Bethencourt, Professor of History
King’s College, London

In the 1930s, Gilberto Freyre’s praise of mixed-race people in Brazil challenged the idea of white supremacy, contributing to the building of a new Brazilian identity. In the 1950s, Freyre projected the idea of openness and racial mixture onto the Portuguese empire, fuelling Salazar’s colonial propaganda. The idea of Lusotropicalism was contested by Marvin Harris and Charles Boxer, who demonstrated that there were very few mixed-race people in Angola and Mozambique, and exposed the long history of racism in the Portuguese colonies. However, the fashionable notions of hybridism and creolization have been putting Freyre back on the map. The article exposes the limits of Freyre’s approach of inter-ethnic relations, structured around the flexibility (or otherwise) of white colonists. It engages with the much more interesting but problematic approach suggested by Linda Heywood and John Thornton, who shifted to Kongo and African agency the creolization of the Atlantic. It suggests a reassessment of the real Christianization of Kongo and its complex chronology, drawing attention to the royal interests of conversion, the limits of conversion among the population, and the conditions for erosion of Christianity in the long run.

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Ten Questions, with Adebe DeRango-Adem

Posted in Articles, Identity Development/Psychology, Interviews, Media Archive, Women on 2011-04-15 21:42Z by Steven

Ten Questions, with Adebe DeRango-Adem

Open Book Toronto
2011-03-25

Adebe DeRango-Adem talks to Open Book about the anthology she co-edited with Andrea Thompson, Other Tongues: Mixed-Race Women Speak Out (Inanna Publications). The goal for this exciting anthology was not to nail down what identity means, but rather to open discussion and interrogate the diverse experiences of mixed-race identity and identification.
 
Open Book:
 
Tell us about the anthology Other Tongues: Mixed-Race Women Speak Out.

Adebe DeRango-Adem:
 
Other Tongues was born from a combination of necessity and a desire to see a new and refreshing literature that could be at the forefront of mixed-race discourse and women’s studies. We are very proud of the finished product and anticipate that it will make many waves in literary and academic communities across the continent!
 
OB:
 
What inspired you to put together this anthology?

ADA:
 
The idea behind this anthology of writing by and about mixed-race women in North America was planted in our minds when we each came across Miscegenation Blues: Voices of Mixed Race Women (1994), edited by Carol Camper. While we picked up this groundbreaking book at different times in our lives, the anthology had a lasting impact on both of us, an impact that would set the stage for the collaboration that became Other Tongues. We are thrilled to have had Carol Camper contribute to our anthology and continue to be inspired by the women who have responded so warmly to this book. What inspired me personally is, as many interracial women may share experientially, a feeling that my interracial history is a ripe place for critical analysis.
 
OB:
 
The subtitle, Mixed-Race Women Speak Out, suggests that identity is a significant theme for Other Tongues. What are some of the ways that your contributors approach issues of identity?
 
ADA:
 
In seeking work for this book, we asked our prospective contributors to share their own individual experiences and tell their unique stories in relation to the way(s) in which they identified themselves. This process led to the excavation of perspectives of women from diverse backgrounds, ideologies, racial mixes, ages, social classes, sexual orientations and geographical locations. This collection has become a snapshot of the North American terrain of questions about race, mixed-race, racial identity, and how mixed-race women in North America identify in the 21st Century.

Yet, Andrea and I made it clear that our agenda was not to define what or how mixed-race identity means, but to open up dialogue. Talking about identity is as dangerous as it is reifying and necessary; as contestable as it is a question of commitment. Authenticity is as much about finding oneself as it is a concept shaped by social norms. In addressing these questions, we asked the women who submitted work to be considered to make a distinction between issues of race and those of cultural identity. In Other Tongues, there are multiple visions and understandings of authenticity/identity, as exemplified by the various sections we have. Where this book treats interracial identities uniquely is in our conscious effort to link creativity to identification; recognizing our potential for creativity as a source of value for writing who we are…

Read the entire interview here.

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Transcending Blackness in the 21st Century, or How Can I Be Like Barack Obama?

Posted in Barack Obama, Communications/Media Studies, Literary/Artistic Criticism, Live Events, Media Archive, Social Science, United States on 2011-04-15 03:56Z by Steven

Transcending Blackness in the 21st Century, or How Can I Be Like Barack Obama?

Global Studies: A Member of the International Instutute
University of Wisconsin, Madison
Multiracial Tales and Multicultural Discourses
494 Van Hise Hall
2011-04-18, 17:30 CDT (Local Time)

Ralina L. Joseph, Assistant Professor of Communications
University of Washington

As “postrace” is the buzzword of the new century, and Barack Obama has quickly become a poster child of the postrace, the question arises: must multiracial African Americans metaphorically transcend blackness in order to achieve success? This talk will critique the notion that mixed-race black subjects function as bridges offering safe passage to a third, interstitial, or hybridized space. I argue that a two-sided stereotype, comprised in the “new millennium mulatta” and the “exceptional multiracial,” has arisen instead through a variety of mediated discourses.

Ralina Joseph is an Assistant Professor of Communication at the University of Washington. Her forthcoming book from Duke University Press entitled Transcending Blackness: Anti-Black Racism and African American Multiraciality from the New Milennium Mulatta to the Exceptional Multiracial investigates 1998-2008 era pop culture representations of multiracial African Americans.

For more information, click here.
View the poster in color or black-and-white.

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Mixed Race on Campus: Multiracial Student Identities and Issues in Higher Education

Posted in Campus Life, Live Events, Media Archive, United States on 2011-04-15 03:12Z by Steven

Mixed Race on Campus: Multiracial Student Identities and Issues in Higher Education

NCORE 2011
24 Annual National Conference on Race & Ethnicity in American Higher Education
San Francisco, California
2011-05-31 through 2011-06-04

Thursday, 2011-06-02, 13:15–16:15 PDT (Local Time)

Eric Hamako, Doctoral Candidate
Social Justice Education Program
University of Massachusetts, Amherst

Multiracial and Mixed‑Race students are a growing, yet under‑recognized, population at U.S. colleges and universities.  How well does your campus serve Multiracial students’ needs and Multiracial student organizations?  And how can you support improvements? 

In this interactive workshop, we’ll explore challenges facing Multiracial students and Multiracial student organizations—as well as possible solutions to those challenges.  Participants will also learn basic Multiracial terms, demography, and identity theories, as well as gain resources for learning more in the future. Participants will have the opportunity to develop personal and collaborative action plans to implement what they’ve learned. This session should particularly benefit participants interested in the success of Multiracial students and student organizations, students interested in organizing Multiracial groups, and Student Affairs professionals who are interested in policy changes to support Multiracial students.

For more information, click here.

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The Family Changes Colour: Interracial Families in Contemporary Hollywood Cinema

Posted in Articles, Literary/Artistic Criticism, United States on 2011-04-15 02:32Z by Steven

The Family Changes Colour: Interracial Families in Contemporary Hollywood Cinema

Screen
Volume 43 Issue 3 (Autumn 2002)
pages 271-292
DOI: 10.1093/screen/43.3.271

Nicola J. Evans, Lecturer of Media and Cultural Studies
University of Wollongong, New South Wales, Australia

How profound the hatred, how deep the bigotry… that wakens in this image of black life blooming within white…. It is an image that squeezes racism out from the pores of people who deny they arc racist.
Patricia Williams

In December 1998, DNA tests identified Thomas Jefferson as the father of at least one child with his black slave woman Sally Hemings. The discovery spawned numerous commentaries in the media on the significance of this finding and many large claims were made. Superficially what was at stake was the right of Hemings’s descendants to claim Jefferson as an ancestor and to be buried in the Monticello family plot, a right long contested by some of Jefferson’s white descendants who control the foundation and the graveyard. But there were many who saw the decision as symbolic not just of a past that the USA had erased, but a future towards which it might tend. For Lucian Truscott IV, a white Jeffersonian descendant who supports the Hemings’s claim, the finding affirmed that this Country ‘is a family not only in democratic theory, but in blood’? Allusions to the national family were quickly buttressed by parallels drawn between Jefferson and William Jefferson Clinton, another president accused of extramarital liaisons, whose 1992 campaign was attended by rumours that he had fathered a black child. Lisa Jones, writing in the Village Voice, summed up the tenor of many commentaries by declaring ‘I can’t think of a more potent metaphor of American race relations at the millennium than the battle over graveyard space at Monticello’.

The findings of the Monticello committee capped a decade in which a surprising number of films, both mainstream and art-house, began to explore familial ties that cross the colour line. Some of these films, such as Made in America (Richard Benjamin, 1993), Secrets and Lies (Mike Lieigh, 1996) and A Family Thing (Richard Pearee, 1996), have plots reminiscent of abolitionist literature, in which the discovery of an interracial relationship in the past throws the family into melodramatic disarray. Other films, including Six Degrees of Separation (Fred Schepisi, 1993), Smoke (Wayne Wang, 1995), Losing Isaiah (Stephen Gyllenhaal, 1995) and Finding Forrester (Gus van Sant, 2000), feature whites who become symbolic parents to black children, often with the suggestion that these metaphorical ties are more rewarding than the relationships the parents have with their own white children. The question this paper considers is whether the growing screen presence of the interracial family is a step forward in the task of imagining more democratic race relations. If our concept of the family changed colour—from white to something more multicoloured—would this strengthen and improve interracial bonds as many activists through history have insisted, or is the fight for inclusion in the family plot indeed a fight for graveyard space?

For mainstream films to be considering interracial relations at all is a departure. When it comes to race Hollywood has toed the colour line, producing either all-black films, or white-cast films with token representation of African-Americans. The rare instances in which interracial relations occur are designed to be temporary, or to end tragically. Even the black and white buddy movie, the most popular format for including interraciality, typically suppresses or evades racial issues through rousing paeans to the race-transcendent bonds of masculinity. For mainstream films to be exploring interracial families is startling. Both on screen and off, the taboo against race-mixing within the family has seemed particularly strong. In the quotation that heads this paper, Patricia Williams suggests that the image of a mother suckling a child of another race is an idea that sticks in the gullet of even those who are most liberal on race issues. Benetton, a company famous for its taboo-breaking advertisements, appeared to agree when in 1989 they cancelled a campaign that proposed to feature a poster of a black mother breast-feeding a white child.’ What is special about the family that makes the imagination balk at the prospect of race-mixing here, even when cautiously permissive of interracial friendships outside the family?

Until recently, the censorship of interraciality on screen was matched by a paucity of interracial studies in scholarship. Gregory Stephens notes the tendency among scholars to pathologize interraciality, viewing even,’ relationship that crosses racial lines as inevitably exploitative or oppressive. As Stephens points out, such an assumption enforces the colour line by making ‘any interracial relations beyond rape or genocide unimaginable . Citing Frederick Douglass s definition of racism as ‘diseased imagination’, Stephens calls us to begin the task of creating more affirmative scripts for interraciality. It is in the spirit of this work that I examine the representation of interracial families on film. While aiming to stay alert to ways such representations may recycle racist scenarios, my goal is to see whether there is material here with which to envision more equitable relations between blacks and whites across the unnatural chasm ot the racial divide.

Although this essay will focus on film, I begin with the Monticello affair because it suggests why the family is such an explosive site tor the exploration of race issues. Specifically the Monticello case points to three aspects ol the family as an ideological entity: the family as a primary measure of social well-being, the interdependency of family and narrative, and the historical opposition between family values and race values…

Read or purchase the article here.

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Representation of Coloured Identity in Selected Visual Texts about Westbury, Johannesburg

Posted in Africa, Arts, Dissertations, Literary/Artistic Criticism, Media Archive, South Africa on 2011-04-14 02:47Z by Steven

Representation of Coloured Identity in Selected Visual Texts about Westbury, Johannesburg

University of the Witwatersrand
December 2006
132 pages

Phyllis D. Dannhauser

A research report submitted to the Faculty of Humanities, University of the Witwatersrand, in partial fulfilment of the requirements for the degree of Master of Arts (Dramatic Art).

In post-apartheid South Africa, Coloured communities are engaged in reconstructing identities and social histories. This study examines the representation of community, identity, culture and historic memory in two films about Westbury, Johannesburg, South Africa. The films are Westbury, Plek van Hoop, a documentary, and Waiting for Valdez, a short fiction piece. The ambiguous nature of Coloured identity, coupled with the absence of recorded histories and unambiguous identification with collective cultural codes, results in the representation of identity becoming contested and marginal. Through constructing narratives of lived experience, hybrid communities can challenge dominant stereotypes and subvert discourses of otherness and difference. Analysis of the films reveals that the Coloured community have reverted to stereotypical documentary forms in representing their communal history. Although the documentary genre lays claim to the representation of reality and authentic experience, documentary is not always an effective vehicle for the representation of lived experience and remembered history. Fiction can reinterpret memory by accessing the emotional textures of past experiences in a more direct way.

Read the entire thesis here.

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Being and Belonging: Space and Identity in Cape Town

Posted in Africa, Anthropology, Articles, Identity Development/Psychology, Media Archive, South Africa on 2011-04-14 02:13Z by Steven

Being and Belonging: Space and Identity in Cape Town

Anthropology and Humanism
Volume 28, Issue 1 (June 2003)
pages 61–84
DOI: 10.1525/ahu.2003.28.1.61

Shannon M. Jackson, Associate Professor of Anthropology
University of Missouri, Kansas City

The post-apartheid transition has led to changes in the shape and meaning of urban space in South Africa. Cape Town is being described as a postmodern city where planning strategies and new development have begun to fragment and privatize space to the point of de-territorializing it. This has contributed to the effort by a local group, referred to as “Coloureds,” to reterritorialize Cape Town, to reinscribe history and meaning back into the urban landscape. In the process of reterritorializing the city, Coloureds are negotiating their own identities but are doing so in ways that both challenge racial boundaries and assert them. This article will explore the nature and history of the urban space being reclaimed as well as the way in which the meaning it inspires contributes to the contradictory and ambiguous quality of the boundaries of Coloured identity.

Read or purchase the article here.

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