The Hemingses of Monticello: An American Family [Review]

Posted in Articles, Book/Video Reviews, Identity Development/Psychology, Media Archive, Slavery, United States, Virginia on 2011-06-09 20:42Z by Steven

The Hemingses of Monticello: An American Family [Review]

The Journal of American History
Volume 98, Issue 1 (2011)
Pages 154-155
DOI: 10.1093/jahist/jar004

Brenda E. Stevenson, Professor of History
University of California, Los Angeles

The Hemingses of Monticello: An American Family. By Annette Gordon-Reed. (New York: Norton, 2008. 802 pp. Cloth, ISBN 978-0-393-06477-3. Paper, ISBN 978-0-393-33776-1.)

Annette Gordon-Reed’s much-lauded book (it has won the Pulitzer Prize and the National Book Award, and was a national best seller) is an ambitious attempt to re-create the lives of several generations of one slave family in the American South. Gordon-Reed traces this family from one of their original African ancestors, who arrived in Virginia during the colonial era, through the antebellum decades. This is not just any extended enslaved family, however. Her black and mixed-race subjects are the Hemingses—the founding father Thomas Jefferson’s slaves and family, by marriage and blood.

Building on the research and analysis of her book, Thomas Jefferson and Sally Hemings: An American Controversy (1997), Gordon-Reed, a legal scholar by training, adds admirably to her primary- and secondary-source research base for this work, carefully synthesizing the historiography descriptive of the social relationships in American slavery and drawing on the rich data and analysis supplied by historians and archeologists at Monticello. Gordon-Reed treats readers to a journey of no short distance (the book is almost seven hundred pages in length!) in which she explores several avenues of possibility that might shed light on the social lives, relationships, and family ties…

Read or purchase the review here.

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Thomas Jefferson and Sally Hemings: An American Controversy

Posted in Books, History, Media Archive, Monographs, Slavery, United States, Virginia on 2011-06-09 20:22Z by Steven

Thomas Jefferson and Sally Hemings: An American Controversy

University of Virginia Press
1998
305 pages
6 x 9
Paper ISBN: 978-0-8139-1833-4

Annette Gordon-Reed, Charles Warren Professor of American Legal History; Carol K. Pforzheimer Professor, Radcliffe Institute for Advanced Study; Professor of History
Harvard University

When Annette Gordon-Reed’s groundbreaking study was first published, rumors of Thomas Jefferson’s sexual involvement with his slave Sally Hemings had circulated for two centuries. Among all aspects of Jefferson’s renowned life, it was perhaps the most hotly contested topic. The publication of Thomas Jefferson and Sally Hemings intensified this debate by identifying glaring inconsistencies in many noted scholars’ evaluations of the existing evidence. In this study, Gordon-Reed assembles a fascinating and convincing argument: not that the alleged thirty-eight-year liaison necessarily took place but rather that the evidence for its taking place has been denied a fair hearing.

Friends of Jefferson sought to debunk the Hemings story as early as 1800, and most subsequent historians and biographers followed suit, finding the affair unthinkable based upon their view of Jefferson’s life, character, and beliefs. Gordon-Reed responds to these critics by pointing out numerous errors and prejudices in their writings, ranging from inaccurate citations, to impossible time lines, to virtual exclusions of evidence—especially evidence concerning the Hemings family. She demonstrates how these scholars may have been misguided by their own biases and may even have tailored evidence to serve and preserve their opinions of Jefferson. This updated edition of the book also includes an afterword in which the author comments on the DNA study that later confirmed the Jefferson and Hemngs liaison.

Possessing both a layperson’s unfettered curiosity and a lawyer’s logical mind, Annette Gordon-Reed writes with a style and compassion that are irresistible. Each chapter revolves around a key figure in the Hemings drama, and the resulting portraits are engrossing and very personal. Gordon-Reed also brings a keen intuitive sense of the psychological complexities of human relationships—relationships that, in the real world, often develop regardless of status or race. The most compelling element of all, however, is her extensive and careful research, which often allows the evidence to speak for itself. Thomas Jefferson and Sally Hemings: An American Controversy is the definitive look at a centuries-old question that should fascinate general readers and historians alike.

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The Hidden History of Mestizo America

Posted in Articles, Caribbean/Latin America, History, Media Archive, Native Americans/First Nation, United Kingdom, United States on 2011-06-08 16:12Z by Steven

The Hidden History of Mestizo America

The Journal of American History
Volume 82, Number 3 (December, 1995)
pages 941-964
5 illustrations

Gary B. Nash, Professor Emeritus of History
University of California, Los Angeles

This essay was delivered as the presidential address at the national meeting of the Organization of American Historians in Washington, March 31, 1995.

La Nature aime les croisements (Nature loves cross-breedings).
Ralph Waldo Emerson

On a dank January evening in London in 1617, the audience was distracted from a performance of Ben Johnson’s The Vision of Delight by the persons sitting next to King James I and Queen Anne: a dashing adventurer who had just returned from the outer edge of the fledgling English empire and his new wife, ten years his junior. The king’s guests were John Rolfe and his wife Rebecca—a name newly invented to anglicize the daughter of another king who ruled over a domain as big and populous as a north English county. She was Pocahontas, the daughter of Powhatan. The first recorded interracial marriage in American history had taken place because Rebecca’s father and the English leaders in the colony of Virginia were eager to bring about a detente after a decade of abrasive and sometimes bloody European-Algonkian contact on the shores of the Chesapeake Bay.

The Rolfe-Pocahontas marriage might have become the embryo of a mestizo United States. I use the term mestizo in the original sense—referring to racial intermixture of all kinds. In the early seventeenth century, negative ideas about miscegenation had hardly formed; indeed, the word itself did not appear for another two and a half centuries. King James was not worried about interracial marriage. He fretted only about whether a commoner such as Rolfe was entitled to wed the daughter of a king. Nearly a century later, Robert Beverley’s History and Present State of Virginia (1705) described Indian women as “generally beautiful, possessing uncommon delicacy of shape and features,” and he regretted that Rolfe’s intermarriage was not followed by many more.

William Byrd, writing at the same time, was still commending what he called the “modern policy” of racial intermarriage employed in French Canada and Louisiana by which alliances rather than warfare were effected. Byrd confessed his preference for light-skinned women (a woman’s skin color, however, rarely curbed his sexual appetite), but he was sure that English “false delicacy” blocked a “prudent alliance” that might have saved Virginians much tragedy. Most colonies saw no reason to ban intermarriage with Native Americans (North Carolina was the exception).

In 1784, Patrick Henry nearly pushed through the Virginia legislature a law offering bounties for white-Indian marriages and free public education for interracial children. In the third year of his presidency, Thomas Jefferson pleaded “to let our settlements and theirs [Indians] meet and blend together, to intermix, and become one people.” Six years later, just before returning to Monticello, Jefferson promised a group of western Indian chiefs, “you will unite yourselves with us,… and we shall all be Americans; you will mix with us by marriage, your blood will run in our veins, and will spread with us over this great island.”

In 1809, almost two hundred years after Pocahontas sat in the theater with James I, the sixteen-year-old Sam Houston, taking a page from the book of Benjamin Franklin, ran away from his autocratic older brothers. The teenage Franklin fled south from Boston to Philadelphia, but Houston made his way west from Virginia to Hiwassee Island in western Tennessee. There he took up life among the Cherokees and was soon adopted by Ooleteka, who would become the Cherokee chief in 1820. Reappearing in white society in 1818, Houston launched a tumultuous, alcohol-laced, violent, and roller-coaster political career, but he retained his yen for the Cherokee life. After his disastrous first marriage at age thirty-six, he rejoined the Cherokee, became the ambassador of the Cherokee nation to Washington (in which office he wore Indian regalia) in 1829, and married Ooleteka’s niece, the widowed, mixed-blood Cherokee woman Tiana Rogers Gentry.

…This brings us to a consideration of the virulent racial ideology that arose among the dominant Euro-Americans and that profoundly affected people of color. How most Americans came to believe that character and culture are literally carried in the blood, and how the idea of racial mixture was almost banished officially, has its own history. How would it come to happen, as Barbara Fields has expressed it, that a white woman can give birth to a Black child but a Black woman can never give birth to a white child? How would it come to be that the children of Indian-white marriages would contemptuously be referred to by whites as half- breeds?

The sequence of legal definitions of Blacks in Virginia demonstrates this progression. In 1785, the revolutionary generation defined a Black person as anyone with a Black parent or grandparent, thus conferring whiteness on whomever was less than one-quarter Black. Virginia changed the law 125 years later to define as “Negro,” as the term then was used, anyone who was at least one-sixteenth Black. In 1930, Virginia adopted the notorious “one-drop” law—defining as Black anyone with one drop of African blood, however that might have been determined…

There is nothing new about crossing racial boundaries; what is new is the frequency of border crossings and boundary hoppings and the refusal to bow to the thorn-filled American concept, perhaps unknown outside the United States, that each person has a race but only one. Racial blending is undermining the master idea that race is an irreducible marker among diverse peoples—an idea in any case that always has been socially constructed and has no scientific validity. (In this century, revivals of purportedly scientifically provable racial categories have surfaced every generation or so. Ideas die hard, especially when they are socially and politically useful.) Twenty-five years ago, it would have been unthinkable for Time-Life to publish a computer-created chart of racial synthesizing; seventy-five years ago, an issue on “The New Face of America” might have put Time out of business for promoting racial impurity…

Read the entire article here.

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To Intermix With Our White Brothers: Indian Mixed Bloods in the United States from Earliest Times to the Indian Removals

Posted in Books, History, Media Archive, Monographs, Native Americans/First Nation, United States on 2011-06-07 19:47Z by Steven

To Intermix With Our White Brothers: Indian Mixed Bloods in the United States from Earliest Times to the Indian Removals

University of New Mexico Press
2006
472 pages
6 x 9 in.; 10 halftones
Hardcover ISBN: 978-0-8263-3287-5

Thomas Ingersoll, Associate Professor of History
Ohio State University

“I think that I or any of my brethren have a right to choose a wife for themselves as well as the whites, and as the whites have taken the liberty to choose my brethren, the Indians, hundreds of thousands of them, as partners in life, I believe the Indians have as much right to choose their partners among the whites if they wish.”—William Apess, An Indian’s Looking-Glass for the White Man, 1833

In this groundbreaking study, Thomas Ingersoll argues the Jacksonian American Indian removal policy appealed to popular racial prejudice against all Indians, including special suspicion of mixed bloods. Lawmakers also perceived a threat to white Americans’ transatlantic reputation posed by the potential for general racial mixture, or “amalgamation.” Beginning in the 1780s, and for the ensuing half-century, alarmed government officials attempted to separate full blood and mixed-blood Indians into enclaves in the Far West, to isolate them from white migrants out of the eastern states and prevent the rise of a new, genuinely alternative mixed society.

Ingersoll begins by examining the origins and early history of mixed bloods in North America. He follows with the lives of individual mixed bloods, an exploration of how the growing mixed population informed racial thought in the Early National Period, and the role of mixed-blood chiefs in opposing the Indian Removal Act of 1830.

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Racial mixture, racial passing, and white subjectivity in Absalom, Absalom!

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, United States on 2011-06-06 04:41Z by Steven

Racial mixture, racial passing, and white subjectivity in Absalom, Absalom!

The Faulkner Journal
Volume 23, Issue 2 (Spring 2008)
pages 3-22

Masami Sugimori, Instructor of English
University of South Alabama

In his 1987 study of the critical reception of Absalom, Absalom! Bernd Engler points out that “since the mid-Seventies the only interpretations to gain favour have been those which, at least partly, regard Absalom, Absalom! as the conscious realization of an open work of art” (246). Somewhat testifying to how the text’s indeterminacy specifically concerns the interconnection of race and narrative, Engler’s survey also shows that noteworthy monographs from the decade include those concerning “Faulkner’s attitude towards racial questions” (252) as well as “the novel as a study in narratology and/or epistemology” (256). Indeed, even as Quentin and Shreve finalize their reconstruction of the endlessly uncertain past by reading Charles Bon’s white-looking body as “passing white,” Faulkner does not supply any evidence for Bon’s racial mixture outside the white character-narrators’ invention.

Engler is quick to note, however, that most race-related scholarship does not fully attend to the novel’s open-endedness, as exemplified by four studies from 1983: “Walter Taylor,  Eric J. Sundquist, Thadious M. Davis, and Erskine Peters begin, as do most others, with the dubious assumption that Bon’s identity as Sutpen’s part-negro son has been clearly established in the text” (253). And it seems that this problem is still compromising the Absalom, Absalom! scholarship. (1) For example, while critiquing the discursive domination of “‘legitimate’ white caretakers of history,” Maritza Stanchich bases her postcolonial reading upon the same white “legitimacy” and uncritically follows Quentin and Shreve’s re-creation of Bon as “a free mulatto who can ‘pass’ as white”: “When the narrators of different generations are faced with Bon, a free mulatto who can ‘pass’ as white and threatens to upset the South’s rigid race caste, their pre-Civil War and post-Civil War fears overlap and intermingle… The strategy of the narrative seeks to uphold white domination by representing all characters of color through Rosa, Quentin, General Compson and Shreve, the ‘legitimate’ white caretakers of history” (608)…

Read the entire article here.

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Les Cenelles

Posted in Anthologies, Books, Louisiana, Media Archive, Poetry, United States on 2011-06-05 23:44Z by Steven

Les Cenelles

Centenary College of Louisiana Press / Editions Tintamarre
January 2003
208 pages
ISBN: 0-9723258-9-1

Armand Lanusse

The text is in French.

With few exceptions, the poets of Les Cenelles–the very first collection of poetry by Creoles of color–do not directly address their precarious situation in a South that was ever increasingly hostile to the racial caste to which they belonged. On the contrary, a naive reader might only discover the most pedestrian sorts of romantic subjects in these poems written by seventeen free men of color. However , why would Valcour B… refer to himself as an “unrecognized son of New Orleans?” What “cruel fate” might have forced P. Dalcour into exile? What is the source of the regret, the preoccupation with departure and the fear of betrayal that seeps from every line of these works?

However gifted and diligent they might have been, free people of color were forced to live within the constraints of their fate as second class citizens. May the modern reader delve into these “modest Cenelles” conscience of the troubling context that underpins their creation. Without this awareness, the profound depths of their melancholy spirit will escape him completely.

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Racial Identity Development and Psychological Adjustment in Biracial Individuals of Minority/Minority Racial Group Descent

Posted in Dissertations, Identity Development/Psychology, Media Archive, United States on 2011-06-05 05:08Z by Steven

Racial Identity Development and Psychological Adjustment in Biracial Individuals of Minority/Minority Racial Group Descent

Marquette University
Spring 2011

Kizzie Paule Walker

A Dissertation submitted to the Faculty of Psychology in partial fulfillment of the requirments for the degree of Doctor of Philosophy

Based on the theoretical framework of symbolic interactionism and race as a social construct, individuals with biological parents racially distinct from each other have biracial identity options (i.e., Singular, Border, Protean, and Transcendent) (e.g., Rockquemore and Brunsma, 2002). The purpose of the current study was to examine factors that influenced biracial individuals’ level of racial/ethnic identity development and the impact on biracial identity and psychological adjustment (i.e., self-esteem and psychological well-being). A total of 199 biracial individuals, who ranged in age from 18 to 55 years, completed an online survey that measured factors such as the rule of hypodescent (i.e., one-drop rule), physical appearance, self-monitoring, and exposure to multicultural experiences. Although the one-drop rule was not a significant predictor of biracial identity options, there were other significant findings within this population. Physical resemblance to two or more racial groups and exposure to multicultural experiences predicted biracial individuals’ identification with a Border or Protean identity. Second, this study found that a high level of exposure to multicultural experiences best predicted a high level of ethnic identity development and positive interactions with other racial groups. Lastly, the current study found that the previously mentioned factors also contributed to biracial individuals’ psychological adjustment (i.e., self-esteem and psychological well-being). Limitations of the current study and recommendations for future research with this population were also discussed.

Read the entire dissertation here.

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Shades of gray: Black-white multiracialism in contemporary American literature

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, United States, Women on 2011-06-05 03:51Z by Steven

Shades of gray: Black-white multiracialism in contemporary American literature

York University (Canada)
2011
294 pages
Publication Number: AAT NR71345
ISBN: 9780494713457

Molly Littlewood McKibbin

A Dissertation submitted to the Faculty of Graduate Studies in English in partial fulfillment of the requirments for the degree of Doctor of Philosophy

The American construction of whiteness and blackness as dichotomous racial categories and subsequent black refashioning of the one-drop rule as a method of empowering and mobilizing African Americans have meant that whiteness has developed in terms of purity (and not-blackness) while blackness has absorbed mixture into one racial category. However, since the Civil Rights Movement and the Multiracial Movement (begun shortly after the Loving v. Virginia decision invalidated antimiscegenation laws in 1967), American treatment of racial mixture has undergone consistent change. My dissertation addresses how literature at the turn of the millennium ultimately offers a new exploration of black-white multiracialism. I examine four texts in detail: Danzy Senna’s Caucasia (1998), Rebecca Walker’s Black White and Jewish (2001), Emily Raboteau’s The Professor’s Daughter (2005), and Rachel Harper’s Brass Ankle Blues (2006).

The introduction outlines the historical development of racial blackness in the U.S. and traces the possibilities and limitations of racial identity for multiracial figures throughout African American literary history. In the first chapter, I analyze more recent multiracial theory and advocacy to establish and critique the state of current discourse surrounding (multi)racial identity and also examine the ways in which contemporary writers depict the negotiation of racial identity within a new social climate that permits self-identification but still clings to recognized labels. In the second chapter, I use white studies and an understanding of the historical development of racial whiteness in the U.S. to analyze how contemporary writing is transforming the apparent homogeneity of whiteness into a heterogeneous classification by racializing and diversifying the otherwise normative, generic category of whiteness. In the third chapter, I use the context of black racial identity politics to analyze the difficulty multiracial figures have in claiming blackness, since on the one hand they are “not black enough” to claim blackness and on the other they are seen as “race traitors” for not claiming monoracial blackness.

My research emphasizes that multiracial discourse is still in its formative stages but is working towards articulating multiracial identities and writing them into the American literary landscape even if current literature can only gesture towards such identities at present.

Table of Contents

  • Introduction: Black and White in the United States
  • Chapter One: “What are you, anyway?”: Mixture, Identity Formation, and the Social Context of Race Classification
  • Chapter Two: Racializin’ and Diversifyin’: Negotiating Whiteness
  • Chapter Three: “Black Like Me”: Negotiating Blackness
  • Conclusion: The (Continuing) Work of Multiracial Literature
  • Bibliography

Purchase the dissertation here.

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The one-drop aesthetic: How literary formalism reinvented race in the United States

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, United States on 2011-06-05 02:02Z by Steven

The one-drop aesthetic: How literary formalism reinvented race in the United States

Harvard University
2009
233 pages
Publication Number: AAT 3365201
ISBN: 9781109254617

Kevin Brian Birmingham

A dissertation presented by Kevin Brian Birmingham to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English.

The One-Drop Aesthetic argues that late twentieth-century theories of race and identity are translations of the early twentieth century’s aesthetic formalism, the New Criticism. The first cohesive formalism in the United States was an aesthetic ideology shaped by the imperfections of the South, which the southern New Critics took as a social model for their aesthetic ideals. They imagined literature not as a solid structure or an organic wholeness but as a welter of contingencies—a terrain that, like the South, was besieged by science and industry and whose beauty resided in fragments and ashes. The New Criticism was largely a dialogue between Allen Tate’s faith in transcendent wholeness and Ransom’s attention to art’s “infinite residue.”

The southern institution capable of relating fragments to organic wholes as well as bringing the idealized past into the industrialized present was, perhaps surprisingly, the cornerstone of segregation: the one-drop rule. A guiding principle of American race ideology was the belief that a trace of blackness is powerful enough to constitute blackness itself . Though it was a powerful weapon of oppression, several American writers in the twentieth century turned the implications of the one-drop rule into aesthetic virtues. Abiding, contaminating racial traces provided not only a model for cultural continuity over time and for imagining parts as transcendent wholes, but it intensified the complexity of W. E. B. Du Bois’s double consciousness, a modern American version of both Hegel’s self-consciousness and Friedrich Schiller’s aesthetics.

This project covers a fifty-year period from the New Criticism of the 1930s to the New Mestiza of the 1980s. Several writers used the idea of overwhelming racial traces to reframe the European aesthetic ideals of the eighteenth and nineteenth centuries in immediate social terms. William Faulkner’s powerful imagination of the one-drop aesthetic in his 1936 novel Absalom, Absalom! was foundational, and the unlikely inheritor of Faulkner was James Baldwin, who amplifies Faulkner’s race-based apocalyptic mode in his essays. This dissertation then turns to the central importance of the racially-mixed Schwarzkommando in Thomas Pynchon’s Gravity’s Rainbow (1973). It ends with a discussion of Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza (1987), which provides yet another vision of a lost aesthetic society recoverable from traces of both memory and blood.

Table of Contents

  • Introduction
  • Chapter One – Hellenic Dixie: The Soil of American Formalism
  • Chapter Two – The Master/Trash Dialectic: William Faulkner and the Origin of an American Aesthetic
  • Chapter Three – “History’s Ass Pocket”: The Bind of Identity and Aesthetics in James Baldwin
  • Chapter Four – Revolutionaries of the Trace: Thomas Pynchon’s Schwarzkommando and the One-Drop Sublime
  • Chapter Five – Gods Out of Entrails: The Old Aesthetic of the New Mestiza
  • Works Cited

Purchase the dissertation here.

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Passing for Black: Sermon

Posted in History, Media Archive, Papers/Presentations, Religion, Slavery, United States on 2011-06-03 04:46Z by Steven

Passing for Black: Sermon

Unitarian Church of Norfolk
Norfolk, Virginia
2010-08-29

Dr. Walter Skip Earl

OPENING WORDS

Forty-seven years ago yesterday, on August 28, 1963, before a huge crowd of African and other Americans gathered in front of the Lincoln Memorial, Dr. Martin Luther King Jr. said:

In a sense, we’ve come to our nation’s capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaranteed the “unalienable rights” of “Life, Liberty and the pursuit of Happiness”. It is obvious today that America has defaulted on this promissory note, insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the negro people a bad check, a check which has come back marked “insufficient funds.”

But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. And so, we’ve come to cash this check, a check that will give us upon demand the riches of freedom and the security of justice…

…READING:

Our reading this morning comes from the jacket (show) previews of Clarence E. Walker’s 2009 University of Virginia press, MONGREL NATION, The America Begotten by Thomas Jefferson and Sally Hemings. The term “mongrel” is usually used as a derogatory term for “Mixed Race” .

The first quote is from Annette Gordon-Reed, New York Law School and author of THE HEMINGSES OF MONTICELLO: An American Family.

America has indeed been a mongrel nation, not just in terms of blood, but in terms of culture and politics, from the very beginning. Walker very rightly challenges the assumption that the Jefferson-Hemings liaison was either unusual or exceptional.

Secondly, from the author himself, Clarence E. Walker, Professor of History at the University of California, Davis and also the author of WE CAN’T GO HOME AGAIN: An Argument about Afrocentrism.

The debate over the affair between Thomas Jefferson and Sally Hemings rarely rises above the question, “Did they or didn’t they?” But lost in the argument over the existence of such a relationship are equally urgent questions about a history that is more complex, both sexually and culturally, than most of us realize.

(T)he relationship between Jefferson and Hemings must be seen not in isolation but in the broader context of interracial affairs within the plantation complex. Viewed from this perspective, the relationship ..was fairly typical. For many, this is a disturbing realization because it forces us to abandon the idea of American exceptionalism and reexamine slavery in America as part of a long, global history of slaveholders frequently crossing the color line.

More than many other societies—and despite our obvious mixed-race population—our nation has displayed particular reluctance to acknowledge this dynamic….From Jefferson’s time to our own, the general public denied—or remained oblivious to—the possibility of the affair. Historians, too, dismissed the idea, even when confronted with compelling arguments by fellow scholars. It took the DNA finds of 1998 to persuade many (although to this day, doubters remain).

The president’s apologists, both before and after the DNA findings, have constructed an iconic Jefferson that tells us more about their own beliefs—than it does about the interaction between slave owners and slaves. Much more than a search for the facts about two individuals , the debate over Jefferson and Hemings is emblematic of tensions in our society between competing conceptions both of race and of our nation. (underlining is mine)

This sermon is not meant to be a history lesson. Nor is it meant to be a summary of the contents of MONGREL NATION.

Rather, it is my RESPONSE to having read the book. It is my attempt to react to the thesis of Clarence Walker’s latest book within the time frame of these next 15 to 20 minutes. And I appreciate your sharing this with me by listening…

Read the entire sermon here.

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