Mixed Race Studies

MLB’s Ian Desmond, in a powerful post about racism and social injustice, opts out of the 2020 season

Cable News Network (CNN)
2020-06-30

Scottie Andrew and Jillian Martin, CNN

Ian Desmond of the Colorado Rockies won’t play in the upcoming 2020 MLB season.

(CNN) Major League Baseball player Ian Desmond is opting out of the truncated 2020 season. Coronavirus concerns factored into his decision, but so did the national reckoning with racism — something Desmond says needs to happen within the league, too.

The Colorado Rockies outfielder, in a lengthy and emotional Instagram post, detailed how he made his decision and how racism impacted his life within the sport and outside of it as a biracial Black man.

Desmond, an 11-year MLB veteran, has played the past three seasons with the Rockies after signing a five-year, $70 million contract…

Read the entire article here.

After slavery, Brazil didn’t institute prohibitions of interracial relationships or draconian racial distinctions, as the United States did. The absence of a rigid racial taxonomy led to an extraordinarily mixed country, with single families composed of multiple skin tones, and far more racial fluidity.

“Every Brazilian, even the light-skinned fair-haired one carries about him on his soul, when not on soul and body alike, the shadow or at least the birthmark of the aborigine or the negro,” wrote the 20th-century Brazilian sociologist Gilberto de Mello Freyre, who examined the country’s racial mixing in the 1930s. A “paradise,” he declared Brazil, “in respect to race relations.”

Terrence McCoy, “In Brazil, the death of a poor black child in the care of rich white woman brings a racial reckoning,” June 28, 2020. https://www.washingtonpost.com/world/the_americas/brazil-racism-black-lives-matter-miguel-otavio-santana/2020/06/26/236a2944-b58b-11ea-a510-55bf26485c93_story.html.

Brit Bennett on her New Novel ‘The Vanishing Half” and the History of Racial Passing

CBS This Morning
2020-06-26

Best-selling author Brit Bennett is following the success of her critically-acclaimed debut, “The Mothers,” with a “The Vanishing Half,” a novel exploring the American history of racial passing. She joins CBS News’ Errol Barnett to discuss how the story, which opens in 1968, is particularly timely today. Bennett also shares her reaction to J.K. Rowling’s controversial statements on transgender women and how the trending #PublishingPaidMe has uncovered inequities within the publishing industry.

Listen to the episode (00:26:00) here. Download the episode here.

In Brazil, the death of a poor black child in the care of rich white woman brings a racial reckoning

The Washington Post
2020-06-28

Terrence McCoy

Demonstrators in Recife, Brazil, demand justice for the death of 5-year-old Miguel Otávio Santana da Silva, the son of a black maid who fell from the ninth floor of a building while under the watch of his mother’s white employer. (Leo Malafaia/AFP/Getty Images)

RIO DE JANEIRO — In the early days of Brazil’s coronavirus outbreak, when businesses and churches went dark, anyone who could stay home did. But not Mirtes Souza. She worked as a maid, and her duties cooking and cleaning for a wealthy family were to continue.

One day this month, she left the luxury building to walk the family’s dog, leaving her 5-year-old son, Miguel, in the care of her boss. But security footage broadcast widely in Brazil showed the woman leaving him unattended inside an elevator and the door closing.

The boy rode it to the top of the building and wandered outside. When Souza returned from the walk, she found him crumpled on the pavement outside the luxury building. He’d fallen nine floors.

“I’m a domestic worker,” Souza said in an interview. “But if I was white, and he’d been white, would this have happened?”

Sarí Gaspar, Souza’s employer, has been charged with culpable homicide in the death of Miguel Otávio Santana da Silva. She has asked for Souza’s forgiveness in a public letter…

Read the entire article here.

White Fathers and Their Black–White Biracial Sons

Marriage & Family Review
Volume 54, Issue 4 (2018)
pages 374-392
DOI: 10.1080/01494929.2017.1403994

Lorna Durrant, M.S., Graduate Teaching Assistant
Department of Family Sciences
Texas Woman’s University, Denton, Texas

Nerissa LeBlanc Gillum, Ph.D., Associate Professor
Department of Family Sciences
Texas Woman’s University, Denton, Texas

The purpose of this literature review was to ascertain the concerns of White fathers raising their biological Black–White biracial sons, as well as the concerns of the sons themselves. Nine databases were selected for this review. The criteria for this review were (a) studies with a sample or subsample of White fathers, (b) studies with a subsample of Black–White biracial male participants (c) articles from scholarly peer reviewed journals, and (d) a date range between 2000 and 2016. A total of eight articles were found that matched the criteria. Of the eight studies, seven were qualitative with the number of participants ranging from 10 to 31, and the quantitative study had 317 participants. Three concerns were revealed for White fathers: dealing with racism, access to minority culture, and teachers’ expectations. Three challenges for the sons were self-identification, force-choice dilemma, and appearance. Implications and future research are discussed.

Read or purchase the article here.

You Want a Confederate Monument? My Body Is a Confederate Monument

The New York Times
2020-06-26

Caroline Randall Williams, poet

P.S. Spencer

The black people I come from were owned and raped by the white people I come from. Who dares to tell me to celebrate them?

NASHVILLE — I have rape-colored skin. My light-brown-blackness is a living testament to the rules, the practices, the causes of the Old South.

If there are those who want to remember the legacy of the Confederacy, if they want monuments, well, then, my body is a monument. My skin is a monument.

Dead Confederates are honored all over this country — with cartoonish private statues, solemn public monuments and even in the names of United States Army bases. It fortifies and heartens me to witness the protests against this practice and the growing clamor from serious, nonpartisan public servants to redress it. But there are still those — like President Trump and the Senate majority leader, Mitch McConnell — who cannot understand the difference between rewriting and reframing the past. I say it is not a matter of “airbrushing” history, but of adding a new perspective.

I am a black, Southern woman, and of my immediate white male ancestors, all of them were rapists. My very existence is a relic of slavery and Jim Crow…

Read the entire article here.

Puerto Rico, a colony of the United States since 1898―and a colony of Spain for 400 years before ―was very much subjected, by the empires and local criollo elites, to eugenicist ideas. “Race” science, in the first-half of the twentieth century, allowed criollo elites to create new racializing parameters while inserting “progressive” measures of social hygiene, public health, and eugenics to promote ideas of modernization, progress, and civilization. These seemingly progressive ideas were cemented on the figure of “el jibaro” (a white Puerto Rican farmworker) as the mythical symbol of the Puerto Rican nation which is constructed as a product of the mixture of Black, indigenous, and Spanish. Discursively constructing Puerto Ricanness as the mixture of three “races” allows for an erasure of racialization processes and the systematic racist structure of Puerto Rican nationalism as an all-inclusive ideology of exclusion. The conflation of these three “races” to create a white/light-skinned farmworker signify an erasure of the “factors”/bodies that were assumed to compose the idea behind Puerto Rican nationalism. Additionally, by seeing these three “races” as a mere factor for the creation of the “jibaro” it invisibilized those bodies which—in the criollo elite’s views—did not belong unless they were to “better the ‘race”(an intrinsic eugenic idea rooted in popular belief around certain kinds of racial mixture “pa’ mejorar la raza”). Hence, Blackness and Indigeneity in Puerto Rico are discursively mounted to create a seemingly mixed—dare I say, post-racial—society as long as Black and indigenous bodies mix and assimilate to the “jibaro nation.” This is to say, everything that falls outside of the national symbol of the “jibaro”—which strives for a lighter skin—becomes systematically pathologized. Hence, even if mixed-race identity is assumed to be the organizing principle, it is anti-Blackness and the systemic striving to achieve whiteness that operates as the driving force of Puerto Rican society.

R. Sánchez-Rivera, “Shilling for U.S. Empire: The Legacies of Scientific Racism in Puerto Rico,” The Abusable Past, June 22, 2020. https://www.radicalhistoryreview.org/abusablepast/shilling-for-u-s-empire-the-legacies-of-scientific-racism-in-puerto-rico/.

Brit Bennett’s New Novel Explores the Power and Performance of Race

The New York Times
2020-05-26

Parul Sehgal, Book Critic

Brit Bennett, The Vanishing Half, A Novel (New York: Riverhead Books, 2020)

No nation can lay lasting claim to a genre, save perhaps one. The story of racial passing is a uniquely and intensely American form. From its earliest avatars, the 19th-century novel “Clotel,” for example, to Langston Hughes’s short stories and Nella Larsen’s 1929 masterpiece, “Passing,” to the melodrama films of the 1950s, like “Pinky” and “Imitation of Life,” it is a story central to the American imagination, re-examined and retold so regularly it seems to enjoy a perpetual heyday.

In recent years, passing narratives have shed their sentimentality and turned surreal (Boots Riley’s film “Sorry to Bother You”), comic (Spike Lee’s “BlacKkKlansman”) and playful (Mat Johnson’s novel “Loving Day”). Others have flipped the formula so that it is black identity that is coveted by characters who are racially ambiguous (in the fiction of Danzy Senna, for example) or plainly white (as in Nell Zink’s novel “Mislaid”).

Through all the ways the genre has been rewritten, its potency has remained — its singular ability to enact the notion of race as arbitrary, as a performance, as something seen through, all the while inscribing its power as a source of kinship, pain and pride. Certainly few transgressions are punished so severely in literature. To pass is to court moral ruin; it is an elective orphanhood (in “Imitation of Life,” passing results in actual matricide), depicted as a kind of amputation or suicide.

In her new novel, “The Vanishing Half,” Brit Bennett brings to the form a new set of provocative questions: What if passing goes unpunished? What if the character is never truly found out? What if she doesn’t die or repent? What then?…

Read the entire book review here.

The Color of Race in America, 1900-1940

Harvard University Press
2002-10-30
256 pages
6-1/8 x 9-1/4 inches
5 halftones, 2 maps, 2 line illustrations
Paperback ISBN: 9780674010123

Matthew Pratt Guterl, Professor of Africana Studies & American Studies
Brown University, Providence, Rhode Island

With the social change brought on by the Great Migration of African Americans into the urban northeast after the Great War came the surge of a biracial sensibility that made America different from other Western nations. How white and black people thought about race and how both groups understood and attempted to define and control the demographic transformation are the subjects of this new book by a rising star in American history.

An elegant account of the roiling environment that witnessed the shift from the multiplicity of white races to the arrival of biracialism, this book focuses on four representative spokesmen for the transforming age: Daniel Cohalan, the Irish-American nationalist, Tammany Hall man, and ruthless politician; Madison Grant, the patrician eugenicist and noisy white supremacist; W. E. B. Du Bois, the African-American social scientist and advocate of social justice; and Jean Toomer, the American pluralist and novelist of the interior life. Race, politics, and classification were their intense and troubling preoccupations in a world they did not create, would not accept, and tried to change.

Table of Contents

• Illustrations
• Introduction
• 1. Salvaging a Shipwrecked World
• 2. Bleeding the Irish White
• 3. Against the White Leviathan
• 4. The Hypnotic Division of America
• Epilogue
• Notes
• Acknowledgments
• Index

‘Big Mouth,’ ‘Central Park’ to Recast With Black Actors for Biracial Characters | THR News

The Hollywood Reporter
2020-06-24

Netflix’s animated series Big Mouth will recast the role of Missy — at the request of the actor who has voiced her thus far, Jenny Slate. Apple will also recast a biracial character, currently voiced by Kristen Bell, in its animated show Central Park.

Slate and Big Mouth’s creators said in social media posts Wednesday that they will cast a Black actor to voice the middle schooler in the future. The show has aired three seasons and is renewed through season six. The move comes as the industry continues to reckon with its record of inclusivity and representation amid nationwide anti-racist protests.

“At the start of the show, I reasoned with myself that it was permissible for me to play Missy because her mom is Jewish and White — as am I,” Slate wrote on Instagram. “But Missy is also Black, and Black characters on an animated show should be played by Black people.” (See her full statement below.)…

Read the entire article here.